Career Highlights: Judith of Bethulia, Bluebeard's Seven Wives, Tess of the d'Urbervilles
First Major Screen Credit: Judith of Bethulia (1914)
Biography
Actress Blanche Sweet was typically cast as the strong-willed heroine in silent films. She was a favorite of D.W. Griffith. Born in Chicago into a family of show people, she began her professional career as a dancer at age 4. A decade later, in 1909, Sweet, now a 14-year old stage veteran, debuted in films working for Biograph. Unlike other heroines of her time such as Lillian Gish and May Marsh, Sweet did not play fragile shrinking violets in constant need of salvation; instead she played confident and resourceful women who attempted to save themselves. Her most famous films, both directed by Griffith were The Lonedale Operator and Judith of Bethulia. She later went on to Lasky studios where she began working with Cecil B. DeMille and others, one of whom was Marshall Neilan. She married him in 1922, but, by 1929, they had divorced. She continued to be successful until the early thirties when she appeared in three talkies, and then retired to the stage. She married her stage costar Raymond Hackett in 1936. After he died in 1958, she returned to the screen one last time to play a bit part in the Danny Kaye movie The Five Pennies. ~ Sandra Brennan, All Movie Guide
Raymond Hackett (1935-1958) (his death) Marshall Neilan (1922-1929)
Sarah Blanche Sweet (June 18, 1896 [1][2][3] – September 6, 1986) was a silent filmactress who began her career in the earliest days of the Hollywood motion picture film industry.
Born Sarah Blanche Sweet in Chicago, Illinois into a family of stock theater and vaudeville performers, Blanche Sweet entered the entertainment industry at an early age. In 1909, she started work at Biograph Studios under contract to director D. W. Griffith. By 1910 she had become a rival to Mary Pickford, also having started for Griffith the year before, which would result in Pickford leaving the studio intermittently (and finally in 1913).
Rise to stardom
Sweet is renowned for her energetic, independent roles, at variance with the 'ideal' Griffith type of vulnerable, often fragile, femininity. After many starring roles, her first real landmark film was the 1911 Griffith thriller The Lonedale Operator. In 1913 she starred in Griffith's first feature-length movie, Judith of Bethulia. In 1914 Sweet was initially cast by Griffith in the part of Elsie Stoneman in his epic The Birth of a Nation but the role was eventually given to rival actress Lillian Gish, who was Sweet's senior by two years. That same year Sweet parted ways with Griffith and joined Paramount (then Famous Players-Lasky) for the much higher pay that studio was able to afford.
Throughout the 1910s, Sweet continued her career appearing in a number of highly prominent roles in films and remained a publicly popular leading lady. She often starred in vehicles by Cecil B. DeMille and Marshall Neilan, and she was recognised by leading film critics of the time to be one of the foremost actresses of the entire silent era. It was during her time working with Neilan that the two began a publicized affair, which brought on his divorce from former actress Gertrude Bambrick. Sweet and Neilan married in 1922. The union ended in 1929 with Sweet charging that Neilan was a persistent adulterer.[4][5]
During the early 1920s Sweet's career continued to prosper, and she starred in the first film version of Anna Christie in 1923. The film is also notable as being the first Eugene O'Neill play to be made into a motion picture. In successive years, she starred in Tess of the D'Urbervilles and The Sporting Venus, both directed by Neilan. Sweet soon began a new career phase as one of the newly formed MGM studio's biggest stars.
Talkies
As the "Roaring Twenties" wound down, Sweet's career faltered with the advent of talkies. Sweet made just three talking pictures, including her critically lauded performance in 1930's Show Girl in Hollywood, before retiring from the screen that same year and marrying stage actor Raymond Hackett in 1935.[6] The marriage lasted until Hackett's death in 1958.
Blanche Sweet spent the remainder of her performing career in radio and in secondary Broadway stage roles. Eventually, her career in both of these fields petered out, and she began working in a Los Angeles department store. In the late 1960s, her acting legacy was resurrected when film scholars invited her to Europe to receive recognition for her work.
^ Social Security Death Index (Death Master File), Blanche Hackett, 18 June 1896 – September 1986.
^ U.S. Census, April 15, 1910, State of California, County of Alameda, City of Berkeley, enumeration district 47, page 8A, family 157, Sarah B. Sweet, age 13 years.
^ U.S. Census, January 1, 1920, State of California, County of Los Angeles, City of Los Angeles, enumeration district 63, page 6A, family 159, Blanche Sweet, age 23 years.
^ "Blanche Sweet Sues Neilan for Divorce", The New York Times, Sept. 24, 1929, p. 28.
^ "Decree to Blanche Sweet". The New York Times, Oct. 22, 1929, p. 60.
^ "Blanche Sweet Rewed", The New York Times, Oct. 12, 1935, p. 13.