Share on Facebook Share on Twitter Email
Answers.com

Bobby Hackett

 
Artist: Bobby Hackett
  • Born: January 31, 1915, Providence, RI
  • Died: June 07, 1976, Chatham, MA
  • Active: '30s, '40s, '50s, '60s, '70s
  • Genres: Jazz
  • Instrument: Cornet, Trumpet
  • Representative Albums: "That Da Da Strain," "Live at the Roosevelt Grill, Vol. 3," "Live at the Roosevelt Grill"
  • Representative Songs: "Embraceable You," "Clarinet Marmalade," "'S Wonderful"

Biography

Bobby Hackett's mellow tone and melodic style offered a contrast to the brasher Dixieland-oriented trumpeters. Emphasizing his middle-register and lyricism, Hackett was a flexible soloist who actually sounded little like his main inspiration, Louis Armstrong.

When Hackett first came up he was briefly known as "the new Bix" because of the similarity in his approach to that of Bix Beiderbecke, but very soon he developed his own distinctive sound. Originally a guitarist (which he doubled on until the mid-'40s), Hackett performed in local bands, and by 1936 was leading his own group. He moved to New York in 1937, played with Joe Marsala, appeared at Benny Goodman's 1938 Carnegie Hall concert (recreating Beiderbecke's solo on "I'm Coming Virginia"), recorded with Eddie Condon, and by 1939 had a short-lived big band. Hackett played briefly with Horace Heidt, and during 1941-1942 was with Glenn Miller's Orchestra, taking a famous solo on "String of Pearls." Next up was a stint with the Casa Loma Orchestra, and then he became a studio musician while still appearing with jazz groups. Hackett was a major asset at Louis Armstrong's 1947 Town Hall Concert, in the 1950s he was a star on Jackie Gleason's commercial but jazz-flavored mood music albums, and he recorded several times with Eddie Condon and Jack Teagarden. During 1956-1957, Hackett led an unusual group that sought to modernize Dixieland (using Dick Cary's arrangements and an unusual instrumentation), but that band did not catch on. Hackett recorded some commercial dates during 1959-1960 (including one set of Hawaiian songs and another in which he was backed by pipe organ), he worked with Benny Goodman (1962-1963); backed Tony Bennett in the mid-'60s; co-led a well-recorded quintet with Vic Dickenson (1968-1970); and made sessions with Jim Cullum, the World's Greatest Jazz Band, and even Dizzy Gillespie and Mary Lou Williams, remaining active up until his death. Among the many labels Bobby Hackett recorded for as a leader were Okeh (reissued by Epic), Commodore, Columbia, Epic, Capitol, Sesac, Verve, Project 3, Chiaroscuro, Flying Dutchman, and Honey Dew. ~ Scott Yanow, All Music Guide
Search unanswered questions...
Enter a question here...
Search: All sources Community Q&A Reference topics
Discography: Bobby Hackett
Top

String of Pearls [Pearl]

Buy this CD

Live at Nick's & Boston

Buy this CD

In Concert

Buy this CD

Back Stage with Bobby Hackett: Milwaukee 1951

Buy this CD

Last Encounter: Hollywood Bowl 1963

Buy this CD

V-Disc Recording Parties

Buy this CD

Soft Lights/In a Mellow Mood

Buy this CD

At the Jazz Band Ball: 1938-1940

Buy this CD

Live at the Roosevelt Grill With Vic Dickenson, Vol. 4

Buy this CD

1938-1940

Buy this CD
Show More Albums Show Fewer Albums
Wikipedia: Bobby Hackett
Top



Jazzmen Bobby Hackett and Bubba Kolb at the Village Jazz Lounge in Walt Disney World (photo by Laura Kolb)

|- | Born: January 31st 1915 Province Rhode Island | Birth Name: Robert Leo Hackett | Instruments: Trumpet, Cornet, Guitar |- | Record Labels: Storyville, Project 3 records, ADD, Classics, Segal Enterprices, DBK Jazz |} Robert Leo "Bobby" Hackett (January 31, 1915 – June 7, 1976) was a jazz musician who played trumpet, cornet and guitar, and played with the Glenn Miller Orchestra during 1941–1942.

Biography

Hackett was born in Providence, Rhode Island. He made his name as a follower of the legendary cornet player Bix Beiderbecke: Benny Goodman hired him to recreate Bix's famous "I'm Coming Virginia" solo at his (Goodman's) 1938 Carnegie Hall concert. It seems that from then on, Hackett was determined to shake off the "new Bix" tag, and always proclaimed that he was a "Louis (Armstrong) man." A dream come true for Hackett was his inclusion in Louis Armstrong's 1947 Town Hall Jazz Concert.

He was in considerable debt and difficulties by the early 1940s, following the commercial failure of his big band.[citation needed] To make matters worse, his lip was in bad shape after dental surgery, making it difficult for him to play the trumpet or cornet. Glenn Miller came to Hackett's rescue, offering him a job as a guitarist with the Miller Band. Despite his lip problems, Hackett could still play occasional — beautiful — short solos, and he can be heard playing a famous one with the Glenn Miller Orchestra on "A String of Pearls." His lip must have recovered because, during the 1950s, he made a series of albums of ballads with a full string orchestra, supposedly conducted by Jackie Gleason, exhibiting a gorgeous, dreamy, vibrato-free sound. When asked by musician/journalist Harry Currie in Toronto just weeks before Hackett's death what Gleason really did at the recording session, Hackett replied "He brought the cheques." In his later years, he continued to perform in a dixieland style even as trends in jazz changed. Bobby Hackett was a big fan of Louis Armstrong, although he played in a style more reminiscent of Bix Beiderbecke. Bobby Hackett died June 7, 1976 from a heart attack.

Select discography

With George Wein

  • Wein, Women and Song and More, George Wein Plays and Sings (Arbors Records)

External links


 
 

 

Copyrights:

Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Bobby Hackett" Read more