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Bruno Coulais

 
Artist: Bruno Coulais
  • Born: January 13, 1954, Paris, France
  • Active: '80s, '90s, 2000s
  • Genres: Soundtrack
  • Instrument: Arranger
  • Representative Albums: "Winged Migration", "Travelling Birds", "Le Peuple Migrateur

Biography

Born in 1954, Bruno Coulais was a French born film and television soundtrack composer whose first full-length work appeared in 1986 -- the score for the Sebastien Grall film La Femme Secrete. He kept to the television end of film scoring and composition for the next few years, and in 1996 he was to earn his first big marks for his work on the documentary Microcosmos, which won him the 1997 Cesar Award. With this success in tow, Coulais went on to the big screen, and some of the most popular French movies over the next few years featured his work, including the 2001 world-wide hit, Winged Migration. After this brief -- and successful -- foray into cinematics, Coulais went off on his own, composing a children's opera, and delving into collaborative efforts with Akhentaon and A Filetta. But films and television were not left behind completely, and by 2008 -- the year of Coulais' soundtrack to the film MR 73 -- Coulais added another 13 or so credits to his résumé. ~ Chris True, All Music Guide
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Bruno Coulais

Bruno Coulais, July 2006.
Background information
Born January 13, 1954 (1954-01-13) (age 55)
Paris, Île-de-France, France
Genres Film score
Occupations Composer
Instruments Piano
Years active 1978 - present

Bruno Coulais (born 13 January 1954) is a French composer, most widely known for his music on film soundtracks. Coulais was born in Paris; his father is from Vendée and his mother is an Iraqi Jew. Coulais recently performed the score for the stop-motion animated film, Coraline, released February 6, 2009.

Biography

Coulais began his musical education on the violin and piano, aiming to become a composer of contemporary classical music. However, a series of acquaintances gradually re-oriented him towards film music. Coulais was particularly influenced by director François Reichenbach, who asked him in 1977 to write the soundtrack to his new documentary México mágico. The first full-length production he composed the score for was the 1986 film La femme secrète by Sébastien Grall. Until the end of the 1990s, he remained low-profile, composing mainly for television. His name can often be found from TV films by Gérard Marx and Laurent Heynemann. He also composed the soundtracks for Christine Pascal's 1992 film Le petit prince a dit, and Agnès Merlet's Le fils du requin in 1993.

In 1994, he met the television producer Josée Dayan, who let him write a theme for the TV series La rivière esperance, aired on the France 2 network in autumn 1995. He worked with Dayan again with other major productions such as Le Comte de Monte-Cristo, Balzac, and Les nuiteux.

The largest turning point of his career came in 1996, when he worked with directors Claude Nuridsany and Marie Pérennou of the documentary Microcosmos. This single film, which gave a great significance to the music in it, was a great success and made Coulais one of the most wanted composers of French film music. In 1997, he won the César award for the best musical score in a film, as well as a Victoire de la Musique. His reputation was confirmed by the soundtracks to Himalaya (1999) and Les rivières pourpres (2000), and after that Bruno Coulais's name was to be found on most new French blockbusters, such as Belphégor and Vidocq.

After producing the soundtrack to Winged Migration in 2001, Coulais announced that he wanted to significantly reduce his contributions to film music, and instead concentrate on other projects, such as the creation of an opera for children, and collaborations with Akhenaton, Akhenaton's group IAM and the Corsican group A Filetta, with whom he had worked since he had made the soundtrack for Jacques Weber's film Don Juan in 1998.

In 2002, his name was found on the ending credits of the animation L'enfant qui voulait être un ours, and in 2004, on Frédéric Schoendoerffer's Agents secrets. The same year, he wrote the soundtrack to the film Les choristes by Christophe Barratier, which subsequently became an international hit. The music for this film received as great praise as the film itself, and it won Coulais his third César award. Since then, Coulais's collaborations in cinema seem to be limited to works by directors with whom he already shares some history, in particular Jacques Perrin, Frédéric Schoendoerffer, and James Huth.

Bruno Coulais's musical style may vary significantly between different projects, but there are some constant factors visible: his taste for opera and for human voice (in particular that of children), for a search for original sonority, for world music and mixing different musical cultures, and finally, a certain tendency to give preference to the ambience created by lighting rather than the film's narration.

Filmography

External links


 
 
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Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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