The Blade Runner soundtrack by Vangelis is a dark melodic combination of classic composition and futuristic synthesizers (mainly a Yamaha CS-80) which mirrors the film-noir retro-future envisioned by Ridley Scott. Vangelis, fresh from his Academy Award winning score from Chariots of Fire, composed and performed the music on his synthesizers. He also made use of various chimes and the vocals of collaborator Demis Roussos, as well as the haunting sax solo by Dick Morrissey on "Love Theme." Ridley Scott also used "Memories of Green" from Vangelis' 1980 album See You Later (an orchestral version of which Scott would later use in his film Someone To Watch Over Me). Along with Vangelis' compositions and ambient textures, the film's soundscape also prominently features a track by the Japanese group Ensemble Nipponia (Ogi No Mato or 'The Folding Fan as a Target' from the Nonesuch Records release "Traditional Vocal and Instrumental Music") and a track by harpist Gail Laughton ('Pompeii 76 A.D.' from Laurel Records recently reissued "Harps of the Ancient Temples").
Despite being well received by fans and critically acclaimed – nominated in 1983 for a BAFTA and Golden Globe as best original score – and the promise of a soundtrack album from Polydor Records in the end titles of the film, the release of the original soundtrack recording was delayed for over a decade. There are three official releases of the music from Blade Runner. In light of the lack of a release of an official score, an orchestral adaptation, recorded by The New American Orchestra, was released in 1982. Some of the film tracks would in 1989 surface on the compilation Themes, but it was not until the 1992 release of the Director's Cut version of the film that a substantial amount of the score would see the light of day on an official release.
Releases
Initial Releases
The first official release (on LP, tape and CD) was a reinterpretation by the New American Orchestra in 1982. Billed as an "orchestral adaptation of music composed for the motion picture by Vangelis", this release consisted of jazz-inspired, orchestrated renditions of the major tracks from the film, but not the original score tracks.
| New American Orchestra |
| 1. Love Theme (4:12) |
| 2. Main Title (5:01) |
| 3. One More Kiss, Dear (4:00) |
| 4. Memories of Green (4:50) |
| 5. End Title (4:17) |
| 6. Blade Runner Blues (4:38) |
| 7. Farewell (3:10) |
| 8. End Title Reprise (3:08) |
| Total disc time: 33:16 |
In 1989, Vangelis released Themes, a compilation album featuring unreleased music from several of his film scores, as well as material from non-film-related albums. The album includes the "End Titles" and "Love Theme" from Blade Runner; the first appearance of the original versions of the tracks. Engineered by Raine Shine at Nemo Studios
Official Vangelis score
1994 release
In 1994, an official recording of Vangelis' score was released by East West (Warner Music) in the UK and by Atlantic Records in the US. The album reached the top 20 in the UK album charts.
This release contained a twelve-page booklet consisting mainly of stills from the film. On page 3 there is a list of credits and the following by Vangelis:
- Most of the music contained in this album originates from recordings I made in London in 1982, whilst working on the score for the film BLADE RUNNER. Finding myself unable to release these recordings at the time; it is with great pleasure that I am able to do so now. Some of the pieces contained will be known to you from the Original Soundtrack of the film, whilst others are appearing here for the first time. Looking back at RIDLEY SCOTT's powerful and evocative pictures left me as stimulated as before, and made the recompiling of this music, today, an enjoyable experience. (VANGELIS Athens, April 1994)[1]
While most of the tracks on the album are from the film, a number were composed by Vangelis but were ultimately not used in the film itself. Other compositions that appear in the film were not included on this release.
| Official Vangelis score |
| 1. Main Titles (3:42) |
| 2. Blush Response (5:47) |
| 3. Wait for Me (5:27) |
| 4. Rachel's Song (4:46) |
| 5. Love Theme (4:56) |
| 6. One More Kiss, Dear (3:58) |
| 7. Blade Runner Blues (8:53) |
| 8. Memories of Green (5:05) |
| 9. Tales of the Future (4:46) |
| 10. Damask Rose (2:32) |
| 11. Blade Runner (End Titles) (4:40) |
| 12. Tears in Rain (3:00) |
| Total disc time: 57:53 |
2007 release
Blade Runner Trilogy, 25th Anniversary
A 3-CD set was released in 2007 to coincide with the 5-DVD release to mark the 25th anniversary of the film. It includes the 1994 official CD along with two bonus CDs, both compiled from original material by Vangelis. The second disc includes some previously officially unreleased material, but is still not complete, omitting the Main Title track, for example. The third disc contains new material inspired by Blade Runner.
