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(born Jan. 9, 1929, near Omagh, County Tyrone, N.Ire.) Irish dramatist and short-story writer. Friel taught school in Londonderry before settling in County Donegal, Ireland. After The New Yorker began publishing his stories, he turned to writing full time. His first dramatic success was Philadelphia, Here I Come! (1963). Later he wrote about the dilemmas of Irish life and the troubles in Northern Ireland in such plays as The Freedom of the City (1973) and Making History (1988). Many of his plays — notably Translations (1980) and Dancing at Lughnasa (1990, Tony Award; film, 1998) — deal with family relationships and their connection to language, customs, and the land. His short-story collections include The Diviner (1983).

For more information on Brian Friel, visit Britannica.com.

 
 

Friel, Brian (1929- ), dramatist; born in Omagh, Co. Tyrone, and educated at St Columb's College, Derry, Maynooth (which he left after two years), and St Joseph's College, Belfast. He worked as a teacher in Derry until 1960. In 1967 he moved to Donegal, first to Muff and in 1982 to Greencastle. Two collections of short stories, The Saucer of Larks (1962) and The Gold in the Sea (1966), display a strong sense of place. The Enemy Within, produced by the Abbey Theatre in 1962, revealed his command as a dramatist. Philadelphia, Here I Come! (1964) confronted traditional Irish subject-matter in a stimulating and original form. A series of related plays explored the theme of love, The Loves of Cass McGuire (1966), Lovers (1967), and Crystal and Fox (1968). They were followed by The Mundy Scheme (1969), a political satire, and The Gentle Island (1971), whose ironic title masks a violent confrontation between myth and reality. In the early 1970s the Troubles in the North of Ireland drew Friel into an artistic response, resulting in two contrasting plays, The Freedom of the City (1973), a direct reaction to contemporary events, and Volunteers (1975), a more symbolic treatment of Irish history. In Living Quarters (1977) he turned to the family unit in dissolution, a theme given a historical dimension in Aristocrats (1979). The four monologues used in Faith Healer (1979) testify to his search for a dramatic technique that can marry content and form. With the foundation of Field Day Theatre Company in 1980 Friel's career took a new turn. The first production was his own Translations (1980), a play about the mapping of Ireland by the Ordnance Survey in the 1830s which became a landmark in the debate over historical revisionism. There followed two more Field Day productions of Friel plays: Chekhov's Three Sisters (1981), and The Communication Cord (1982), a sister play to Translations. Friel's next play for Field Day, Making History (1988), showed him relating questions of myth and history to cultural and ideological debate. With Dancing at Lughnasa (1990) a new play by Friel was premièred by the Abbey for the first time since 1979. In content this play represents a return to an autobiographical strand in his work. In Wonderful Tennessee (1993) three couples confront their own and each other's failures against a backdrop of nature with hints of ritual and mystery. Molly Sweeney (1994), at the Gate Theatre, returns to the dramatic structure of Faith Healer, where different voices offer their constructions of events. Give Me Your Answer, Do! (1997) returns to the familial tensions of Aristocrats, save that here the realm of imagination is pitted against necessity. The play emits a strange aloof calm and radiance. Friel's work explores the tensions between tradition and change in individuals and in society. His plays investigate the inner spaces that shape the belief and passion which determine outer actions.

Bibliography

Alan Peacock (ed.), The Achievement of Brian Friel (1992).

 
Columbia Encyclopedia: Friel, Brian
(frēl) , 1929–, Irish playwright, b. Killyglogher, Northern Ireland. Treating themes that enmesh both Irelands, he has become the most acclaimed contemporary Irish dramatist. Friel's family moved to Derry (1939), and he attended St. Patrick's College, Maynooth (B.A., 1949) and a teacher's training college. He taught for 10 years, published short stories, produced radio plays, and became a full-time writer in 1960. He studied (1963) with Tyrone Guthrie at his theater in Minneapolis, and while there wrote his first successful play, Philadelphia, Here I Come!, which deals with a young Irishman considering emigration to the United States. Since the 1970s Friel has written much about the political realities of the two Irelands, as in The Freedom of the City (1973) and Living Quarters (1977). In 1980 he and actor Stephen Rea formed the Field Day Theater Company, Northern Ireland, which soon (1981) produced Friel's Translations. Friel has also written of Irish family life, skillfully mingling it with surreal effects, in such plays as Aristocrats (1979) and the internationally known Dancing at Lughnasa (1990; Tony Award). Among his other plays are Lovers (1968), Volunteers (1975), Faith Healer (1979), Making History (1988), and Give Me Your Answer, Do! (1999). Friel also continues to write short stories.

