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Composer/arranger Burt Bacharach (born 1928) established himself in the 1960s as one of America's premier pop songwriters. After achieving considerable success with recordings by Dionne Warwick and B.J. Thomas, among many others, he found his style of music out of fashion during the 1970s and 1980s. In the late 1990s, he returned to active composing as a new generation discovered his music.
The sophisticated melodies of Burt Bacharach were among the defining sounds of American popular music in the 1960s and early 1970s. In an era when rock gained ascendancy, his elegant compositions echoed the heyday of the great Broadway and Tin Pan Alley songwriters. In tandem with lyricist Hal David, Bacharach created songs graced with complex rhythms and fresh harmonic patterns that were rich in color and mood. The Bacharach/ David team produced a remarkable body of work for the stage and screen as well as for the record-buying market. The Carpenters, Tom Jones, B.J. Thomas, Dusty Springfield and, most of all, Dionne Warwick were among the artists who popularized Bacharach's songs. The start of the 21st century found him increasingly productive, working with new collaborators and releasing retrospectives of his best work.
Early Years
Burt Bacharach was born in Kansas City, Missouri, on May 12, 1928. His father, Bert Bacharach, was a syndicated columnist and men's fashion journalist. His mother, Irma, was an amateur singer and pianist who encouraged her son to study music. Moving with his family to Forest Hills, New York, Bacharach studied cello, drums and piano as a child. His first strong interest was in sports. However, by the time he reached high school his piano playing abilities began to make him popular at school functions and local dances. Beyond his classical training, Bacharach found inspiration by sneaking into Manhattan jazz clubs and absorbing the sounds of such bebop innovators as Charlie Parker and Dizzy Gillespie. After high school, he studied music at McGill University in Montreal and at New York's Mannes School of Music. It was at the latter school that he came under the influence of composer Darius Milhaud, who encouraged his young student to develop his melodic talents.
During a stint in the armed services from 1950 through 1952, Bacharach was kept busy performing at army bases as part of a dance band. Back in civilian life, he became a New York nightclub pianist and arranger, working with such singers as Vic Damone, Steve Lawrence and the Ames Brothers. In 1953, he married vocalist Paula Stewart and began to find work in Las Vegas. His horizons broadened further when he signed on as actress/singer Marlene Dietrich's musical director in 1958. Bacharach began to become more serious about songwriting during this time. Exposure to the music of Brazilian bossa nova composers Antonio Carlos Jobim and Dori Caymmi helped him develop his style further.
First Recordings
Bachrach's first hit recordings included Marty Robbins' "The Story of My Life" (1957) and Perry Como's "Magic Moments" (1958). Undoubtedly his oddest early tune was "The Blob" (1958), the novelty theme song from the horror film of the same title. His songwriting partnership with lyricist Hal David was beginning to solidify, paving the way for the exceptional songs that would come out of them a few years later. David and Bacharach worked together in New York's legendary Brill Building, a haven for hardworking songwriters. Increasingly, Bacharach was taking chances with his music. Some of his more unusual melodic and harmonic ideas met resistance from record companies. "All those so-called abnormalities seemed perfectly normal to me," he commented in the liner notes to The Look of Love: The Burt Bacharach Collection, a CD retrospective released by Rhino Records in 1998. "In the beginning, the A and R [Artist and Repertoire] guys, who were like first lieutenants, would say, 'You can't dance to it' or 'That bar of three needs to be changed to a bar of four,' and because I wanted to get the stuff recorded, I listened and ended up ruining some good songs. I've always believed if it's a good tune people will find a way to move to it." His unorthodox but appealing work began to reach a wider audience with such tunes as "Baby It's You" (recorded by the Shirelles and, later, by the Beatles) and "(The Man Who Shot) Liberty Valance" (a 1962 hit for Gene Pitney).
