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Shirley Temple

 
Artist: Shirley Temple
 

Similar Artists:

Followers:

Monica Mancini, Liz Callaway, Thomas Hampson, Laurie Beechman

Performed Songs By:

Lew Pollack, Sidney Mitchell, Ted Koehler, Ray Henderson, Mack Gordon, Irving Caesar
  • Active: '30s, '40s, '50s, '60s
  • Genres: Vocal Music
  • Instrument: Vocals
  • Representative Albums: "Bambi," "On the Good Ship Lollipop," "Oh My Goodness"
  • Representative Songs: "On the Good Ship Lollipop," "Animal Crackers in My Soup," "But Definitely"

Biography

No other child star in the history of popular entertainment enjoyed so much fame and renown as Shirley Temple -- by the tender age of six, she was already among the biggest celebrities in the world. Born April 23, 1928 in Santa Monica, California, she began taking dance classes at three, which led to her discovery by Hollywood in 1932; initially, she was tapped for a new series of children's films called "Baby Burlesks," parodies of adult features of the era designed to capitalize on the massive success of Hal Roach's Our Gang shorts. Temple soon enjoyed a number of bit parts in minor features before her breakthrough performance singing "Baby Take a Bow" in the 1934 musical Stand Up and Cheer poised her on the brink of stardom; while her skills as a singer and dancer were already remarkable, her gifts as an actress were ultimately her greatest drawing card, and she connected with audiences on a deeply emotional level rivaled only by a handful of the era's biggest adult performers.

In 1934 alone, Temple made nine features, most notably Little Miss Marker and Bright Eyes, the latter launching her hit song "On the Good Ship Lollipop"; as a result of her success that year -- just her first as a feature actress -- she was even given a special miniature Academy Award. Through it all, Temple remained so poised that rumors swirled that she was not even really a child at all, but a dwarf. As the Depression raged on, her films emerged as compulsory escapist fare for audiences of all ages, and soon she was making upwards of $300,000 annually, with a vast array of dolls, coloring books, clothes and other products bearing her likeness. As the 1930s wore on, Temple's star continued to ascend; each of her films was more profitable than the one which preceded it, and included such hits as 1935's The Littlest Rebel, 1936's Poor Little Rich Girl, and 1937's Heidi. Her pictures also generated a number of hit songs, among them "Animal Crackers in My Soup," "When I Grow Up," "Curly Top" and "Swing Me an Old-Fashioned Love Song."

In 1938, Temple was the year's top box-office draw; however, while a few more hits followed, including 1939's The Little Princess, as the 1940s dawned her popularity began to dwindle -- like so many child stars before and after her, her wide audience appeal simply faded as she entered her teens. Temple continued appearing on screen for the remainder of the decade, each time to diminishing returns; she eventually retired from screen acting at the age of 21. In 1958, she attempted to mount a comeback in television, hosting the short-lived series The Shirley Temple Storybook; 1960's Shirley Temple Show fared no better. After marrying businessman Charles Black, Temple concentrated on family life, also working extensively for charitable concerns; in the late 1960s she entered politics, unsuccessfully campaigning for Congress. In 1968, however, she was appointed as a U.S. representative to the United Nations, and from 1974 to 1976 was the U.S. ambassador to Ghana. In 1988, Temple published her autobiography, Child Star; a year later she was named ambassador to Czechoslovakia. ~ Jason Ankeny, All Music Guide
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Actor: Shirley Temple
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  • Born: Apr 23, 1928 in Santa Monica, Los Angeles, California
  • Occupation: Actor
  • Active: '30s-'40s
  • Major Genres: Drama, Comedy
  • Career Highlights: Fort Apache, Since You Went Away, Wee Willie Winkie
  • First Major Screen Credit: Baby, Take a Bow (1934)

