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Burt Lancaster

 
Who2 Profiles:

Burt Lancaster, Actor / Movie Producer

Burt Lancaster
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  • Born: 2 November 1913
  • Birthplace: New York, New York
  • Died: 20 October 1994
  • Best Known As: Star of From Here to Eternity

Name at birth: Burton Stephen Lancaster

Burt Lancaster was an acrobat in the circus, and served in the U.S. Army in North Africa and Italy. He didn't get into the movie business until he was 32, quickly establishing himself as a tough guy in such movies as The Killers (1946, with Ava Gardner). His natural athleticism helped him in adventure movies such as The Crimson Pirate (1952), and in the 1950s and 1960s he proved his acting ability in From Here to Eternity (1953, with Frank Sinatra), The Sweet Smell of Success (1957) and Elmer Gantry (1960, co-starring Shirley Jones). Lancaster continued acting in his later years, earning his fourth Oscar nomination for his role opposite Susan Sarandon in 1980's Atlantic City and appearing with fellow movie icon Kirk Douglas in Tough Guys (1986).

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Britannica Concise Encyclopedia:

Burton Stephen Lancaster

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(born Nov. 2, 1913, New York, N.Y., U.S. — died Oct. 20, 1994, Century City, Calif.) U.S. film actor. He toured with circuses as an acrobat in the 1930s and served in North Africa and Italy during World War II. He first appeared in movie houses in The Killers (1946), which made him a star. He was noted for his portrayals of physically tough, emotionally sensitive characters. Lancaster's many films include Come Back, Little Sheba (1952), From Here to Eternity (1953), The Rose Tattoo (1955), Sweet Smell of Success (1957), Elmer Gantry (1960, Academy Award), The Birdman of Alcatraz (1962), The Leopard (1963), Atlantic City (1981), Local Hero (1983), and Field of Dreams (1989).

For more information on Burton Stephen Lancaster, visit Britannica.com.

Gale Encyclopedia of Biography:

Burt Lancaster

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Burt Lancaster (1913-1994), one of the most popular film stars of all times, never wanted to be an actor. Falling into acting by chance, Lancaster proceeded to become a star, although he had no dramatic training. He made 85 movies during his long career and won an Academy Award.

Burton Stephen Lancaster, the fourth of five children, was born on November 2, 1913 in New York City to James Lancaster, a postal worker, and Elizabeth Roberts Lancaster. Although the family was descended from Irish and English stock, they resided in Italian East Harlem. When Lancaster and his brothers were old enough, they shoveled snow, sold newspapers, and shined shoes to earn money for the family. While James Lancaster was a gentle, warm father, Elizabeth was a strict disciplinarian, instilling in her children the virtues of honesty and loyalty, with whippings if necessary. She had no prejudices against the many different ethnic groups in her neighborhood and treated them all kindly, which made a strong impression on her son.

Lancaster attended Public School 121 for the lower elementary grades. There he did well, especially in reading and writing. He then transferred to Public School 83, where he enjoyed English and history, but did poorly in math. Lancaster loved reading and claimed to have read every book at the 110th Street library by the time he was 14. He also adored movies, especially those of the swashbuckling Douglas Fairbanks, but he did not want to become an actor. Until he was 15, Lancaster wanted to be an opera singer. Throughout his life he retained a love of opera and symphonic music.

At the age of 13, Lancaster lost his baby fat and grew into a tall, athletic young man. He ran in the streets and parks with neighborhood children, and at the Union Settlement House he appeared in a play. A famous director, Richard Boleslavsky, saw him in the show and was so impressed, he discussed the possibility of drama school with Elizabeth Lancaster. Her son, however, was not willing, calling acting "sissy stuff."

At camp, when he was nine, Lancaster met his lifelong friend Nick Cravat, a tough little fellow with whom Lancaster would later work. Lancaster attended DeWitt Clinton High, an all boys academic school for students who intended to go on to college. In his senior year, Lancaster's mother died of chronic intestinal nephritis. He graduated from high school on June 26, 1930 and entered New York University in September of 1931. He hoped to be a gym teacher and became involved with gymnastics. Lancaster left college early in his sophomore year and joined a circus with his friend Cravat. They earned three dollars a week as acrobats.

Fell into Show Business

Lancaster met June Ernst, an acrobat, and married her in 1935 when he was 21 and she 18. They separated in 1937 and divorced in 1940. That same year, when Lancaster seriously injured his right hand, he decided to give up the circus. He worked for a department store, a refrigeration company, and at several other jobs, including that of a singing waiter, until he was drafted into the U.S. Army in 1942.

Lancaster became part of Special Services, whose purpose was to entertain the soldiers and provide them with off-duty activities. He began as an athletic instructor, moving on to the job of entertainment specialist, where he wrote, directed and performed in skits.

While putting on shows for the troops in Italy in 1944, Lancaster met the woman who was to become his second wife, Norma Anderson, a United Service Organization (USO) entertainer. Later, in New York, Lancaster visited Anderson, who worked for ABC radio. In the building's elevator, a man asked him if he was an actor. Lancaster responded that he was a "dumb actor," meaning he performed without words, as an acrobat. A few minutes later, the man telephoned the office where Lancaster was visiting and asked him to audition for the play, A Sound of Hunting.

