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Black Boy

 
 

Richard Wright's 1945 autobiography Black Boy covers his life from four years of age to the moment of his departure from the South (Memphis, Tennessee, where he had earlier migrated from Mississippi) to the North (Chicago) at nineteen. Its subject and title place it in the tradition of African American autobiography, beginning with the nineteenth-century slave narrative, a genre in which the autobiographer describes the particularities of his own life in order to speak of the situation and condition of the race in general. While presenting the details of one life, Black Boy is intended to reveal the horrors, cruelties, and privations undergone by the masses of African Americans living in the South (and in the United States as a whole) during the first decades of the twentieth century.

Originally Wright's Black Boy was the first section of a much longer work titled American Hunger and divided into two parts: “Southern Night”, detailing Wright's early life in the South, and “The Horror and the Glory”, treating his life in Chicago and describing racism northern style. After Harper & Brothers received the manuscript from Wright, they submitted it to the Book-of-the-Month Club for consideration as a monthly selection. The club agreed to accept it on condition that its first section alone, later titled by Wright Black Boy, be published. The complete text of the second section of American Hunger was first published in 1977 by Harper & Row. The entire work, composed of both sections, as Wright originally wrote it, was published for the first time in 1992 by the Library of America.

One of the primary themes of Wright's autobiographical narrative involves the influence of racism on the personal interrelations not only among the individuals of the oppressed group but within the family itself. The first episode of the narrative, in which Wright at four years of age innocently burns down the family home, has no racial implications per se, but the response of his mother does. As punishment Wright is so severely beaten with a tree limb that he lapses into semi-consciousness and requires the attention of a physician. The mother's response is in direct correlation to the family's economic circumstance. They are poor because they are black, and the harshness of his punishment reflects the degree of the family's economic loss. On another occasion, when Wright is badly cut behind the ear by a broken bottle in a fight between black and white boys, his mother, instead of extending the comfort and sympathy ordinarily expected of a parent toward a wounded child, beats him to warn him of the dangers of fighting whites.

Black Boy's historical significance lies in its recapitulation of the thrust of black autobiography in its use of the form as a means of righting social wrong. Other African American writers have used literature to perform this function, but none before Wright had been as outspoken. In episode after episode Wright describes through his own experience of racial repression that was undergone by millions of his brothers and sisters. At the same time, he relates the story of his own growth.

Bibliography

  • Michel Fabre, The Unfinished Quest of Richard Wright, 1973

Donald B. Gibson

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Notes on Novels: Black Boy
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Contents:

Author Biography
Plot Summary
Characters
Themes
Style
Historical Context
Critical Overview
Criticism
Sources
For Further Study


Richard Wright made a masterful recording of his own life in the form of the novel Black Boy: A Record of Childhood and Youth. The work earned him a place as "father" of the post-WWII black novel and precursor of the Black Arts movements of the 1960s. Published in 1945 as a Book-of-the-Month Club selection, Black Boy was received enthusiastically by the reading public and topped the best-seller lists, with 400,000 copies sold. The commercial success of this novel secured for Wright what his acclaimed novel of 1940, Native Son, had demanded. With these two works, Richard Wright is correctly said to be one of the most powerful forces in twentieth-century American literature. Without doubt, he is the most powerful influence on modern African American writing due to his impact on James Baldwin (Another Country, 1962), and Ralph Ellison (Invisible Man, 1953).

Black Boy is an autobiographical work in which Wright adapted formative episodes from his own life into a "coming of age" plot. In the novel, Richard is a boy in the Jim Crow American South. This was a system of racial segregation practiced in some states of the U.S., which treated blacks as second-class citizens. In his novel, Wright emphasizes two environmental forces of this system: hunger and language. He shows how hunger drives the already oppressed to even more desperate acts, and his emphasis on language explains how he managed to survive Jim Crow: by developing an attention to language as a coping mechanism for the surface world of life. Meanwhile, literature offered him internal release from the tensions of living without the freedom to express his dignity as a human being. Thus, Wright's novel is a powerful story of the individual struggle for the freedom of expression.

 
Wikipedia: Black Boy
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Black Boy  
Perennial Classics edition cover
Author Richard Wright
Country United States
Language English
Genre(s) Autobiography, Non-fiction
Publisher Harper Collins
Publication date 1945
Media type paperback
Pages 448 p.
ISBN 0-061-13024-9
Preceded by 12 Million Black Voices: A Folk History of the Negro in the United States
Followed by The Outsider

Black Boy (1945) is an autobiography by Richard Wright. Depicting Wright's life in great detail, the book tells the story of his troubled youth and race relations in the South. It is about the many strugles that a person of his race must go through in order to survive in the early 1900's. In the story, Richard is a non religious child who grows up in a racist world. Snd he must overcome those strugles in order to bring himself and loved family members to the north. There he becomes involved with the comunist party. Also in the story, Richard is a very lonely person which allows him to realize the many advantages of reading books.