| 25th Anniversary Disc #2 |
25th Anniversary Disc #3 |
| 1. Longing (1:58) |
1. Launch Approval (1:54) |
| 2. Unveiled Twinkling Space (1:59) |
2. Up And Running (3:09) |
| 3. Dr. Tyrell’s Owl (2:40) |
3. Mail From India (3:27) |
| 4. At Mr. Chew’s (4:47) |
4. BR Downtown (2:27) |
| 5. Leo’s Room (sic) (2:21)[2] |
5. Dimitri’s Bar (3:52) |
| 6. One Alone (bonus track) (2:23) |
6. Sweet Solitude (6:56) |
| 7. Deckard And Roy’s Duel (6:16) |
7. No Expectation Boulevard (6:44) |
| 8. Dr. Tyrell’s Death (3:11) |
8. Vadavarot (4:14) |
| 9. Desolation Path (bonus track) (5:45) |
9. Perfume Exotico (5:19) |
| 10. Empty Streets (6:16) |
10. Spotkanie Z Matka (5:09) |
| 11. Mechanical Dolls (2:52) |
11. Piano In An Empty Room (3:37) |
| 12. Fading Away (3:32) |
12. Keep Asking (1:29) |
| Total disc time: (46:17) |
Total disc time: (44:00) |
Although this release claims to be the "complete" score, there is still some music heard in the film that is missing (in sequential order):
- Longer-length track: "Main Titles", with prologue
- Heard in scene: Leon's Voight-Kampff test
- Heard in scene: Deckard meets Rachael for the first time (starting with the owl)
- Longer-length track: "Blade Runner Blues"
- Heard in scene: Deckard's dream, before, during and after the unicorn appears (1992 and 2007 film releases)
- Heard in scene: Deckard's dream (1984 US film release), actually an alternate recording of "Love Theme"
- Heard in scene: Deckard meets the snake guy, at the Snakepit/Taffey Lewis club
- Full track: before the "Love Theme" (called "I Am the Business" on the Esper Edition)
- Full track: when Batty walks around JF Sebastian's apartment (called "Morning at the Bradbury" on the Esper Edition)
- Missing prelude: "The Prodigal Son Brings Death"
- Heard in scene: Deckard enters the Bradbury and walks up the stairs
- Longer-length track: "Deckard and Roy's Duel" (which is an abbreviated version of "Dangerous Days" plus "Wounded Animals")
- Longer-length track: "End Titles"
The second disc, of previously unreleased music, contains additional music not present in the film, including two bonus tracks, one of which, "Desolation Path", is a slightly different version of "Alternate Love Theme/I Dreamt Music".[3] This track was originally used in the workprint version of the film, during the Deckard/Rachel love scene.
Bootlegs
The delays and poor reproductions of the Blade Runner score led to the production of many bootleg recordings over the years. A bootleg tape surfaced in 1982 at science fiction conventions and became popular given the delay of an official release of the original recordings, and in 1993 "Off World Music, Ltd." created a bootleg CD that would prove more comprehensive than Vangelis' official CD in 1994. A disc from "Gongo Records" features most of the same material, but more of it. The Deck Definitive Edition came about in 2001, with 27 tracks. In 2003, two other bootlegs surfaced, the "Esper Edition," closely preceded by "Los Angeles - November 2019." The double disc "Esper Edition" combined tracks from the official release, the Gongo boot and the film itself. Finally "2019" provided a single disc compilation almost wholly consisting of ambient sound from the film, padded out with some sounds from the Westwood game "Blade Runner."
