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Bobby McFerrin

 
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Bobby McFerrin


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In Germany they call him Stimmwunder (wonder voice); in America Bobby McFerrin is considered the most innovative jazz vocalist to emerge in twenty years. Singing solo and a cappella, he uses his four-octave voice to "play" a variety of instruments—such as the guitar, the trumpet, and the drums. "I like to think of my voice as being my body," he told Micheal Bourne in down beat. "That’s my equipment." A triple Grammy winner, McFerrin recently topped the popular-music charts with his single "Don’t Worry, Be Happy."

The son of opera singers (his father was the first black man to perform regularly with the Metropolitan Opera), McFerrin was born in New York City. In 1958 his family moved to Los Angeles. McFerrin attended Sacramento State University and Cerritos College, but dropped out to play piano for the Ice Follies. Over the next few years, he played keyboard with lounge acts and for dance troupes. In 1977 McFerrin decided, suddenly, to become a singer. "I was in a quiet moment when a simple thought just came into my head: ‘Why don’. you sing?’ It was as simple as that, but it must have had some force behind it because I acted on it immediately," he explained to Bourne. He sang with various bands and was eventually discovered by singer Jon Hendricks. While on tour with Hendricks, McFerrin was again discovered—this time by comedian Bill Cosby.

Through Cosby, McFerrin was booked in Las Vegas and at the Playboy Jazz Festival in Los Angeles. He later performed at New York’s Kool Jazz Festival and began touring or recording with such jazz greats as George Benson and Herbie Hancock. In 1982 he released his first album, Bobby McFerrin.His fans were disappointed: "He sang with some of his vocal pyrotechnics fully alight," Horizon’s Leslie Gourse wrote, "but he had loud electronic instrumental accompaniment that essentially was pop." McFerrin learned from his mistake; his next effort, The Voice, was widely praised. Recorded live during a solo concert tour of Germany, the album is all a cappella and displays the singer’s virtuosity. "McFerrin coaxes up a daffy assortment of vocal effects and characterizations on The Voice," Francis Davis noted in Rolling Stone. "His circular breathing technique enables him to sing while inhaling and exhaling, thus allowing him to be his own background choir on ‘Blackbird’.and T. J.’ He slaps himself into a percussive frenzy on ‘I Feel Good’.and creates the sound of static between frequencies on ‘I’. My Own Walkman.’"

McFerrin’s later works have also been well received. Of Spontaneous Inventions Susan Katz of Newsweek wrote: "[It] shows off his ability to Ping-Pong between sweet falsetto melody and what sounds like a walking-bass

accompaniment….McFerrin delivers a cappella improvisations on everything from Bach to The Beverly Hillbillies’ theme song." Similarly, his more recent album, Simple Pleasures, contains versions of old pop and rock tunes, such as "Good Lovin’," "Suzie Q," and "Sunshine of Your Love." Interview’s Glenn O’Brien found that "the way he does these near chestnuts makes them new and restores the power that made them parts of your memory banks in the first place." So far, the album has sold over one million copies, and one of its tracks, "Don’t Worry, Be Happy," has become a hit single.

McFerrin has received three Grammy Awards, two for his work on "Another Night in Tunisia," recorded by Manhattan Transfer. His third, as Best Male Jazz Vocalist, was for ‘"Round Midnight," the title song of the 1986 movie. McFerrin has also recorded the theme for "The Cosby Show" and the sound track for "Just So," an animated series of specials that aired on cable television. He has appeared on "The Tonight Show" and "Sesame Street," and he provides the vocals for Levi’. commercials. McFerrin tours extensively as well. During his concerts, he often improvises his material. Spontaneity is an important part of McFerrin’s music: "I like being an improviser, expecting the unexpected," he told Bourne. "Even when something is rehearsed, I want it to be spontaneous."

Selected discography
Bobby McFerrin, Elektra Musician, 1982.
The Voice, Elektra Musician, 1984.
Spontaneous Inventions, Blue Note, 1986.
Simple Pleasures, EMI Manhattan Records, 1988.

