Results for C. L. R. James
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American Theater Guide:

James Roberts

Roberts, James (1835–92), designer. Born in Bath, England, he learned his trade as a scene painter in London theatres before coming to America in 1860. A meeting withAugustin Daly in 1869 led to his becoming Daly's chief set designer, and his work was seen in such memorable productions as Man and Wife (1870), Saratoga (1870), and the 1872 revival of The Merry Wives of Windsor. Injuries sustained in the burning of Daly's Fifth Avenue Theatre left Roberts's hearing permanently impaired and his health weakened. He thereafter usually created only one or two sets for a production. Nevertheless he continued to be the house set designer until his death, so had a hand in all of Daly's triumphs of the time. His specialty was realistic interiors.

 
 
Actor:

Montague R. James

  • Active: '50s
  • Major Genres: Horror
  • Career Highlights: Night of the Demon, Curse of the Demon
  • First Major Screen Credit: Night of the Demon (1957)

Biography

Montague Rhodes James, usually referred to as M.R. James or Montague R. James, led the quiet life of an academic virtually from childhood. Born in 1862 in Kent, England, he developed a love of reading while still a young boy, and was known for preferring the company of books and the environment of the library to the companionship of friends. By the time he attended school at Eton and later at King's College, he was a dedicated scholar, and subsequently joined the staff of the Fitzwilliam Museum as an assistant in classical archeology. His dissertation, entitled "The Apocalypse of St. Peter," earned him the rank of fellow at King's College at age 25, and he later became provost of the college. James subsequently held a similar position at Eton from 1905 until his death 21 years later. Widely known in his own time as a biographer, medieval scholar, reviewer, biblical scholar, as well as a writer on the subject of antiques, James also had a pet interest in the occult and supernatural that would outlive him by decades and constitute his major literary legacy.

M.R. James came to horror writing in his early thirties, writing his first ghost story, Canon Alberic's Scrap-book, in 1894, for the entertainment of friends over the Christmas holidays. He amassed more such works over the ensuing decade and published his first body of short stories, Ghost Stories of an Antiquary, in 1904, followed six years later by More Ghost Stories of an Antiquary. In 1919 he published A Thin Ghost, and followed this with A Warning to the Curious (1925). In between the release of those two collections of his own work, he assembled and published the first modern compilation of horror stories by one of his idols, J. Sheridan LeFanu, entitled Madame Crowl's Ghost (1923), which led to a revival of interest in LeFanu's work 50 years after his death. LeFanu's story Carmilla became the basis for one of the most important horror movies of the early sound era, Carl Theodor Dreyer's Vampyr. In 1922, James published the supernatural fairy-tale children's novel The Five Jars. And in 1924, he also wrote a story, A Haunted Doll's House, specifically to fill one of the miniature volumes in the library of a celebrated doll's house belonging to Queen Mary. A compilation containing most of James' work, The Collected Ghost Stories, appeared in 1931 (five years before his death). His most famous story is probably Casting the Runes, a chilling tale of devil worship gone awry, which became the only one of James' tales to be turned into a feature film: the 1957 Jacques Tourneur release Curse of the Demon (aka Night of the Demon). M.R. James' other works, however, provided a rich lode of source material for radio, starting in 1938 with Martin's Close. Casting the Runes was also adapted to radio as early as 1947, and Oh, Whistle, and I'll Come to You, My Lad has received several such treatments across the decades. In 1951, the American television suspense series Lights Out! brought James' work to the small screen for the first time with The Lost Will of Dr. Rant, starring Leslie Nielsen, Russell Collins, and Pat Englund, and British television was still doing new adaptations of his stories in 2004. ~ Bruce Eder, All Movie Guide

 
 
Britannica Concise Encyclopedia: Cyril Lionel Robert James

(born Jan. 4, 1901, Tunapuna, Trin. — died May 31, 1989, London, Eng.) Trinidadian writer and political activist. As a young man he moved to Britain, where his first work, The Life of Captain Cipriani, was published in 1929. His study of Toussaint-Louverture, The Black Jacobins (1938), was a seminal work. During James's first stay in the U.S. (1938 – 53), he became friends with Paul Robeson. Eventually deported to Britain because of his Marxism and labour activism, James wrote on cricket for The Guardian. His Beyond the Boundary (1963) mixes autobiography with commentary on politics and sports. He returned to the U.S. in 1970 but eventually settled permanently in Britain.

For more information on Cyril Lionel Robert James, visit Britannica.com.

 
Dictionary: James, C(yril) L(ionel) R(obert)
1901–1989.