The elements that would define the Bacharach sound began to fall into place in the early 1960s. "Make It Easy On Yourself," released as a single by pop/rhythm and blues singer Jerry Butler in 1962, displayed the melodic grandeur and bittersweet lyric sentiments that would become the hallmarks of later hits. An even more significant release that same year was "Don't Make Me Over," the first Bachrach/ David song recorded by Dionne Warwick. Her delicate phrasing and ability to convey both strength and vulnerability made her the ideal interpreter of the duo's songs. Warwick was able to handle the intricacies of Bacharach's demanding music with ease. The result was a series of enduring hit singles, among them "Anyone Who Had A Heart" (1963), "Walk On By" (1964), "I Say A Little Prayer" (1967) and "Do You Know The Way To San Jose" (1968). Bacharach arranged and co-produced his hits with Warwick, surrounding her voice with elegant strings, muted trumpets, tastefully-used background singers and other touches that became his trademarks.
Numerous other artists in both America and Britain found success with Bacharach/David songs, including Jackie DeShannon ("What the World Needs Now is Love"), Dusty Springfield ("Wishin' and Hopin"'), Herb Alpert ("This Guy's in Love With You"), and Sandie Shaw ("(There's) Always Something There to Remind Me"). Such films as What's New, Pussycat? Alfie, and Casino Royale featured the duo's material on their soundtracks. Bacharach and David made yet another leap when they wrote the score for the 1969 stage musical Promises, Promises, which enjoyed a long Broadway run and earned both a Tony and a Grammy Award.
In an era when songwriter/performers became the norm, Bacharach remained largely behind the scenes. His limited singing abilities were not seen as the best vehicles for his music. That being said, he did release a series of albums on his own, among them 1965's Hit Maker and 1967's Reach Out. These and subsequent efforts emphasized his arranging abilities as much or more than his vocal talents. The 1970s began on a high note for Bacharach when his score for the film Butch Cassidy and the Sundance Kid won an Academy Award, with the Bacharach/David song "Raindrops Keep Fallin' on My Head" chosen as best theme song as well. The success of "One Less Bell to Answer" by the 5th Dimension" and "(They Long to Be) Close to You" by the Carpenters (both 1970) continued the songwriting team's winning streak into the new decade.
Collaboration with David Ended
Unfortunately, the chemistry between Bacharach and David began to sour after their music for the 1973 film Lost Horizon proved to be a critical and commercial failure. The songwriters sued each other over a publishing dispute and their years of collaboration ended. Bacharach's career went into decline and he was largely absent from the record charts for the remainder of the 1970s. He remained a familiar enough figure to appear in television advertisements for Martini and Rossi vermouth with his then wife, actress Angie Dickinson.
It wasn't until the early 1980s that Bacharach began to emerge from his career doldrums. A working relationship with lyricist Carole Bayer Sager led to the pair's marriage in 1982. Among the Bacharach/Sager songs of note from this period was "Arthur's Theme (The Best that You Can Do)," recorded by Christopher Cross for the 1981 film Arthur. Another tune of theirs, "That's What Friends Are For," was released as an AIDS research benefit recording in 1986 and featured vocals by Dionne Warwick and Elton John, among others. The song became a hit and led to further recordings with Warwick in the early 1990s.
Revival in 1990s
Remarkably, a Bacharach revival began in the mid-1990s, when a younger generation discovered the so-called "easy listening" music of the 1960s. Such notable young rock acts as Oasis and Stereolab began to perform Bacharach songs, reworking his classic melodies in a modern context. The composer was the subject of a British television documentary and his recordings were reissued in several CD anthologies. British singer/songwriter Elvis Costello, a long-time fan, collaborated with Bacharach on a song for the 1996 film Grace of My Heart, which led to an album's worth of songs together, Painted From Memory two years later. Bacharach and Costello went on a concert tour in 1998 as well. Enjoying his renewed celebrity, Bacharach shared the stage with Oasis at a 1996 London concert and made a cameo appearance in the 1997 film comedy Austin Powers.
Bacharach continued to remain active into the new century, performing occasional shows with symphony orchestras and working on stage musicals. In May 2001, he accepted the Royal Academy of Music award, presented by King Carl Gustav XVI in Stockholm. Such recognition confirmed Bacharach's stature as one of popular music's most distinctive and enduring songwriting talents.
Books
Contemporary Musicians, Gale, 1997.
Gammon, Peter. Oxford Companion to Popular Music, Oxford University Press, 1991.
Stambler, Irwin, Encyclopedia of Pop, Rock and Soul, St. Martin's Press, 1977.
