Bonnie Lynn Raitt (born November 8, 1949) is a
nine-time Grammy award-winning American blues
singer-songwriter and guitarist who was born in
Burbank, California, the
daughter of Broadway musical star John Raitt.
Biography
Early life
Raitt began playing guitar at an early age, something not a lot of her high school girlfriends did. Later she would become
famous for her bottleneck-style guitar playing. "I had played a little at school and at camp," she later recalled in a July 2002
interview.
- My parents would drag me out to perform for my family, like all parents do, but it was a hobby—nothing more... I think people
must wonder how a white girl like me became a blues guitarist. The truth is, I never intended to do this for a living. I grew
up... in a Quaker family, and for me being Quaker was a political calling rather than a religious
one.
Pre-recording career
In 1967, Raitt entered Harvard's Radcliffe
College as a freshman, majoring in African Studies. "My plan was to travel to Tanzania,
where President Julius Nyerere was creating a government based on democracy and socialism," Raitt recalled. "I wanted to help undo the damage
that Western colonialism had done to native cultures around the world. Cambridge was a hotbed of this kind of thinking, and I was
thrilled."
One day, Raitt was notified by a friend that blues promoter Dick Waterman was giving an
interview at WHRB, Harvard's college radio station. An important figure in the blues revival of the
1960s, Waterman was also a resident of Cambridge. Raitt went to see Waterman, and the two soon became friends, "much to the
chagrin of my parents, who didn't expect their freshman daughter to be running around with 65-year-old bluesmen," recalled Raitt.
"I was amazed by his passion for the music and the integrity with which he managed the musicians."
During Raitt's sophomore year, Waterman relocated to Philadelphia, and
a number of local musicians he counted among his friends went with him. Raitt had become a strong part of that community,
recalling that "these people had become my friends, my mentors, and though I had every intention of graduating, I decided to take
the semester off and move to Philadelphia...It was an opportunity that young white girls just don't get, and as it turns out, an
opportunity that changed everything."
By now, Raitt was also playing folk and rhythm and
blues clubs in the Boston area, performing alongside established blues legends like
Howlin' Wolf, Sippie Wallace, and Mississippi Fred McDowell, all of whom she met through Waterman.
Signing with Warner Bros.
In the fall of 1970, while opening for Fred McDowell at the Gaslight Cafe in New York, a reporter from Newsweek
Magazine saw her and began to spread word of her performance. Scouts from major record companies were soon attending her shows to
watch her play. She eventually accepted an offer with Warner Bros. who soon released her
eponymous debut album, Bonnie Raitt, in 1971. The album was warmly received
by the music press, many of whom praised her skills as an interpreter and as a bottleneck guitarist; at the time, very few women
in popular music had strong reputations as guitarists.
While admired by those who saw her perform, and respected by her peers, Raitt gained little public acclaim for her work. Her
critical stature continued to grow but record sales remained modest. Her second album, Give It
Up, was released in 1972 to universal acclaim, and though many critics still regard it as her best work, it did not
change her commercial fortunes. 1973's Takin' My Time was also met with critical
acclaim, but these notices were not matched by the sales.
Raitt was beginning to receive greater press coverage, including a 1975 cover story for Rolling Stone Magazine, but with 1974's Streetlights, reviews for her work were becoming increasingly mixed. By now, Raitt was already
experimenting with different producers and different styles, and she began to adopt a more mainstream sound that continued
through 1975's Home Plate.
In 1976, Raitt made an appearance on Warren Zevon's self-titled album with Warren Zevon's friend Jackson Browne
and Fleetwood Mac's Lindsey Buckingham and
Stevie Nicks.
Achieving commercial success
1977's Sweet Forgiveness gave Raitt
her first commercial breakthrough when it yielded a hit single in her cover of Del Shannon's
"Runaway." Recast as a heavy R&B recording based on a rhythmic groove inspired by Al Green,
Raitt's version of "Runaway" was disparaged by many critics, but its commercial success prompted a bidding war between
Warner Bros. and Columbia Records. "There was
this big Columbia – Warner war going on at the time," recalled Raitt in a 1990 interview. "James
Taylor had just left Warner Bros. and made a big album for Columbia...And then, Warners signed Paul Simon away from Columbia, and they didn't want me to have a hit record for Columbia — no
matter what! So, I renegotiated my contract, and they basically matched Columbia's offer. Frankly the deal was a really big
deal."