Sources
Periodicals
Christian Science Monitor, April 17, 1987.
down beat, May 1985.
Horizon, July/August 1987.
Interview, August 1988.
Newsweek, October 6, 1986.
New York Times, November 20, 1987.
People, September 21, 1987.
Rolling Stone, March 28, 1985.
Time, October 17, 1988.
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  • Genres: Vocal Music

Biography

Vocal virtuoso Bobby McFerrin ranks among the most distinctive and original singers in contemporary music -- equally adept in jazz, pop, and classical settings, his octave-jumping trademark style, with its rhythmic inhalations and stop-on-a-dime shifts from falsetto to deep bass notes often sounds like the work of at least two or three singers at once, while at the same time sounding quite unlike anyone else. The son of husband-and-wife classical singers, McFerrin was born in New York City on March 11, 1950, later studying piano at California State College at Sacramento and Cerritos College. After touring behind the Ice Follies, he performed with a series of cover bands, cabaret acts, and dance troupes before making his vocal debut in 1977. While living in New Orleans, he sang with the group Astral Projection before relocating to San Francisco. There he met legendary comedian Bill Cosby, who arranged for McFerrin to appear at the 1980 Playboy Jazz Festival.

A performance at the 1981 Kool Jazz Festival led to a contract with Elektra, and the following year, McFerrin issued his self-titled debut LP. With 1984's The Voice, he made jazz history, recording the first-ever solo vocal album (sans accompaniment or overdubbing) to be released on a major label. His Blue Note debut, Spontaneous Inventions, followed in 1985 and featured contributions from Herbie Hancock, the Manhattan Transfer (on the Grammy-winning "Another Night in Tunisia"), and comic Robin Williams; McFerrin also earned mainstream exposure through his unique performance of the theme song to the television hit The Cosby Show, as well as a number of commercial spots. With 1988's Simple Pleasures, he scored a chart-topping pop smash with "Don't Worry, Be Happy"; around that time, he also formed the ten-member a cappella group Voicestra, featured on 1990's Medicine Music.

With 1992's Hush, McFerrin shifted gears to team with acclaimed cellist Yo-Yo Ma; the record remained on the Billboard Classical Crossover charts for over two years. The jazz release Play, a collaboration with pianist Chick Corea, appeared in 1992 as well. McFerrin returned to classical territory in 1995 with Paper Music, a collection of interpretations of works by Mozart, Bach, and Tchaikovsky recorded with the Saint Paul Chamber Orchestra, (which he joined as Creative Chair a year prior). For 1996's Bang! Zoom he teamed with members of the Yellowjackets; a second collaboration with Corea, The Mozart Sessions, appeared later that same year. With 1997's Circlesongs, McFerrin returned to his roots, recording an entire album of improvised vocal performances. He then recorded a collaborative album of classical and jazz standards for Sony Music Special Products in 2001. It teamed him with such esteemed musicians as Herbie Hancock, Yo-Yo Ma, and the Saint Paul Chamber Orchestra. A year later, Blue Note released his Beyond Words album, McFerrin's first work for the label in nearly a decade. It featured a band comprised of Chick Corea, Richard Bona, Omar Hakim, Cyro Baptista, and Gil Goldstein. Supported by a choir, McFerrin released VOCAbuLarieS in 2010. ~ Jason Ankeny, Rovi
Wikipedia on Answers.com:

Bobby McFerrin

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Bobby McFerrin

Bobby McFerrin in March 2011
Background information
Birth name Robert McFerrin, Jr
Born March 11, 1950 (1950-03-11) (age 61) Manhattan, New York
Genres Jazz, Reggae, World Music, Classical Music
Occupations Musician
Songwriter
Conductor
Arranger
Producer
Instruments Vocals, piano, bass guitar, clarinet
Years active 1977–present
Labels Manhattan Records
Blue Note Records
Elektra Records
Sony Classical
Associated acts Chick Corea
Herbie Hancock
Website http://www.bobbymcferrin.com

Robert "Bobby" McFerrin, Jr. (born March 11, 1950) is a virtuoso American vocalist and conductor. He is best known for his 1988 hit song "Don't Worry, Be Happy". He is a ten-time Grammy Award winner. He is well known for his unique vocal techniques and singing styles.