Studio Tape
The first release of the Blade Runner score in any form was a tape suspected of coming from a sound engineer during the film's mixing. It was popular, despite subpar audio quality, given there were no plans to release a Vangelis score.[4]
| Bootleg tape (1982) |
| Side A |
Side B |
| 1. Los Angeles, November 2019 (1:46) |
9. Tales of the Future (4:46) |
| 2. Leon's Interrogation (1:12) |
10. Dangerous Days (1:02) |
| 3. Lift-Off (1:10) |
11. Wounded Animals (10:58) |
| 4. Deckard Meets Rachael (1:29) |
12. Tears in Rain (2:41) |
| 5. One More Kiss, Dear (4:00) |
13. End Titles (7:24) |
| 6. Blade Runner Blues (10:19) |
| 7. Love Theme (4:57) |
| 8. The Prodigal Son Brings Death (3:35) |
| Total tape time: (55:19) |
Off World Music
A second bootleg Original Motion Picture Soundtrack: Blade Runner appeared in 1993 by "Off World Music, Ltd." on CD, which was of high quality and actually more comprehensive than the official release by Vangelis in 1994. This release includes a 1939 recording by R&B group The Ink Spots. "If I Didn't Care" which originally appeared in an early workprint of Blade Runner, but was replaced by the Don Percival cut "One More Kiss, Dear" in the final version.
| Off World Music Bootleg |
| 1. Ladd Company Logo (0:24) John Williams |
| 2. Main Titles and Prologue (4:03) |
| 3. Los Angeles, November 2019 (1:46) |
| 4. Deckard Meets Rachael (1:29) |
| 5. Bicycle Riders (2:05) Gail Laughton |
| 6. Memories of Green (5:39) |
| 7. Blade Runner Blues (10:19) |
| 8. Deckard's Dream (1:12) |
| 9. On the Trail of Nexus 6 (5:30) |
| 10. If I Didn't Care (3:03) Jack Lawrence [WP only] |
| 11. Love Theme (4:57) |
| 12. The Prodigal Son Brings Death (3:35) |
| 13. Dangerous Days (1:02) |
| 14. Wounded Animals (10:58) |
| 15. Tears in Rain (2:41) |
| 16. End Titles (7:24) |
| 17. One More Kiss Dear (4:00) Skellern & Vangelis |
| 18. Trailer and Alternate Main Titles (1:39) Robert Randles |
| Total disc time: 72:42 |
Esper Edition
In 2003 a bootleg – Blade Runner: Esper Edition by "Esper Productions" – was created, providing a comprehensive Blade Runner soundtrack. It contains some background music that has never been released.[5]
| Esper Edition Bootleg |
| Disc One |
Disc Two |
| 1. Prologue And Main Titles (3:54) |
1. Deckard's Dream (1:10) |
| 2. Leon's Voight Kampff Test (1:09) |
2. Thinking Of Rachael (1:18) |
| 3. Sushi Bar - Damask Rose (2:46) |
3. Esper Analysis (2:34) |
| 4. Spinner Ascent (1:21) |
4. Animoid Row (2:34) |
| 5. Blush Response (5:43) |
5. Taffey Lewis Night Club (2:02) |
| 6. Wait For Me (5:12) |
6. Salome's Dance (1:23) |
| 7. Deckard Meets Rachael (1:36) |
7. Zhora's Retirement (1:42) |
| 8. Rachael's Song (4:20) |
8. I Am The Business (2:29) |
| 9. Tales Of The Future (4:53) |
9. Love Theme (4:58) |
| 10. Bicycle Riders (2:10) |
10. I Dreamt Music (4:32) |
| 11. Chew's Eye Lab (1:15) |
11. Morning At The Bradbury (3:46) |
| 12. Memories Of Green (5:35) |
12. The Prodigal Son Brings Death (4:07) |
| 13. Blade Runner Blues (10:01) |
13. Deckard Enters The Bradbury (3:37) |
| 14. Pris Meets J.F. Sebastian (1:47) |
14. Dangerous Days (0:57) |
| 15. One More Kiss, Dear (4:04) |
15. Wounded Animals (10:53) |
|
16. Tears In Rain (2:51) |
|
17. Rachael Sleeps (2:08) |
|
18. End Titles (4:06) |
| Total disc time: 55:46 |
Total disc time: 57:07 |
Esper Edition Notes:
- Original Music Composed and Performed by Vangelis
- "Harps Of The Ancient Temples" written and performed by Gail Laughton
- Performed on tracks 3, 9 (disc I) and track 5 (disc II) by Demis Roussos
- Performed on "Rachael's Song" by Mary Hopkin
- Saxophone on tracks 2 and 9 (disc II) by Dick Morrissey
- Lyrics and vocals on "One More Kiss‚ Dear" by Don Percival (Note: the official 1994 release credits the vocals to Don Percival but the lyrics to English singer/composer Peter Skellern).
References
External links
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