Share on Facebook Share on Twitter Email
Answers.com

Bob Moore

 
Artist: Bob Moore

Similar Artists:

Eddy "G" Giles, Eddie & Ernie, Tony Owens, George Perkins, Johnny Adams, Eddie Holman, Arthur Conley

Worked With:

Hugh Gordon Stoker, Louis Dean Nunley, Murray Harman, Jr., Ray Edenton, Harold Bradley, Grady Martin, Hank Garland, Floyd Cramer
  • Born: November 30, 1932, Nashville, TN
  • Active: '60s, '70s, '80s, '90s
  • Genres: Country
  • Instrument: Bass
  • Representative Albums: "Mexico," "Viva Bob Moore," "Bob Moore & His Orchestra"

Biography

The expression "he's played on a million country records" is barely an exaggeration if said in description of this bassist, arguably one of the most recorded instrumentalists in music history. He has all the positive attributes possible for a musician identified with studio sessions, including involvement with many historic recordings, a list of which cuts a swath across nearly half a dozen genres. Country, of course, is one of the strongest aspects of the Moore discography. He was born in Nashville and took a liking to the local music specialty while still in diapers, starting with an addiction to broadcasts from the Grand Ol' Opry. The history of his professional career seems to begin when he reached the ripe age of ten, at which point he was already actually performing as both a singer and guitarist on the sophisticated WSIX program entitled Goober and the Kentuckians.

Listeners seeking a more artsy side to Moore may want to check out his involvement with sessions such as experimental rock guitarist Harvey Mandel's Cristo Redentor or the Sir Douglas Quintet's 1+1+1=4. Some of his most impressive playing is on live recordings with fiddle virtuoso Scotty Stoneman circa the mid-'70s, a taste of wildly progressive bluegrass if there ever was one. He worked regularly with Elvis Presley and recorded several albums with Bob Dylan. Moore shows up with equal aplomb on projects by much more obscure artists of great quality such as the cynical country songwriter and singer Henson Cargill. The roots of such virtuosity include hustling a shoeshine stand outside the Opry as a child and at 15 hitting the road with blackface tent show band, Jamup & Honey.

From here he graduated to Western swing with bandleader Paul Howard. For Moore, the decade of the '50s was a period of intense touring with a variety of country performers, including Little Jimmy Dickens, Flatt & Scruggs, and the comedian Andy Griffith. Moore developed a close relationship with producer Owen Bradley and was soon so experienced that his contributions to sessions went well beyond thumping out basslines, as important as that is in itself. Lists of names become irrelevant as more and more top performers were drawn to Nashville looking for a hit combination. It would perhaps be more interesting to figure out who Moore hasn't played with -- perhaps that would be a good job for his son, composer and multi-instrumentalist R. Stevie Moore, providing he feels like taking a break from putting out his own new records every day. The best-known recording Bob Moore did under his own name was an instrumental entitled "Mexico," a huge hit for the Monument label in 1961. ~ Eugene Chadbourne, All Music Guide
Search unanswered questions...
Enter a question here...
Search: All sources Community Q&A Reference topics
Wikipedia: Bob Moore
Top

For the football player of the same name see Bob Moore (American football).

Bob Moore
Birth name Bob Loyce Moore
Born November 30, 1932 (1932-11-30) (age 76)
Origin Nashville, Tennessee, United States
Occupations Bassist, session musician, orchestra leader
Instruments Double bass
Years active 1946 -
Labels Monument
Associated acts Elvis Presley, Roy Orbison, many others

Bob Loyce Moore (born November 30, 1932) is an American session musician, orchestra leader, and bassist who was a member of the legendary Nashville A-Team during the 1950s and 60s.

Contents

Biography

Bob Moore was born in Nashville, Tennessee[1] and developed his musical skills as a boy. By age 15 he was playing double bass on a tent show tour with a Grand Ole Opry musical group, and at 18, he accepted a position touring with Little Jimmy Dickens. At age 23, his abilities brought an offer to play on the famed Red Foley ABC-TV show, Ozark Jubilee. Playing with the show's band in Springfield, Missouri on Saturdays and traveling to Nashville during the week proved to be exhausting, however, and after two years, he returned to Nashville.

Moore was 12 years old when he met Owen Bradley, who was playing trombone in Nashville radio station WSM-AM's staff band. In 1950, Bradley hired Moore to perform on a direct-to-disk transcription which was recorded via cable from the stage of the Ryman Theatre. Soon thereafter, Bradley became the head of Nashville's division of Decca Records, and brought Moore in as a session musician. Moore went on to perform on over 17,000 documented (Federation of Musicians Local 257) recording sessions[citation needed] and was a member of the Nashville A-Team beginning in the late 1950s.

In 1958, he played on his first of many Elvis Presley sessions. The following year he teamed up with Fred Foster to establish Monument Records, where, as the label's musical director, he created the first rock opera backing Roy Orbison. In 1960, he formed the Bob Moore Orchestra and recorded an album which included "Mexico," a 1961 45 rpm single that went to number seven on the Billboard pop music chart, remaining in the Top 40 for ten weeks. The song also topped the "Easy Listening" chart for one week in 1961. It sold over one million copies earning a gold disc.[1]

Moore worked in a variety of music scenes, including a performance at the Newport Jazz Festival and recording with Arthur Fiedler and the Boston Pops Orchestra. He had strong roots in country music, and in 1994 Life named him the number one Country Bassist of all time. He performed with such diverse artists as Bob Dylan, Marty Robbins, Jerry Lee Lewis, Flatt and Scruggs, Sammy Davis, Jr., Julie Andrews, Frank Sinatra, Andy Williams, Connie Francis, Moby Grape, Wayne Newton, Quincy Jones, Burl Ives, and French singer Johnny Halliday.

Bob Moore was inducted into the Musicians Hall of Fame in 2007.

Family

Moore's son, R. Stevie Moore, is a mod and a rocker known for his many independent home recordings. Moore's daughter, Linda Faye Moore, was a Miss Tennessee and a top 10 finisher in the Miss America pageant; and a member of the 1980s country-pop female band Calamity Jane, which had minor hits with 1981's "Send Me Somebody To Love" and a 1982 cover of The Beatles' "I've Just Seen a Face." Moore's two other sons, Gary and Harry, are not in the music industry.

Notes

  1. ^ a b Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. p. 137. ISBN 0-214-20512-6. 

References

External links


 
 

 

Copyrights:

Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Bob Moore" Read more

 

Mentioned in