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Bowling for Columbine

 
Movies:

Bowling For Columbine

 
  • Director: Michael Moore
  • AMG Rating: starstarstarstar
  • Genre: Culture & Society
  • Movie Type: Law & Crime, Social Issues
  • Themes: Bowling, School Violence
  • Main Cast: Michael Moore, Charlton Heston, Matt Stone, Marilyn Manson, Dick Clark
  • Release Year: 2002
  • Country: US
  • Run Time: 123 minutes
  • MPAA Rating: R

Plot

Filmmaker, author, and political activist Michael Moore trains his satirical eye on America's obsession with guns and violence in his third feature-length documentary, which gets its title from a pair of loosely related incidents. On April 20, 1999, shortly before they began their infamous killing spree at Columbine High School in Littleton, CO, Eric Harris and Dylan Klebold attended their favorite class, a no-credit bowling course held at a bowling alley near the school, the same bowling alley which would become the scene of a robbery and triple homicide two years later. While pondering these events, Moore humorously considers the link between random violence and the game of ten pins; along the way, Moore calls on the Michigan Militia (and gets to know some of the models for their "Militia Babes" calendar); spends some time with James Nichols, brother of Oklahoma City bombing accomplice Terry Nichols; visits K-Mart's corporate offices with two teenagers injured in the Columbine massacre as they ask the retail chain to stop selling bullets for handguns; investigates the media's role in the American climate of fear and anger; compares crime statistics in the United States with those of Canada (which, despite higher unemployment and a larger number of guns per capita, manages to rack up a small fraction of the homicides committed in the United States), and questions actor and National Rifle Association president Charlton Heston regarding his appearance at a pro-gun rally held in Littleton a few days after the Columbine massacre, and a similar rally in Flint, MI, after a six-year-old boy killed a classmate with a gun he took from his uncle's house. Bowling for Columbine received its first public screening at the 2002 Ann Arbor Film Festival; the film's official premiere took place a few months later at the Cannes Film Festival. ~ Mark Deming, All Movie Guide

Review

In Michael Moore's best work, the director's attitude toward his subject walks a fine line between bemusement and bitter outrage, and those two extremes are closer than one might ever expect in his film Bowling for Columbine. Moore's examination of America's three-way addiction to guns, violence, and fear doesn't offer many answers to the tough questions it poses, but to a large degree that's part of the point; one of the film's most telling moments comes when Moore interviews the father of one of the students killed in the Columbine High School massacre, and after a while he can only conclude ruefully that he simply doesn't know why America has become such a violent society. Of course, Moore certainly has his opinions about this matter, but for every moment where he's taking on K-Mart for selling handgun ammo or Charlton Heston for appearing at major pro-gun rallies days after highly publicized incidents of handgun violence (in the latter case, at least Moore's entitled as a member of the NRA), there's another where Moore sets out to find if it's true that Canadians don't lock their doors by simply barging in unannounced, or visits a bank where you can get a free rifle for opening a savings account. Moore is able to make the absurdity of real life communicate his message just as well as his rage or sadness, and the film's pointed but effective comedy not only makes the film more entertaining, but also reinforces the more somber (and sometimes shocking) material elsewhere. Bowling for Columbine has an obvious and specific political agenda (and your appreciation of the film may well have a lot to do with the degree to which you share his views), but Moore seems less interested in determining who is right or wrong than in asking what can be done to make America a safer and saner place to live, and for all the craziness (both funny and disturbing) on view, it's the shaggy regular-guy humanity of Bowling for Columbine that makes it most effective, both as a polemic and as cinema. ~ Mark Deming, All Movie Guide

Cast

Dick Clark; George W. Bush; James Nichols - himself; Barry Glassner - himself; Richard Castaldo; Brandon T. Jackson

