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Billy Preston

 

pianist; singer; songwriter

Personal Information

Born on September 9, 1946, in Houston, TX; son of Robbie (a funeral home secretary)
Religion: Baptist.

Career

Directed church choirs in childhood; played the young W.C. Handy in film St. Louis Blues, 1958; toured Europe with Little Richard, 1962; released debut album Sixteen Year Old Soul, 1963; released album The Most Exciting Organ Ever, 1965; appeared on television series Shindig, mid-1960s; recorded with the Beatles, 1968-69; signed to Apple label, 1969; recorded and performed with George Harrison, 1971; signed to A & M records, 1971; released hit records "Will It Go Round In Circles?," 1973, and "Nothing from Nothing," 1974; wrote song "You Are So Beautiful," recorded by Joe Cocker and others, 1975; recorded duet album with Syreeta Wright, 1981; music director, David Brenner Show, 1986; numerous recordings as session man, mid-1990s; recorded gospel music, late 1990s.

Life's Work

Billy Preston is known to the musical world for a string of pop and R & B hits in the 1970s, in particular for the enigmatic "Will It Go Round in Circles?" Less well known is the fact that Preston was one of the most active and sought-after session keyboard players in rock music. He played keyboards on many hit recordings with superstars such as the Beatles, the Rolling Stones, Bob Dylan, and other artists. As a musician who thrived on constant activity, Preston was dragged down by the perils of cocaine addiction, and experienced severe personal difficulties in the 1990s. But he remained a much-revered and much-loved icon of modern pop keyboard playing.

One of four children, William Everett Preston was born in Houston, Texas, on September 9, 1946. His parents were divorced when he was a year old, and his mother moved the family to south central Los Angeles and took a job as a funeral home secretary. She also played the organ at the city's historic Victory Baptist Church, and by the time he was three, Preston was sitting at the family piano in his sister's lap, playing back tunes he had heard. When he was seven, the church's choir director noticed Preston imitating his conducting motions and put him in front of the group. That turned into a regular Sunday choir-directing slot. "Here was a 150-voice choir of adults directed by this little kid," Preston told New Times Los Angeles, adding, "I loved it."

Appeared in Film at Age 12

By the time he was ten, Preston was backing visiting gospel giants such as Mahalia Jackson and the Rev. James Cleveland on keyboards, and was the youngest member ever in the local musicians' union. In 1958 Preston appeared in the film St. Louis Blues, performing the role of blues bandleader W.C. Handy as a child. Preston's gospel performances around Los Angeles drew the notice of rock-and-roll star and ordained minister Little Richard, who asked Preston to join his gospel-oriented tour of Europe in 1962.

The European trip had several important effects. Preston ended up playing both gospel music and Little Richard's secular hits, energizing crowds with the powerful tones of a Hammond B3 organ. Partly due to Preston's influence, the instrument became central to many recordings in the genre that would soon be called rock. He met the four members of the Beatles--a rising English band who opened several concerts for Little Richard. "I used to stand on the side of the stage and watch them work," Preston said in an an interview quoted in the St. Petersburg Times. "I thought they were sharp, good-looking guys. And they were different from all the other bands." He met soul vocalist Sam Cooke and played in his tour band after Little Richard's tour ended. The 16-year-old Preston drank vodka, and not long after that began experimenting with cocaine.

Back in the United States, Preston appeared on Cooke's hit "Little Red Rooster," and recorded an album of his own, Sixteen-Year-Old Soul, for Cooke's Derby label. He followed that up in 1964 with The Most Exciting Organ Ever, recorded for Vee Jay, the U.S. label that distributed the Beatles' early recordings. That was followed by two more electric organ recordings for the Capitol label. Preston's records led to a band slot and some solo appearances on the Shindig television series, featuring both his singing and keyboard playing.

Two important musicians saw Preston's Shindig appearances--pop singer and keyboardist Ray Charles hired Preston for his own European tour, and Beatle George Harrison invited Preston to join the Beatles at their upcoming recording sessions in England. Preston performed the jazzy electric piano part on the Beatles' "Get Back," one of their major hits of the late 1960s. In its original release the song was credited as "The Beatles with Billy Preston," the only time the band shared billing with a collaborator in its entire career. Preston appeared on the Beatles' last two albums, Abbey Road and Let It Be. He played on Harrison's triple LP All Things Must Pass and at the giant Concert for Bangladesh benefit, where he sang his gospel trademark, "That's the Way God Planned It."

