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Brian Moore

 

(born Aug. 25, 1921, Belfast, N.Ire. — died Jan. 10, 1999, Malibu, Calif., U.S.) Irish-born Canadian novelist. Moore immigrated to Canada in 1948 and was a writer for the Montreal Gazette from 1952. He is best known for his first novel, The Lonely Passion of Judith Hearne (1955; film, 1987), about an aging spinster whose pretensions to gentility are gradually dissolved in alcoholism. His later novels include The Luck of Ginger Coffey (1960), The Emperor of Ice Cream (1965), The Doctor's Wife (1976), and The Magician's Wife (1998). His novels were very different from each other in voice, setting, and incident but alike in their lucid, elegant, and vivid prose.

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Irish Literature Companion: Brian Moore
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Moore, Brian (1921-1999), novelist. Born in Belfast into a Catholic family, he did not follow his father and elder brother into medicine, and after leaving St Malachy's College in 1938 joined the Air Raid Precautions Unit in 1940, an experience reflected in The Emperor of Ice-Cream (1965). In 1943 he enlisted in the British Ministry of War Transport, working in North Africa and, later, as a port official with the Allied occupation forces in Naples and Marseilles. Moore emigrated to Canada in 1948 and took citizenship in 1953. His experiences as a new immigrant, when he took uncongenial work as a proof-reader, gave him material for The Luck of Ginger Coffey (1960). In 1951 he married Jacqueline Sirois; he moved to the USA in 1959, first to Long Island and New York, then to Malibu, California, where he lived with his second wife, Jean Denney, whom he married in 1967. In addition to novels, he has written short stories and film scripts. Judith Hearne (1955), republished as The Lonely Passion of Judith Hearne (1956), The Feast of Lupercal (1957), and The Emperor of Ice-Cream, all novels set in Belfast, deal with the struggle to achieve personal autonomy in a narrowly religious and repressive society. The determinism of these first novels, in which individual identity is virtually overwhelmed by religious, social, and family pressures, is undercut in An Answer From Limbo (1962), I Am Mary Dunne (1968), and Fergus (1970). Set in North America, these works begin a reassessment, where responsibility for one's adult being cannot be deterministically apportioned to nurture. The quasi-fictional The Revolution Script, dealing with the kidnapping and murder of a Quebec politician, appeared in 1971 and the novella Catholics in 1972. The protagonist of The Mangan Inheritance (1979) confronts the image of what he could become were he to repudiate traditional familial values and follow his fantasy of artistic self-fulfilment. The Temptation of Eileen Hughes (1981) was followed by three novels involving different attitudes to religious belief and authority, Cold Heaven (1983), the historical novel Black Robe (1985), set in 17th-cent. Canada, and The Colour of Blood (1987), set in a Soviet bloc country. Lies of Silence (1990) and No Other Life (1993) embody Moore's concern with ethical questions in a political context. The first, a thriller set in the contemporary Ulster Troubles, centres on the moral dilemma of a man forced to drive a bomb to a human target while his wife is held hostage. In No Other Life, a retired white missionary priest examines his role in the education and rise of a messianic Caribbean leader. The novel is loosely based on contemporary events in Haiti. In The Statement (1995) Moore explores the mentality and the combination of patriotism and compromise that lead a Nazi sympathizer in Vichy France to collaborate with brutality. The Magician's Wife (1997) is concerned with showing the human cost of sacrificing personal integrity for vanity and ambition. When he died Moore was working on a novel dealing with the poet Rimbaud's years in the desert, after relinquishing his art.

Bibliography

Jo O'Donoghue, Brian Moore: A Critical Study (1990).

 
Columbia Encyclopedia: Brian Moore
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Moore, Brian, 1921-99, Canadian-American novelist, b. Belfast, Northern Ireland. He emigrated to Canada in 1948, where he was a reporter for the Montreal Gazette. He later moved to the United States and was a longtime resident of Malibu, Calif., although he maintained Canadian citizenship. While his novels are often concerned with people who are capable of hypocrisy and self-delusion, a comic vein runs through them. In clear, precise prose, Moore sets his beautifully drawn, isolated characters against a world marked by provincialism and religiosity. Moore's fiction has never been enormously popular, but it is strongly admired by other writers and a devoted group of readers. His novels, each of which is strikingly different in plot, setting, and historical period, include The Lonely Passion of Judith Hearne (1956), The Luck of Ginger Coffey (1960), The Great Victorian Collection (1975), Black Robe (1985), Lies of Silence (1990), The Statement (1996), and The Magician's Wife (1998). Several of his works were made into films. He also wrote under the name Michael Bryan.