Contents

Synopsis

Richard Wright described himself growing up in Mississippi with family members who embraced religion. On one occasion, to get back at his father for making him feel powerless, Richard took a more literal interpretation of the command to kill a kitten in order to defy him. He hung the kitten by the neck. His plan backfired when his mother and brother instilled in him guilt; his mother instructed him to take down the kitten and give it a proper burial.

Young Richard's father ended up leaving the family for another woman, further aggravating Richard's hatred for him. Even when Richard's mother was struggling and battling sickness to support him and his brother, he refused to live with his father and new wife, who offered a more comfortable living situation, on principle. He described his father as a simple man who had allowed himself to be mentally enslaved; pity was another potent emotion that Richard expressed regarding his father.

When his mother became too ill to work, the family went to live with Richard's grandmother. While at first the Seventh-day Adventist woman was happy to see her daughter and grandchildren, and food was more plentiful than it had been before, conditions later changed and Richard found himself drinking water all day to avoid hunger pangs. He knew that he had to start working at a young age in order to be independent, but this conflicted with his grandmother's religious views. Richard's obvious disinterest in church later convinced her that he was a lost soul and she reluctantly allowed him to get a job. His lack of religious commitment was noticeable not only to his grandmother but to other relatives who came to live with them during hard times. His aunt and grandmother marked him "dead" because of his agnosticism. During these trying times, his sick mother became his only ally. His brother was taken in by relatives as it became clear that Richard's mother had health issues that were not improving.

Wright experienced sporadic schooling throughout his young life due to the constant moving that his family did to try to avoid constantly looming poverty. He soon realized that with the proper reading materials he could teach himself. Various demeaning jobs, one of which involved him delivering racist newspapers to the colored community, and family alienation, accelerated his escape into horror and mystery short stories and novels. He said that as a youth he "could not read enough of them." This sparked Wright's interest in defining his experience, through writing, as a poor black boy in a southern state, experiencing racial tension. He started writing his own short stories that frightened his simplistic grandmother who could not understand why her grandson was interested in writing about mystery and horror. Edgar Allan Poe was very influential to Wright when he started to balance his avid reading with some writing of his own.

Richard was a fast learner and even though he was not able to go to school the required number of years, he was selected as class valedictorian of his junior high class because of his ability and intelligence. The principal even chose him to read a speech to the graduating class. Richard agreed, and wrote a speech for the occasion. When the principal handed Richard a speech that he had written for him to recite at graduation, Wright refused due to his decision not to read a degrading speech created by the principal, and delivered his own. Through menial jobs, Wright was eventually able to support his gravely ill mother and his little brother.

Dreams of moving north to escape debilitating conditions in the south enticed Wright, so he took a risky first step. With raggedy clothing and few belongings, he left Jackson for a stint in Memphis, just north of the Tennessee-Mississippi border. Knocking at the first inviting residence he arrived at in Memphis, he was disappointed to find that slave mentality and religious devotion were not confined to small Mississippi towns. The mother and daughter he briefly moved in with immediately assumed that he was religious, and right away wanted him (a complete stranger) to stay indefinitely, and marry the young daughter who Wright pitied, as he did his own father, for her simplicity: he was an unknown, poor boy from Mississippi who just wanted a place to lay his head until he could save enough money to move North in earnest, and a mother and daughter—knowing nothing about him—shallowly conclude that he was good enough to keep, permanently. It was a critical time for Richard as it marked quite a few beginning and endings in his life: his idealistic view of urban life was crumbling in the face of the simplistic family he moved in with and his disillusionment with the American dream began (Wright later moved to Paris, France). This disillusionment would be further explored during Wright's experiences with the Communist Party in American Hunger. However, it marked the beginning of his writing career in Chicago and independence from a hostile family.

Significance

Richard Wright's experience with racism and poverty was unique. So his perspective introduced a dissonance within black communities that had not previously been explored in such detail. In The Souls of Black Folk W. E. B. Du Bois discussed the debilitating nature of black religion, but not in the deeply personalized way that Wright discussed it. He also was inspired by the war that was taking place at the time.

American Hunger

In 1977, the second half of Wright's autobiography was published posthumously under the title American Hunger, which deals mainly with Wright's membership and eventual disillusionment with the Communist Party. Originally, Wright intended to publish both sections as one volume. However, the Book of the Month Club offered to feature his book — Wright's 1940 novel Native Son was the first Book of the Month Club selection written by an African-American — if he agreed to end with his train journey to Chicago, omitting any mention of his difficulties and disappointment in the North. Wright agreed, calling it Black Boy and concluding the book on a positive note. Black Boy went on to sell 195,000 retail copies in its first edition and 351,000 copies through the Book-of-the-Month Club. In 1991, the Library of America published the two texts together under the title Black Boy (American Hunger). [1]

Footnotes

  1. ^ Mitgang, Herbert. "Books of the Times; An American Master and New Discoveries." The New York Times 1 January 1992. Accessed on 14 May 2006. [1].

 
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African American Literature. The Concise Oxford Companion to African American Literature. Copyright © 2001, 2002 by Oxford University Press, Inc. All rights reserved.  Read more
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