An Actoris Born

Lancaster got the part. After three weeks of rehearsals, the play opened on November 6, 1945 and closed three weeks later. Lancaster then got an agent, Harold Hecht, and signed a contract with Hal Wallis Productions, Inc. on January 8, 1946 to make two films a year for seven years. He was also able to work for other companies. Lancaster took the train to California with one set of clothes and thirty dollars.

Not only was Lancaster a capable actor, but he looked very good on camera. He stood six feet two inches tall, weighed 180 pounds, and had a large chest and a small waist. He looked younger than his thirty-two years and had a gorgeous smile and bright blue eyes. While waiting to make his first film for Hal Wallis, Lancaster signed a contract with Mark Hellinger to make one picture a year for up to five years. Lancaster was paid $2,500 a week for his work in The Killers, which became a big hit and launched Lancaster's film career. He later said of that time, as quoted in a Sidney Skolsky syndicated column of 1950, "I woke up one day a star. It was terrifying."

After finishing the film, Lancaster drove back east to be with Anderson, who had given birth to their first child, James, on June 30, 1946. Lancaster and Anderson had not yet married, but would do so on December 28, 1946 in Yuma, Arizona. Their second son, Billy, was born in November of 1947.

On Lancaster's second film, Desert Fury, the actor argued angrily with the director when he disagreed about how something should be done in the film. This was a habit he never lost and stemmed from his intense involvement with his work. In his third film, I Walk Alone, Lancaster starred with Kirk Douglas, with whom he would make other films, including Gunfight at the O.K. Corral. The two had a love-hate relationship until Lancaster's death.

In September 1947, the House Un-American Activities Committee subpoenaed 34 people from Hollywood to investigate the extent of Communist infiltration in the movie industry. To protest, several people in the industry, including Lancaster, formed the Committee for the First Amendment. This represented the beginning of his involvement with liberal political causes. In March 1948, Lancaster began work on Kiss the Blood off My Hands, the first project of his new company, Hecht-Norma Productions, that he had formed with Harold Hecht.

In July 1948, Lancaster bought his first home. Located in Bel-Air, the large colonial housed the Lancasters, Burt's father, and Burt's widowed sister-in-law, Julia. Over the years Lancaster added a pool, tennis court, guesthouse, projection room, gym, kennel, and a baseball diamond. Lancaster also began collecting modern French paintings. He loved playing bridge and took the game very seriously.

In 1949, Lancaster began an affair with actress Shelley Winters. His marriage to Norma had problems because of her drinking, and Lancaster was often unfaithful. Norma gave birth to their third child, Susan, in July 1949. In 1950, when Norma again became pregnant, Winters realized that her relationship with Lancaster had no future. She burned all her photos of him and ended the affair.

Greatest Films

In 1952, Lancaster made the film Come Back, Little Sheba with actress Shirley Booth. Twenty years later, Lancaster would call Booth the finest actress he had ever worked with. His portrayal of a middle-aged alcoholic surprised audiences and displayed his acting abilities and willingness not to be typecast. Of this shift in his career, he later said, in an article in Films and Filming, "Suddenly they began to think of me as a serious actor."

In 1953, Lancaster starred in From Here to Eternity as Sgt. Warden, a tough, serious soldier who falls in love with his commanding officer's wife. The film contains one of the most famous love scenes of all times, with Lancaster and his co-star Deborah Kerr kissing on a beach as waves wash over them. From Here to Eternity earned more money than any other film in the history of Columbia Pictures to that point. Lancaster won the New York Film Critics Circle Award for the best actor of 1953. He was nominated for, but did not win, the Academy Award for best actor of that year.

In 1954, Lancaster directed his first movie, The Kentuckian, in which he also starred. Directing had been a dream of his, but after the lukewarm reception the film received, Lancaster was terribly disappointed and directed only one other movie, The Midnight Man, in 1974.

Lancaster starred in Elmer Gantry, (1960), about a larger-than-life evangelist. Later Lancaster was to say that of all the roles he had played, Elmer Gantry was the most like himself. Gary Fishgall wrote in Against Type: The Biography of Burt Lancaster, "If one had to chose a single picture from the prime of Lancaster's career to define the essence of his stardom, Elmer Gantry would be that film." For his work in the film Lancaster won the New York Film Critics Award for best actor of 1960, the Golden Globe for best motion picture actor in a drama, for 1960, and the Academy Award for best actor of 1960.

In late 1960, Lancaster began filming Birdman of Alcatraz, in which he plays a prisoner who raises birds. Lancaster became very emotionally involved with his role. "One of the problems an actor faces, and it's a very dangerous thing, is to get so involved in a role he loses control of what he is doing. With Birdman of Alcatraz, I couldn't stop crying throughout the film," Lancaster explained in Take 22: Moviemakers on Moviemaking. He was nominated for an Academy Award for his portrayal of Robert Stroud.

Lancaster began filming Judgment at Nuremberg in early 1961. The movie detailed the 1948 war crimes trial of four Nazi judges. Lancaster played Ernst Janning, but was not popular in the role.