Biography

The jury is still out as to whether or not curly haired Shirley Temple was the most talented child star in movie history; there is little doubt, however, that she was the most consistently popular. The daughter of non-professionals, she started taking singing and dancing classes at the age of three, and the following year began accompanying her mother on the movie audition circuit. Hired by the two-reel comedy firm of Educational Pictures in 1933, she starred in an imitation Our Gang series called the Baby Burlesks, performing astonishingly accurate impressions of Greta Garbo and Marlene Dietrich; she was also featured in the films of Educational's other stars, including Andy Clyde and Frank Coghlan Jr. In 1934 she was signed by Fox Pictures, a studio then teetering on the verge of bankruptcy. After a handful of minor roles she created a sensation by stopping the show with her rendition of "Baby Take a Bow" in Fox's Stand Up and Cheer. She was promptly promoted to her own starring features, literally saving Fox (and its successor 20th Century Fox) from receivership, and earned a special Oscar in 1934 "in grateful recognition to her outstanding contribution to screen entertainment." With such tailor-made vehicles as Bright Eyes (1934), Curly Top (1935), The Little Colonel (1935), Dimples (1936), and Heidi (1937), Temple was not only America's number one box-office attraction, but a merchandising cash cow, inspiring an unending cascade of Shirley Temple dolls, toys, and coloring books. She also prompted other studios to develop potential Shirley Temples of their own, such as Sybil Jason and Edith Fellows (ironically, the only juvenile actress to come close to Temple's popularity was 20th Century Fox's own Jane Withers, who got her start playing a pint-sized villain in Temples' Bright Eyes). Though the Fox publicity mill was careful to foster the myth that Temple was just a "typical" child with a "normal" life, her parents carefully screened her friends and painstakingly predetermined every move she made in public. Surprisingly, she remained an unspoiled and most cooperative coworker, though not a few veteran character actors were known to blow their stacks when little Temple, possessed of a photographic memory, corrected their line readings. By 1940, Temple had outgrown her popularity, as indicated by the failure of her last Fox releases The Blue Bird and Young People. The following year, MGM, who'd originally wanted Temple to play Dorothy in The Wizard of Oz, cast her in Kathleen, another box-office disappointment which ended her MGM association almost before it began. Under the auspices of producers Edward Small and David O. Selznick, Temple enjoyed modest success as a teenaged actress in such productions as 1942's Miss Annie Rooney (in which Dickie Moore gave her first screen kiss) and 1944's Since You Went Away. Still, the public preferred to remember the Shirley Temple that was, reacting with horror when she played sexually savvy characters in Kiss and Tell (1945) and That Hagen Girl (1947). Perhaps the best of her post-child star roles was spunky army brat Philadelphia Thursday in John Ford's Fort Apache (1947), in which she co-starred with her first husband, actor John Agar (the union broke up after four years when Agar began to resent being labeled "Mr. Shirley Temple"). She returned to 20th Century Fox for her last film, Mr. Belvedere Goes to College (1949), in which played second fiddle to star Clifton Webb. Retiring on her trust fund in 1950, she wed a second time to business executive Charles Black, a marriage that would endure for several decades and produce a number of children. In 1958 she made a comeback as host of The Shirley Temple Storybook, a well-received series of children's TV specials. Her final show business assignment was the weekly 1960 anthology The Shirley Temple Show, which though not a success enabled her to play a variety of character roles -- including a toothless old witch in an hour-long adaptation of Babes in Toyland! The staunchly Republican Temple went into an entirely different field of endeavor when she entered politics in the mid-'60s. The bitter taste of an unsuccessful congressional bid was dissipated in 1968 when she was appointed U.S. ambassador to the United Nations. She went on to serve as U.S. ambassador to Ghana (1974-1976) and Czechoslovakia (1989), and during the Ford and Carter years kept busy as the U.S. Chief of Protocol. In the 1980s, she went public with information about her mastectomy, providing hope and inspiration for other victims of breast cancer. Still one of the most beloved figures in the world, Temple seemingly went to great pains to dispel her goody two-shoes image in her candid 1988 autobiography Child Star, in which she cast a frequently jaundiced eye on her lifelong celebrity status, revealing among other things that several well-known Hollywood moguls had tried and failed to force their manhood upon her once she was of legal age (and even before!). No question about it: Shirley Temple has come a long way from the Good Ship Lollipop. ~ Hal Erickson, All Movie Guide
 
Biography: Shirley Temple Black
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Shirley Temple Black (born 1928) was an American who devoted her career first to films and then to public service. The United States ambassador to Czechoslovakia from 1989 till 1992, she was still remembered by millions of fans for her success as a child movie star in the 1930s.

Shirley Temple was born in Santa Monica, California, on April 23, 1928. She was the youngest of three children. Her father was a bank teller. As a child Shirley Temple began to take dance steps almost as soon as she began to walk, and her mother took her to dancing school when she was about three and a half years old. She also took her daughter on endless rounds of visits to agents, hoping to secure a show business career. Persistence paid off. Little Shirley obtained a contract at a small film studio and one of the great careers in film history began.

Her first contract was with Educational Pictures Inc., for whom she worked in 1932 and 1933. She appeared in a serial entitled Baby Burlesks, followed by a two-reeler, Frolics of Youth, that would lead to her being contracted by the Fox Film Corporation at a salary of $150 per week. The first full-length feature that she appeared in for Fox was 1934's Carolina. It was another Fox release of that year that made her a star: Stand Up and Cheer. Although she only appeared in a subsidiary role, she made a big hit in this picture by singing and dancing "Baby Take a Bow." She appeared in eight other full-length films (not to mention her ongoing work in serials and short subjects) that year, including Little Miss Marker and Bright Eyes. The first of these is especially notable because it was her first starring role. The culmination of 1934 was the Academy of Motion Pictures Arts and Sciences award of a special miniature Oscar to her "in grateful recognition of her outstanding contribution to screen entertainment during the year, 1934." One cannot help but assume that the industry-dominated academy was most impressed by her status as the number one box office draw of the year, but her special Oscar was unique in that it represented the first and only time that an Oscar has been awarded on the basis of a poll of the film-going public.