Contents

Life

Bobby McFerrin was born in Manhattan, New York City, the son of operatic baritone Robert McFerrin and singer Sara Copper.[1] Robert Sr. was the first African American to be a regular with New York's Metropolitan Opera. Sara is a former soloist with regional opera companies and in Broadway shows, and is a professor emeritus of music at Fullerton College in Fullerton, California.

Bobby McFerrin married Debbie Green in 1975. They have three children.[2]

McFerrin's song "Don't Worry, Be Happy" was a No. 1 U.S. pop hit in 1988 and won Song of the Year and Record of the Year honors. McFerrin has also worked in collaboration with instrumental performers, including pianists Chick Corea, Herbie Hancock, and Joe Zawinul, drummer Tony Williams, and cellist Yo-Yo Ma.

Vocal technique

As a vocalist, McFerrin often switches rapidly between modal and falsetto registers to create polyphonic effects, performing both the main melody and the accompanying parts of songs. He makes use of percussive effects created both with his mouth and by tapping on his chest. McFerrin is also capable of multiphonic singing, as observed in his song "Drive" from the 2005 DVD Live in Montreal.[3]

A notable document of McFerrin's approach to singing is his 1984 album The Voice, the first solo vocal jazz album recorded with no accompaniment or overdubbing.[4]

Career

In 1986, McFerrin was the voice of Santa Bear in "Santa Bear's First Christmas," and in 1987 he was the voice of Santa Bear/Bully Bear in the sequel "Santa Bear's High Flying Adventure." That same year, he performed the theme song for the opening credits of Season 4 of The Cosby Show, as well as the music for a Cadbury chocolate commercial.[citation needed]

In 1988, McFerrin recorded the hit song "Don't Worry, Be Happy", which brought him widespread recognition across the world. However, the song's success "ended McFerrin's musical life as he had known it," and he began to pursue other musical possibilities – on stage and in recording studios.[5] The song was used in George H. W. Bush's 1988 U.S. presidential election as Bush's 1988 official presidential campaign song, without Bobby McFerrin's permission or endorsement. In reaction, Bobby McFerrin publicly protested that particular use of his song, including stating that he was going to vote against Bush, and completely dropped the song from his own performance repertoire, to make the point even clearer.[citation needed]

In 1989, he composed and performed the music for the Pixar short film Knick Knack. The rough cut to which McFerrin recorded his vocals had the words "blah blah blah" in place of the end credits (meant to indicate that he should improvise). McFerrin spontaneously decided to sing "blah blah blah" as lyrics, and the final version of the short film includes these lyrics during the end credits. Also in 1989, he formed a ten-person "Voicestra" which he featured on both his 1990 album Medicine Music and in the score to the 1989 Oscar-winning documentary Common Threads: Stories from the Quilt. The song "Common Threads" has frequently reappeared in some public service advertisements for AIDS. McFerrin also performed with the Vocal Summit.[citation needed]

As early as 1992, widespread rumors circulated that falsely claimed McFerrin committed suicide. The rumors intentionally made fun of the distinctly positive nature of his popular song "Don't Worry, Be Happy" by claiming McFerrin ironically took his own life.[6]

In 1993 McFerrin sang Henry Mancini's "Pink Panther" theme for the movie Son of the Pink Panther.

In addition to his vocal performing career, in 1994 Mr. McFerrin was appointed as creative chair of the Saint Paul Chamber Orchestra. He makes regular tours as a guest conductor for symphony orchestras throughout the United States and Canada, including the San Francisco Symphony (on his 40th birthday), the New York Philharmonic, the Chicago Symphony Orchestra, the Cleveland Orchestra, the Philadelphia Orchestra, the Los Angeles Philharmonic, the London Philharmonic, the Vienna Philharmonic and many others. In McFerrin's concert appearances, he combines serious conducting of classical pieces with his own unique vocal improvisations, often with participation from the audience and the orchestra. For example, the concerts often end with McFerrin conducting the orchestra in an a cappella rendition of the "William Tell Overture," in which the orchestra members sing their musical parts in McFerrin's vocal style instead of playing their parts on their instruments.

Bobby McFerrin.
Bobby McFerrin - August, 2011.

