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Breach

 
Movies:

Breach

  • Director: Billy Ray
  • AMG Rating: starstarstarstar
  • Genre: Spy Film
  • Movie Type: Unglamorized Spy Film, Docudrama
  • Themes: Political Corruption, Traitorous Spies/Double Agents
  • Main Cast: Mary Jo Deschanel, Chris Cooper, Ryan Phillippe, Laura Linney, Dennis Haysbert, Gary Cole, Caroline Dhavernas
  • Release Year: 2007
  • Country: US
  • Run Time: 110 minutes
  • MPAA Rating: PG13

Plot

Shattered Glass director Billy Ray directs Chris Cooper and Ryan Philippe in this fact-based drama concerning the FBI traitor who carried out what many historians refer to as the most notable national security breach in U.S. history. A key member of the FBI's elite Soviet Analytical Unit, Robert Hanssen (Chris Cooper) would, for 15 years beginning in 1985, sell thousands of pages of classified documents to the Soviets. After making roughly 600,000 dollars on his clandestine endeavor and compromising everything from the identities of KGB spies working for the American government to nuclear war contingency plans, Hanssen was eventually transferred to a newly created position at the FBI's Washington headquarters and assigned the task of guarding his country's most sensitive secrets. It was while working in this capacity that a young agent named Eric O'Neill (Phillipe) was assigned the task of keeping tabs on Hanssen by suspicious higher-ups. Later, after being arrested while delivering a cache of secret documents to a "dead drop" spot in a Virginia park, the notorious traitor was arrested and sentenced to life in prison with no chance for parole. ~ Jason Buchanan, All Movie Guide

Review

Following the well-received Shattered Glass (2003), screenwriter Billy Ray continues his transition into a noteworthy directing career with another fact-based account of a con man whose web of lies caused calamitous damage to a venerable institution. Breach (2006) is touted as the true story of "master spy" Robert Hanssen, an FBI functionary whose sale of intelligence secrets over 22 years at the end of the Cold War constituted American history's single worst violation of government security. In truth, Ray's film is not really about Hanssen, who is a supporting character; the film's protagonist is Eric O'Neill, the baby-faced intelligence gatherer assigned to pose as Hanssen's assistant during the intense month-long investigation that resulted in his boss' arrest. Breach suffers slightly from its focus on the less-interesting of its two main characters, but less so because the bland rectitude of O'Neill is wisely presented as exactly the quality that allows him to succeed in ensnaring Hanssen, whose many self-delusions include the notion that he is highly moral.

Ray's directing style is restrained but intelligent, yielding center stage to his actors, whose performances are exceptional. Chris Cooper chooses the route of conveying the essence of Hanssen without overly imitating the man's specific traits; his work is a study in subtlety and nuance, outwardly embodying a man whose contradictions are almost completely internal. Laura Linney verges on parodying the secret-agent stereotype in a straight-razor style that would fit equally well in a Bureau training film or a cheeky episode of The X-Files. As the moon-faced, mouth-breathing O'Neill, star Ryan Phillippe is batted about by his co-stars like a pair of lethal jungle pumas toying with their cub, but this quality is, like the film itself, clearly intentional and thoroughly enjoyable. Breach is a low-key, quietly attenuated film that represents masterful work of substance over style by everyone involved. ~ Craig Butler, All Movie Guide

Cast

Mary Jo Deschanel; Bruce Davison - John O'Neill; Kathleen Quinlan - Bonnie Hanssen

Credit

Andrew M. Stearn - Art Director, David Michael O'Neill - Associate Producer, Cassandra Kulukundis - Casting, Jeffrey Silver - Co-producer, Luis M. Sequeira - Costume Designer, Richard L. Fox - First Assistant Director, Billy Ray - Director, Jeffrey Ford - Editor, William Horberg - Executive Producer, Adam Merims - Executive Producer, Sidney Kimmel - Executive Producer, Mychael Danna - Composer (Music Score), Wynn P. Thomas - Production Designer, Tak Fujimoto - Cinematographer, Scott Kroopf - Producer, Bobby Newmyer - Producer, Scott Strauss - Producer, Michael Madden - Set Designer, Brad Milburn - Set Designer, Rudy Braun - Set Designer, John J. Thomson - Sound/Sound Designer, Adam Mazer - Screen Story, Bill Rotko - Screen Story, Billy Ray - Screenwriter, Adam Mazer - Screenwriter, Bill Rotko - Screenwriter, Joseph Paul Locherer - Second Unit Camera, Andrew DeCristofaro - Supervising Sound Editor, Gordon Sim - Set Decorator

Similar Movies

Spy Game; The Ipcress File; The Recruit; Three Days of the Condor; The Falcon and the Snowman; Master Spy: The Robert Hanssen Story
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Wikipedia: Breach (film)
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Breach