Bibliography

See D. Sampson, Brian Moore: The Chameleon Novelist (1998); studies by H. Dahlie (1969, 1981), J. Flood (1974), K. McSweeney (1983), J. O'Donoghue (1990), and R. J. Sullivan (1996).

Quotes By: Brian Moore
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Quotes:

"There comes a point in many people's lives when they can no longer play the role they have chosen for themselves. When that happens, we are like actors finding that someone has changed the play."

"The world's made up of individuals who don't want to be heroes."

"Research is usually a policeman stopping a novel from progressing."

"The silent majority distrusts people who believe in causes."

Wikipedia: Brian Moore (novelist)
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Brian Moore (Christian name pronounced Bree-an) (25 August 1921 – 11 January 1999) was a Northern Irish novelist. He was acclaimed for his descriptions of life in Northern Ireland in the post-war era, in particular his explorations of the intercommunal divisions of The Troubles. Moore was also admired for his insight into female psychology, with women as the central narrative character in several of his books.

Moore was awarded the James Tait Black Memorial Prize in 1975 and the inaugural Sunday Express Book of the Year award in 1987, and was shortlisted for the Booker Prize three times. Moore also wrote screenplays and several of his books were made into films.

Contents

Biography

Moore was born and grew up in Belfast, Northern Ireland.

His father, a surgeon, was pro-Axis during World War II, although Moore himself was a volunteer air raid warden during the bombing of Belfast by the Luftwaffe. He also served as a civilian with the British army in North Africa, Italy and France.

Moore had grown up in a large Roman Catholic family of nine children, but rejected that faith early in life. Some of his novels feature staunchly anti-doctrinaire and anti-clerical themes, and he in particular spoke strongly about the effect of the Church on life in Ireland. A recurring theme in his novels is the concept of the Catholic priesthood. On several occasions he explores the idea of a priest losing his faith. These works were criticized by his sister, a Roman Catholic nun.

His earliest novels were thrillers, published under his own name and the pseudonyms Bernard Mara and Michael Bryan.[1] Moore's first novel outside the genre, Judith Hearne, remains among his most highly regarded. It was made into a film, with Dame Maggie Smith playing the lonely spinster who is the book/film's title character. Several other Moore novels were adapted for the screen, including Intent to Kill (1958), The Luck of Ginger Coffey, Catholics, Black Robe, Cold Heaven, and The Statement. He also wrote the screenplay for Alfred Hitchcock's Torn Curtain and The Blood of Others, based on the novel Le Sang des autres by Simone de Beauvoir.

Moore emigrated to Canada in 1948 and then settled in the United States in the early 1960s. His books, therefore, have settings as diverse as Montreal and Carmel, California.

Brian Moore died in 1999 at his home in Malibu, California, aged 77, of pulmonary fibrosis. He had been working on a novel about the 19th-century French symbolist poet Arthur Rimbaud. [1]

Moore's archives, which includes unfilmed screenplays, drafts of various novels, working notes, a 42 volume journal (1957-1998), and his correspondence, are now at The Harry Ransom Humanities Research Center, University of Texas. [2]

Moore has been the subject of two biographies, Brian Moore: The Chameleon Novelist (1998) by Denis Sampson and Brian Moore: A Biography (2002) by Patricia Craig. One of the first critical retrospectives of Moore's entire body of work can be found in Brian Moore and the Meaning of the Past (2007) by Patrick Hicks

Bibliography

Novels

Non-fiction

References

  1. ^ Denis Sampson. Brian Moore: The Chameleon Novelist. Toronto: Doubleday Canada, 1998. p. i.

External links

See also


 
 

 

Copyrights:

Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 2006 Encyclopædia Britannica, Inc. All rights reserved.  Read more
Irish Literature Companion. The Concise Oxford Companion to Irish Literature. Copyright © 1996, 2000, 2003 by Oxford University Press. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more
Quotes By. Copyright © 2008 QuotationsBook.com. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Brian Moore (novelist)" Read more