For a few years in the late 1990s, he toured a concert version of Porgy and Bess, partly in honor of his father, who sang the role for Sidney Poitier in the 1959 film version, and partly "to preserve the score's jazziness" in the face of "largely white orchestras" who tend not "to play around the bar lines, to stretch and bend". McFerrin says that because of his father's work in the movie, "This music has been in my body for 40 years, probably longer than any other music."[7]

McFerrin also participates in various music education programs and makes volunteer appearances as a guest music teacher and lecturer at public schools throughout the U.S. McFerrin has collaborated with his son, Taylor, on various musical ventures. Taylor has recently been singing, rapping, and playing minimal keyboard accompaniment with Vernon Reid (leader-guitarist of Living Colour) in the eclectic metal-fusion-funk group Yohimbe Brothers.[citation needed]

In 2009, McFerrin and musician-scientist Daniel Levitin served as co-hosts of "The Music Instinct", a 2 hour award-winning documentary produced by PBS and based on Levitin's best-selling book This Is Your Brain On Music. Later that year, the two appeared together on a panel at the World Science Festival where McFerrin demonstrated audience participation with the ubiquitous nature of human understanding of the pentatonic scale by singing and dancing, and having the audience sing while following his movements.[8]

In October 2010, Bobby McFerrin appeared on NPR's news quiz show Wait, Wait...Don't Tell Me.[9]

In February 2011, Bruce Hornsby noted that McFerrin is in the process of organizing a super-group to debut in 2012.[10]

He now has a side job as an IT consultant in Seattle, WA.

Discography

As leader

As sideman

Grammys

  • 1985, Best Jazz Vocal Performance, male, "Another Night In Tunisia" with Jon Hendricks
  • 1985, Best Vocal Arrangement for two or more voices, "Another Night In Tunisia" with Cheryl Bentyne
  • 1986, Best Jazz Vocal Performance, male, "Round Midnight"
  • 1987, Best Jazz Vocal Performance, male, "What Is This Thing Called Love"
  • 1987, Best Recording for Children, "The Elephant's Child" with Jack Nicholson
  • 1988, Song of the year, Best Pop Vocal Performance, male, Record of the year, "Don't Worry, Be Happy"
  • 1988, Best Jazz Vocal Performance, male, "Brothers"
  • 1992, Best Jazz Vocal Performance, "Round Midnight"

References

  1. ^ Accessmylibrary.com. Accessmylibrary.com. Retrieved on July 1, 2011.
  2. ^ IMDB
  3. ^ Bobby McFerrin (performer) (2 July 2005). Bobby McFerrin - Drive (Live from Montreal) (YouTube). http://www.youtube.com/watch?v=codmxk7uLv8. 
  4. ^ Allmusic.com
  5. ^ Bobby McFerrin's Improv-Inspired 'Vocabularies'. Npr.org. Retrieved on July 1, 2011.
  6. ^ "Don't Worry, Be Dead". Snopes.com. Retrieved on July 1, 2011.
  7. ^ Cori Ellison, "'Porgy' and Music's Racial Politics", December 13, 1998, The New York Times; available online here [1], accessed July 15, 2010.
  8. ^ Bobby McFerrin demonstrates the power of the pentatonic scale, using audience participation, at the event "Notes & Neurons: In Search of the Common Chorus", from the 2009 World Science Festival, June 12, 2009., accessed April 11, 2010
  9. ^ NPR Media Player. Npr.org. Retrieved on July 1, 2011.
  10. ^ Hornsby, Bruce. "Facebook Chat". https://www.facebook.com/permalink.php?story_fbid=500166052983&id=9390219. 
  11. ^ Moley & Bobby performance download. Vault.size2shoes.com (January 14, 2009). Retrieved on July 1, 2011.

External links


 
 
Related topics:
Kevin Kline: Saturday Night Live (TV Episode) (1988 Comedy TV Episode)
How the Rhinocerous Got His Skin/How The Camel Got His Hump (1985 Album by Jack Nicholson w/ Bobby Mcferrin)
Elephant's Child (1987 Album by Bobby McFerrin/Jack Nicholson)

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