Credit

Dave Concepcion - Animator, Harold Moss - Animator, Matthew Bookbinder - Animator, Gaia Cornwall - Animator, Bob Gleason - Animator, Miguel Hernandez - Animator, T. Woody Richman - Animator, Kareem Thompson - Animator, Aneurin Wright - Animator, Kurt Engfehr - Co-producer, Rehya Young - Co-producer, Michael Moore - Director, Kurt Engfehr - Editor, Wolfram Tichy - Executive Producer, Siobhan Oldham - Line Producer, Jeff Gibbs - Composer (Music Score), Bob Golden - Composer (Music Score), Brian Danitz - Camera Operator, Michael McDonough - Camera Operator, Charles Bishop - Producer, Michael Moore - Producer, Michael Donovan - Producer, Kathleen Glynn - Producer, Jim Czarnecki - Producer, Lana Garland - Research, Gina Kim - Research, Catherine Johnston - Research, Nicky Lazar - Research, Donna Lee - Research, Elizabeth Marcus - Research, Amy McCampbell - Research, Katy Mostoller - Research, Aneetha Rajan - Research, David Schankula - Research, Nancy Swartz - Research, Francisco Latorre - Sound/Sound Designer, James Demer - Sound/Sound Designer, Michael Moore - Screenwriter, Christopher Bell - Additional Cinematography, Mike Casey - Additional Cinematography, Michael Desjarlais - Additional Cinematography, Craig Hymson - Additional Cinematography, Jenipher Ritchie - Executive in Charge of Production, Dirk Wilutzki - Executive in Charge of Production, David Coole - Post Production Supervisor, Reilly Steele - Re-Recording Mixer, Peter Waggoner - Re-Recording Mixer, Joe Caterini - Supervising Sound Editor, Matt Haasch - Dialogue Editor, Rob Daly - Dialogue Editor, Pat Donahue - Dialogue Editor, Tia Lessin - Supervising Producer

Similar Movies

Blood in the Face; Roger & Me; The Big One; Tough Guise: Violence, Media and the Crisis in Masculinity; Butterfly; This is What Democracy Looks Like; Scout's Honor; The Party's Over; De L'Autre Cote; Pets or Meat: The Return to Flint; This Ain't No Heartland; Investigative Reports: Columbine - Investigating Why; There Ought to Be a Law
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Wikipedia: Bowling for Columbine
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Bowling for Columbine

Theatrical release poster
Directed by Michael Moore
Produced by Kathleen Glynn, Jim Czarnecki, Charles Bishop, Michael Donovan[1]
Written by Michael Moore
Starring Michael Moore
Marilyn Manson
Music by Jeff Gibbs
Editing by Kurt Engfehr
Distributed by United Artists
Release date(s) October 11, 2002
Running time 120 min.
Country United States
United Kingdom
Language English
Budget $4,000,000
Gross revenue $58,008,423

Bowling for Columbine is a 2002 American documentary film written, directed, produced by, and starring Michael Moore. It brought Moore international attention as a rising filmmaker and won numerous awards, including the Academy Award for Best Documentary Feature, the Independent Spirit Award for Best Documentary Feature, and the César Award for Best Foreign Film.[2]

Contents

Film content

The film explores what Moore suggests are the causes for the Columbine High School massacre and other acts of violence with guns. Moore focuses on the background and environment in which the massacre took place and some common public opinions and assumptions about related issues. The film looks into the nature of violence in the United States.

In Moore's discussions with various people – including South Park co-creator Matt Stone, the National Rifle Association's then-president Charlton Heston, and musician Marilyn Manson – he seeks to explain why the Columbine massacre occurred and why the United States has a high violent crime rate (especially crimes involving guns).

Bowling

"Bowling for Columbine" is a documentary about the United States and their guns. The director of the film, Michael Moore, asks a country with 200 million guns; "Are we a nation of gun nuts – or are we just nuts?" The film title originates from the story that Eric Harris and Dylan Klebold – the two students responsible for the Columbine High School massacre – attended a school bowling class early that morning, at 6:00 a.m., before they committed the attacks at school starting at 11:19 a.m. Later investigation showed that this was based on mistaken recollections, and Glenn Moore of the Golden Police Department concluded that they were absent from school on the day of the attack.[3]

Moore incorporates the concept of bowling in other ways as well. For example, a Michigan militia uses bowling pins for their target practice. When interviewing former classmates of the two boys, Moore notes that the students took a bowling class in place of physical education. Moore notes this might have very little educational value; the girls he interviews generally agree. They note how Harris and Klebold had a very introverted lifestyle and a very careless attitude towards the game, and that nobody thought twice about it. Moore asks if the school system is responding to the real needs of their students or if they are reinforcing fear. Moore also interviews two young residents of Oscoda, Michigan, in a local bowling alley, and learns that guns are relatively easy to come by in the small town. Eric Harris spent some of his early years in Oscoda while his father was serving in the U.S. Air Force.