Developed Hit Song from Chance Remark

Preston himself was subsequently signed to the Beatles' Apple label, and after recording two moderately successful albums for Apple, That's the Way God Planned It and Encouraging Words, Preston signed with the A & M label in 1971. That inaugurated the prime hitmaking period of Preston's career. He topped R&B charts and had major pop success with the instrumental "Outa Space" in 1972, and notched his first number one pop song with "Will It Go Round in Circles?" the following year. The lyrics of the song grew from a remark Preston made to songwriting partner Bruce Fisher that he had a song with no melody. It first appeared on Preston's 1972 Music in My Life album, and its near-universal familiarity was cemented in 2001 when it was used in a television auto commercial featuring golfer Tiger Woods.

Preston hit the top of the charts again in 1974 with "Nothing from Nothing," and had several other hits on A & M. He toured with the Rolling Stones in the mid-1970s and enjoyed the beginning of massive royalty payments for his popular 1975 composition "You Are So Beautiful." The song was originally recorded by British rock singer Joe Cocker and later covered by artists ranging from country-pop vocalist Kenny Rogers to modern romancemeister Kenneth "Babyface" Edmonds. Preston played keyboards on a startling variety of what are now considered to be classic rock and soul albums, including the Rolling Stones' Sticky Fingers, Sly and the Family Stone's There's a Riot Goin' On, and Bob Dylan's Blood on the Tracks.

"With You I'm Born Again," Preston's 1979 duet with vocalist Syreeta Wright, brought him another number one single, and by the early 1980s Preston was living in a Topanga Canyon mansion, making an estimated $20,000 a week, and driving a white Rolls-Royce. He was also in the grip of a cocaine addiction that by his own estimate cost him as much as $1,000 a day. Preston, one of the hardest workers in show business, stayed afloat for a time, even though his string of hits was at an end. He became musical director for comedian David Brenner's late-night television talk show in 1986, often appearing on the air under the influence of cocaine, and toured with the band of ex-Beatle Ringo Starr in the late 1980s.

Frequented Open-Air Drug Market

In 1989 Preston's high life began to unravel. He was hospitalized twice that year for drug-induced heart seizures and arrested twice for drunk driving. Rehabilitation efforts failed, and Preston began buying and using drugs openly in Los Angeles's MacArthur Park. "Cops would drive by and just let it go," he told People. "They figured we were all killing ourselves anyway." In 1991 Preston was charged by two Mexican laborers with attempted sexual assault at knifepoint. Preston denied the charges, which were eventually dropped, but during the ensuing investigation police found cocaine in the singer's home.

A court-ordered stint in California's Promises Residential Treatment Center was temporarily successful, and by 1997 Preston had resumed his busy schedule. That year he appeared on albums by Art Garfunkel, the Rolling Stones, BeBe Winans, and Enrique Iglesias, among others. The same year, however, he failed a drug test and spent 60 days in jail in Culver City, California. Released on probation, he landed what seemed like a perfect job, portraying an organist on the television sitcom The Good News. But Preston once again tested positive for drug use and in November of 1997 was sentenced to three years in prison. Another year was added to his sentence when he was convicted of having arranged a fake burglary of his house in 1994.

Started Prison Choir

Preston was released after 18 months in California's Avenal State Prison, during which he gave up drugs cold turkey. His fellow inmates, he said, made his ordeal easier: "People knew who I was, they felt sorry for me," he told the New Times Los Angeles. "They were happy to see that I was getting it together." Preston made music constantly, performing at prison church services and starting a choir during his incarceration. He returned to the road once again after his release from prison.

In 2001 Preston was slated to join the band of rock guitarist Eric Clapton for Clapton's world tour, but during the tour's first few dates he complained of leg pain. Hospitalized in Nashville, Preston was diagnosed with chronic kidney disease. "He was within 72 hours of an all-out catastrophe," Preston's manager, Joyce Moore, told the New Times Los Angeles. But dialysis treatments, which Preston would undergo three times a week while on tour, saved his life, and he became a candidate for a kidney transplant.

The early 2000s saw Preston returning to his roots, leading the choir at Los Angeles's Brookins AME Community Church, and moving in with several family members, including his 87-year-old mother, Robbie. He was still a powerful draw when on tour, and the frequency with which hip-hop and electronic musicians sampled his classic recordings of the 1970s has testified to their distinctive sound and to Preston's importance in the African-American musical tradition. Indeed, the histories of pop, rock, and R&B have all included prominent chapters devoted to Billy Preston's music.

