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Bobby Keys

 
Artist: Bobby Keys

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  • Born: December 18, 1943, Slaton, TX
  • Active: '50s, '60s, '70s, '80s, '90s, 2000s
  • Genres: Rock
  • Instrument: Sax (Tenor), Saxophone Representative Album: "Bobby Keys"

Biography

Best-known for his long association with the Rolling Stones, tenor saxophonist Bobby Keys spent several decades as an in-demand session man and touring musician, able to play blues, R&B, and rock & roll with equal flair. Born and raised in Texas, Keys was playing in rock & roll bands as early as the '50s, and worked with Buddy Holly and Bobby Vee, among many others. Keys worked regularly at the famed Muscle Shoals studios in Alabama before meeting the Stones in 1969; his work on Let It Bleed (not to mention the simple fact of association) quickly made him a hot property. Over the next few years, Keys played on albums by George Harrison (All Things Must Pass), Delaney & Bonnie, Eric Clapton, Humble Pie, the Faces, Carly Simon, Nilsson, Joe Cocker, John Lennon, Ringo Starr, Lynyrd Skynyrd, and B.B. King. He also continued his relationship with the Stones, appearing on classics like Sticky Fingers and Exile on Main Street, and striking up an instant chemistry with Keith Richards. In 1972, Keys recorded a self-titled solo album for Warner Bros., which featured an all-star guest lineup including members of the Beatles, Cream, Mountain, and Traffic, plus his longtime trumpet-playing partner Jim Price. By the mid-'70s, his activities with the Stones were beginning to tail off, though he maintained a working relationship with the band over the years, both in the studio and on the road. He continued to find work through his old connections, and in 1979 joined Ron Wood's touring band the New Barbarians. In more recent years, Keys has continued to tour with the Stones and guest on the occasional album (including Sheryl Crow's The Globe Sessions), and also performed with the Lubbock, TX-based band the Ace Liquidators. ~ Steve Huey, All Music Guide
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Bobby Keys
Background information
Born December 18, 1943 (1943-12-18) (age 65)
Slaton, Texas, U.S.
Genres Rock
Occupations Session musician
Instruments Saxophone
Years active 1950s—present
Associated acts Rolling Stones, Buddy Holly, Elvis Presley, Keith Richards, Eric Clapton, Delaney & Bonnie, George Harrison, Ringo Starr, Joe Ely, Sheryl Crow, John Lennon, Leon Russell, Plastic Ono Band, Harry Nilsson

Bobby Keys (born December 18, 1943, Slaton, Texas) (sometimes credited as Bobby Keyes) is an American saxophone player and together with Jim Price and occasionally Jim Horn formed the most in-demand[citation needed] horn section of the 1970s. They appear on albums by The Who, The Rolling Stones, George Harrison's All Things Must Pass, Eric Clapton, and Joe Cocker's Mad Dogs and Englishmen. Keys was born the same day and in the same year as Keith Richards. Keys has been on the road as a touring musician since 1956.

Keys started touring at age fourteen with Bobby Vee and fellow Texan Buddy Holly. Keyes is best known as being the main saxophone player for The Rolling Stones, playing on every album from 1969 until 1974, and from 1980 to present, and performing on all Stones tours since 1970 except for the 1981 US Tour when Ernie Watts (no relation to Charlie Watts) replaced him. Keys has played on hundreds of recordings, including many unaccredited performances such as on Dion's "Runaround Sue."

He is known for playing the saxophone solo on the 1971 hit "Brown Sugar" and for the film shot of him and Keith Richards (born the same day as Keys) throwing a television set from the 10th floor of a hotel somewhere during the 1972 American Tour, as seen in the Stones' unreleased 1972 concert movie Cocksucker Blues. He is also featured in the 1971 concert movie Mad Dogs and Englishmen narrating the story of his early life while driving around downtown Dallas. Another famous recording by Keys is the baritone saxophone on Elvis Presley's "Return to Sender".

Keys came into the Rolling Stones around 1969. Keys, with the addition of Mick Taylor, changed the sound of the Rolling Stones. Both horns and Mick Taylor made their debut on Let it Bleed. Keys became Richard's new partner in crime, as well as brilliantly complementing Richard's guitar playing on numerous Stones classics. Jagger was always dubious of Keys' entrance into the Stones because it enhanced Richard's leadership. Jagger and Keys, however, would become close in the early 1970s, with Keys serving as an attendant at Jagger's wedding.

From 1973-1975, Keys participated in John Lennon's famous Lost Weekend in Los Angeles along with Ringo Starr, Harry Nilsson, and Keith Moon. Keys had played with Lennon in the Plastic Ono Band and while in Los Angeles he played on Lennon's albums Walls and Bridges and Rock 'n Roll. Additionally, Keys took part in the last known recording session between Paul McCartney and Lennon; this session is known as A Toot and a Snore in '74.

In the late 1980's, Keys became the musical director for Ronnie Wood's Miami club Woody's On the Beach. The first week the club opened, Keys booked Jerry Lee Lewis, Fats Domino, and the Crickets.

Keys released two albums in the 1970's. In 1972, Keys released a self-titled instrumental album on Warner Bros. Records that featured Ringo Starr, George Harrison, and Eric Clapton. Keys released his second album Gimme the Key on Ringo Starr's record label Ring O'Records in 1975.

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