Bibliography

See biography by G. O'Brien (1980); studies by E. S. Maxwell (1973), U. Dantanus (1985), E. Andrews (1995), and R. Pine, ed. (1997).

 
Quotes By: Brian Friel

Quotes:

"It is not the literal past, the facts of history, that shape us, but images of the past embodied in language."

"People with a culture of poverty suffer much less from repression than we of the middle class suffer and indeed, if I may make the suggestion with due qualification, they often have a hell of a lot more fun than we have."

 
Wikipedia: Brian Friel

Brian Friel (born 9 January 1929) is a playwright and director from Northern Ireland.

Born in Omagh, County Tyrone, he received his college education at St. Columb's College in Derry and, briefly, the seminary at St. Patrick's College, Maynooth, as well as in Belfast. He taught at various schools in and around County Londonderry from 1950 to 1960.

Early career

Friel began his career by writing short stories for The New Yorker in 1959 and subsequently published two collections: The Saucer of Larks and The Gold in the Sea. His first radio plays were produced by the BBC, Belfast, in 1958. His first play — This Doubtful Paradise — premiered in 1959 and a few years later The Enemy Within (1962) gained him recognition in Ireland. Philadelphia Here I Come! (1964), The Loves of Cass McGuire (1966), and Lovers (1967) were all highly successful in Ireland, as well as overseas. The Freedom of the City (1973) is an explicitly political work about the Troubles in Northern Ireland.

1980s and 1990s

Translations was premiered in 1980 at the Guildhall in Derry, Northern Ireland. Set in 1833, it is "a play about language and only about language", yet it was an instant hit as the allegorical references to the troubles in Northern Ireland at the time are, in places, overt and rather obvious.

Dancing at Lughnasa (1990) is probably his most successful play, premiered at the Abbey Theatre, and then transferred to London's West End and went on to Broadway, where it won three Tony Awards in 1992, including Best Play.

Late works

Friel's most recent work is The Home Place (2004), which after a sold-out season at the Gate Theatre in Dublin, transferred to London's West End on 25 May 2005. "The Home Place" will makes its American premiere at the Guthrie Theater (Minneapolis, MN) in September 2007. Also in 2007 the Gate Theatre, Dublin, will stage Friels version on Uncle Vanya as part of the annual Dublin Theatre Festival.

Friel's success

Most of Friel's plays have been performed extensively in Dublin at the Abbey, Gate and Olympia theatres, in many West End theatres in London and on Broadway. Dancing at Lughnasa was made into a motion-picture (starring Meryl Streep, directed by Pat O'Connor, script by County Donegal playwright, Frank McGuinness) in 1998.

Brian Friel was awarded an honorary doctorate by Rosary College, River Forest, Illinois in 1974.[1] In 1989, BBC Radio devoted a six-play season to his work, the first living playwright to be so distinguished. Friel received a lifetime achievement award from the Irish Times in 1999. He is a member of the American Academy of Arts and Letters, the (British) Royal Society of Literature and the Irish Academy of Letters.[2]

Friel co-founded (together with actor Stephen Rea and fellow alumni from St. Columb's, Tom Paulin, Seamus Heaney and Seamus Deane) the Field Day Theatre Company, where many of his pieces, including Translations (1980), The Communication Cord (1982) and Making History (1988) premiered.

On 22 January 2006 Friel was presented with a gold Torc by President Mary McAleese in recognition of the fact that that the members of Aosdána have elected him a Saoi. Only five members of Aosdána can hold this honour at any one time and Friel joins fellow Saoithe Louis leBrocquy, Benedict Kiely, Seamus Heaney and Anthony Cronin. On acceptance of the gold Torc, Friel quipped, "This is Aosdana's last rights."

Friel lives in Donegal, although he used to live in Derry before 1967, and lives a life in the quiet, rural seclusion which often talks of in his plays.

Miscellaneous

1. Friel's plays are often characterised by very heavy stage directions, from which much information is alluded to, and can be gleaned about the setting, characters and meaning

2. Friel uses a lot of foreshadowing in many of his plays, sometimes subtely and sometimes (when analysing the text, it seems) more heavy handedly

Plays

See also

References

External links


 
 

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Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 2006 Encyclopædia Britannica, Inc. All rights reserved.  Read more
Irish Literature Companion. The Concise Oxford Companion to Irish Literature. Copyright © 1996, 2000, 2003 by Oxford University Press. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/  Read more
Quotes By. Copyright © 2008 QuotationsBook.com. All rights reserved.  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Brian Friel" Read more

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