Personal Tragedies and Triumphs

In September 1961, Lancaster's father died. James Lancaster had lived with his son since 1947. The two had been very close. In November of that year, the Lancaster's home burned to the ground in a fire that destroyed 456 homes in Bel-Air. Luckily Lancaster's art collection survived since it had been lent to the Los Angeles County Art Museum only the week before. The family rebuilt their home on the same site.

In 1964, Lancaster began filming The Hallelujah Trail in New Mexico. On the set he met a hairdresser named Jackie Bone, who would be his girlfriend for the next 20 years. Although Lancaster was still married to Norma, he fell very much in love with Bone. He and Norma finally separated in 1967, but did not divorce until 1969. The end of his marriage was hard on Lancaster, who considered himself a family man, but he could not deal with his wife's alcoholism. Lancaster's relationship with Bone was stormy. Once they argued in a restaurant and Bone broke a pitcher over his head.

As the 1970s began, Lancaster had not had a successful movie for three years. His good looks were fading, and he drank to excess. He became depressed. Although he made 14 films in the 1970s, they were not very popular. In 1973, Lancaster and Bone moved to Rome. He learned to speak some Italian, cook spaghetti and even grew his own herbs for cooking. Their relationship remained stormy, and he cheated on her, as he had with Norma. The couple moved back to the U.S. in 1976.

Final Blaze of Glory

In late 1979, Lancaster began work on Atlantic City, a film about two elderly gangsters. It was the first film in which he played a senior citizen. For his work in the film, Lancaster earned several awards including the BAFTA Film Award for best actor, 1980; the Los Angeles Film Critics Association award for best actor, 1980; and the New York Film Critics Circle Award for best actor, 1980.

At a party in 1985, Lancaster met Susie Scherer, a legal secretary who began to work for him. They fell in love and married in September 1990. In 1988, Lancaster made the very popular film Field of Dreams, his last film for the big screen. Lancaster's last work was a television mini-series called "Separate But Equal."

In November 1990, Lancaster suffered a major stroke which left him with paralysis on his right side and difficulty speaking. Lancaster died in Century City, California on October 20, 1994, only two weeks away from his 81st birthday.

Further Reading

Fishgall, Gary, Against Type: The Biography of Burt Lancaster, Scribner, 1995.

Windeler, Robert, Burt Lancaster, St. Martin's Press, 1984.

"Burt Lancaster," The Internet Movie Database,http://us.imdb.com (October 20, 1999).

Columbia Encyclopedia:

Burt Lancaster

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Lancaster, Burt (Burton Stephen Lancaster), 1913-94, American film actor, b. New York City. A superb athlete, he began his career as an acrobat. Best known for his roles as a cerebral tough guy, he achieved stardom as a washed-up boxer in his first film, The Killers (1946). Lancaster showed his versatility in a wide variety of roles in more than 70 films-dramas, westerns, action pictures, war movies, and many more-during his long career. He won the Academy Award for best actor for his compelling portrayal of a corrupt preacher in Elmer Gantry (1960) and was nominated for Oscars for From Here to Eternity (1953), Birdman of Alcatraz (1962), and Atlantic City (1981). Among his other films are All My Sons (1948), The Rose Tattoo (1955), Trapeze (1956), The Leopard (1963), The Swimmer (1968), 1900 (1976), Local Hero (1983), and Field of Dreams (1989). Beginning in the late 1970s, Lancaster made a graceful transition from leading-man roles to character parts, the most notable of which was a gangster past his prime in the elegiac Atlantic City.

Bibliography

See biographies by R. Windeler (1985), G. Fishgall (1995), R. Karney (1996), and K. Buford (2000).

Quotes By:

Burt Lancaster

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Quotes:

"I judge a restaurant by the bread and by the coffee."

AMG AllMovie Guide:

Burt Lancaster

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Biography

Rugged, athletic, and handsome, Burt Lancaster enjoyed phenomenal success from his first film, The Killers, to his last, Field of Dreams -- over a career spanning more than four decades. Boasting an impressively wide range, he delivered thoughtful, sensitive performances across a spectrum of genres: from film noir to Westerns to melodrama, he commanded the screen with a presence and power matched by only a handful of stars.

Lancaster was born November 2, 1913, in New York City. As a child, he exhibited considerable athletic and acrobatic prowess, and at the age of 17 joined a circus troupe, forming a duo with the diminutive performer Nick Cravat (later to frequently serve as his onscreen sidekick). He eventually joined the army, and, after acting and dancing in a number of armed forces revues, he decided to pursue a dramatic career. Upon hiring an agent, Harold Hecht, Lancaster made his Broadway debut in A Sound of Hunting, a role which led to a contract with Paramount. Because the release of his first picture, Desert Fury, was delayed, he initially came to the attention of audiences in 1946's The Killers, a certified classic of film noir. It remained the genre of choice in several of his subsequent projects, including 1947's Brute Force and I Walk Alone the following year.