Works

Selected discography

  • The Wildest Organ in Town, Capitol, 1967.
  • The Wildest Organ Ever, Vee Jay, 1967.
  • That's the Way God Planned It, Apple, 1969.
  • Encouraging Words, Apple, 1969.
  • I Wrote a Simple Song, A & M, 1971.
  • Music Is My Life, A & M, 1972.
  • Everybody Likes Some Kind of Music, A & M, 1973.
  • The Kids and Me, A & M, 1974.
  • It's My Pleasure, A & M, 1975.
  • Billy Preston, A & M, 1976.
  • A Whole New Thing, A & M, 1977.
  • Billy and Syreeta, Motown, 1981.
  • Minister of Music, Pepperco, 1995.
  • Ultimate Collection, Hip-O, 2000.
  • Music from My Heart, MCG, 2001.

Further Reading

Books

  • Pareles, John, and Patricia Romanowski, The Rolling Stone Encyclopedia of Rock & Roll, Rolling Stone Press, 1983.
Periodicals
  • Columbus Dispatch, May 14, 1992, p. Features-8.
  • Jet, November 24, 1997, p. 62.
  • New Times Los Angeles, August 16, 2001, Music/Features section.
  • People, December 21, 1992, p. 59.
  • St. Petersburg Times, July 22, 1988, p. Weekend-21.
  • USA Today, June 4, 2001, p. D2.
On-line
  • "Billy Preston," All Music Guide, www.allmusic.com (March 27, 2003).
  • "Billy Preston," Biography Resource Center Online, www.galenet.com/servlet/BioRC (March 27, 2003).

— James M. Manheim

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Biography

It's advantageous to get an early start on your chosen career, but Billy Preston took the concept to extremes. By age ten he was playing keyboards with gospel diva Mahalia Jackson, and two years later, in 1958, he was featured in Hollywood's film bio of W.C. Handy, St. Louis Blues, as young Handy himself. Preston was a prodigy on organ and piano, recording during the early '60s for Vee-Jay and touring with Little Richard. He was a loose-limbed regular on the mid-'60s ABC TV series Shindig, proving his talent as both vocalist and pianist, and he built an enviable reputation as a session musician, even backing the Beatles on their Let It Be album. That impressive Beatles connection led to Preston's big break as a solo artist with his own Apple album, but it was his early-'70s soul smashes "Outa-Space" and the high-flying vocal "Will It Go Round in Circles" for A&M that put Preston on the permanent musical map. Sporting a humongous Afro and an omnipresent gap-toothed grin, Preston showed that his enduring gospel roots were never far removed from his joyous approach. He continued to perform and record throughout the '80s, '90s, and 2000s, until he fell into a coma caused by pericarditis late in 2005; sadly, he never regained consciousness and passed away on June 6, 2006. ~ Bill Dahl, Rovi
Wikipedia on Answers.com:

Billy Preston

Top
Billy Preston

Billy Preston visiting the White House in 1974
Background information
Birth name William Everett Preston
Born September 2, 1946(1946-09-02)
Houston, Texas,
United States
Died June 6, 2006(2006-06-06) (aged 59)
Scottsdale, Arizona,
United States
Genres R&B, rock, soul, funk, gospel
Occupations Musician, songwriter, bandleader, actor
Instruments Keyboards, organ, piano, electric piano, vocals, harpsichord, accordion, drums
Years active 1956–2005
Labels Derby, Vee-Jay, Apple Records, Capitol, Buddah, A&M, Motown
Associated acts Sam Cooke, The Beatles, Sly & the Family Stone, King Curtis, The Rolling Stones, Eric Clapton
Website Billy Preston.net
Notable instruments
Hammond B3 organ
Baldwin Piano
Fender Rhodes Electric Piano

William Everett "Billy" Preston (September 2, 1946 – June 6, 2006) was a musician who gained notoriety and fame, first as a session musician for the likes of Sam Cooke, Ray Charles and The Beatles, and later finding fame as a solo artist with hits such as "Space Race", "Will It Go Round in Circles" and "Nothing from Nothing".

Alongside Tony Sheridan, Billy Preston was the only other musician to be credited on a Beatles recording after he was credited on the group's number-one hit, "Get Back", with the record title listed as The Beatles with Billy Preston.