Moore compares gun ownership and gun violence in foreign countries, notably Canada (where there are 7 million gun owners and fewer than 100 gun-related deaths), with gun ownership and gun violence in the United States. Moore concludes that there is no connection between gun ownership and gun violence. In search of the reason for the United States’s trigger mania, Moore discovers a culture of fear created by the government and the media. He says that fear leads Americans to arm themselves, to gun making-companies' advantage Moore suggests sarcastically that bowling could have been just as responsible for the attacks on the school as Marilyn Manson or even Bill Clinton, who launched bombing attacks on several countries around that time.[4]

Free gun for opening a bank account

Michael Moore upon receiving his free gun at the bank.[5]

An early scene narrates how Moore discovered a bank in Michigan that would give customers a free hunting rifle when they made a deposit of a certain size into a time deposit account.[5] The film follows Moore as he goes to the bank, makes his deposit, fills out the forms, and awaits the result of a background check before walking out of the bank carrying a brand new Weatherby hunting rifle.

Just before leaving the bank, Moore jokingly asks, "Don't you think it's kind of dangerous handing out guns at a bank?"

"Happiness is a Warm Gun" montage

About 20 minutes into the film, the song "Happiness Is a Warm Gun" plays during a violent montage in which the following footage is shown:

  • People buying guns
  • Residents of Virgin, Utah, a town that passed a law requiring all residents to own guns
  • People firing rifles at carnivals and shooting ranges
  • Footage of Denise Ames firing an assault rifle while wearing a bikini bottom
  • Footage of Carey McWilliams, a blind man who is a gun enthusiast
  • Footage of Gary Plauche killing Jeff Doucett, a man who had kidnapped his son and molested him.
  • The suicide of Budd Dwyer
  • A 1993 murder where Emilio Nuñez shot his ex-wife Maritza Martin to death during an interview on the Telemundo program Ocurrió Asi
  • The suicide of Daniel V. Jones
  • A man who takes his shirt off and is shot during a riot

Weapons of mass destruction

Early in the film, Moore links the violent behavior of the Columbine shooters to the presence in Littleton of a large defense establishment, manufacturing rocket technology. It is implied that the presence of this facility within the community, and the acceptance of institutionalized violence as a solution to conflict, contributed to the mindset that led to the massacre.

Moore conducts an interview with Evan McCollum, Director of Communications at a Lockheed Martin plant near Columbine, and asks him:

"So you don't think our kids say to themselves, 'Dad goes off to the factory every day, he builds missiles of mass destruction. What's the difference between that mass destruction and the mass destruction over at Columbine High School?'"

McCollum responded:

"I guess I don't see that specific connection because the missiles that you're talking about were built and designed to defend us from somebody else who would be aggressors against us."

"What a Wonderful World" montage

The film then cuts to a montage of American foreign policy decisions, with the intent to contradict McCollum's statement by citing examples of how the United States has frequently been the aggressor nation. This montage is set to the song "What a Wonderful World" performed by Louis Armstrong.

The following is an exact transcript of the onscreen text in the Wonderful World segment:

  1. 1953: U.S. overthrows Prime Minister Mohammed Mosaddeq of Iran. U.S. installs Shah as dictator.
  2. 1954: U.S. overthrows democratically-elected President Arbenz of Guatemala. 200,000 civilians killed.
  3. 1963: U.S. backs assassination of South Vietnamese President Diem.
  4. 1963-1975: American military kills 4 million people in Southeast Asia.
  5. September 11, 1973: U.S. stages coup in Chile. Democratically-elected President Salvador Allende assassinated. Dictator Augusto Pinochet installed. 5,000 Chileans murdered.
  6. 1977: U.S. backs military rulers of El Salvador. 70,000 Salvadorans and four American nuns killed.
  7. 1980s: U.S. trains Osama bin Laden and fellow terrorists to kill Soviets. CIA gives them $3 billion.
  8. 1981: Reagan administration trains and funds the Contras. 30,000 Nicaraguans die.
  9. 1982: U.S. provides billions of dollars in aid to Saddam Hussein for weapons to kill Iranians.
  10. 1983: The White House secretly gives Iran weapons to kill Iraqis.
  11. 1989: CIA agent Manuel Noriega (also serving as President of Panama) disobeys orders from Washington. U.S. invades Panama and removes Noriega. 3,000 Panamanian civilian casualties.
  12. 1990: Iraq invades Kuwait with weapons from U.S.
  13. 1991: U.S. enters Iraq. Bush reinstates dictator of Kuwait.
  14. 1998: Clinton bombs possible weapons factory in Sudan. Factory turns out to be making aspirin.
  15. 1991 to present: American planes bomb Iraq on a weekly basis. U.N. estimates 500,000 Iraqi children die from bombing and sanctions.
  16. 2000-2001: U.S. gives Taliban-ruled Afghanistan $245 million in aid.
  17. Sept. 11, 2001: Osama bin Laden uses his expert CIA training to murder 3,000 people.