After starring as Barbara Stanwyck's cheating husband in Sorry, Wrong Number, Lancaster and his manager formed their own production company, Hecht-Lancaster, the first notable star-owned venture of its kind; more were to follow, and they contributed significantly to the ultimate downfall of the old studio system. Its formation was a result of Lancaster's conscious effort to avoid "beefcake" roles, instead seeking projects which spotlighted his versatility as a performer. While the company's first effort, the war melodrama Kiss the Blood Off My Hands, was not a success, they were nonetheless able to secure enough financial backing to break off completely from the mainstream Hollywood system. Still, Lancaster also continued to appear in studio productions. In 1949, he reunited with The Killers director Robert Siodmak at Universal for another excellent noir, Criss Cross, followed by Rope of Sand. He also signed a non-exclusive contract with Warner Bros., where he and Hecht produced 1950's The Flame and the Arrow, a swashbuckler which was his first major box-office success.

After producing Ten Tall Men with Hecht, Lancaster starred in the MGM Western Vengeance Valley, followed by the biopic Jim Thorpe -- All American. With Siodmak again directing, he next headlined the 1952 adventure spoof The Crimson Pirate, followed by Daniel Mann's Come Back, Little Sheba opposite Oscar-winner Shirley Booth. A minor effort, South Sea Woman, followed in 1953 before Lancaster starred in the Fred Zinnemann classic From Here to Eternity, earning him a Best Actor Oscar nomination for his performance and, in his beachside rendezvous with co-star Deborah Kerr, creating one of the most indelible images in film history. Another swashbuckler, His Majesty O'Keefe, followed, and under director Robert Aldrich the actor headlined a pair of Westerns, Apache and Vera Cruz. Finally, in 1955, Lancaster realized a long-held dream and helmed his own film, The Kentuckian; reviews were negative, however, and he did not return to the director's chair for another two decades.

Again working with Mann, Lancaster co-starred with another Oscar winner, Anna Magnani, in 1955's The Rose Tattoo. Opposite Tony Curtis, he appeared in the 1956 hit Trapeze, and, with Katherine Hepburn, headlined The Rainmaker later that same year. Gunfight at the O.K. Corral, a blockbuster featuring Lancaster as Wyatt Earp, followed, as did the acclaimed The Sweet Smell of Success. With Clark Gable, Lancaster starred in 1958's Run Silent, Run Deep, followed by Separate Tables. For 1960's Elmer Gantry, he won an Academy Award for his superb portrayal of the title character, a disreputable evangelist, and a year later co-starred in Judgment at Nuremberg. Under John Frankenheimer, Lancaster next portrayed The Birdman of Alcatraz, earning Best Actor honors at the Venice Film Festival for his sympathetic turn as prisoner Robert Stroud, an expert in bird disease. For John Cassavetes, he starred in 1963's A Child Is Waiting, but the picture was the victim of studio interference and poor distribution.

Around the same time, Italian filmmaker Luchino Visconti was trying to secure financing for his planned historical epic Il Gattopardo (aka The Leopard), and needed to cast an international superstar in the lead role; Lancaster actively campaigned for the part, and delivered one of the strongest performances of his career. Released in 1963, it was a massive success everywhere but in the U.S., where it was brutally edited prior to release. After two hit movies with Frankenheimer, the 1964 political thriller Seven Days in May and the 1965 war drama The Train, Lancaster starred in another Western, The Hallelujah Trail, followed by the 1966 smash The Professionals. A rare series of flops -- The Swimmer, Castle Keep, and The Gypsy Moths -- rounded out the decade, but by 1970 he was back at the top of the box office with Airport. Still, Lancaster's star was clearly dimming, and he next appeared in a pair of low-budget Westerns, Lawman and Valdez Is Coming. After an underwhelming reunion with Aldrich, 1972's Ulzana's Raid, he attempted to take matters into his own hands, writing and directing 1974's The Midnight Man in collaboration with Roland Kibbee, but it failed to attract much attention, either.

For Visconti, Lancaster next starred in 1975's Gruppo di Famiglia in un Interno. Remaining in Europe, he also appeared in Bernardo Bertollucci's epic 1900. Neither resuscitated his career, nor did Robert Altman's much-panned Buffalo Bill and the Indians, or Sitting Bull's History Lesson. Lancaster languished in a number of television projects before appearing in 1978's Go Tell the Spartans, which, despite critical acclaim, failed to catch on. In 1980, however, he delivered a stunning turn as an aging gangster in Louis Malle's excellent Atlantic City, a performance which earned him Best Actor honors from the New York critics as well as another Oscar nomination. Also highly acclaimed was his supporting role in the 1983 Bill Forsyth gem Local Hero. Heart trouble sidelined him for all of 1984, but soon Lancaster was back at full steam, teaming one last time with Kirk Douglas for 1986's Tough Guys. Several more TV projects followed before he returned to feature films with 1988's little-seen Rocket Gibraltar and the 1989 blockbuster Field of Dreams. In 1991, Lancaster made his final appearance in the telefilm Separate But Equal. He died October 20, 1994. ~ Jason Ankeny, Rovi
Filmography:

Burt Lancaster

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The Hollywood Collection: Burt Lancaster - Daring to Reach

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Separate But Equal

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Voyage of Terror: The Achille Lauro Affair

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Field of Dreams

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Benny Carter: Symphony in Riffs

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Rocket Gibraltar

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Control

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On Wings of Eagles

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Tough Guys

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Little Treasure

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Local Hero

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The Osterman Weekend

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The Life of Verdi

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Atlantic City

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Zulu Dawn

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Go Tell the Spartans

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The Island of Dr. Moreau

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Twilight's Last Gleaming

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1900

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Buffalo Bill and the Indians, or Sitting Bull's History Lesson

