Representative Albums: "Tell Him: The Decca Years," "Whatcha Gonna Do? Singles, Rarities and Unreleased 1963-1966," "Her Best: 1963-1970"
Biography
Carol Hedges was a 16-year-old aspiring singer when she was discovered as the result of a talent contest in 1962. Backed up in the competition by Cliff Bennett's support group, the Rebel Rousers, she won the contest and Bennett got her together with producer Joe Meek. Hedges was recorded by Meek with his resident group, the Tornados, without achieving success. Luckily, a neophyte music talent manager named Robert Stigwood had also seen her and liked what he heard, and he ultimately took her away from Meek. He was impressed with Hedges' singing, a white soul sound similar to (though not as powerful as) Beryl Marsden's work, and also with the fact that her two musical inspirations were Billie Holiday and Sammy Davis Jr.. Stigwood renamed her Billie Davis and teamed her with Mike Sarne, another singer he had under contract, and the two scored a novelty hit in 1962 with "Will I What." For her solo debut, he gave her a song that he had heard on a visit to America. "Tell Him" had been recorded by the Exciters, but Davis' cover, released on English Decca, made the Top Ten in England in early 1963 despite the fact that the American original actually topped the U.K. charts at the same time. Davis recorded for both English Decca and Pye Records during the early and mid-'60s without ever duplicating "Tell Him"'s success -- the closest she came to another hit was in 1968, with "I Want You to Be My Baby." Some of her work was reissued on compilation CDs, including her cover of Burt Bacharach's "The Last One to Be Loved," which appears on Sequel Records' Trains & Boats & Covers. Billie Davis is fondly remembered in England by her early pop/rock success in the pre-Beatles era. ~ Bruce Eder, All Music Guide
In February 1963 Davis had her biggest success with the cover version of The Exciters' "Tell Him", a song written by Bert Russell (sometimes known as Bert Berns) that was successfully revived in the late 1990s by Vonda Shepard, for the AmericanFoxtelevision program, Ally McBeal. Davis' recording reached number ten in the UK chart, and was followed by "He's The One", which crept into the Top 40 in May 1963.[7]
Setback
In 1963, the year in which popular music was transformed by the rise of the The Beatles, Davis left Decca records, with which she had had some financial disagreements. In September of that year, returning from a concert in Worcester,[8] she suffered a broken jaw in a road crash in the West Midlands in which Jet Harris, former bass guitarist of the Shadows, received head injuries. The reporting in the press of her association with Harris, a married man, earned Davis, still only 17, some unwelcome publicity at a difficult time and may have been one of the factors which held back her career.[citation needed] Despite the high regard in which many[who?] held her as a performer, she never achieved the fame of such contemporaries as Cilla Black or Sandie Shaw.[citation needed]
Style
Davis was an early proponent of many of the fashion styles for which the 1960s are remembered: bobbed hair, long boots of the kind popularised by Honor Blackman in early episodes of The Avengers and leather mini-skirts. She was said to have beaten the latter for 'percussive effect' when recording.[9] The biographer of the "supergroup" Cream has described her as "astonishingly photogenic".[8]
Later career
Returning to Decca in the late 1960s Davis made some recordings, including Chip Taylor's "Angel of the Morning", on which she was backed by, amongst others, Kiki Dee and P. P. Arnold. The latter recorded the song herself and had the bigger hit in 1968. Davis' final chart entry was a Northern soul version of Jon Hendricks' "I Want You to Be My Baby", originally recorded by Louis Jordan in 1952, which reached number 33 in October 1968,[7] although sales were affected by an industrial dispute at the manufacturing plant.[10]
Davis left Decca in April 1971 after a stay of eight years.[11] She continued to record into the 1980s and was popular, in particular, with audiences in the Spanish-speaking world.[citation needed] Some of her work was reissued on compilationCDs, including her cover of Burt Bacharach's "The Last One to Be Loved", which appeared on Sequel Records', Trains & Boats & Covers (1999).[4] A retrospective collection of her recordings for Decca was released in 2005.[12]
In 2006 she was re-united with Jet Harris for a series for concerts.
Discography
Hit singles
"Will I What" (as 'Mike Sarne with Billie Davis') - August 1962 - Parlophone R4932 UK #18
"Tell Him" (Russell) b/w "I'm Thankful" (Blackwell) - February 1963 - Decca F11572 UK #10
"He's The One" (Blackwell) b/w "V.I.P." (Stephens) - May 1963 - Decca F11658 UK #40
"I Want You To Be My Baby" - October 1968 - Decca F12823 UK #33