Trinidadian author and historian noted for his Marxist writings and his novel Minty Alley (1936).


 
Quotes By: Cyril James

Quotes:

"A free man is a jealous of his responsibilities as he is of his liberties."

 
Wikipedia: C. L. R. James
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Cyril Lionel Robert James (4 January 190119 May 1989) was an Afro-Trinidadian journalist, socialist theorist and writer.

Birth and early career

Born in Trinidad and Tobago, then a British Crown colony, James attended Queen's Royal College in Port of Spain before becoming a cricket journalist, and also an author of fiction. He would later work as a school teacher, teaching among others the young Eric Williams. Together with Ralph de Boissière, Albert Gomes and Alfred Mendes, James was a member of the anti-colonialist Beacon Group, a circle of writers associated with The Beacon magazine. In 1932, he moved to Nelson in Lancashire, England in the hope of furthering his literary career. There, he worked for the Manchester Guardian and helped the cricketer Learie Constantine write his autobiography.

London years

In 1933, James moved to London. James had begun to campaign for the independence of the West Indies while in Trinidad, and his Life of Captain Cipriani and the pamphlet The Case for West-Indian Self Government were his first important published works, but now he became a leading champion of Pan-African agitation and the Chair of the International African Friends of Abyssinia, formed in 1935 in response to Fascist Italy's invasion of what is now Ethiopia. He then became a leading figure in the International African Service Bureau, led by his childhood friend George Padmore, to whom he later introduced Kwame Nkrumah. In Britain, he also became a leading Marxist theorist. He had joined the Labour Party, but in the midst of the Great Depression he became a Trotskyist. By 1934, James was a member of an entrist Trotskyist group inside the Independent Labour Party.

In this period, amid his frantic political activity, James wrote a play about Toussaint Louverture, which was staged in the West End in 1936 and starred Paul Robeson and Robert Adams. That same year saw the publication in London of James's only novel, Minty Alley, which he had brought with him in manuscript from Trinidad; it was the first novel to be published by a black Caribbean author in the UK. He also wrote what are perhaps his best-known works of non-fiction: World Revolution (1937), a history of the rise and fall of the Communist International which was critically praised by Leon Trotsky, and The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution (1938), a widely acclaimed history of the Haitian revolution, which would later be seen as a seminal text in the study of the African diaspora.

In 1936, James and his Trotskyist Marxist Group left the Independent Labour Party to form an open party. In 1938, this new group took part in several mergers to form the Revolutionary Socialist League. The RSL was a highly factionalised organisation and when James was invited to tour the United States by the leadership of the Socialist Workers' Party, then the US section of the Fourth International, in order to facilitate its work among black workers, he was encouraged to leave by one such factional opponent, John Archer, in the hope of removing a rival.

US career and the Johnson-Forest Tendency

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Stokely Carmichael/ Kwame Toure

James moved to the USA in late 1938, and after a tour sponsored by the SWP stayed on for over twenty years. But by 1940 he had developed severe doubts about Trotsky's analysis of the Soviet Union as a degenerated workers state and left the SWP along with Max Shachtman, who formed the Workers' Party. Within the WP he formed the Johnson-Forest Tendency with Raya Dunayevskaya (his pseudonym being Johnson and Dunayevskaya's Forest) and Grace Lee (later Grace Lee Boggs) in order to spread their views within the new party.

While within the WP the views of the J-F tendency underwent considerable development and by the end of the Second World War they had definitively rejected Trotsky's theory of Russia as a degenerated workers state, instead analysing it as being state capitalist. They were increasingly looking towards the autonomous movements of oppressed minorities, a theoretical development already visible in James' thought in his discussions with Leon Trotsky which took place in 1939. An interest in such autonomous struggles came to take centre stage for the tendency.

After 1945 the WP saw the prospects for a revolutionary upsurge as receding. The J-F Tendency, by contrast, were more enthused by prospects for mass struggles and came to the conclusion that the SWP, which they considered more proletarian than the WP, thought similarly to themselves about such prospects. Therefore, after a short few months as an independent group when they published a great deal of material for a small group, the J-F tendency joined the SWP in 1947.