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The Cassandra Crossing

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Victory at Entebbe

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America at the Movies

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Moses

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Gruppo di Famiglia in un Interno

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Executive Action

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Scorpio

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Ulzana's Raid

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Lawman

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Valdez Is Coming

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Airport

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Castle Keep

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The Swimmer

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Big Game America

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The Professionals

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The Hallelujah Trail

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The Train

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Seven Days in May

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A Child Is Waiting

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The List of Adrian Messenger

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Birdman of Alcatraz

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Judgment at Nuremberg

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The Young Savages

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Elmer Gantry

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The Unforgiven

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The Devil's Disciple

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Run Silent, Run Deep

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Separate Tables

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Sweet Smell of Success

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Gunfight at the O.K. Corral

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The Rainmaker

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Trapeze

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The Kentuckian

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The Rose Tattoo

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Apache

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Vera Cruz

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From Here to Eternity

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His Majesty O'Keefe

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Come Back, Little Sheba

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The Crimson Pirate

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Jim Thorpe - All American

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Vengeance Valley

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The Flame and the Arrow

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Criss Cross

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Sorry, Wrong Number

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All My Sons

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Brute Force

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Variety Girl

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The Killers

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The Thing

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Marty

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Wikipedia on Answers.com:

Burt Lancaster

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Burt Lancaster

in the trailer for the film Vengeance Valley (1951)
Born Burton Stephen Lancaster
November 2, 1913(1913-11-02)
New York City, U.S.
Died October 20, 1994(1994-10-20) (aged 80)
Los Angeles, California, U.S.
Cause of death Heart attack
Education DeWitt Clinton High School
Alma mater New York University
Occupation Actor, director, producer
Years active 1945–91
Spouse June Ernst (1935–46; divorced)
Norma Anderson (1946–69; divorced) 5 children
Susan Martin (1990–94; his death)

Burton Stephen "Burt" Lancaster (November 2, 1913 – October 20, 1994) was an American film actor noted for his athletic physique and distinctive smile (which he called "The Grin"). After initially building his career on "tough guy" roles Lancaster abandoned his "all-American" image in the late 1950s in favor of more complex and challenging roles, and came to be regarded as one of the best actors of his generation as a result.

Lancaster was nominated four times for Academy Awards and won once — for his work in Elmer Gantry in 1960. He also won a Golden Globe for that performance and BAFTA Awards for The Birdman of Alcatraz (1962) and Atlantic City (1980). His production company, Hecht-Hill-Lancaster, was the most successful and innovative star-driven independent production company in Hollywood of the 1950s, making movies such as Marty (1955), Trapeze (1956), and Sweet Smell of Success (1957).

In 1999, the American Film Institute named Lancaster 19th among the greatest male stars of all time.[1]

Contents

Early life

Lancaster was born in Manhattan, New York City, at his parents' home at 209 East 106th Street, between Second and Third Avenues, today the site of Benjamin Franklin Plaza. Lancaster was the son of Elizabeth (née Roberts) and James Henry Lancaster, who was a postman.[2] Both of his parents were Protestants of working-class Irish origin. Lancaster's grandparents were immigrants to the U.S. from Belfast and descendants of English immigrants to Ireland.[2] Lancaster's family believed themselves to be related to Frederick Roberts, 1st Earl Roberts. Lancaster grew up in East Harlem and spent much of his time on the streets, where he developed great interest and skill in gymnastics while attending the DeWitt Clinton High School, where he was a basketball star. Before he graduated from DeWitt Clinton, his mother died of a cerebral hemorrhage. Lancaster was accepted into New York University with an athletics scholarship but subsequently dropped out.[3]

Circus career and military

At the age of nine, Lancaster met Nick Cravat, with whom he continued to work throughout his life. Together they learned to act in local theater productions and circus arts at Union Settlement, one of the city's oldest settlement houses.[4]They formed the acrobat duo "Lang and Cravat" and soon joined the Kay Brothers circus. However, in 1939 an injury forced Lancaster to give up the profession, with great regret. He then found temporary work until 1942 — first as a salesman for Marshall Fields, and then as a singing waiter in various restaurants.[5]

The United States having then entered World War II, Lancaster joined the United States Army and performed with the Army's Twenty-First Special Services Division, one of the military groups organized to follow the troops on the ground and provide USO entertainment to keep up morale. He served with General Mark Clark's Fifth Army in Italy from 1943–1945.[6]

Film career

Acting

With Ava Gardner in The Killers (1946)

Though initially unenthusiastic about acting, he returned from service, auditioned for a Broadway play, and was offered a role. Although Harry Brown's A Sound of Hunting was not successful, Lancaster's performance drew the attention of a Hollywood agent, Harold Hecht, who introduced him to Hal Wallis, who cast Lancaster in The Killers (1946). (Hecht and Lancaster later formed several production companies in the 1950s to give Lancaster greater creative control.) The tall, muscular actor won significant acclaim and appeared in two more films the following year. Subsequently, he played in a variety of films, especially in dramas, thrillers, and military and adventure films. In two, The Flame and the Arrow and The Crimson Pirate, a friend from his circus years, Nick Cravat, played a key supporting role, and both actors impressed audiences with their acrobatic prowess.