Film Star of the 1930s

Through the rest of the decade Shirley Temple's star soared. And it was not only her delectable dimples and 56 corkscrew curls that would keep her at the top of the box office listings. She was a spectacularly talented child, able to sing and dance with style and genuine feeling. Gifted with perfect pitch, she was a legendary quick study who learned her lines and dance routines much faster than her older and more experienced co-stars. She would make 15 films in the next six years, becoming one of the most popular stars of the Great Depression years and making over $30 million for the newly organized Twentieth Century-Fox Film Corporation. The company's chief executive, Darryl Zanuck, arranged for a staff of 19 writers to exclusively develop film projects for her. Studio wags described her character, which evolved through such films as The Little Colonel (1935), Captain January (1936), Wee Willie Winkie (1937), Heidi (1937), and Rebecca of Sunnybrook Farm (1938), as "Little Miss Fix-It" whose cuteness and precocious presence of mind helped grown-ups through real-life difficulties. And as her popularity rose, so did her salary - to $10,000 per week.

But unfortunately little of the built-up popularity would be hers to claim by the time she was an adult. As she reports in her autobiography, her father's questionable management of her funds, coupled with both of her parents' healthy regard for their own interests, enabled only a fraction of the immense fortune that she earned to accrue to Shirley herself. By 1940 she had appeared in 43 feature films and shorts and an entire industry had sprung up whose products celebrated the glories of Shirley Temple: dolls, dresses, coloring books, and other sundry merchandise. She also earned enormous sums by commercially endorsing all sorts of products. These endeavors brought in an even larger amount of money than her studio salary. She got more fan mail than Greta Garbo and her picture was taken more frequently than President Franklin D. Roosevelt's. Shirley Temple will always be a symbol of the nation's longing for good times and good cheer during the severe economic woes of the Great Depression.

By the decade's end she was no longer quite a child, and when The Blue Bird (1940) proved unpopular at the box office and the next film that she starred in fared poorly as well, Twentieth Century-Fox devised a means of getting rid of the "property" that had saved the fledgling studio from bankruptcy. She would try to maintain her acting career through the 1940s but never again would she come even close to the stardom of her childhood. Film audiences would simply not allow the adorable girl who had sung "On the Good Ship Lolly Pop" and "Animal Crackers (in My Soup)" to grow up.

There had never been a child star so talented as she. Actress, singer, and dancer - Shirley Temple was a unique performer. The "industry" that rose up to promote her did not exist to support her stardom so much as it was a reflection of it. Moreover, Shirley Temple's true greatness as a screen idol has survived to the present day as her films are revived on television and re-released on videocassettes. New generations of fans have grown up marveling at her talent wholly apart from any studio hype or pressurized product tie-ins marketed to bedazzle them. Her matchless and enduring talent has proven to be enchantment enough.

It is arguable that nothing could have been done to preserve the lustre of her magic. Yet her ongoing struggles as an adult would prove her to be as heroic in her own life as she had ever been on the screen. A difficult first marriage to actor John Agar caused her to mature quickly. Almost immediately thereafter came the realization that her parents had been looking out for their own best interests rather than hers.

As she had done in so many of her films, she rallied. After marrying the successful California businessman Charles Black in 1950, with whom she raised her children (Linda from her first marriage and Charles and Lori from her second), she embarked on a career in television. The success of her two children's series enabled her to pursue her commitment to children's issues with vigor. In 1961 she cofounded the National Federation of Multiple Sclerosis Societies.

Her concern over domestic social ills caused her to realize that life as a private citizen could not satisfy her desire to make the world a better place. She ran for Congress in 1967 and was defeated. This was only the beginning of her involvement in public service. In 1969 she was appointed to serve as a representative to the United Nations. Her exemplary work at the UN led to a second career for Shirley Temple Black. In 1972 she was appointed representative to the UN Conference on the Human Environment and also served as a delegate on the Joint Committee for the USSR-USA Environmental Treaty. The next year she served as a US commissioner for the United Nations Educational, Scientific, and Cultural Organization (UNESCO).

Black overcame a great challenge in 1972 when she successfully battled breast cancer. When she publicly disclosed that she had a mastectomy, she gave courage to millions of women. Two years later she was appointed ambassador to Ghana, where she was warmly received by the people of that nation. Upon completion of her tour of duty in Africa, President Ford made her the US chief of protocol. In all of her various diplomatic functions, Black's intelligence, spirit, and zeal contributed greatly to her country's prestige and furthered its world position. Democratic President Carter paid tribute to her tact and flawless taste when he chose her (Black had been a lifelong Republican) to make the arrangements for his inauguration and inaugural ball in 1977.

But the triumphs of her adult life no more ruffled her poise and grace than her earlier tribulations. Her marriage and family life with Charles Black was as rewarding to her as her career as a diplomat was distinguished. Indeed, by 1981 she was such an established pillar of the public service community that she became one of the founding members of the American Academy of Diplomacy. In 1988 she was appointed Honorary Foreign Service Officer of the United States, the only person with that rank. She went on to serve as the US ambassador to Czechoslovakia from 1989 until 1992. Such honors are ultimately the true measure of her career's meaning. Latter-day film industry recognition such as the Life Achievement Award of the American Center of Films for Children or the full-sized Oscar that she was given in 1985 were echoes of a past that, while still resonant for "Shirley Temple," were not quite relevant for Shirley Temple Black. According to Black, her more than 25 years of social service have been just as enjoyable as her years in Hollywood.

