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Buddy Feyne

 
Artist: Buddy Feyne

Similar Artists:

Peter Tinturin, Ed Johnson, Bobby Plater, Robert Bruce
  • Genres: Jazz
  • Instrument: Arranger, Composer, Performer

Biography

Buddy Feyne put snappy lyrics to many of big band jazz hits from the '30s and '40s, including "Tuxedo Junction", "Jersey Bounce" and "Jumpin' With Symphony Sid", thus becoming forever identified with a swinging hipster mentality. Feyne was hardly limited to that point of view, however. He was a hard working, professional lyricist who collaborated with dozens of other composer. Feyne's career spanned more than half a century and included almost every style of American music besides heavy metal and rap. His songs were heard on radio, on Broadway, on television and in the movies; he wrote songs for children's records, he also wrote songs for the soft-core pornography hit "Diary of A Stewardess". It all began in the early '30s when Feyne began working in the infamous New York Brill Building as a song plugger.

While he was forced in this job to endlessly sing words written by others, his dream was to come up with his own lyrics. His talent in this area was soon noticed by his bosses. While Feyne also composed his own music himself, much of his most famous work was done with groups of collaborators, sometimes enough of them to be considered a crowd. "Tuxedo Junction" was assembled by a committee including Julian Dash, William Luther Johnson and Erskine Hawkins, for example, while four other writers worked on "Jersey Bounce". Often these tunes began life as hit instrumentals, and Feyne became known as a whiz at coming up with verbal themes that fit with all that jazz. Vocal artists in the latter genre have traditionally dipped heavily into this type of material, and as a result Feyne's lyrics have been sung by the likes of Joe Williams, The Manhattan Transfer, Sarah Vaughan, Joe Jackson, Ella Fitzgerald and many others.

"Sam, You Made The Pants Too Long", a hit for daffy comedian Milton Berle, demonstrated another side of Feyne's talents that he also put to good use creating material for childrens' albums. In the late '60s he became involved with producer William S. Baker, also a songwriter. They put together several stage shows, none of which were that successful, but the independent "Diary Of A Stewardess" in 1972, for which Feyne and Baker created an entire soundtrack's worth of ditties, shook its moneymaker all the way down the runway. The audience that flocked to this film most likely was not concentating on any of the songs, such as the enthusiastic, airborne "I Love To Fly". This tune never caught on with stewerdesses, either--quite a shame. Feyne also came up with the lyrics for "Dolomite" for one of comedian Rudy Ray Moore's ridiculous films. The latter song is part of a small group of Feyne concoctions considered essential by hipsters; the others are "Bee Bop On the Range", "Cream Cheese and Jelly", "She Works In Men's Pajamas", "After School Swing Session" and last but not least, the song of the "Hot Dog That Made Him Mad". ~ Eugene Chadbourne, All Music Guide
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Wikipedia: Buddy Feyne
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Buddy Feyne (1912 - 1998) was a composer and lyricist of the swing era.

He penned the lyrics for "Tuxedo Junction" and "The Jersey Bounce" - both of which were top of the Hit Parade and both are standards. These songs and many others have been recorded by artists as diverse as Glenn Miller, Joe Williams, The Manhattan Transfer, Ella Fitzgerald, Gene Autry, Nat King Cole, Louis Armstrong, The Andrews Sisters, Frankie Avalon, Joe Jackson, George Benson and Boz Scaggs.

He was born Bernard Feinstein in New York City, the youngest son of immigrants Solomon and Sarah Feinstein. His older brother, Irving, befriended Milton Berle, who advised Bernard that a Jewish name would prevent him from succeeding in the music business, and summarily changed his name to Buddy Feyne.

Feyne was based at the Brill Building in New York City, writing songs for Lewis Music Publishers, one of the few companies which published "Race music", the term for songs created by black artists. In 1939, Erskine Hawkins and his band introduced "Tuxedo Junction" at the Savoy Ballroom, in New York, which was an immediate hit.

When it was decided to add words to the music, the publisher asked several different lyricists to propose words for the tune. Feyne met Hawkins and asked what the name referred to. It was named for a whistle stop spot on the "Chitlin' circuit" in Alabama. When he learned the meaning of the song, the lyrics came easily, and his were selected. The song was recorded by Glenn Miller, the Andrews Sisters, Jan Savitt and other orchestras. Later it became the theme song of The Manhattan Transfer, who met Buddy in 1978. Buddy played the original piano solo for them from the Miller Band and they changed their arrangement to match the original. They maintained a close friendship for the last twenty years of Feyne's life.