Contents

Early life and career

William Everett Preston was born on September 2, 1946 in Houston, Texas. At the age of three, the family moved to Los Angeles where Preston began playing piano while sitting on his mother Robbie's lap. Noted as a child prodigy, by the age of ten, Preston was playing organ onstage backing several gospel singers such as Mahalia Jackson, James Cleveland and Andrae Crouch. At twelve, he appeared in the Nat King Cole-starring W.C. Handy biopic, St. Louis Blues, playing Handy at a younger age; a year prior, he appeared on Cole's national TV show singing the Fats Domino hit, "Blueberry Hill".

In 1962, he joined Little Richard's band as an organist and it was while performing in Hamburg that Preston met The Beatles. In 1963, he performed organ on Sam Cooke's Night Beat album and released his first gospel album, 16 Years Soul, that same year. In 1965, he released his secular debut album, The Most Exciting Organ Ever, and that same year played organ and performed on the rock and roll show, Shindig!. In 1967, he joined Ray Charles' band. Following his exposure with Charles, several musicians began asking Preston to come to sessions, most notably The Beatles, who asked him to contribute to two of their albums, Abbey Road and Let It Be.

Relationship with The Beatles

Preston is one of several people sometimes referred to by outsiders as a "Fifth Beatle." At one point during the Get Back sessions, John Lennon even proposed the idea of having him as the "Fifth Beatle" (to which Paul countered that it was bad enough with four).[1] Preston first met The Beatles in 1962 while part of Little Richard's touring band, when their manager Brian Epstein organized a Liverpool show, at which The Beatles opened. The Washington Post explained their subsequent meeting:

They'd hook up again in 1969, when The Beatles were about to break up while recording the last album they released, Let It Be (they would later record Abbey Road, which was released prior to Let It Be). George Harrison, always Preston's best Beatles buddy, had quit and walked out of the studio and gone to a Ray Charles concert in London, where Preston was playing organ. Harrison brought Preston back to the studio, where his keen musicianship and gregarious personality temporarily calmed the tension.[2]


Preston played with The Beatles for several of the Get Back sessions, some of the material from which would later be culled to make the film Let it Be and its companion album, during which he joined the band for its rooftop concert, its final public appearance.[2] "Get Back", one of the album's singles, was credited to "The Beatles with Billy Preston," the only time such a joint credit had been given on an official Beatles-sanctioned release (as distinct from an unsanctioned reissue of some Hamburg-era recordings on which they were the backing group for Tony Sheridan). The credit was bestowed by The Beatles to reflect the extent of Preston's presence on the track; his electric piano is prominent throughout and he plays an extended solo. Preston also worked (in a more limited role) on the Abbey Road album, contributing to the tracks "I Want You (She's So Heavy)" and "Something."

In 1978, he appeared as Sgt. Pepper in Robert Stigwood's film Sgt. Pepper's Lonely Hearts Club Band, which was very loosely based on The Beatles' album of the same name.

Post-Beatles solo career

Preston singing at the piano in 1971

Signed to The Beatles' Apple Records label, in 1969, Preston released the album That's the Way God Planned It and a single of the same name (produced by George Harrison). His relationship with Harrison continued after the breakup of The Beatles; he was the first artist to record "My Sweet Lord", in his album Encouraging Words (Harrison's own version of the single hit number one in the US and the UK and was the first number one by a former Beatle after they disbanded) and he was on several of Harrison's 1970s solo albums. Preston also made notable contributions to The Concert for Bangladesh, the Harrison-organized charity concert, toured with Harrison on his 1974 tour of North America and, after Harrison's death, The Concert for George. Preston also worked on solo records by two other ex-Beatles, John Lennon and Ringo Starr. After the Encouraging Words album, Preston left Apple and signed with Herb Alpert's A&M Records.

His solo career also peaked at this time, beginning with 1972's "Outa-Space", an instrumental track that further popularized the sound of the clavinet in funk music. The song reached #2 on the US Hot 100, #1 on the R&B chart, and won the Grammy Award for Best Pop Instrumental Performance. It sold over one million copies, and was awarded a gold disc by the R.I.A.A. in June 1972.[3]

Over the next two years, he followed up with the #1 hits "Will It Go Round in Circles" and "Nothing From Nothing", and the #4 hit "Space Race". All three releases each sold in excess of one million copies.[3] American Bandstand host and executive producer Dick Clark enjoyed "Space Race" so much that he used the instrumental for the mid-show break for virtually the remainder of its run.[citation needed]

Preston supporting The Rolling Stones on their Tour of the Americas, July 23, 1975