Black is working on a book about her diplomatic career, which, she told Susan Bandrapalli in a 1996 Christian Science Monitor interview, she expects to take quite some time to complete. Her first book, A Child's Story took eight years to write. Black also stated that she was concerned about the lack of civility in the world today and said, "People should show more kindness and understanding."

The title of a recent biography (American Princess) does not do her justice. Through her lifetime of service in the arts and public life, Black has exemplified the spirit of self-sacrifice and persistent striving that Americans have aspired to for generations. She is truly an American heroine.

Further Reading

Shirley Temple Black wrote a candid and tasteful autobiography, Child Star (1988), detailing her years in Hollywood. Anne Edward's American Princess, published the same year, is an adequately researched, if slightly sensationalized, treatment of her life. Jeanine Basinger has written a study of her films, Shirley Temple (1975), which comments briefly on her life but is mostly concerned with sketching her film career. Another satisfactory examination of her movies is The Films of Shirley Temple by Robert Windeler. Black's career as a diplomat and as an environmental and children's rights activist keeps her in the headlines of magazines and newspapers, and nostalgia for her days of childhood stardom will no doubt keep her name in the columns of other journals as well. See Christian Science Monitor (April 25, 1996), People Weekly (November 28, 1988).

 

Shirley Temple.
(click to enlarge)
Shirley Temple. (credit: Brown Brothers)
(born April 23, 1928, Santa Monica, Calif., U.S.) U.S. child actress. She was selected from her dancing class for a screen test and made her debut at age four. She won notice in Stand Up and Cheer (1934) and was featured in Little Miss Marker (1934) and Bright Eyes (1934), in which she sang "On the Good Ship Lollipop." A precocious performer known for her dimples and golden curls, she became the country's most popular female star and Hollywood's top box office attraction in the Great Depression era. She received a special Academy Award in 1934. Her later films include The Little Colonel (1935), Wee Willie Winkie (1937), and The Little Princess (1939). As an adult she served as a U.S. delegate to the UN General Assembly (1969 – 70) and as U.S. ambassador to Ghana (1974 – 76) and Czechoslovakia (1989 – 92).

For more information on Shirley Temple, visit Britannica.com.

 
Fairy Tale Companion: Shirley Temple
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Temple, Shirley (1928– ), child star from the 1930s and 1940s whose 50‐odd films contain numerous fairy‐tale elements. Watched over by her mother (fairy godmother) Gertrude Amelia Temple (née Krieger), Shirley began her film career with The Runt Page (1931). Subsequently, New Deal Rhythm (1933), Stand Up and Cheer (1934), Bright Eyes (1934), Wee Willie Winkie (1937), and other films cast their spells over Depression audiences who watched enchanted as Shirley, usually playing an abandoned child, magically overcame whatever personal and political problems confronted her and her friends. Shirley's films invariably ended with good triumphing over evil, wealth over poverty, marriage over divorce, a booming economy over a depressed economy—classic fairy‐tale endings. Unsurprisingly, Shirley Temple describes herself as a ‘tiny commodity’, a ‘potential gold mine for Fox’ in the fairy tale that is American capitalism. Lone, outspoken critics like Graham Greene, critical of Temple's flirtatious acting, were silenced in the courts.

A successful film career capped by an Oscar in 1935 was followed by a successful TV and political career. She served as narrator for two TV series, ‘Shirley Temple Storybook’ (1958) and ‘Shirley Temple Theatre’ (1961), which both included numerous fairy‐tale adaptations of the classics, also made into books. In politics she held different elected positions, and in 1987 she was made Honorary Foreign Service Officer.

Bibliography

  • Black, Shirley Temple, Child Star (1988).
  • Greene, Graham, “‘Wee Willie Winkie. Review’”, in John Russell Taylor (ed.), Graham Greene on Film: Collected Film Criticism, 1935–1940 (1972).

— Ian Wojcik‐Andrews

 
Quotes By: Shirley Temple Black
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Quotes:

"Good luck needs no explanation."

"I stopped believing in Santa Claus when I was six. Mother took me to see him in a department store and he asked for my autograph."

 
Wikipedia: Shirley Temple
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Shirley Temple

in Glad Rags to Riches (1932)
Born Shirley Jane Temple
April 23, 1928 (1928-04-23) (age 81)
Santa Monica, California, U.S.
Other name(s) Shirley Temple Black
Occupation Actress, dancer, singer, diplomat
Years active 1931 – 1961 (performer)
1967 – present (politics)
Spouse(s) John Agar
(1945 – 1950, divorce)
Charles Alden Black
(1950 – 2005, his death)
Official website

Shirley Jane Temple (born April 23, 1928), known for most of her adult life by her married name, Shirley Temple Black, is an actress, singer, and tap dancer, who is best known for being an iconic American child actress of the 1930s. After her film achievements she began a notable career as a diplomat.

