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Bolshoi Ballet

 

Leading ballet company of Russia, noted for elaborate productions of 19th-century classical ballets. The company was formed in 1776 and took the name of its home, Moscow's Bolshoi Theatre, in 1825. Its influential choreographers included Marius Petipa, Carlo Blasis, and Aleksandr Gorsky. Yuri Grigorovich was artistic director from 1964 to 1995. Its many successful tours have introduced its outstanding dancers, including Yekaterina Geltzer, Vasily Tikhomirov, Galina Ulanova, and Maya Plisetskaya, to audiences worldwide.

For more information on Bolshoi Ballet, visit Britannica.com.

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Dictionary of Dance: Bolshoi Ballet
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Russian ballet company with its own school, based in Moscow. Arguably the most famous ballet company in the world. It is now customary to date the Bolshoi's beginnings from 1776, with the foundation of a private company (owned by Prince Urusov and an Englishman called Michael Maddox) of actors and dancers who eventually fed a dance company at the Petrovsky Theatre, established in 1780 on the site of the present Bolshoi Theatre. It burned down in 1805, forcing the company to move to the Arbat (New Imperial) Theatre for the next twenty years. The present Bolshoi Theatre opened its doors on 19 Jan. 1825 (it was renovated after a fire in 1856). By 1850 the company comprised 155 dancers. Important stagings included the 1869 debut of Petipa and Minkus's Don Quixote and, in 1877, the disastrous first production of Reisinger and Tchaikovsky's Swan Lake. A unique Bolshoi style was already developing, thanks to early choreographers like Adam Glushkovsky, who ran the company from 1812 to 1839: folk dancing, comedy, pantomime, and melodrama were some of its defining features. But all the truly important developments in 19th-century Russian ballet were taking place at the Maryinsky Theatre in St Petersburg, under Petipa's direction. By 1882 the size of the Bolshoi company had been cut by almost half. The Bolshoi only really came into its own in the new political climate engendered by the Russian Revolution, which saw the country's capital—and hence its artistic focus—moved to Moscow. The company was revitalized at the beginning of the 20th century under Gorsky's direction (1900-24), his many productions helping to develop its intensely dramatic style. The 1917 October Revolution led to the reorganization of the company, under the leadership of Gorsky and the dancers Geltser and Tikhomirov. The Communist regime, which happily supported ballet as a suitable entertainment for the masses, encouraged the new genre: Socialist Realism. In works such as Tikhomirov's The Red Poppy (1927), choreographers sought to incorporate the prevailing Communist ideology into their subject-matter. The 1930s saw the arrival in Moscow of the St Petersburg choreographers Vainonen (Gayané) and Zakharov (Fountain of Bakhchisarai, Prisoner of the Caucasus, Taras Bulba). During the Second World War the company was evacuated to Kuibyshev, but returned to its Moscow home in 1945 with the first production of Zakharov and Prokofiev's Cinderella.

The company entered a new era after the war with the transfer to Moscow of the St Petersburg ballerina Ulanova and the choreographer Lavrovsky, who brought his Romeo and Juliet with him. In 1954 the Bolshoi premiered Lavrovsky's and Prokofiev's The Stone Flower. The company could now boast a roster of stars including Plisetskaya, Struchkova, and Fadeyechev. In 1956 the company made its breakthrough visit to the West, astonishing audiences in London with Ulanova's Juliet and Lavrovsky's staging of Giselle; in 1959 it repeated its triumph in New York. In the following decades it established itself as the single most important cultural export of the Soviet Union. Important productions included Radunsky's The Humpbacked Horse (1960 with new music by Shchedrin); Kasatkina-Vasiliov's Vanina Vanini (1962); Goleizovsky's Scriabiniana (1962); Kasatkina-Vasiliov's Heroic Poem (1964); Vinogradov's Asel (1967); Plisetskaya's Anna Karenina (1972). Probably the most lasting of the one-act creations was Messerer's Ballet School (1962), which frequently toured abroad. In 1964 Grigorovich was appointed chief choreographer; later he succeeded Lavrovsky as artistic director. Grigorovich stamped his unique personality on the company with ballet blockbusters like Spartacus (1968), Ivan the Terrible (1975), and The Golden Age (1982), works which more than lived up to the name Bolshoi (Russian for big). These were the productions that received endless performances on the company's lucrative foreign tours and helped to create the larger-than-life performing personas of Bolshoi dancers like Bessmertnova, Maximova, Sorokina, Vasiliev, Liepa, Gordeyev, and Mukhamedov.