In 1953, Lancaster played one of his best remembered roles with Deborah Kerr in From Here to Eternity. The American Film Institute acknowledged the iconic status of the scene from that film in which he and Deborah Kerr make love on a Hawaiian beach amid the crashing waves. The organization named it one of "AFI's top 100 Most Romantic Films" of all time.

Lancaster won the 1960 Academy Award for Best Actor, a Golden Globe Award, and the New York Film Critics Award for his performance in Elmer Gantry.

In 1968, at the age of 54, Lancaster appeared nude in director Frank Perry's film, The Swimmer.

During the latter part of his career, Lancaster left adventure and acrobatic movies behind and portrayed more distinguished characters. This period brought him work on several European productions, with directors such as Luchino Visconti and Bernardo Bertolucci. Lancaster sought demanding roles, and if he liked a part or a director, he was prepared to work for much lower pay than he might have earned elsewhere. He even helped to finance movies whose artistic value he believed in. He also mentored directors such as Sydney Pollack and John Frankenheimer and appeared in several television films.

For his contribution to the motion picture industry, Lancaster has a star on the Hollywood Walk of Fame at 6801 Hollywood Boulevard.

Directing and producing

Lancaster in 1951

Lancaster was an early and successful actor/producer. In 1952, Lancaster co-produced Crimson Pirate, TheThe Crimson Pirate with producer Harold Hecht (who had previously produced three Lancaster films under his own production company Norma Productions; Kiss the Blood Off My Hands (1948), The Flame and the Arrow (1950), and Ten Tall Men (1951)). In 1954, they collaborated again on His Majesty O'Keefe, with Lancaster acting and Hecht producing. The writer for this film was James Hill. The trio started a production company, originally with Hill as a silent partner, under the name "Hecht-Lancaster". The name was later extended to include all three with "Hecht-Hill-Lancaster". Together they produced the films Apache (1954), Vera Cruz (1954), Marty (1955) (which won both the Academy Award for Best Picture and the Palme d'Or award at the Cannes Film Festival), The Kentuckian (1955), Trapeze (1956), The Bachelor Party (1956), Sweet Smell of Success (1957), Run Silent, Run Deep (1958), Separate Tables (1958), Devil's Disciple, TheThe Devil's Disciple (1959), Take a Giant Step (1959), Summer of the Seventeenth Doll (1960), and Unforgiven, TheThe Unforgiven (1960). The company dissolved in 1960, but Hecht would produce two more films in which Lancaster acted, under Norma Productions, Young Savages, TheThe Young Savages (1961) and Birdman of Alcatraz (1962). Twelve years later, Hecht and Lancaster produced Ulzana's Raid (1972) together.

In the late 1960s, Lancaster teamed with Roland Kibbee to form "Norlan Productions" and produce Scalphunters, TheThe Scalphunters (1968), Valdez Is Coming (1971), and The Midnight Man (1974).

In addition, Lancaster directed two films, The Kentuckian (1955) and The Midnight Man (1974).[7] The Midnight Man was in fact starred in, co-written, produced, and directed by Lancaster.

Frequent collaborations

Apart from acting in a total of seventeen films produced by Harold Hecht, Lancaster also appeared in eight films produced by Hal B. Wallis.

Lancaster made six films over the years with Kirk Douglas, including I Walk Alone (1948), Gunfight at the O.K. Corral (1957), The Devil's Disciple (1959), The List of Adrian Messenger (1963), Seven Days in May (1964), and Tough Guys (1986) which fixed the notion of the pair as something of a team in the public imagination. The connection was firmly cemented by the time Lancaster and Douglas reteamed for their final movie, Tough Guys. Although Douglas was always second billed under Lancaster in these films, their roles were usually more or less the same size with the exceptions of I Walk Alone, in which Douglas played a villain, and in Seven Days in May, where Douglas' part was larger than Lancaster's.

Lancaster also often asked his close friend Nick Cravat to appear in his films. They co-starred together in nine films: The Flame and the Arrow (1952), Ten Tall Men (1951), Crimson Pirate, TheThe Crimson Pirate (1952), Run Silent, Run Deep (1958), Scalphunters, TheThe Scalphunters (1968), Airport (1970), Valdez Is Coming (1971), Ulzana's Raid (1972), The Midnight Man (1974), and Island of Dr. Moreau , TheThe Island of Dr. Moreau (1977).

Lancaster starred in three films with Deborah Kerr; From Here to Eternity, Separate Tables, and The Gypsy Moths.

In addition, John Frankenheimer directed five films with Lancaster: The Young Savages (1961), Birdman of Alcatraz (1962), Seven Days in May (1964), The Train (1964), and The Gypsy Moths (1969).

Lancaster used make-up veteran Robert Schiffer in 20 credited films. Lancaster hired Schiffer on nearly all the films he produced.