Warner Bros. held higher expectations for Raitt's next album, 1979's
The Glow, but it was released to poor reviews as well as modest sales. Raitt would have
one commercial success in 1979 when she helped organize the five MUSE (Musicians United for Safe Energy) concerts at Madison Square Garden. The shows spawned a three-record gold
album as well as a Warner Bros. feature film, No Nukes. The shows featured
co-founders Jackson Browne, Graham Nash,
John Hall, and Raitt as well as Bruce
Springsteen, Tom Petty and the Heartbreakers, The
Doobie Brothers, James Taylor, Gil
Scott-Heron, and numerous others.
For her next record, 1982's Green
Light, Raitt made a conscious attempt to revisit the sound of her earlier records, but to her surprise, many of her
peers and members of the press would compare her new sound to the burgeoning New Wave
movement. The album received her strongest reviews in years, but her sales did not improve and this would have a severe impact on
her relationship with Warner Bros.
Drop from Warner Bros.
In 1983, as Raitt was finishing work on her follow-up album, titled Tongue & Groove, Warner Bros. cleaned house,
dropping a number of major artists from their roster. Van Morrison and Arlo Guthrie were two of the most high-profile cases, and the day after mastering was completed on
Tongue & Groove, Raitt was notified that she was to be dropped too. The album was shelved indefinitely, and Raitt was
left without a label. By now, Raitt was also struggling with alcohol and drug abuse.
Despite her personal and professional problems, Raitt continued to tour and participate in political activism. In 1985, she
sang and appeared in the video of "Sun City", the anti-apartheid record written and produced by Steven Van Zandt. Along with her participation in Farm Aid and
Amnesty International concerts, Raitt would later travel to Moscow in 1987 as part of the first joint Soviet/American Peace Concert later shown on Showtime television. Also
in 1987, Raitt would organize a benefit in Los Angeles, for Countdown '87 to Stop Contra Aid,
featuring herself, Don Henley, Herbie Hancock,
Holly Near and others.
Tongue and Groove's name change and release
Two years after dropping her from their label, Warner Bros. notified Raitt of their plans to release Tongue &
Groove. "I said it wasn't really fair," recalled Raitt. "I think at this point they felt kind of bad. I mean, I was out there
touring on my savings to keep my name up, and my ability to draw was less and less. So they agreed to let me go in and recut half
of it, and that's when it came out as Nine Lives." A critical and
commercial disappointment, 1986's Nine Lives would be Raitt's last new recording for Warner Bros.
In late 1987, she joined k.d. lang and Jennifer
Warnes as female background vocals for Roy Orbison's television special,
Roy Orbison and Friends, A Black and White
Night. By now, Raitt was clean and sober, having broken her substance abuse — for which she would credit
Stevie Ray Vaughan in a Minnesota State Fair concertref,ref the night after Vaughan's 1990 death. Following this highly acclaimed broadcast, she
began working on new material. During this time, Raitt considered signing with Prince's own label, Paisley Park, but negotiations would
ultimately fall through. Instead she began recording a bluesy mix of pop and rock under the production guidance of
Don Was at Capitol Records.
Raitt had met Was through Hal Wilner, who was putting together Stay Awake, a tribute album to Disney music for
A&M. Was and Wilner both wanted Raitt to sing lead on an adult-contemporary
arrangement created by Was for "Baby Mine," the lullaby from Dumbo. Raitt was very pleased
with the sessions, and she asked Don to produce her next album.
Peak commercial success
After more than twenty off and on years, recording popular music, Bonnie Raitt achieved belated commercial success with her
10th album, Nick of Time. Released in 1989, Nick of Time went to the
top of the U.S. charts, her first of two No 1 albums, and won three Grammy Awards. At the
same time, she walked away with a fourth Grammy Award for her duet "In the Mood" with John Lee
Hooker on his album The Healer.