Online
"Burt Bacharach Biography," Rolling Stone. com,http:www.rollingstone.com (November 15, 2001).
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| Burt F. Bacharach | |
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Burt Bacharach in concert, 2008
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| Background information | |
| Born | 12 May 1928 |
| Origin | Kansas City, Missouri, United States |
| Genres | Pop, vocal |
| Occupations | Composer, pianist, singer |
| Instruments | Piano |
| Years active | 1957–present |
| Associated acts | Hal David, Elvis Costello, Dionne Warwick, Marlene Dietrich, Cilla Black, Dr. Dre |
Burt F. Bacharach (pronounced /ˈbækəræk/; born 12 May 1928) is an American pianist and composer. He is known for his pop hits from the early 1960s through the 1980s, with lyrics written by Hal David, many of which were produced for and recorded by Dionne Warwick.
As of 2006, Bacharach had written 70 Top 40 hits in the US, and 52 Top 40 hits in the UK.[1]
Contents |
Burt Bacharach was born in Kansas City, Missouri, the son of Irma (née Freeman) and Bert Bacharach, a syndicated newspaper columnist.[2] He is of German Jewish descent.[3] Bacharach studied music at McGill University, the Mannes School of Music, and the Music Academy of the West in Montecito, California. His composition teachers included Darius Milhaud, Bohuslav Martinů, and Henry Cowell. After leaving the Army Bacharach worked as a pianist, sometimes playing solo and sometimes accompanying singers such as Vic Damone, Polly Bergen, Steve Lawrence, the Ames Brothers and Paula Stewart (who became his first wife).
In 1957, Bacharach and lyricist Hal David were introduced at the Brill Building in New York City, and began their writing partnership. Almost a year later, they received a significant career break when their song "The Story of My Life" was recorded by Marty Robbins for Columbia Records, becoming a No. 1 hit on the U.S. Country charts in late 1957. Soon after, "Magic Moments" was recorded by Perry Como for RCA Records, and became a No. 4 U.S. hit in February of that year. These two songs hit No. 1 in the UK back-to-back ("The Story of My Life" in a version by Michael Holliday), giving Burt and lyricist Hal David the honor of being the first songwriters in UK history to have written consecutive No. 1 hits. "Heavenly" was recorded by Johnny Mathis and became a gold record in the UK. Later the same year another Bacharach song, "Faithfully", also achieved gold record status with Mathis in the UK. In 1959, their song "Make Room for the Joy" was featured in Columbia's film musical "Jukebox Rhythm," sung by Jack Jones.
In the early 1960s, Bacharach wrote well over a hundred songs with David. Bacharach and David were associated throughout the sixties with Dionne Warwick, a conservatory-trained vocalist whom the duo met in 1961. She began working for the duo when they needed a singer to "demo" their songs for other artists. Bacharach and David noticed that Warwick's demos often surpassed the quality of the performances others were recording[citation needed]. They started writing a portion of their work specifically with Warwick in mind, which led to one of the most successful teams in music history.[4] Over a twenty year period, beginning in the early 1960s, Warwick managed to chart 38 singles co-written or produced by Bacharach, including twenty-two Top-40 hits on the American Billboard Hot 100 charts. During the early '60s, Bacharach also collaborated with Bob Hilliard on a number of songs such as "Mexican Divorce" for The Drifters, "Any Day Now" for Chuck Jackson, and "Dreamin' All the Time" and "Pick Up the Pieces" for Jack Jones.
Other singers of his songs in the 60s and 70s included Dusty Springfield ("The Look of Love" from Casino Royale), ("Wishin' and Hopin"), Cilla Black (a cover of Dionne Warwick's "Anyone Who Had A Heart"), ("Alfie"), The Shirelles, The Beatles ("Baby, It's You"), The Carpenters ("(They Long to Be) Close to You"), Aretha Franklin, Isaac Hayes ("Walk On By" on the Hot Buttered Soul album), B.J. Thomas ("Raindrops Keep Falling on my Head"), Tom Jones ("What's New, Pussycat"), The Stranglers, The Drifters, Jack Jones ("Wives and Lovers"), Jackie DeShannon ("What the World Needs Now is Love"), Gene Pitney, Herb Alpert, Jerry Butler and Luther Vandross in the 1980s and 1990s.