In the 1990s, forced to fend for itself in the capitalist marketplace, it underwent artistic as well as financial decline. Grigorovich, the effectiveness of his directorship waning, was ousted; standards of performance and production fell; and the paucity of new choreography meant there was insufficient material to fuel the company's artistic engine. In 1995 Vladimir Vasiliev took over as director of the Bolshoi Theatre, with ultimate responsibility for both the ballet and opera companies. Vasiliev staged new productions of Swan Lake and Giselle, as well as adding more international works to the repertoire and inviting new choreographers to make work for the company. In 1998 he appointed Alexei Fadeyechev as artistic director of the Bolshoi Ballet. In 2000 Vasiliev was replaced. In 2000 Boris Akimov became director of the Bolshoi Ballet. In 2004 he was succeeded by Alexei Ratmansky. The Bolshoi Ballet School can trace its origins to dance classes held in a Moscow orphanage in 1773.

 
Columbia Encyclopedia: Bolshoi Ballet
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Bolshoi Ballet (bōl'shoi, bôl'-), one of the principal ballet companies of Russia; part of the Bolshoi Theater, which also includes Russia's premier opera company. The Bolshoi Ballet began as a dancing school for the Moscow Orphanage in 1773. The Bolshoi Theatre, which opened permanently in 1856, in its early decades competed for preeminence with the Maryinsky Theatre of St. Petersburg (see Kirov Ballet). Aleksandr Gorsky revitalized the dance company in the early 20th cent. and introduced a new dramatic realism to the classical ballets. Igor Moiseyev experimented with folk-dance ballets at the Bolshoi in the 1930s. The company is internationally acclaimed for its superb ensemble skills and for the spectacular realism of its scenery and costumes. During the 1960s, Maya Plisetskaya was the company's prima ballerina. In 1964, Yuri Grigorovich became chief choreographer and later, artistic director, serving until 1995. His productions included a very successful version of Khachaturian's Spartacus. Aleksei Fadeyechev was the ballet's artistic director from 1998 to 2000, when Boris Akimov was named to the post. The company is internationally acclaimed and regularly tours with such classics as Giselle and Swan Lake.

Bibliography

See study by Y. Grigorovich and V. Vaslov (1984).


Fine Arts Dictionary: Bolshoi Theater
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(bohl-shoy, bol-shoy)

A theater in Moscow known for its company of ballet dancers.

Wikipedia: Bolshoi Theatre
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Bolshoi Theatre

The front of the Bolshoi Theatre prior to the 2005 restoration
Большой театр
Building
Type Opera and ballet theatre
Location Moscow, Russia
Coordinates 55°45'37"N, 37°37'07"E
Construction
Completed 1825
Auditorium of the Bolshoi Theatre

The Bolshoi Theatre (Russian: Большой театр, Bol'shoy Teatr, Large, Great or Grand Theatre, also spelled Bolshoy) is a historic theatre in Moscow, Russia, designed by the architect Joseph Bové, which holds performances of ballet and opera. The Bolshoi Ballet and Bolshoi Opera are amongst the oldest and greatest ballet and opera companies of the world, respectively. The theatre is the parent company of The Bolshoi Ballet Academy, a world-leading school of ballet.

Contents

History

The company was founded in 1776 by Prince Peter Urusov and Michael Maddox. Initially, it held performances in a private home, but in 1780, it acquired the Petrovka Theatre and began producing plays and operas.

The current building was built on Theatre Square in 1824 to replace the Petrovka Theatre, which had been destroyed by fire in 1805. It was designed by architect Andrei Mikhailov, who had built the nearby Maly Theatre in 1824.

At that time, all Russian theatres were imperial property. Moscow and St Petersburg each had only two theatres, one intended for opera and ballet (these were known as the Bolshoi Theatres), and one for plays (tragedies and comedies). As opera and ballet were considered nobler than drama, the opera houses were named "Grand Theatres" ("Bolshoi" being the Russian for "large" or "grand") and the drama theatres were called "Smaller Theatre" ("Maly" being the Russian for "small", "lesser", or "little").

The Bolshoi Theatre's original name was the Imperial Bolshoi Theatre of Moscow, while the St. Petersburg Bolshoi Theatre (demolished in 1886), was called the Imperial Bolshoi Kamenny Theatre.

The Moscow theatre was inaugurated on 18 January 1825 with a performance of Fernando Sor's ballet, Cendrillon. Initially, it presented only Russian works, but foreign composers entered the repertoire starting around 1840. A fire in 1853 caused extensive damage; reconstruction was carried out by Alberto Cavos, son of Catterino Cavos, an opera composer. The theater reopened in 1856. During World War II, the theatre was damaged by a bomb, but it was promptly repaired.

The Bolshoi has been the site of many historic premieres including Tchaikovsky's The Voyevoda and Mazeppa, and Rachmaninoff's Aleko and Francesca da Rimini.

Important dates

Performance in the Bolshoi Theatre (1856)

Ballet and opera

The Bolshoi is a repertory theatre, meaning that it draws from a stable of productions, any one of which may be performed on a given evening. It normally introduces two to four new ballet or opera productions each season and retires a similar number. The sets and costumes for most productions are made in the Bolshoi's own workshops. The performers are drawn primarily from the Bolshoi's regular ballet and opera companies, with occasional guest performances. Since the collapse of the Soviet Union, there have been a few attempts to reduce the theatre's traditional dependence on large state subsidies. Corporate sponsorship occurs for some productions, but state subsidy is still the lifeblood of the company.