On the website accompanying the film, Moore provides additional background information.[6]

Climate of fear

Moore attempts to contrast this with the attitude prevailing in Canada, where (he states) gun ownership is at similar levels to the U.S. He illustrates his thesis by visiting neighborhoods in Canada near the Canada-U.S. border, where he finds front doors unlocked and much less concern over crime and security.

In this section, a montage of possible causes for gun violence are stated by television persona. Many claim links with violence in television, cinema, and computer games; towards the end of the montage, however, a series of statements all claim Marilyn Manson's responsibility. Following this is an interview between Moore and Marilyn Manson. Manson shares his ideas about the United States's climate with Moore, stating that he believes U.S. society is based on "fear and consumption", citing Colgate commercials that promise "if you have bad breath, [people] are not going to talk to you" and other commercials containing fear-based messages. When Moore asks Manson what he would say to the shooters at Columbine, Manson replies, "I wouldn't say a single word to them; I would listen to what they have to say, and that's what no one did."

Statistics

Moore follows up his climate of fear thesis by exploring the popular explanations as to why gun violence is so high in the United States. He examines Marlyn Manson as a cause, but states that Germany listens to more Marlyn Manson and has a greater Gothic population than the United States, with less gun violence (Germany: 381 incidents per year). He examines violent movies but notes that they have the same violent movies in other countries, showing the Matrix with French sub titles (France: 255 incidents per year). He also examines Video Games, but again states that violent video games come from Japan (Japan: 39 incidents per year). Concluding his comparisons with the idea that the United State's violent history is the cause, but negating that with the violent histories of Germany, France, and the United Kingdom (UK: 68 incidents per year). Moore ends his segment with death-per-year statistics of a few major countries.

  1. United States - 11,127
  2. Germany – 381
  3. France – 255
  4. Canada – 165
  5. United Kingdom – 68
  6. Australia – 65
  7. Japan – 39

These statistics have been criticized as being misleading since they do not account for the differences in population, but even with that being factored in the United States still has a higher rate of gun violence on yearly-per-person basis.

K-Mart refund

Moore takes two Columbine victims (Mark Taylor and Richard Castaldo) to the American superstore K-Mart headquarters in Troy, Michigan, ostensibly to claim a refund on the bullets still lodged in their bodies. After a number of attempts to evade the issue, a K-Mart spokesperson says that the firm will change its policy and phase out the sale of handgun ammunition; this comes after Moore and the victims go to the nearest K-Mart store, purchase all of their ammunition, and return the next day with several members of the media. "We've won," says Moore, in disbelief. "That was more than we asked for."

Reception

Reviews for the film were overwhelmingly positive, with a 96% rating on rottentomatoes.com, thus earning a "certified fresh" award. Michael Wilmington of the Chicago Tribune wrote, "It's unnerving, stimulating, likely to provoke anger and sorrow on both political sides—and, above all, it's extremely funny."[7]

Some reviews were not as unequivocally glowing. A.O. Scott of the New York Times warned, "The slippery logic, tendentious grandstanding, and outright demagoguery on display in Bowling for Columbine should be enough to give pause to its most ardent partisans, while its disquieting insights into the culture of violence in America [sic] should occasion sober reflection from those who would prefer to stop their ears."[8] Desson Thomson of the Washington Post thought that the film lacked a coherent message, asking "A lot of this is amusing and somehow telling. But what does it all add up to?"[9]

Criticisms

Free gun for opening a bank account

In March 2003, John Fund reported in a Wall Street Journal diary page that the bank employee who handled Moore's account, Jan Jacobson, said that Moore had arranged the transaction weeks in advance, and that customers have "a week to 10 days waiting period" before collecting their guns.[10]

Moore later responded to these criticisms, writing, "Nothing was done out of the ordinary other than to phone ahead and ask permission to let me bring a camera in to film me opening up my account." He also states that the background check took less than ten minutes and he was handed the rifle five minutes later. Moore posted a compilation of outtakes from the documentary to support his version of events. This video shows Jacobson explaining the process to Moore, including that the rifles are held in the bank's vault.[11] The footage in which an employee states that the guns are stored in the bank's vault appears in televised broadcasts of the film.