After working with The Beatles, Preston played keyboards for The Rolling Stones, alongside pianists Nicky Hopkins and Ian Stewart. Preston appears on the Stones' albums Sticky Fingers, Exile on Main Street, Goats Head Soup, It's Only Rock'n Roll and Black and Blue. He toured as a support act on their 1973 European Tour and recorded his live album Live European Tour 1973 in Munich with Mick Taylor on guitar that same year. In 1974 he composed one of Joe Cocker's biggest hits, "You Are So Beautiful". On October 11, 1975, he was the first musical guest on Saturday Night Live's series premiere episode (along with Janis Ian). Also in that year, and in 1976, he again accompanied the Stones on vocals and keyboards. This time he played two of his own songs, backed by the Stones, in the middle of every concert. Preston's 1973 Do You Love Me was the basis for the Stones' Melody on their 1976 Black and Blue album. The Stones and Preston parted company in 1977, mainly due to a row over money. He continued to play on solo records by Stones members and made appearances again on the Stones' 1981 Tattoo You and 1997 Bridges to Babylon albums.

Preston's solo career began a decline in 1976. After years with A&M Records, Preston switched labels, moving to Motown Records where, in 1980, Preston had a top ten hit duet with Syreeta Wright with the ballad "With You I'm Born Again" that reached number four on the charts in the US. When Preston failed to match its success, the musician left the label in 1984 and promptly settled on session work from then on.

Legal Troubles

In 1991 he was arrested and convicted for insurance fraud after setting fire to his own house in Los Angeles,[4] and he was treated for alcohol and cocaine addictions. He also was arrested in 1991 for sexually assaulting a 16 year-old Mexican boy, after picking him up at a gathering point for day laborers.[5] After submitting to a drug test, he tested positive for cocaine. That year, he entered no-contest pleas to the cocaine and assault charges. He was sentenced to nine months at a drug rehabilitation center and three months of house arrest.

Preston overcame his problems in the early 1990s, toured with Eric Clapton, recorded with Gary Walker, one of the vocalists in his Los Angeles based band, and worked with a wide range of other artists. He also toured with Ringo Starr and appeared on the 1990 live album Ringo Starr and His All-Starr Band. He was also invited to become a member of The Band in 1991, after the death of their piano player, Stan Szelest. He completed a tour, but his above-mentioned legal problems put an end to the collaboration before they had a chance to record together in the studio.

Later Work

In 1997-1998, Billy Preston played organ during the choir numbers on the UPN comedy show Good News.

While touring and fighting his own health problems, Preston received the news that on 29 November 2001, his old friend George Harrison had died after a long battle with throat cancer. Preston, among many of Harrison's longtime friends, performed in the 2002 Concert for George in London, England, to play a tribute song. Preston participated in the concert at the Royal Albert Hall, and his performance of "My Sweet Lord" has received critical acclaim. Preston played the Hammond organ for the show and sang "Isn't It a Pity" and "My Sweet Lord" plus backing vocals on most of the other songs. Ringo Starr called him one of the greatest Hammond players of all time (in the theatrical version of the concert).

In 2002, he appeared on the Johnny Cash album American IV: The Man Comes Around, playing piano on "Personal Jesus" and "Tear Stained Letter".

He toured with The Funk Brothers and Steve Winwood in Europe in early 2004 and then with his friend Eric Clapton in Europe and North America.

In 2004, Preston performed as a jazz organist with a solo on Ray Charles' Genius Loves Company duets album teaming up with Charles and Norah Jones on the song "Here We Go Again"

In 2005, he recorded "Go Where No One's Gone Before", the main title song for the anime series L/R: Licensed by Royalty.

Preston played clavinet on the song "Warlocks" for the Red Hot Chili Peppers album Stadium Arcadium released in 2006. Although very ill by this point, he jumped out of his bed after hearing a tape of the song given to him by the band, recorded his part, and went back to bed.[6] Preston's final contributions were the gospel-tinged organ on the Neil Diamond album 12 Songs, and his keyboard work on The Road to Escondido by Eric Clapton and J. J. Cale, and some of the first tracks on the Reach album by Is'real Benton.

In March 2005, Preston appeared on the American Idol's fourth season finale. Playing piano, he performed "With You I'm Born Again" with Vonzell Solomon, who finished in third place.

Preston made his last public appearance in late 2005 at the Los Angeles press junket for the re-release of the Concert for Bangla Desh movie. He was in good spirits and talked to many in the press. Afterwards he played a three song set of "Give Me Love", "My Sweet Lord" and "Isn't It a Pity", featuring Dhani Harrison on guitar and Ringo Starr on drums for the final song only.