She followed up this success with three more Grammy Awards for her 1991 album, Luck of the Draw. Three years later, in 1994, she added two more Grammy's with her album
Longing in Their Hearts, her second no.1 album. Both of these albums were
multi-platinum successes. Raitt's collaboration with Was would amicably come to an end with 1995's live release, Road Tested. Released to solid reviews,
it sold well enough to be certified gold.
For her next studio album, Raitt hired Mitchell Froom and Tchad Blake as her producers. "I loved working with Don Was but I wanted to
give myself and my fans a stretch and do something different," Raitt said. Her work with Froom and Blake was released on
Fundamental in 1998.
Current era
In March 2000, Raitt was inducted into the Rock and Roll Hall of Fame.
Silver Lining was released in 2002 while Souls
Alike was released in September 2005.
Political activism
Raitt's web site urges fans to learn more about preserving the environment. She was a founding member of Musicians United for Safe Energy.
Bonnie Raitt is a staunch Democrat. In July 2004, she drew
thunderous applause at the Stockholm Jazz Festival for dedicating a classic to
sitting (and later re-elected) U.S. President George W. Bush. She was quoted as saying,
"We're gonna sing this for George Bush because he's out of here, people!" before she launched into the opening licks of "Your
Good Thing (Is About to End)," a cover that was featured on her 1979 album
The Glow. In 2002, she signed on as an official supporter of Little Kids Rock, a nonprofit organization that provides free musical instruments and free lessons to
children in public schools throughout the U.S.A. She has visited children in the program and sits on the organization's board of
directors as an honorary member.
Raitt worked with Reverb, a non-profit environmental organization, for her 2005
Fall/Winter and 2006 Spring/Summer/Fall tours.[1]
Personal life
Raitt and actor Michael O'Keefe married on April
27, 1991, and announced their divorce on November 9, 1999.
Discography
Studio albums
Virtual albums
- iTunes Originals - Bonnie Raitt
Singles
| Year |
Song |
US Hot 100 |
US Rock |
US Adult |
UK |
Album |
| 1977 |
"Runaway" |
#57 |
- |
- |
- |
Sweet Forgiveness |
| 1980 |
"You're Gonna Get What's Coming" |
#73 |
- |
- |
- |
The Glow |
| 1982 |
"Keep This Heart In Mind" |
- |
#39 |
- |
- |
Green Light |
| 1986 |
"No Way To Treat A Lady" |
- |
#15 |
- |
- |
Nine Lives |
| 1989 |
"Thing Called Love" |
- |
#11 |
- |
#86 |
Nick Of Time |
| 1990 |
"Have A Heart" |
#49 |
- |
#3 |
- |
| 1990 |
"Nick Of Time" |
#92 |
- |
#10 |
#82 |
| 1991 |
"Something to Talk About" |
#5 |
#12 |
#5 |
- |
Luck Of The Draw |
| 1991 |
"I Can't Make You Love Me" |
#18 |
- |
#6 |
#50 |
| 1991 |
"Slow Ride" |
- |
#28 |
- |
- |
| 1992 |
"Not The Only One" |
#34 |
- |
#2 |
- |
| 1993 |
"All At Once" |
- |
- |
#18 |
- |
| 1994 |
"Love Sneakin' Up On You" |
#19 |
#25 |
#2 |
#69 |
Longing In Their Hearts |
| 1994 |
"You" |
#92 |
- |
#15 |
#31 |
| 1995 |
"You Got It" |
#33 |
- |
#6 |
- |
Boys On The Side soundtrack |
| 1995 |
"Rock Steady" (with Bryan
Adams) |
#73 |
- |
#30 |
#50 |
Road Tested |
| 1998 |
"One Belief Away" |
- |
- |
#15 |
- |
Fundamental |
| 1999 |
"Lover's Will" |
- |
- |
#23 |
- |
| 2002 |
"Silver Lining" |
- |
- |
#21 |
- |
Silver Lining |
| 2003 |
"Time Of Our Lives" |
- |
- |
#27 |
- |
| 2005 |
"I Will Not Be Broken" |
- |
- |
#27 |
- |
Souls Alike |
| 2006 |
"I Don't Want Anything To Change" |
- |
- |
#38 |
- |
Compilation Albums
External links
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