Temple rose to fame at the age of six in Bright Eyes in 1934, and subsequently starred in a series of films which won her positive critical acclaim and saw her become the top grossing star at the American box-office during the height of the Great Depression. In later life she became a politician and a diplomat representing the United States, including appointments as U.S. Ambassador to Ghana and to Czechoslovakia, but she is currently retired from public life.[1]

In 1935, Shirley Temple received a special miniature Academy Award Oscar "in grateful recognition of her outstanding contribution to screen entertainment during the year 1934." She also received Kennedy Center Honors in 1998, and was presented with a Screen Actors Guild Life Achievement Award in 2006.

Contents

Personal life

Temple was born in Santa Monica, California to George Francis Temple (1888–1980), a businessman and banker, and Gertrude Amelia Krieger (1893–1977) a retired dancer. She had two brothers, Jack (1915-1985) and George Jr. (1919-1996). Her mother loved dancing, and directed Temple toward performing. Gertrude was a constant presence on the lot during Temple's childhood acting years, helping her learn her lines and controlling her wardrobe. She modeled the "Shirley Temple Curls" off another actress known for her little girl roles, Mary Pickford,[2] and Gertrude ensured that there were exactly 56 ringlets in her hair for each take [3]. Temple remade several of Pickford's silent films including Rebecca of Sunnybrook Farm.[4] Temple would later sign with Pickford's company United Artists. Pickford thought highly of Temple, asking her to portray herself in a biopic about Mary and her mother, Charlotte Hennessy in 1940. Temple declined and the film was never made.[5]

At the age of 17, Temple married soldier-turned-actor John Agar (1921–2002) on September 19, 1945. They had daughter (Linda) Susan Agar (sometimes known as Susan Black or Susan Falaschi) on January 30, 1948; she is now a librarian at Woodside Priory School. Temple filed for divorce in late 1949, with the divorce becoming final on December 5, 1950.

In early 1950, while vacationing in Hawaii, Temple met California businessman Charles Alden Black (1919–2005). They married on December 16 that year. Together, they had two children: Charles Alden Black Jr. (born April 29, 1952) and Lori Black (born April 9, 1954). They remained married until Charles's death from myelodysplastic syndrome, a bone marrow disease, on August 4, 2005; he was 86. Temple has one granddaughter, Teresa Falaschi Caltabiano (born 1980), who is Susan's daughter,[6][7] and two great-granddaughters, Lily Jane (born 2007) and Emma Anne (born 2009) Caltabiano.[8][not in citation given]

Movie career

Early films

At the age of three, Temple began dance classes at Meglin's Dance School in Los Angeles, California. Her film career began when Charles Lamont, a casting director from Educational Pictures, visited her class. Although Temple hid behind a piano in the studio, she was chosen by Lamont, invited to audition, and eventually signed to a contract with Educational.[citation needed]

Temple worked at Educational from 1931 to 1934,[9], appearing in two series of short subjects for the studio. Her first series, Baby Burlesks, satirized recent motion pictures and politics. Temple would dress up in a diaper, but would otherwise wear adult clothes. Because of its depiction of young children in adult situations the series was considered controversial. Her second series at Educational, Frolics of Youth, was a bit more acceptable, and cast her as a bratty younger sister in a contemporary suburban family.

While working for Educational Pictures, Temple performed many walk-on and bit player roles in various films at other studios. She was reported to have auditioned for a lead role in Hal Roach's Our Gang comedies (later known as The Little Rascals) in the early 1930s, although various reasons are given for her not having been cast in the part. Roach stated that Temple and her mother were unable to make it through the red tape of the audition process, while Our Gang producer/director Robert F. McGowan recalls the studio wanted to cast Temple, but they refused to give in to Temple's mother's demands that Temple receive special star billing. Temple, in her autobiography Child Star, denies auditioning for Our Gang at all.[10]

In Temple's earliest major studio films, she danced and was able to handle complex tap choreography. She was teamed with dancer Bill "Bojangles" Robinson in The Little Colonel, The Littlest Rebel, Rebecca of Sunnybrook Farm, and Just Around the Corner. Robinson coached and developed her choreography for many of her other films. Because Robinson was African American, the scenes of him holding hands with Temple were cut in many cities in the South[citation needed], as a consequence of the segregationism common at the time.

Temple made pictures with Cary Grant, John Wayne, Henry Fonda, Ronald Reagan, Gary Cooper, Randolph Scott, Robert Young, Carole Lombard, Jimmy Durante, Joel McCrea, Claire Trevor, Claudette Colbert, Myrna Loy, Joseph Cotten, Robert Walker, Victor McLaglen, James Dunn, Buddy Ebsen, Adolphe Menjou, Lionel Barrymore, and many others. Arthur Treacher appeared as a kindly butler in several of Temple's films.