There still remains an unreleased CD of Beatles covers that he had been working on for several years before his death. Many tracks from this CD were previewed by him at The Fest for Beatles Fans shows in the years before his death.

Jazz musician Miles Davis was heavily influenced by Preston's music during his funk rock period of the early 1970s. The 1974 album Get Up With It features a track called "Billy Preston" in his honor.

Death

Preston had battled kidney disease in his later years, brought on by his hypertension. He received a kidney transplant in 2002, but his health continued to deteriorate. He died on June 6, 2006 in Scottsdale, Arizona, of complications of malignant hypertension that resulted in kidney failure and other complications. He had voluntarily entered a drug rehabilitation clinic in Malibu, CA, at the suggestion of guitarist Is'real Benton and suffered pericarditis there, leading to respiratory failure that left him in a coma from November 21, 2005.[7] His funeral was held on June 20 at the Faithful Central Bible Church in Inglewood, California, where his remains were interred at Inglewood Park Cemetery, Inglewood, California.[citation needed]

Discography

Albums

Gospel albums

  • (1962) Sixteen Years Old Soul
  • (1965) Hymns Speak from the Organ
  • (1973) Gospel In My Soul (Re-edition of Hymns Speak from the organ)
  • (1978) Behold!
  • (1980) Universal Love
  • (1994) Ministry of Music
  • (1995) Minister of Music
  • (1996) Words and Music
  • (2001) Music From My Heart

Singles

  • 1965: "Billy's Bag" / "Goldfinger" (President PS 263)
  • 1969: "That's the Way God Planned It" - US Pop #62, UK #11
  • 1971: "My Sweet Lord" - US Pop #90, US R&B #23
  • 1972: "I Wrote a Simple Song" - US Pop #77
  • 1972: "Outa-Space" - US Pop #2, US R&B #1, UK #44
  • 1972: "That's the Way God Planned It" (re-release) - US Pop #65
  • 1972: "Slaughter" - US Pop #50, US R&B #17
  • 1973: "Will It Go Round in Circles" - US Pop #1, US R&B #10
  • 1973: "How Long Has The Train Been Gone"
  • 1973: "Space Race" - US Pop #4, US R&B #1
  • 1974: "You're So Unique" - US Pop #48, US R&B #11
  • 1974: "Nothing from Nothing" US Pop #1, US R&B #8
  • 1974" "Struttin'" - US Pop #22, US R&B #11
  • 1975: "Fancy Lady" - US Pop #71, US R&B #23
  • 1977: "Wide Stride" - US R&B #33
  • 1978: "Get Back" - US Pop #86
  • 1979: "With You I'm Born Again" (with Syreeta Wright) - US Pop #4, UK #2
  • 1980: "It Will Come in Time" (with Syreeta Wright) - UK #47
  • 1980: "One More Time for Love" (with Syreeta Wright) - US Pop #52
  • 1982: "I'm Never Gonna Say Goodbye" - US Pop #88
  • 1986: "So Good, So Fine" (with Ann-Louise Hanson)
  • 2003: "Go Where No One's Gone Before"[8]

As a guest/session performer

References

  1. ^ The Beatles - A/B Road: The Complete Get back Sessions, January 24th
  2. ^ a b Harrington, Richard (June 8, 2006). "'Fifth Beatle' Billy Preston Made the Greats Even Greater". Washington Post. http://www.washingtonpost.com/wp-dyn/content/article/2006/06/07/AR2006060702166.html. Retrieved 2008-10-02. 
  3. ^ a b Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. pp. 319, 334 & 349. ISBN 0-214-20512-6. 
  4. ^ Obituary: Billy Preston, 59, renowned keyboardist - International Herald Tribune
  5. ^ "Singer Billy Preston Arrested in Sex Case" at latimes.com
  6. ^ Red Hot Chili Peppers - Peppers Get Sick Preston Out Of Bed
  7. ^ Pareles, Jon (June 7, 2006). "Billy Preston, 59, Soul Musician, Is Dead; Renowned Keyboardist and Collaborator". New York Times. http://www.nytimes.com/2006/06/07/arts/07preston.html?_r=1&oref=slogin&pagewanted=all. Retrieved 2008-06-28. "Billy Preston, the splashy gospel-rooted keyboardist whose career included No. 1 solo hits and work with The Beatles and The Rolling Stones, died yesterday in Scottsdale, Ariz. He was 59." 
  8. ^ Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 436. ISBN 1-904994-10-5. 

External links


 
 
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