Bacharach songs were adapted by jazz artists of the time, such as Stan Getz, Cal Tjader and Wes Montgomery. The Bacharach/David composition, "My Little Red Book", originally recorded by Manfred Mann for the film What's New, Pussycat?, and promptly covered by Love in 1966, has become a rock music standard; however, according to Robin Platts' book "Burt Bacharach and Hal David", the composer did not like this version.[5] Bacharach composed and arranged the soundtrack of the 1967 film Casino Royale which was "The Look of Love", performed by Dusty Springfield. Bacharach and David also collaborated with Broadway producer David Merrick on the 1968 musical production of Promises, Promises, which yielded hit songs (including the title tune). The year 1969 featured, perhaps, the most successful Bacharach-David collaboration, with the song "Raindrops Keep Falling on My Head", which was written for and prominently featured in the acclaimed film Butch Cassidy and the Sundance Kid.
Bacharach's music is characterized by unusual chord progressions, striking syncopated rhythmic patterns, irregular phrasing, frequent modulation, and odd and changing meters. It tends toward a greater climactic effect than most popular music, especially greater than most popular music of the period with which he is most associated. Bacharach has arranged, conducted, and co-produced much of his recorded output. An example of his distinctive use of changing meter is found in "Promises, Promises" (from his score for the musical of the same name). His style is sometimes also associated with particular instrumental combinations he is assumed to favor or to have favored, including the prominent use of the flugelhorn in such works as "Walk on By", "Nikki", and "Toledo".
In 1970 Johnny Mathis issued a double-LP album set, "Sings the Music of Bacharach & Kaempfert," for Columbia. It consisted of a total 21 tracks in a heavyweight gatefold picture sleeve. The Bert Kaempfert tracks were done in the arrangement style of the German composer and orchestra leader, and the Bacharach tracks were in the Americans' upbeat style.
In 1973, Bacharach and David were commissioned to score the Ross Hunter-produced revival of the 1937 film, Lost Horizon for Columbia Pictures. The result was a critical and commercial disaster, and resulted in a flurry of lawsuits between the composer and the lyricist, as well as from Warwick, who reportedly felt abandoned when Bacharach and David refused to work together. Bacharach tried several solo projects (including the 1977 album Futures), but the projects failed to yield hits.
By the early 1980s, Bacharach's marriage to Angie Dickinson had ended, but a new partnership with lyricist Carole Bayer Sager proved rewarding, commercially and personally. The two married, and collaborated on several major hits during the decade, including "Arthur's Theme (Best That You Can Do)" (Christopher Cross), "Heartlight" (Neil Diamond), "Making Love" (Roberta Flack), "On My Own" (Michael McDonald with Patti Labelle), and perhaps most memorably, "That's What Friends Are For" in 1985, actually the second single which reunited Bacharach and singer Warwick. The profits for the latter song were given to AIDS research. Bacharach's 1980s tunes showed a new sound.
Other artists continued to revive Bacharach's earlier hits, giving them a new audience in the 1980s and 1990s. Examples included Naked Eyes' 1983 pop hit version of "(There's) Always Something There to Remind Me", Ronnie Milsap's 1982 country version of "Any Day Now", and others. Bacharach continued a concert career, appearing at auditoriums throughout the world, often featuring large orchestras as accompaniment. He occasionally joined with Warwick, appearing in sold-out concerts in New York, Las Vegas, and Los Angeles.
In 1996, jazz pianist McCoy Tyner recorded an album of nine Bacharach standards that featured Tyner's trio with an orchestra arranged and conducted by John Clayton. In 1998, Bacharach co-wrote and recorded a Grammy-winning album with Elvis Costello, Painted from Memory, on which the compositions began to take on the sound of his earlier work. In 2006, he recorded a jazz album with Trijntje Oosterhuis and the Metropole Orchestra called The Look of Love (Burt Bacharach Songbook) which was released in November that year.[6] Bacharach collaborated with Cathy Dennis in 2002 to write an original song for the Pop Idol winner Will Young. This was "What's In Goodbye", and it appears on Young's debut album From Now On. During July 2002, Young was a guest vocalist at two of Bacharach's concerts, one at the Hammersmith Apollo and the other at Liverpool Pops.
