The Boer War produced little memorable Australian war literature. Volumes containing examples of the imperialistic verse popular at the time are
Ballads of Battle (1900) by Melbourne journalist John Sandes (‘Oriel’),
War Songs, 1899–1900 (1901) by W.H. Dawson and
The Collected Verse (1928) by George Essex Evans. Two individual poems in similar vein are John B. O'Hara's ‘Australia's Call to Arms’ and Garnet Walch's ‘The Lion's Cubs’, which appeared in
The Coo-ee Reciter (1904), compiled by W.T. Pyke. In its sentimental, pro-British propaganda and old-fashioned rhetoric, Sandes's poem ‘A Call from England’ is typical of the genre:
There came a cry forth speeding o'er the mighty Indian main,
A whisper that was borne upon the breeze,
'Twas the voice of England calling, and the words were clear and plain,
‘Come and help me, O my children overseas …’
Not everything published by Sandes, however, is imperialistic. In ‘Death Song of the Boers’, there is a note of sympathy for the enemy's threatened way of life. Mixed attitudes are also found in the war poems of A.B. (‘Banjo’) Paterson, included in his
Rio Grande's Last Race (1902). Paterson, who served as a war correspondent, ends his poem ‘Johnny Boer’ on the confident note that the Boer will be made to run, but in ‘On the Trek’ the thoughts of the war-weary Australian soldiers return to peacetime life in rural Australia. Henry Lawson's verses, on the other hand, are consistently hostile to the British cause and to Australian participation in the war, as the ironic ‘Our Fighters (From a Worldly Point of View)’ (1899) and ‘The Blessings of War’ (1900) indicate. A similarly hostile view of the war is expressed by Monty Grover in the poem ‘I Killed a Man at Graspan’, subtitled ‘The Tale of a Returned Australian Contingenter Done into Verse’, in which the author manages to catch the genuine confessional tone of guilt and regret. Memories of the look in the eyes of a dead enemy soldier lead the speaker to reject the traditional heroic view of war and to assert that ‘If the Empire ask for me later on/ It'll ask for me in vain’. The poem, like those by O'Hara and Walch, appeared in
The Coo-ee Reciter (1904).
Of the personal narratives of the war,
On the Veldt (1902) is a plain, factual account by R.C. Lewis, the officer commanding the Tasmanian Imperial Bushmen, W.T. Reay's
Australians in War (1900) and Frank Wilkinson's
Australia at the Front (1901) are works by Australian war correspondents, while James Green's
The Story of the Australian Bushmen (1903) is a chaplain's account. The most sensational personal narrative of the war is George R. Witton's
Scapegoats of the Empire (1907). It deals with the author's army life from the outbreak of the war until his release from prison in England and return to Australia in 1904, and includes an account of the events that culminated in the court-martial and execution by the British Army of Lieutenants P.J. Handcock and Harry Harbord Morant. ‘Breaker’ Morant, a minor poet, is said to have written the bitter lines ‘Butchered to Make a Dutchman's Holiday’ a short time before his death. He is the subject, in addition to several biographical works, of the two novels
Where Day Begins (1911) by Alfred Johnston Buchanan and Kit Denton's
The Breaker (1973). These are the only Australian novels on the Boer War to warrant mention, apart from A.G. Hales's
McGlusky (1902), the first of a long series of novels narrating the varied adventures of that aggressive, eponymous hero. The most outstanding single literary work on the Boer War is J.H.M. Abbott's
Tommy Cornstalk (1902), a personal narrative which emphasises in a spirit of national pride the initiative, independence and fighting abilities of the bushmen who were the core of the Australian mounted troops in South Africa. Direct, lucid and literate, Abbott's account expresses not only national pride but also the personal impressions and opinions of a soldier who experienced a good deal of active service and held strong opinions about the capabilities of the British Army and the character of the Boer. Abbott returns to the subject of the war in some of the fictional sketches and stories of his
Plain and Veldt (1903), and occasionally in his volume of journalistic articles,
An Outlander in England (1905), especially in the chapter in which he criticises the emphasis on pomp and circumstance in Britain's army during peace-time.