Representative Albums: "Places," "Elegiac Cycle," "The Art of the Trio, Vol. 4: Back at the Vanguard"
Biography
Brad Mehldau was another of the plethora of young jazz pianists in the '90s to adopt Bill Evans as their role model. Yet while the influence of Evans still thoroughly dominates Mehldau's introspective manner, harmonic constructions, and preferred format (the piano trio), he is one of the more absorbing and thoughtful practitioners within that idiom, and he is receptive to the idea of using material from the rock era (Paul McCartney's "Blackbird," for example). Though Mehldau's training is primarily classical, his interest in jazz began early. He played in the Hall High School jazz band of Hartford, CT, winning Berklee College's Best All-Around Musician Award while still in his junior year of high school. He studied jazz at New York's New School for Social Research under Fred Hersch, Junior Mance, Kenny Werner, and Jimmy Cobb. Cobb soon hired him to play in his band, Cobb's Mob, and Mehldau also played and recorded with the Joshua Redman Quartet before forming his own trio in 1994 and recording his first Warner Bros. album, Introducing Brad Mehldau, in 1995. Art of the Trio, Vol. 1 followed in 1997, with the next two volumes in the series appearing over the following months. Two years later, Mehldau returned with Elegiac Cycle, as well as Art of the Trio, Vol. 4: Back at the Vanguard. Places followed in 2000, consisting of all original compositions that focused on a certain city, hence the title of the album. Another Art of the Trio album came in 2001, but the most significant release was Largo, which recorded Mehldau performing with other groups outside of his usual trio format. This was a big change from his previous work, and offered new challenges as he adapted to several interesting lineup situations. Mehldau followed the genre-bending album with the standards-based Anything Goes and Live in Tokyo in 2004, with Day Is Done arriving the following year. In 2006, he released House on Hill as well as Love Sublime, the latter with soprano vocalist Renée Fleming, on Nonesuch Records. ~ Richard S. Ginell, All Music Guide
Mehldau was born Bradford Alexander Mehldau in 1970 in Jacksonville, Florida.[2] His family moved to Connecticut where Mehldau spent most of his childhood and high school. While a sophomore in high school, he won Berklee College's Best All-Around Musician Award. Mehldau moved to New York in 1988 to study jazz at The New School, studying under Fred Hersch, Junior Mance and Kenny Werner, and also playing with Jimmy Cobb.[citation needed] He went on to play as sideman with a variety of musicians, most importantly with the Joshua Redman quartet, before forming his own trio in 1994, with bassistLarry Grenadier and drummer Jorge Rossy, and later Jeff Ballard, who succeeded Rossy in 2005. In addition to his trio work, Mehldau collaborated with guitaristPat Metheny, releasing two albums with him and embarking on a worldwide tour along with Grenadier and Ballard.
Mehldau cherishes Brazilian music, citing Milton Nascimento, Chico Buarque and Simone. In 2006 he appeared at the Auditório do Ibirapuera in Sao Paulo and declared: "I only met Simone's work last year and it was like meeting Sarah Vaughan or Dinah Washington. She has a strong identity and sings with a lot of passion and grace".[4]
Mehldau is married to Dutch jazz vocalist Fleurine, with whom he has recorded and toured extensively.
Discography
As leader
Introducing Brad Mehldau (1995)
The Art of the Trio (1997)
The Art of the Trio, Vol. II — Live At The Village Vanguard (1997)
The Art of the Trio, Vol. III — Songs (1998)
Elegiac Cycle (1999)
The Art of the Trio, Vol. IV — Back At The Vanguard (1999)
With All My Heart (2004, BMG Music) - Harvey Mason
Soundtracks
Midnight In The Garden of Good and Evil (1997)
Eyes Wide Shut (1999)
Space Cowboys (2000)
Million Dollar Hotel (2000)
Ma Femme Est une Actrice (2001)
"Unfaithful" (2002)
Mehldau's "When It Rains", the opening track on Largo (2002), and "Young at Heart" appear in the 2006 film The Lake House but not on the accompanying soundtrack itself.