Another star treatment of his compositions was the 2003 album Here I Am featuring Ronald Isley, revisiting a number of his 1960s compositions, and also the Vandross arrangement of A House Is Not a Home.
Bacharach's 2005 solo album At This Time saw a departure from past works in that Bacharach penned his own lyrics, some of which dealt with political themes. Guest stars on some tracks included Elvis Costello and Rufus Wainwright.
He worked with hip-hop producer Dr. Dre on his recent album At This Time and is expected to work on Dr. Dre's Detox album.
On October 24, 2008, Bacharach opened the BBC Electric Proms at The Roundhouse in London, performing with the BBC Concert Orchestra accompanied by guest vocalists Adele, Beth Rowley and Jamie Cullum. The concert was a retrospective look back at his unparalleled six-decade career, including classics such as "Walk On By", "The Look of Love", "I Say a Little Prayer", "What The World Needs Now", "Anyone Who Had A Heart", "24 Hours from Tulsa" and "Make It Easy On Yourself", featuring Jamie Cullum.
In early 2009 Bacharach worked with Italian soul singer Karima Ammar and produced her critically acclaimed debut single Come In Ogni Ora. The song has been heard during the 59th Sanremo Music Festival and also features him playing piano.
Throughout the 1960s and 1970s, Bacharach was featured in a dozen TV musical and variety specials videotaped in the UK for ITC, several of which were nominated for Emmy awards for direction (by Dwight Hemion). The guests included artists such as Joel Grey, Dusty Springfield, and Barbra Streisand. Bacharach and David also did the score for a short-lived ABC-TV series, ABC Stage 67, for a show titled On the Flip Side, starring Rick Nelson as a faded pop star trying for a comeback. While the series' ratings were dismal, the soundtrack showcased Bacharach's abilities to try different kinds of musical styles, ranging from (almost) 1960s rock, to pop, ballads, and Latin-tinged dance numbers.
In 1969, his instrumental composition "Nikki" (named for his daughter) premiered as the theme for the ABC Movie of the Week, a TV series which eventually ran on various nights of the week until 1975. Also during the 1970s, Bacharach and then-wife Angie Dickinson appeared in several TV commercials for Martini & Rossi beverages, and even penned a short jingle ("Say Yes") for the spots. Bacharach also occasionally appeared on TV/variety shows, such as The Merv Griffin Show, The Tonight Show Starring Johnny Carson, and many others.
In the 1990s and 2000s, Bacharach has had cameo roles in Hollywood movies including all three Austin Powers movies. His music is credited as providing inspiration for these movies, partially stemming from Bacharach's score for the 1967 James Bond film Casino Royale. During subsequent Bacharach concert tours, each show would open with a very brief video clip from the movie Austin Powers: International Man Of Mystery, with Mike Myers (as Austin Powers) uttering "Ladies and Gentlemen, Mr. Burt Bacharach."
Bacharach appeared as a celebrity performer and guest vocal coach for contestants on the television show, "American Idol" during the 2006 season, during which an entire episode was dedicated to his music. In late 2006, Bacharach appeared as the celebrity in a Geico auto insurance commercial, where he sings and plays the piano. He translates the customer's story through song ("I was hit...in the rear!")
In 2008, Bacharach featured in the BBC Electric Proms at The Roundhouse with the BBC Concert Orchestra[7]. He performed similar shows in the same year at the Walt Disney Concert Hall[8] and with the Sydney Symphony.
Bacharach has been married four times. His first marriage was to Paula Stewart, which lasted five years (1953–58). His second marriage was to actress Angie Dickinson, which lasted fifteen years (1965–80). Bacharach and Dickinson had a daughter, Nikki, who is now deceased (see Angie_Dickinson#Personal_life). His third marriage was to lyricist Carole Bayer Sager, which lasted nine years (1982–91). Bacharach and Bayer Sager collaborated on a number of musical pieces, and had a son, Cristopher. In 1993, Bacharach married Jane Strauss Hanson, and their marriage continues today. Bacharach and Strauss Hanson have a daughter, Raleigh, and a son, Oliver.
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