Original poster
Directed by Billy Ray
Produced by Scott Kroop
Adam Merims
Scott Strauss
Written by Billy Ray
Adam Mazer
William Rotko
Starring Chris Cooper
Ryan Phillippe
Laura Linney
Dennis Haysbert
Caroline Dhavernas
Gary Cole
Music by Mychael Danna
Cinematography Tak Fujimoto
Editing by Jeffrey Ford
Distributed by Universal Pictures
Release date(s) United States February 16, 2007
United Kingdom August 31, 2007
Running time 110 minutes
Country United States
Language English
Gross revenue $40,953,935 (worldwide)

Breach is a 2007 American docudrama directed by Billy Ray. The screenplay by Ray, Adam Mazer, and William Rotko is based on the true story of Robert Hanssen, an FBI agent convicted of spying for the Soviet Union and later Russia for more than two decades, and Eric O'Neill, who worked as his assistant and helped bring about his downfall. O'Neill served as a consultant on the film.

Contents

Plot

Eric O'Neill is a young FBI employee assigned to work undercover as a clerk to Robert Hanssen, a senior agent he is told is suspected of being a sexual deviant. Hanssen has been recalled to FBI headquarters ostensibly to head up a new division specializing in Information Assurance.

Initially, Hanssen insists on a strict formality between the two men. He frequently rails against the bureaucracy of the FBI and complains that only those who regularly "shoot guns" are considered for senior positions instead of those, like himself, who are involved in vital national security matters. He calls the bureau's information technology systems antiquated and laments the lack of coordination and information exchange with other intelligence agencies.

Eventually, Hanssen becomes a friend and mentor to O'Neill and takes a personal interest in him and his wife Juliana, who is suspicious of Hanssen and resents his intrusions. A devout Catholic who is also a member of Opus Dei, Hanssen urges O'Neill, a lapsed Catholic, and his secular East German-born wife to become active churchgoers.

O'Neill finds no evidence of Hanssen leading a secret double life and develops a growing respect for his boss, so he confronts his handler in the undercover assignment, Kate Burroughs, and she admits that the sexual deviance allegations are only a secondary consideration. Hanssen is suspected of spying for the Soviet Union and Russia for years and being responsible for the deaths of agents working for the United States. He learns that FBI Director Louis Freeh is personally leading the investigation.

While the FBI could arrest Hanssen under lesser charges, they want to catch him in an act of espionage, so they can threaten him with the death penalty for treason and possibly induce him to divulge the information he has compromised. O'Neill is ordered to obtain data from Hanssen's Palm Pilot and keep him occupied while FBI agents search his car and plant covert listening devices in it.

The tracking devices in Hanssen's car cause interference with the radio, which makes Hanssen suspicious. He also wonders why he was placed in an isolated position in the FBI only a few months before he's scheduled to retire. He tells O'Neill he believes he is being surveilled by Russian agents. The FBI intercepts a message he sends to his Russian handlers saying he will not provide any more information. O'Neill persuades Hanssen that he is not being trailed by the Russians or by him on behalf of the FBI. With his confidence restored, Hanssen makes one last dead drop of stolen information, and the FBI catches him in the act.

Although he is assured promotion, O'Neill is discouraged with the toll the case has taken on his marriage and opts to leave the agency to work in the private sector.

Cast

Critical reception

The review aggregator Rotten Tomatoes reported 84% of critics gave the film positive reviews, based on 167 reviews[1]. Metacritic reported the film had an average score of 74 out of 100, based on 36 reviews[2].

Manohla Dargis of the New York Times said, "One of the strengths of Breach, a thriller that manages to excite and unnerve despite our knowing the ending, is how well it captures the utter banality of this man and his world."[3]

Peter Travers of Rolling Stone rated the film 3½ out of four stars, calling it a "steadily gripping hothouse of a thriller." He added, "Director and co-writer Billy Ray, who detailed the misconduct of journalist Stephen Glass at The New Republic in 2003's Shattered Glass ... proves himself a filmmaker of uncommon talent and ambition."[4]

Ruthe Stein of the San Francisco Chronicle commented, "Breach suffers from lavishing so much attention on a relatively minor figure ... O'Neill, at least the way he's presented, isn't a particularly compelling character, and he is made less so by Phillippe's lackluster performance ... [The film] expends too much energy on a minor functionary, but it is still worth seeing for its fleeting looks into a heart of darkness."[5]

Peter Rainer of The Christian Science Monitor named Breach the best film of the year[6]. Richard Schickel of Time ranked it #6 and called Chris Cooper’s performance "brilliant"[7]. Stephen Hunter of the Washington Post named it the ninth best film of 2007[6].

Box office

The film opened on 1,489 theaters screens in the US and earned $10,504,990 on its opening weekend, ranking #6 among all films in release. It eventually grossed $33,231,264 domestically and $7,722,671 in foreign markets for a total worldwide box office of $40,953,935[8].

References

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