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Boswell Sisters

 
Artist: The Boswell Sisters
See The Boswell Sisters Lyrics
  • Formed: 1925, United States
  • Disbanded: 1936
  • Genres: Vocal Music
  • Representative Albums: "The Boswell Sisters Collection, Vol. 1: 1931-1932," "Everybody Loves My Baby," "That's How Rhythm Was Born"
  • Representative Songs: "When I Take My Sugar to Tea," "Heebie Jeebies," "Roll On, Mississippi, Roll On"

Biography

Definitely the most talented and arguably the all-around best jazz vocal group of all time, the Boswell Sisters parlayed their New Orleans upbringing into a swinging delivery that featured not only impossibly close harmonies, but countless maneuvers of vocal gymnastics rarely equalled on record. Connee (sometimes Connie), Helvetia (Vet), and Martha Boswell grew up singing together, soaking up Southern gospel and blues through close contact with the black community. They first performed at vaudeville houses around the New Orleans area, and began appearing on local radio by 1925. At first, they played strictly instrumentals, with Connee on cello, saxophone and guitar; Martha on piano; and Vet on violin, banjo, and guitar. The station began featuring them in a vocal setting as well, with Connee taking the lead on many songs (despite a childhood accident that had crippled her and left her in a wheelchair).

Word of their incredible vocal talents led to appearances in Chicago and New York, and the Boswell Sisters began recording in 1930 for Victor. By the following year, they'd moved to Brunswick and reached the Hit Parade with "When I Take My Sugar to Tea," taken from the Marx Brothers' film Monkey Business and featuring the Dorsey Brothers Orchestra in support. The trio continued to work with many of the best jazzmen in the field (including Eddie Lang, Joe Venuti, and Bunny Berigan), and appeared in the 1932 film extravaganza The Big Broadcast with Bing Crosby and Cab Calloway. The Boswell Sisters hit the top of the Hit Parade only once, in 1935, with "The Object of My Affection" from the film Times Square Lady. One year later however, both Martha and Vet retired from the group in favor of married life.

Connee had already made a few solo sides for Brunswick as early as 1932, and she continued her solo career in earnest after the Boswell Sisters parted. She hit number one twice during the late '30s, with the Bing Crosby duets "Bob White (Whatcha Gonna Swing Tonight?)" and "Alexander's Ragtime Band," and continued recording into the '60s. ~ John Bush, All Music Guide
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The Boswell Sisters

Background information
Origin New Orleans, United States
Genres Vocal jazz
Years active 1925 - 1935
Website http://www.bozzies.com/
Former members
Martha Boswell
Connie Boswell
Helvetia Boswell

The Boswell Sisters were a close harmony singing group, consisting of sisters Martha Boswell (June 9, 1905July 2, 1958), Connee Boswell (original name Connie) (December 3, 1907October 11, 1976), and Helvetia "Vet" Boswell (May 20, 1911November 12, 1988), noted for intricate harmonies and rhythmic experimentation. They attained national prominence in the USA in the 1930s.

They were raised by a middle-class family on Camp Street in uptown New Orleans, Louisiana. Martha and Connie were born in Kansas City, Missouri. Helvetia was born in Birmingham, Alabama. (Connee's name was originally spelt Connie until she changed it in the 1940s.)

They came to be well known in New Orleans while still in their early teens, making appearances in local theaters and radio. They made their first record for Victor Records in 1925. However, the Boswell Sisters did not attain national attention until they moved to New York City in 1930 and started making national radio broadcasts. After a few recordings with Okeh Records in 1930, they made numerous recordings for Brunswick Records from 1931-1935. These Brunswick records are widely regarded as milestone recordings of vocal jazz. Connee's ingenious reworkings of the melodies and rhythms of popular songs, together with Glenn Miller's hot arrangements, and first rate New York jazz musicians (including The Dorsey Brothers, Benny Goodman, Bunny Berigan, Fulton McGrath, Joe Venuti, Arthur Schutt, Eddie Lang, Joe Tarto, Manny Klein, Dick McDonough, and Carl Kress), made these recordings unlike any others. Melodies were rearranged and slowed down, major keys were changed to minor keys (sometimes in mid-song) and rhythmic changes were par for the course. (Interestingly, they were among the very few performers who were allowed to make changes to current popular tunes. During this era, music publishers and record companies pressured performers not to alter current popular song arrangements). Connee also recorded a series of more conventional solo records for Brunswick during the same period.

The name of their 1934 song "Rock and Roll" is an early use of the term. It is not one of their hotter numbers; it refers to "the rolling rocking rhythm of the sea".

In 1936, the group signed to Decca and after just 3 records, broke up (the last recording was February 12, 1936).

Connee Boswell continued to have a successful solo career as a singer for Decca. She later changed the spelling of her name from Connie to Connee in the 1940's, reputedly because it made it easier to sign autographs. (It's interesting to note that Connee sang from a wheelchair - or seated position - during her entire career, due to an accident she suffered as a young child. Amazingly, when she tried to get involved with the U.S.O tours. during World War II, she was not given permission to travel overseas due to her disability.)

The Boswell Sisters chalked up 20 hits during the 1930s including the number one record "The Object of My Affection" in 1935.

The Andrews Sisters started out as Boswell Sisters imitators. Young Ella Fitzgerald loved the Boswell Sisters and in particular idolized Connee, after whose singing style she patterned her own.

Current groups The Pfister Sisters, Stolen Sweets, and Boswellmania, or the Italian trio Sorelle Marinetti continue to imitate the sisters' recordings. The Ditty Bops have covered Boswell sisters songs in concert.

In 2001, The Boswell Sisters, a major musical based on their lives, was produced at the Old Globe Theatre in San Diego, California. The play starred Michelle Duffy, Elizabeth Ward Land, and Amy Pietz and was produced by the same team that produced Forever Plaid. The show was a hit with audiences and a critical success, but failed to be picked up for a much hoped-for Broadway run.

The Boswell Sisters were inducted into the Vocal Group Hall of Fame in 1998. At a ceremony covered by the Pfister Sisters, the Boswells were inducted into the Louisiana Music Hall of Fame in 2008.

External links



 
 
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Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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