Ignoring the role of municipal governance

The American Prospect published a piece by Garance Franke-Ruta criticizing the film for ignoring the role that municipal governance plays in crime in the United States, and ignoring African American urban victims of violence while focusing on the unusual events of Columbine. "A decline in murders in New York City alone—from 1,927 in 1993 to 643 in 2001—had, for example, a considerable impact on the declining national rate. Not a lot of those killers or victims were the sort of sports-hunters or militiamen Moore goes out of his way to interview and make fun of."[12]

Weapons of mass destruction

After the release of the film, Lockheed Martin spokesperson Evan McCollum clarified that the plant no longer produces missiles (the plant manufactured parts for intercontinental ballistic missiles with a nuclear warhead in the mid-1980s), but rockets used for launching satellites:

I provided specific information to Moore about the space launch vehicles we build to launch spacecraft for NASA, NOAA, the Dept. of Defense and commercial customers, including DirecTV and EchoStar.[13]

Erik Möller argues that Moore's question was not limited to the Littleton-area Lockheed Martin facility:

First, note the word "our" in Moore's question. Moore is not from Colorado -- his question is generic, not meant to refer specifically to the Lockheed Martin plant in question. ... Of course, critics [David Hardy, et al.] have conveniently ignored the fact that Lockheed Martin does supply weapons of mass destruction to the US military, and that the company is the nation's largest military contractor.[13]

As of 2008, Lockheed Martin is the world's largest defense contractor by revenue, which Moore states in the film.[14]

Charlton Heston interview

Moore was criticized for his perceived ambush of the actor at his home, who at the time of the interview was in the early stages of prostate cancer and Alzheimer’s Disease.[15][16][17]

"What a Wonderful World"

In the "What a Wonderful World" sequence, Moore claims that the United States trained and gave money to Osama bin Laden's terrorist groups. The official position of the U.S. Department of State is that the United States never trained, armed, or funded bin Laden, or the Arab mujahedin group of which he was a founding member, the Maktab al-Khidamat, or M.A.K.[18] State Department asserts that military aid went exclusively to Afghan combatants, and that there was no relationship whatsoever with Osama bin Laden. The bipartisan 9/11 Commission concluded in chapter 2 of its final report that the CIA had little or nothing to do with bin Laden, because the CIA regarded his Arab group as having been "militarily insignificant".[19] They cite a passage from Ayman al-Zawahiri's biography Knights Under the Prophet's Banner in which Al-Zawahiri denies accepting any money from the United States.[20] This is not accepted universally. Former British Foreign Secretary Robin Cook believed the CIA had provided arms to the Arab mujahedin including bin Laden,[21] and in an interview with CNN's Larry King, Prince Bandar bin Sultan of Saudi Arabia divulged that Osama bin Laden was appreciative of his personal efforts in bringing the United States to Afghanistan to help him fight the Soviets.[22]

Matt Stone

Being from Littleton, Matt Stone agreed to talk with Moore about his hometown and the shooting. While he did not feel that Moore mischaracterized him or his statements in the film, he harbors ill feelings about the cartoon "A Brief History of the United States of America". Both Stone and his fellow South Park producer Trey Parker feel that the cartoon was done in a style very similar to theirs. Also, its proximity to Stone's interview may have led some viewers to believe, incorrectly, that they created the cartoon. As a result, Michael Moore was depicted as a gibbering, overweight, hot-dog eating buffoon in their 2004 film Team America: World Police.[23]

MPAA rating

The film is rated R (restricted) by the Motion Picture Association of America, which means that children under the age 17 are not able to view the film unless under supervision. Film critic Roger Ebert chastised the MPAA for this move as "banning teenagers from those films they most need to see."[24] Ebert has criticized the MPAA rating system on past occasions. The film was noted for "some violent images and language".