The Bolshoi has been associated from its beginnings with ballet. Tchaikovsky's ballet Swan Lake premiered at the theatre on Saturday, March 4, 1877. Other staples of the Bolshoi repertoire include Tchaikovsky's The Sleeping Beauty and The Nutcracker, Adam's Giselle, Prokofiev's Romeo and Juliet, and Khachaturian's Spartacus. After the death of Stalin, international touring companies from the Bolshoi became an important source of cultural prestige, as well as foreign currency earnings, and as a result the "Bolshoi Ballet" became a well-known name in the West. However, the Bolshoi suffered from losses through series of defection of its dancers. The first occurrence[1] was on August 23, 1979, with Alexander Godunov; followed by Leonid Kozlov and Valentina Kozlova on September 16, 1979[2][3]; and other cases in the following years. Bolshoi-related troupes continue to tour regularly in the post-Soviet era.

The opera company specializes in the classics of Russian opera such as Mussorgsky's Boris Godunov, Glinka's A Life for the Tsar, and Rimsky-Korsakov's The Tsar's Bride, as well as the operas of Tchaikovsky. Many operas by western composers are also performed, especially works of Italian composers such as Rossini, Verdi, and Puccini. Until the mid-1990s, most foreign operas were sung in Russian, but Italian and other languages have been heard more frequently on the Bolshoi stage in recent years.

Some operas, such as Borodin's Prince Igor, include extensive ballet sequences. Many productions, especially of classic Russian opera, are given on a scale of grand spectacle, and can have dozens of costumed singers and dancers on stage for crowd or festival scenes.

Current status of the Bolshoi

Bolshoi Theatre’s reconstruction. August 2007

The main Bolshoi Theatre closed for restoration in 2005, and, as of late 2009, is scheduled to reopen in October 2013.[4] The Theatre has undergone many renovations in its lifetime, but none as major as this. The restoration will cost $US730 million (The restoration was initially due to cost 15 billion roubles ($610 million) but engineers found the structure was more than 75 percent unstable),[5] and is funded entirely by the federal government.[6]

The restoration will repair the foundation and brickwork. The renovation is intended to restore the original acoustics of the theatre, which were largely lost as a result of renovations during the Soviet era.[7] Inside the theatre, the entire space has been stripped from the bottom up, the 19th-century wooden fixtures, silver stage curtain and French-made red velvet banquettes removed for repair in specialist workshops. At the very top of the facade, the two-headed eagle of the original Russian coat of arms has been installed in place where the Soviet hammer and sickle hung for decades.

The New Bolshoi Theatre, adjacent to the original and built incredibly in only six months, continues to stage an extensive repertory of concerts and performances. Since these two theatres are the most famous in Moscow, they are usually frequented by tourists, and the prices can be correspondingly much more expensive when compared to other Russian theatres, particularly for ballets, where the prices are comparable to those for performances in the West. Concerts and operas are still relatively affordable, with prices in the 300 to 2,000 rouble range for good par-terre (main floor) or balcony seats (US$1 = approximately 35 roubles). Prices do go up every year, however.

Notes

  • The Bolshoi Ballet has a branch at the Bolshoi Theatre School in Joinville, Brazil.
  • In a bit of ideological editing the Bolshoi theater is "destroyed" by Dziga Vertov in Man With a Movie Camera.

Music directors

Theatre Square in Moscow. The quadriga above the portico was sculpted by Peter Clodt von Jürgensburg.

See also

References

  1. ^ Turmoil on the Tarmac TIME Magazine, September 3, 1979
  2. ^ http://www.worldofquotes.com/history/9_18/7/index.html
  3. ^ Brouhaha at the Bolshoi TIME Magazine, October 1, 1979
  4. ^ Tom Parfitt. "[http://www.guardian.co.uk/stage/2009/feb/10/bolshoi-moscow-reopening", The Guardian.
  5. ^ Saving Bolshoi Theater New York Times
  6. ^ Bolshoi to reopen late in 2009 after rescue work | Entertainment | Reuters
  7. ^ The State Academic Bolshoi Theatre of Russia :: Reconstruction & Renovation :: Theatre.Reconstruction
  8. ^ Conductor exits left as Bolshoi Theatre's woes mount

External links

Coordinates: 55°45′37″N 37°37′07″E / 55.76028°N 37.61861°E / 55.76028; 37.61861


 
 

 

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Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 2006 Encyclopædia Britannica, Inc. All rights reserved.  Read more
Dictionary of Dance. The Oxford Dictionary of Dance. Copyright © 2000, 2004 by Oxford University Press. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more
Fine Arts Dictionary. The New Dictionary of Cultural Literacy, Third Edition Edited by E.D. Hirsch, Jr., Joseph F. Kett, and James Trefil. Copyright © 2002 by Houghton Mifflin Company. Published by Houghton Mifflin. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Bolshoi Theatre" Read more