20th Century Fox

After appearing in Stand Up and Cheer! with James Dunn, Temple was signed to Fox Film Corporation (which later merged with 20th Century Pictures to become 20th Century Fox) in late 1933. Later, she was paired with Dunn in several films, notably her breakthrough film Bright Eyes, produced by Sol M. Wurtzel. This was the film that saved Fox from near bankruptcy in 1934 at the height of the Great Depression. It was in Bright Eyes that Temple first performed the song that would become one of her trademarks, "On the Good Ship Lollipop". This was closely followed by the film Curly Top, in which she first sang another trademarked song, "Animal Crackers in My Soup". It was during this period, in the depth of the Great Depression, when her films were seen as bringing hope and optimism, that President Franklin D. Roosevelt is reported to have proclaimed that "as long as our country has Shirley Temple, we will be all right."[11]

In 16 of the 20 films Temple made for Fox, she played characters with at least one dead parent. This was part of the formula for her films, which encouraged the adults in the audience to take on the role of her parent.[3]

Temple became Fox's most lucrative player. Her contract was amended several times between 1933 and 1935, and she was loaned to Paramount for a pair of successful films in 1934. For four years, she was the top-grossing box-office star in America. Temple's birth certificate was altered to prolong her babyhood; her birth year was advanced from 1928 to 1929. She did not find out her real age until she was 13 years old.[12]

Temple's films were not always seen in a positive light. The novelist Graham Greene wrote in a review for the magazine Night and Day of her appearance in Wee Willie Winkie:

Her admirers - middle-aged men and clergymen - respond to her dubious coquetry, to the sight of her well-shaped and desirable little body, packed with enormous vitality, only because the safety curtain of story and dialogue drops between their intelligence and their desire.[13]

Temple, via her studio, was the successful plaintiff in a 1938 British libel case against Greene's review. The huge fine imposed by the judge was enough to cripple and close the magazine.[13]

In 1940, Temple left Fox. Working steadily, she juggled classes at Westlake School for Girls with films for various other studios, including MGM and Paramount. Her first on screen kiss was in Miss Annie Rooney (1942). Her most successful pictures of the time included Since You Went Away with Claudette Colbert, The Bachelor and the Bobby-Soxer with Cary Grant, and Fort Apache with John Wayne. Temple retired from making motion pictures in 1949.[14]

Film career highlights

Temple with the Prime Minister of Canada William Lyon Mackenzie King (October 21, 1944)

Temple was the first recipient of the special Juvenile Performer Academy Award in 1935 for recognition of her outstanding contribution to screen entertainment in 1934. Six-year-old Temple was the youngest performer ever to receive this special award, an honor she held until 1974 when Tatum O'Neal, age 10, became the youngest actress ever to win an Academy Award for Best Supporting Actress, in Paper Moon.[15] Temple is also the youngest actress to add foot and hand prints to the forecourt at Grauman's Chinese Theatre.

Although the role of Dorothy in The Wizard of Oz was originally meant for Judy Garland, MGM executives were concerned with Garland's box office appeal. Temple was considered for the role, although she was unable to appear in the film when a trade between Fox and MGM fell through. However, Terry, who played Temple's beloved dog Rags in Bright Eyes, was cast in The Wizard of Oz as Toto. In 1940, Temple starred in The Blue Bird, another fairy story with plot similarities to The Wizard of Oz. It was her first box-office flop. Temple was also rumored to be the inspiration for Bonnie Blue Butler in Gone with the Wind and was one of the early contenders for the role in the motion picture, but was too old by the time the film went into production.

Temple appeared in her first Technicolor film, The Little Princess, produced by Fox in 1939, near the end of her contract with them.

Merchandising and endorsements

There were many Temple-based products manufactured and released during the 1930s. Ideal Toys' Temple dolls, first made in 1934, dressed in costumes from the movies, were top sellers.[16] Original Shirley Temple dolls bring in hundreds of dollars on the secondary market today.

Other successful Temple items included a line of girls' dresses, hair bows, bracelets and handkerchiefs. A popular breakfast set, consisting of a mug, pitcher and cereal bowl in cobalt blue and featuring a decal of Temple, was given away as a premium with Wheaties and Bisquick.[16] Aside from commercial endoresement, Temple also frequently lent her likeness and talent to promoting various social causes, including the Red Cross.

Several of Temple's film songs, including "On the Good Ship Lollipop" (from Bright Eyes), "Animal Crackers in My Soup" (from Curly Top) and "Goodnight My Love" (from Stowaway) were popular radio hits.

Return to show business

Temple returned to show business with the television series Shirley Temple's Storybook, which premiered on NBC on January 12, 1958, and last aired December 1, 1959. Shirley Temple Theatre (also known as The Shirley Temple Show) premiered on NBC on September 11, 1960, and ran until September 10, 1961. Both shows featured adaptations of fairy tales and other family-oriented stories. For both series, Shirley Temple was the hostess and occasional narrator/actress.

In later years, Temple made occasional appearances on television talk shows, especially when she was promoting her memoirs.