Awards and nominations

  • 2002 Winner, 55th Anniversary Prize, Cannes Film Festival
  • 2003 Winner, César Award, Best Foreign Film
  • 2003 Winner, International Documentary Association (IDA), - Best Documentary of All Time
  • 2003 Winner, Academy Award, Best Documentary Features

During the screening at the 2002 Cannes Film Festival the film received a 13-minute standing ovation.[25] It also won "Most Popular International Film" at the 2002 Vancouver International Film Festival.

Moore was both applauded and booed at the Academy Awards on March 23, 2003 when he used his acceptance speech as an opportunity to proclaim his opposition to the United States led invasion of Iraq, which had begun just a few days prior. [26]

Gross income

With a budget of $4,000,000, Bowling for Columbine grossed $58,000,000 worldwide, including $21,576,018 in the United States.[27] The documentary also broke box office records internationally, becoming the highest-grossing documentary in the United Kingdom, Australia, and Austria. These records were later eclipsed by another Moore documentary, Fahrenheit 9/11.[28]

See also

References

  1. ^ http://www.bowlingforcolumbine.com/about/credits.php
  2. ^ [1] Internet Movie Database entry]
  3. ^ Cullen, Dave (April 16, 2005). "A little unfinished business on Bowling and Columbine". http://blogs.salon.com/0001137/2005/04/16.html#a1561. . The investigator's conclusion is on page 33 of the supplied document. See also:pages 10101-10200 of a copy of the evidence recorded by the Boulder Daily Camera
  4. ^ Wesley & Me (Slate Magazine)
  5. ^ a b Nol, Michael. Banks use gifts to target depositors, Chicago Sun-Times. January 28, 2001.
  6. ^ "Bowling for Columbine : Library : What a Wonderful World". MichaelMoore.com. http://www.michaelmoore.com/books-films/bowlingforcolumbine/library/wonderful/index.php. 
  7. ^ Bowling for Columbine : Reviews & Acclaim : Articles & Press
  8. ^ [2][dead link]
  9. ^ Moore Shoots Himself In the Foot (washingtonpost.com)
  10. ^ John Fund (March 21, 2003). "Unmoored From Reality". Wall Street Journal. http://www.opinionjournal.com/diary/?id=110003233. Retrieved on 2006-06-26. 
  11. ^ Michael Moore (September 2003). "How to Deal with the Lies and the Lying Liars When They Lie about "Bowling for Columbine"". http://www.michaelmoore.com/words/wackoattacko/. Retrieved on 2006-06-26. 
  12. ^ Garance Franke-Ruta, Moore's the Pity, The American Prospect, November 22, 2002
  13. ^ a b Möller, Erik. A defense of Michael Moore and "Bowling for Columbine" kuro5hin.org August 13, 2003.
  14. ^ Defense News research. "2005 Defense News Top 100". http://www.defensenews.com/content/features/2005chart1.html. 
  15. ^ Russo, Tom (August 24, 2003). "Opposites Attract (Bowling for Columbine review)". The Boston Globe. 
  16. ^ Ebert, Roger (June 18, 2004). "'9/11': Just the facts?". Chicago Sun-Times. p. 55. "In some cases, [Moore] was guilty of making a good story better, but in other cases (such as his ambush of Charlton Heston) he was unfair..."
  17. ^ Whitty, Stephen (2008-04-06). "The best action hero". The Star-Ledger. http://blog.nj.com/whitty/2008/04/the_best_action_hero.html#more. 
  18. ^ The United States did not create Osama bin Laden - US Department of State
  19. ^ 9/11 Commission, The Foundation of the New Terrorism
  20. ^ 9/11 Commission, NOTES 22 The Foundation of the New Terrorism note 23
  21. ^ Cook, Robin. "The struggle against terrorism cannot be won by military means". Guardian Unlimited. http://www.guardian.co.uk/terrorism/story/0,12780,1523838,00.html. Retrieved on 2005-07-08. 
  22. ^ America's New War: Responding to Terrorism CNN Larry King Live October 1, 2001
  23. ^ ‘Team America’ takes on moviegoers msnbc.com, October 15, 2004
  24. ^ Ebert, Roger. Bowling For Columbine. October 18, 2002.
  25. ^ Bowling for Columbine (2002) - Trivia
  26. ^ YouTube - Broadcast Yourself
  27. ^ In nominal dollars, from 1982 to the present.
  28. ^ Documentary Movies

External links

Awards and achievements
Preceded by
Murder on a Sunday Morning
Academy Award for Documentary Feature
2002
Succeeded by
The Fog of War

 
 

 

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