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Bud Freeman

 
Artist: Bud Freeman
  • Born: April 13, 1906, Chicago, IL
  • Died: March 15, 1991, Chicago, IL
  • Active: '20s, '30s, '40s, '50s, '60s, '70s, '80s
  • Genres: Jazz
  • Instrument: Sax (Tenor)
  • Representative Albums: "Chicago/Austin High School Jazz in Hi-Fi," "1928-1939," "Something to Remember You By"
  • Representative Songs: "The Eel," "Chicago," "It's Only a Paper Moon"

Biography

When Bud Freeman first matured, his was the only strong alternative approach on the tenor to the harder-toned style of Coleman Hawkins and he was an inspiration for Lester Young. Freeman, one of the top tenors of the 1930s, was also one of the few saxophonists (along with the slightly later Eddie Miller) to be accepted in the Dixieland world, and his oddly angular but consistently swinging solos were an asset to a countless number of hot sessions.

Freeman, excited (as were the other members of the Austin High School Gang in Chicago) by the music of the New Orleans Rhythm Kings, took up the C-melody sax in 1923, switching to tenor two years later. It took him time to develop his playing, which was still pretty primitive in 1927 when he made his recording debut with the McKenzie-Condon Chicagoans. Freeman moved to New York later that year and worked with Red Nichols' Five Pennies, Roger Wolfe Kahn, Ben Pollack, Joe Venuti, Gene Kardos, and others. He starred on Eddie Condon's memorable 1933 recording "The Eel." After stints with Joe Haymes and Ray Noble, Freeman was a star with Tommy Dorsey's Orchestra and Clambake Seven (1936-1938) before having a short unhappy stint with Benny Goodman (1938). He led his short-lived but legendary Summe Cum Laude Orchestra (1939-1940) which was actually an octet, spent two years in the military, and then from 1945 on, alternated between being a bandleader and working with Eddie Condon's freewheeling Chicago jazz groups. Freeman traveled the world, made scores of fine recordings, and stuck to the same basic style that he had developed by the mid-'30s (untouched by a brief period spent studying with Lennie Tristano). Bud Freeman was with the World's Greatest Jazz Band (1968-1971), lived in London in the late '70s, and ended up back where he started, in Chicago. He was active into his eighties, and a strong sampling of his recordings are currently available on CD. ~ Scott Yanow, All Music Guide
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Wikipedia: Bud Freeman
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Bud Freeman
Birth name Lawrence Freeman
Born April 13, 1906(1906-04-13)
Origin Chicago, Illinois, USA
Died March 15, 1991 (aged 84)
Genres Jazz
Occupations Saxophonist, Bandleader, Composer
Instruments Tenor saxophone
Years active 1920s - 1980s

Lawrence "Bud" Freeman (April 13, 1906 in Chicago, Illinois - March 15, 1991 in Chicago) was a U.S. jazz musician, bandleader, and composer, known mainly for playing the tenor saxophone, but also able at the clarinet. He had a smooth and full tenor sax style with a heavy robust swing. He was one of the most influential and important jazz tenor saxophonists of the Big Band era. His major recordings were "The Eel", "Tillie's Downtown Now", "Crazeology", "The Buzzard", and "After Awhile", composed with Benny Goodman.[1]

Contents

Biography

One of the original members of the Austin High School Gang which began in 1922, Freeman played the C-melody saxophone alongside his other band members such as Jimmy McPartland and Frank Teschemacher before switching to tenor saxophone two years later. Influenced by artists like the New Orleans Rhythm Kings and Louis Armstrong from the South, they would begin to formulate their own style, becoming part of the emerging Chicago Style of jazz.

In 1927, he moved to New York, where he worked as a session musician and band member with Red Nichols, Roger Wolfe Kahn, Ben Pollack, Joe Venuti, among others. One of his most notable performances was a solo on Eddie Condon's 1933 recording, The Eel, which then became Freeman's nickname (for his long snake-like improvisations). Freeman played with Tommy Dorsey's Orchestra (1936-1938) as well as for a short time Benny Goodman's band in 1938 before forming his own band, the Summa Cum Laude Orchestra (1939-1940). Freeman joined the US Army during World War II, and headed a US Army band in the Aleutian Islands.

Following the war, Freeman returned to New York and led his own groups, yet still kept a close tie to the freewheeling bands of Eddie Condon as well as working in 'mainstream' groups with the likes of Buck Clayton, Ruby Braff, Vic Dickenson and Jo Jones. He wrote (along with Leon Pober) the ballad "Zen Is When", recorded by The Dave Brubeck Quartet on Jazz Impressions of Japan (1964). He was a member of the World's Greatest Jazz Band between 1969 and 1970, and occasionally thereafter. In 1974, he would move to England where he made numerous recordings and performances there and in Europe. Returning to Chicago in 1980, he continued to work into his eighties.

He also released two memoirs You Don't Look Like a Musician (1974) and If You Know of a Better Life, Please Tell Me (1976), and wrote an autobiography with Robert Wolf, Crazeology (1989).

In 1992, Bud Freeman was inducted into the Big Band and Jazz Hall of Fame.

Selected recordings

  • Chicago/Austin High School Jazz in Hi-Fi (1957)
  • Something to Remember You By (1962)
  • California Session (1982)

References

External links


 
 
Learn More
Austin High Gang (Jazz Band, '50s)
The Buddy Clark Collection (193 Album by Buddy Clark)
Jammin' at Commodore (1938 Album by Eddie Condon with Bud Freeman)

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