Political, business and diplomatic career

Temple (left) as the U.S. Ambassador to Czechoslovakia (October 25, 1990)

Contrary to a rumor, Temple was never blacklisted by the House Un-American Activities Committee (HUAC) as a Communist supporter, despite a sensationalistic news headline from August 22, 1938 which proclaimed that she was assisting the Communists. In testimony before HUAC headed by Martin Dies, Jr., James B. Matthews claimed that sixty senators and members of the United States House of Representatives and six film stars had unwittingly served to spread Communist propaganda. In March 1938, Temple's signature had been included in an anniversary telegram greeting sent by the Twentieth Century Fox publicity department to Ce Soir, a Paris daily newspaper that Matthews claimed was owned outright by the French Communist Party. At the conclusion of the Washington hearings, the committee published int its report in the Congressional Record that "... Shirley Temple ... unwittingly served the purposes of the Communist Party ... The above testimony has never been denied by the screen star mentioned." Years later, the Los Angeles Times observed: "Shirley Temple was ten years old at the time. Since then she has become quite respectable."[17]

As a political public figure, Temple exclusively used her married name of Shirley Temple Black. She is associated with the Republican Party in the U.S. state of California, where, in 1967, she ran unsuccessfully for the United States House of Representatives against retired Korean War veteran Pete McCloskey, on a platform supporting America's involvement in the Vietnam War.[citation needed]

Black was in Prague, Czechoslovakia, on August 21, 1968, when the Prague Spring was ended by an invasion executed by the Warsaw Pact. A convoy of vehicles was assembled for hundreds of Westerners to leave Prague and Black was in the first car of the convoy to the Czech border, apparently facilitating escape of the Westerners by taking advantage of the name recognition.

Black went on to hold several diplomatic posts, serving as the U.S. delegate to many international conferences and summits. She was appointed a delegate to the United Nations by President Richard M. Nixon in 1969, and was later appointed U.S. Ambassador to Ghana (1974–76). She became the first female Chief of Protocol of the United States in 1976, which put her in charge of all State Department ceremonies, visits, gifts to foreign leaders and co-ordination of protocol issues with all U.S. embassies and consulates. She was in office from 1 July 1976 until 21 January 1977.[18] In 1987, she was designated the first Honorary Foreign Service Officer in U.S. history by then U.S. Secretary of State, George Shultz.[citation needed]

The peak of Black's diplomatic career came when she was United States Ambassador to Czechoslovakia from 1989 to 1992, and witnessed the Velvet Revolution. She commented about her Ambassadorship, "That was the best job I ever had."

Black served on the board of directors of some large enterprises including The Walt Disney Company (1974–75), Del Monte, Bancal Tri-State, and Fireman's Fund Insurance. Her non-profit board appointments included the Institute for International Studies at Stanford University, the Council on Foreign Relations, the Council of American Ambassadors, the World Affairs Council, the United States Commission for UNESCO, the National Committee on U.S.-China Relations, the United Nations Association, and the U.S. Citizen's Space TaskForce.[citation needed]

Shirley Temple Black received honorary doctorates from Santa Clara University and Lehigh University, a Fellowship from College of Notre Dame, and a Chubb Fellowship from Yale University. She now lives in Woodside, California.[citation needed]

Breast cancer

Shirley Temple Black is often remembered as the first celebrity to publicly discuss her affliction with this form of cancer. In an interview published on the web page of the American Cancer Society, actress Barbara Barrie is quoted as saying:

Shirley Temple Black was the first person who said, on national television, 'I have breast cancer.' It wasn't Betty Ford, it was Shirley Temple, child star. One of the greatest stars of the world ever. And, she was so brave to say that, because first of all, people never said "cancer" and they never said "breast", not in public. She said it and she set the whole ball rolling. People don't remember that, but she did it.[19]

Black appeared on the cover of People magazine in 1999 with the title "Picture Perfect" and again later that year as part of their special report, "Surviving Breast Cancer". She appeared at the 70th Academy Awards and also in that same year received Kennedy Center Honors.

Recent activity

In 1999, Shirley Temple Black hosted the AFI's 100 Years... 100 Stars awards show on CBS, a special list from the American Film Institute and part of the AFI 100 Years... series. She was also ranked #18 in the list.

In 2001, she served as a consultant on the ABC-TV production of Child Star: The Shirley Temple Story, based on the first part of her autobiography, while in 2004, she teamed with Legend Films to restore, colorize and release her earliest black and white films, as well as episodes of her 1960 television series The Shirley Temple Storybook Collection, which was originally shot on color videotape.

On September 12, 2005, Screen Actors Guild president Melissa Gilbert announced that Black would receive the Guild's most prestigious honor, the Screen Actors Guild Life Achievement Award.[20] Gilbert said:

I can think of no one more deserving of this year's SAG Life Achievement Award than Shirley Temple Black. Her contributions to the entertainment industry are without precedent; her contributions to the world are nothing short of inspirational. She has lived the most remarkable life, as the brilliant performer the world came to know when she was just a child, to the dedicated public servant who has served her country both at home and abroad for 30 years. In everything she has done and accomplished, Shirley Temple Black has demonstrated uncommon grace, talent and determination, not to mention compassion and courage. As a child, I was thrilled to dance and sing to her films and more recently as Guild president I have been proud to work alongside her, as her friend and colleague, in service to our union. She has been an indelible influence on my life. She was my idol when I was a girl and remains my idol today.[21]