Feyne continued to write lyrics for black composers such as Erskine Hawkins, Bill Johnson, Dud Bascomb, Bobby Plater, Tiny Bradshaw and Edward Johnson. "Dolimite" by the Hawkins band on the Bluebird label was recorded by Jimmy Dorsey for Decca (1940). Feyne became a member of the American Society of Composers and Publishers (ASCAP) in 1940. He used the nom de plume "Robert B. Wright" when he penned the lyrics for "After Hours", a haunting blues piece composed by Avery Parrish. "Jersey Bounce" followed soon after. He wrote the lyrics to the Glenn Miller hit "I Dreamt I Dwelt in Harlem" in 1941, with music by Jerry Gray. He wrote with many other composers, sang on the radio, and was a writer-producer of the series "Rhythm School of the Air".

When he was drafted in World War II, he served in the Pacific in the 77th Infantry Division and was awarded the Bronze Star. As his regiment was too far for the USO to reach he also wrote, conducted and performed in Army shows in the Philippines. After the war, he collaborated on several musicals with Harry Revel, Bill Harrington and Bill Baker; wrote and produced for television; and composed "Time for Fun", an album of children's songs. In 1954, Feyne collaborated with Maurice Shapiro on "Why", recorded by Nat "King" Cole and Karen Chandler.

Feyne continued writing through the 80's. In the 60's he teamed with Denny McReynolds, writing a series of swing ballads. He also wrote with Joe Williams, who recorded their song "Everybody Wants to be Loved" and performed it on the Joey Bishop Show. Next he teamed with Bill Baker, writing numerous songs, albums, scoring films, "Diary of a Stewardess" and "Dead End Dolls" and they also show "Up Your Alley". In addition to songs, he also wrote special material for The Ed Sullivan Tribute at the Lambs Club. Producer Harry Delmar worked with Buddy on producing "Up Your Alley".

Over his life, Feyne wrote more than 400 songs. Co-writers included Milton Berle, Harry Revel, Bill Harrington, Raymond Scott, Stan Worth, Al Sherman, Ken Carson, Bill Baker, Joe Williams, Al Sherman and Peter Tinturin. His songs are recorded by myriad artists and also appear in films.

Artists who recorded Feyne's songs include: Cab Calloway, Lester Young, Erskine Hawkins, Gene Autry, Henry Mancini, Red Norvo, Bob Crosby, Benny Goodman, Glenn Miller, BBC Dance Band, Kay Kyser, Ozzie Nelson, Teddy Powell, Alvino Rey, Joe Williams, The King Sisters, Gene Krupa, Frankie Avalon, Tuxedo Junction, Ella Fitzgerald, Joe Jackson, LA Jazz Choir, The Manhattan Transfer and Nat King Cole.

Hits:

Musicals:

  • "Song of Texas
  • "So This is Brooklyn"
  • "Up Your Alley"

Films:

  • George Hall & His Orchestra (1936)
  • It's In the Stars (1938)
  • The Zoot Cat (1944)
  • Junior Miss (1945)
  • Sweet Serenade (1950)
  • Night Stage to Galveston (1952)
  • The Glenn Miller Story (1954)
  • The Benny Goodman Story (1955)
  • The Gene Krupa Story (1960)
  • Carnal Knowledge (1971)
  • Diary of A Stewardess (1972)
  • Dona Flor E Seus Dois (1976
  • Electric Horseman (1979)
  • Raging Bull (1980)
  • Raggedy Man (1981)
  • Sharky's Machine (1981)
  • Dead End Dolls (1983)
  • House (1986)
  • Radio Days (1987)
  • Miss Rose White (1992)
  • A Midnight Clear (1992)
  • Boiling Point (1993)
  • Contact (1995)
  • Murder in the First (1995)
  • Rounders (1998)
  • Transistorized (2000)
  • My Dog Skip (2000)
  • The Curse of the Jade Scorpion (2001)
  • Out of Step (2001)
  • Theremin:An Electronic Odyssey (2002)
  • Starsky & Hutch (2004)
  • The Machinist (2004)
  • Australia (2008)

References

  • Obituary: Buddy Feyne, Independent, The (London), by Dick Vosburgh Jan 22, 1999
  • BuddyFeyne.com

External links


 
 
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