Personal life

Marriages and relationships

Lancaster vigorously guarded his private life. He was married three times. His first two marriages ended in divorce — to June Ernst from 1935 to 1946, and to Norma Anderson from 1946 to 1969. His third marriage, to Susan Martin, was from September 1990 until his death in 1994. All five of his children were with Norma Anderson: Bill, who became a screenwriter; James; Susan; Joanna; and Sighle (pronounced Sheila). He claims he was romantically involved with Deborah Kerr during the filming of From Here to Eternity in 1953.[8] However, Ms. Kerr had stated that while there was a spark of attraction, nothing ever happened. He also had an affair with Joan Blondell. In her 1980 autobiography, actress Shelley Winters claimed to have had a long affair with him.

Political views

Lancaster was a vocal supporter of liberal political causes, and frequently spoke out in support of racial minorities, including at the March on Washington in 1963. He was a vocal opponent of the Vietnam War and political movements such as McCarthyism, and he helped pay for the successful defense of a soldier accused of "fragging" (murdering) another soldier during the war.[9] In 1968, Lancaster actively supported the presidential candidacy of antiwar Senator Eugene McCarthy of Minnesota, and frequently spoke on his behalf during the Democratic primaries. In 1985, Lancaster, a longtime supporter of gay rights, joined the fight against AIDS after his close friend, Rock Hudson, contracted the disease. He campaigned for Michael Dukakis in the 1988 presidential election.

Health problems and death

As Lancaster grew older, he became increasingly plagued by atherosclerosis, barely surviving a routine gall bladder operation in January 1980. Following two minor heart attacks he had to undergo an emergency quadruple heart bypass in 1983, after which he was extremely weak, but he still managed to attend a 1988 Congressional hearing with old colleagues such as Jimmy Stewart and Ginger Rogers to protest media magnate Ted Turner's plan to colorize various black-and-white films from the 1930s and '40s. A severe stroke in November 1990 left him partly paralyzed and largely unable to speak. He died in his Century City apartment in Los Angeles from a third heart attack on October 20, 1994 at the age of 80. He was cremated and his ashes were buried under a large oak tree in Westwood Memorial Park located in Westwood Village, Los Angeles County, California. A small square ground plaque inscribed only with "BURT LANCASTER 1913-1994" marks his final resting place - GPS (lat/lon): 34.05856, -118.44061. Upon his death, as he requested, he had no memorial or funeral service.[10]

Filmography and awards

Films

Year Film Role Notes
1946 The Killers 'Swede' Andersen
1947 Brute Force Joe Collins
1947 Desert Fury Tom Hanson
1948 I Walk Alone Frankie Madison
1948 All My Sons Chris Keller
1948 Sorry, Wrong Number Henry Stevenson
1948 Kiss the Blood Off My Hands William Earle 'Bill' Saunders
1949 Criss Cross Steve Thompson, narrator
1949 Rope of Sand Michael (Mike) Davis
1950 The Flame and the Arrow Dardo Bartoli
1950 Mister 880 Steve Buchanan
1951 Vengeance Valley Owen Daybright
1951 Jim Thorpe – All-American Jim Thorpe
1951 Ten Tall Men Sgt Mike Kincaid
1952 Crimson Pirate, TheThe Crimson Pirate Capitan Vallo
1952 Come Back, Little Sheba Doc Delaney
1953 South Sea Woman Master Gunnery Sgt. James O'Hearn
1953 From Here to Eternity 1st Sgt. Milton Warden New York Film Critics Circle Award for Best Actor
Nominated—Academy Award for Best Actor
1953 Three Sailors and a Girl Marine (uncredited)
1954 His Majesty O'Keefe Captain David Dion O'Keefe, narrator
1954 Apache Massai
1954 Vera Cruz Joe Erin
1955 Kentuckian, TheThe Kentuckian Elias Wakefield (Big Eli) Director
Nominated—Golden Lion
1955 Rose Tattoo, TheThe Rose Tattoo Alvaro Mangiacavallo
1956 Trapeze Mike Ribble Silver Bear for Best Actor at Berlin[11]
1956 Rainmaker, TheThe Rainmaker Bill Starbuck, aka Bill Smith, Bill Harley, Tornado Johnson Nominated—Golden Globe Award for Best Actor – Motion Picture Drama
1957 Gunfight at the O.K. Corral Marshal Wyatt Earp
1957 Sweet Smell of Success J.J. Hunsecker
1958 Run Silent, Run Deep Lt. Commander Jim Bledsoe
1958 Separate Tables John Malcolm
1959 Devil's Disciple, TheThe Devil's Disciple The Rev. Anthony Anderson
1960 Unforgiven, TheThe Unforgiven Ben Zachary
1960 Elmer Gantry Elmer Gantry Academy Award for Best Actor
Golden Globe Award for Best Actor - Motion Picture Drama
New York Film Critics Circle Award for Best Actor
Nominated—BAFTA Award for Best Actor in a Leading Role
1961 Young Savages, TheThe Young Savages ADA Hank Bell
1961 Judgment at Nuremberg Dr. Ernst Janning
1962 Birdman of Alcatraz Robert Stroud BAFTA Award for Best Actor in a Leading Role
Volpi Cup
Nominated—Academy Award for Best Actor
Nominated—Golden Globe Award for Best Actor – Motion Picture Drama
1963 Child Is Waiting, AA Child Is Waiting Dr. Ben Clark
1963 Leopard, TheThe Leopard Prince Don Fabrizio Salina
1963 List of Adrian Messenger, TheThe List of Adrian Messenger Cameo
1964 Seven Days in May Gen. James Mattoon Scott
1964 Train, TheThe Train Paul Labiche
1965 Hallelujah Trail, TheThe Hallelujah Trail Col. Thaddeus Gearhart
1966 Professionals, TheThe Professionals Bill Dolworth
1967 All About People Narrator
1968 Scalphunters, TheThe Scalphunters Joe Bass
1968 Swimmer, TheThe Swimmer Ned Merrill
1969 Castle Keep Maj. Abraham Falconer
1969 Gypsy Moths, TheThe Gypsy Moths Mike Rettig
1970 Airport Mel Bakersfeld
1971 Lawman Bannock Town Marshal Jered Maddox
1971 Valdez Is Coming Marshal Bob Valdez
1972 Ulzana's Raid U.S. Cavalry Scout McIntosh
1973 Scorpio Cross
1973 Executive Action James Farrington
1974 Midnight Man, TheThe Midnight Man Jim Slade Director
1974 Gruppo di famiglia in un interno (Conversation Piece) The Professor David di Donatello for Best Actor
1976 Buffalo Bill and the Indians, or Sitting Bull's History Lesson Ned Buntline
1976 1900 (Novecento) Alfredo's Grandfather
1976 Cassandra Crossing, TheThe Cassandra Crossing Col. Stephen Mackenzie
1977 Twilight's Last Gleaming Gen. Lawrence Dell
1977 Island of Dr. Moreau , TheThe Island of Dr. Moreau Dr. Paul Moreau Nominated—Saturn Award for Best Actor
1978 Go Tell the Spartans Maj. Asa Barker
1979 Zulu Dawn Col. Anthony Durnford
1980 Atlantic City Lou Pascal BAFTA Award for Best Actor in a Leading Role
Boston Society of Film Critics Award for Best Actor
David di Donatello for Best Actor
Kansas City Film Critics Circle Award for Best Actor
Los Angeles Film Critics Association Award for Best Actor
National Society of Film Critics Award for Best Actor
New York Film Critics Circle Award for Best Actor
Nominated—Academy Award for Best Actor
Nominated—Genie Award for Best Performance by an Actor in a Leading Role
Nominated—Golden Globe Award for Best Actor – Motion Picture Drama
1981 Cattle Annie and Little Britches Bill Doolin
1981 La pelle Gen. Mark Clark
1983 Local Hero Felix Happer Nominated—BAFTA Award for Best Actor in a Supporting Role
1983 Osterman Weekend, TheThe Osterman Weekend CIA Director Maxwell Danforth
1985 Little Treasure Delbert Teschemacher
1986 Tough Guys Harry Doyle
1987 Il Giorno prima Dr. Herbert Monroe
1988 Rocket Gibraltar Levi Rockwell
1989 Field of Dreams Dr. Archibald 'Moonlight' Graham
1989 La Bottega dell'orefice The Jeweller