In April 2008, Black broke her arm just before her 80th birthday, in a fall at her suburban San Mateo County home in Woodside.[22]

Awards and honors

Legacy

Shirley Temple will long be remembered for the characters she played, for her dimpled disposition, and for lifting the spirits of people burdened by the Great Depression of the 20th century. She has been celebrated, modeled and parodied time after time in popular culture. She is one of the celebrities featured on the cover of The Beatles' 1967 album Sgt. Pepper. In television there were two episodes of the Madeline animated series that featured a child star named Sugar Dimples, a thinly-veiled reference to the actress. She was parodied in two episodes of The Simpsons, the first time in "Treehouse of Horror III". There was a brief cameo of her singing "On the Good Ship Lollipop" before being eaten by a parody of another 1930s icon, King Kong. The second episode, "Last Tap Dance in Springfield" features a former child star turned dance instructor, "Little Vicky Valentine", along with with several references to Temple's films and songs.

In films, the 1997 movie Tower of Terror featured "Sally Shine", a 1939 child movie star who is killed in an elevator along with four others. Modeling Shirley Temple with her curly blonde mop, sweet demeanor, and short, flouncy dress, Sally even sported her own doll modeled after her. That same year the animated film Cats Don't Dance featured a character named "Darla Dimple", who was an amalgam of precocious child stars of the Golden Age of Hollywood.

Los Angeles' Fox Studios has erected a life-size bronze statue of Shirley Temple. It was permanently installed at the Fox lot on September 11, 2002, where it welcomes children and their families to the Shirley Temple Day Care Centre. The citation on the dedication plaque reads simply "Inspiring children of all ages - Shirley Temple".[23][24] In 1990 a biography titled Shirley Temple Scrapbook paid homage to the child actress. "This film offers tribute to Temple's joyful spirit, remarkable talent, and enduring legacy."[25]

See also

References

  1. ^ Shirley Temple Q&A "I have been kind of not doing a lot right now."
  2. ^ Whitfield, Eileen (1997). Pickford the Woman who made Hollywood. University Press of Kentucky. pp. 299-300. 
  3. ^ a b Biography: Shirley Temple: The Biggest Little Star. Arts & Entertainment Television. 1997.
  4. ^ Whitfield, Eileen (1997). Pickford the Woman who made Hollywood. University Press of Kentucky. pp. 299-301. 
  5. ^ Whitfield, Eileen (1997). Pickford the Woman who made Hollywood. University Press of Kentucky. pp. 319-319. 
  6. ^ "My only granddaughter"
  7. ^ Falaschi genealogy
  8. ^ "Great-grandmother!", Variety, 2006
  9. ^ The Official Shirley Temple Website
  10. ^ Maltin, Leonard, and Richard W. Bann (1977, rev. 1992). The Little Rascals: The Life & Times of Our Gang. New York: Crown Publishing/Three Rivers Press. ISBN
  11. ^ Biography of Shirley Temple Black. Kennedy Center.org.
  12. ^ Shirley Temple's Childhood. Allmydolls.com Access date: July 27, 2007.
  13. ^ a b cited by Andrew Johnson "Shirley Temple scandal was real reason Graham Greene fled to Mexico", The Independent on Sunday, November 18, 2007, as reproduced on the Find Articles website. Retrieved on 5 June 2008.
  14. ^ IMDB Filmography final film: A Kiss for Corliss (1949)
  15. ^ IMDB – Academy Awards USA, 1974
  16. ^ a b Kovel's Price Guide to Collectibles - Shirley Temple. Kovels.com. Access date: December 2, 2007.
  17. ^ Temple Black, Shirley (Oct. 1989). Child Star: An Autobiography. New York: Warner Books (mass market paperback edition, first printing). pp. 252-253. ISBN 0-446-35792-8. 
  18. ^ www.state.gov Dept. of State — Office of the Chief of Protocol — Facts & History. Retrieved 2009-06-21
  19. ^ Barbara Barrie. American Cancer Society Cancer Survivors Network.
  20. ^ Screen Actors Guild Life Achievement Award
  21. ^ Shirley Temple Black Honored with 2005 Screen Actors Guild Life Achievement Award, at the Awards official website; last accessed August 12, 2006.
  22. ^ ap.google.com, Shirley Temple Black breaks arm just before 80th birthday
  23. ^ Shirley Temple Special Events. Retrieved on 10 July 2009.
  24. ^ The Shirley Temple monument by Nijel BPG. Retrieved on 10 July 2009.
  25. ^ Sally Barber, All Movie Guide. Shirley Temple Scrapbook. New York Times. Retrieved on 10 July 2009.

External links

Diplomatic posts
Preceded by
Fred L. Hadsel
United States Ambassador to Ghana
1974 – 1976
Succeeded by
Robert P. Smith
Preceded by
Julian Martin Niemczyk
United States Ambassador to Czechoslovakia
1989 – 1992
Succeeded by
Adrian A. Basora

 
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