James would still describe himself as a Leninist, despite his rejection of Lenin's conception of the vanguard role of the revolutionary party, and argue for socialists to support the emerging black nationalist movements. By 1949, he came to reject the idea of a vanguard party. This led his tendency to leave the Trotskyist movement and rename itself the Correspondence Publishing Committee. In 1955, nearly half the membership of Committee would leave under the leadership of Raya Dunayevskaya to form a separate tendency of Marxist-humanism and found the organization, News and Letters Committees. Whether Raya Dunayevskaya's faction constituted a majority or minority seems to be a matter of dispute. Historian Kent Worcester claims that Dunayevskaya's supporters formed a majority of the pre-split Correspondence Publishing Committee but Martin Glaberman has claimed in New Politics that the faction loyal to James had a majority. The Committee split again in 1962 as Grace Lee Boggs and James Boggs, two key activists, left to pursue a more Third Worldist approach. The remaining Johnsonites, including leading member Martin Glaberman reconstituted themselves as Facing Reality, which James advised from Britain until the group dissolved, against James' advice, in 1970. James' writings were influential in the development of Autonomist Marxism as a current within Marxist thought, though he himself saw his life's work as developing the theory and practice of Leninism.

Return to Trinidad and final years

In 1953, James was forced to leave the US under threat of deportation for having overstayed his visa by over ten years. In his attempt to remain in the USA, James wrote a study of Herman Melville, Mariners, Renegades and Castaways: The Story of Herman Melville and the World We Live In, and had copies of the privately published work sent to every member of the Senate. He wrote the book whilst being detained on Ellis Island. He returned back to England and then, in 1958 returned to Trinidad, where he edited The Nation newspaper for the pro-independence People's National Movement (PNM) party. He also had become involved again in the Pan-African movement, believing that the Ghana revolution showed that decolonisation was the most important inspiration for international revolutionaries.

James also advocated the West Indies Federation, and it was over this that he fell out with the PNM leadership. He returned to Britain, then to the USA in 1968, where he taught at the University of the District of Columbia. Ultimately, he returned to Britain and spent his last years in Brixton, London. In the 1970s and 1980s, a number of books by James were republished or reissued by Allison and Busby, including four volumes of selected writings: The Future In the Present, Spheres of Existence, At the Rendezvous of Victory and Cricket.

In 1983, a short British film featuring James in dialogue with the famous historian E.P. Thompson was made.

A public library in Hackney, London is named in his honor; in 2005 a reception there to mark its 20th anniversary was attended by his widow, Selma James.

Writings on Cricket

CLR James is widely known as a writer on cricket, especially for his autobiographical 1963 book, Beyond a Boundary. This is considered a seminal work of cricket writing, and is often named as the best single book on cricket (or even the best book on any sport) ever written. [1]

The book's key question, which is frequently quoted by modern journalists and essayists, is inspired by Rudyard Kipling and asks: What do they know of cricket who only cricket know? James uses this challenge as the basis for describing cricket in an historical and social context, the strong influence cricket had on his life, and how it meshed with his role in politics and his understanding of issues of class and race. The literary quality of the writing attracts cricketers of all political views.

While editor of The Nation, he led the successful campaign in 1960 to have Frank Worrell appointed as the first black captain of the West Indies cricket team.

Bibliography

External links

Further reading

  • Buhle, Paul. CLR James. The Artist as Revolutionary. 1989.
  • Buhle, Paul. (ed.) CLR James: His Life and Work. 1986.
  • Glaberman, Martin. "C.L.R. James: A Recollection" New Politics #8 (Winter 1990), pp. 78-84.
  • Glaberman, Martin, Marxism for our Times: C.L.R. James on Revolutionary Organisation.
  • McClendon III, John H. CLR James's Notes on Dialectics: Left Hegelianism or Marxism-Leninism?. 2004.
  • McLemee, Scott & Paul LeBlanc, eds. C.L.R. James and Revolutionary Marxism: Selected Writings of C.L.R. James 1939-1949. 1994.
  • Webb, Constance. Not Without Love. 2003.
  • Worcester, Kent. CLR James. A Political Biography. 1996.
  • Young, James D. The World of C.L.R. James. The Unfragmented Vision. 1999.
  • Bogues, Anthony. " The Early Political Thought of C.L.R. James " 1997.
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American Theater Guide. The Oxford Companion to American Theatre. Copyright © 2004 by Oxford University Press, Inc. All rights reserved.  Read more
Actor. Copyright © 2006 All Media Guide, LLC. All rights reserved.  Read more
Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 2006 Encyclopædia Britannica, Inc. All rights reserved.  Read more
Dictionary. The American Heritage® Dictionary of the English Language, Fourth Edition Copyright © 2007, 2000 by Houghton Mifflin Company. Updated in 2007. Published by Houghton Mifflin Company. All rights reserved.  Read more
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