TV

Year Film Role Notes
1974 Moses the Lawgiver Moses mini-series
1976 Victory at Entebbe Shimon Peres
1978 Unknown War, TheThe Unknown War As himself, narrator 20 episode USA-USSR archival documentary series on WWII
1982 Marco Polo TeobaldoVisconti / Pope Gregory X mini-series
1982 Verdi Narrator in American version mini-series
1985 Scandal Sheet Harold Fallen
1986 Väter und Söhne - Eine deutsche Tragödie Geheimrat Carl Julius Deutz mini-series
1986 On Wings of Eagles Lieutenant Colonel Arthur D. "Bull" Simons mini-series
1989 I Promessi sposi Cardinal Federigo Borromeo mini-series
1990 Phantom of the Opera , TheThe Phantom of the Opera Gerard Carriere mini-series
1990 Voyage of Terror: The Achille Lauro Affair Leon Klinghoffer
1991 Separate But Equal John W. Davis

References

Notes
  1. ^ "America's Greatest Legends." American Film Institute. Retrieved: July 29, 2009.
  2. ^ a b Buford 2008, p. 12.
  3. ^ Buford 2008, p. 28.
  4. ^ Andreychuk 2005, p. 3.
  5. ^ Andreychuk 2005, p. 6.
  6. ^ Andreychuk 2005, p. 7.
  7. ^ Buford 2008, pp. 138, 354.
  8. ^ Buford 2008, pp. 127–130.
  9. ^ Buford 2008, p. 266.
  10. ^ "Short bio-article w/burial location and pictures." Find a Grave. Retrieved: November 18, 2011.
  11. ^ "6th Berlin International Film Festival: Prize Winners". berlinale.de. http://www.berlinale.de/en/archiv/jahresarchive/1956/03_preistr_ger_1956/03_Preistraeger_1956.html. Retrieved 2009-12-27. 
Bibliography
  • Andreychuk, Ed. Burt Lancaster: A Filmography And Biography. Jefferson, North Carolina: McFarland & Company, Inc., Publishers, 2005. ISBN 978-0786423392.
  • Buford, Kate. Burt Lancaster: An American Life. London: Aurum Press, 2008. ISBN 1845133854

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Gruppo di Famiglia in un Interno (1974 Drama Film)
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