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caesura

 
Dictionary: cae·su·ra  ce·su·ra (sĭ-zhʊr'ə, -zʊr'ə) pronunciation
 
also n., pl. -su·ras also -su·ras, or -su·rae also -su·rae (-zhʊr'ē, -zʊr'ē).
  1. A pause in a line of verse dictated by sense or natural speech rhythm rather than by metrics.
  2. A pause or interruption, as in conversation: After another weighty caesura the senator resumed speaking.
  3. In Latin and Greek prosody, a break in a line caused by the ending of a word within a foot, especially when this coincides with a sense division.
  4. Music. A pause or breathing at a point of rhythmic division in a melody.

[Latin caesūra, a cutting, from caesus, past participle of caedere, to cut off.]

caesural cae·su'ral or cae·su'ric adj.
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Literary Dictionary: caesura
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caesura [si‐zew‐ră] (plural ‐as or ‐ae), a pause in a line of verse, often coinciding with a break between clauses or sentences. It is usually placed in the middle of the line (‘medial caesura’), but may appear near the beginning (‘initial’) or towards the end (‘terminal’). In scansion, a caesura is normally indicated by the symbol ||. If it follows a stressed syllable, it is known as a ‘masculine’ caesura, while if it follows an unstressed syllable, it is ‘feminine’. The regular placing of the caesura was an important metrical requirement in much Greek and Latin verse, in the Old English and Middle English alliterative metre, and in the French alexandrine; but in the English iambic pentameter there is scope for artful variation between medial, initial, and terminal positions, and a line may have more than one caesura, or none. In Greek and Latin prosody, the term is also applied to a break between words within a foot: the opposite of diaeresis.

Adjective: caesural.

 

caesūra (‘cut’), place in a metrical line where a break between words regularly occurs, dividing the line into two unequal parts; see METRE, GREEK 2.

 
Obscure Words: caesura
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break, interruption
 
Poetry Glossary: Cæsura
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A rhythmic break or pause in the flow of sound which is commonly introduced in about the middle of a line of verse, but may be varied for different effects. Usually placed between syllables rhythmically connected in order to aid the recital as well as to convey the meaning more clearly, it is a pause dictated by the sense of the content or by natural speech patterns, rather than by metrics. It may coincide with conventional punctuation marks, but not necessarily. A cæsura within a line is indicated in scanning by the symbol (||).

 
Wikipedia: Caesura
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An example of a caesura in modern western music notation.

In meter, caesura (alternative spellings are cæsura or cesura) is a term to denote an audible pause that breaks up a line of verse. In most cases, caesura is indicated by punctuation marks which cause a pause in speech: a comma, a semicolon, a full stop, a dash, etc. Punctuation, however, is not necessary for a caesura to occur.

There are two types of caesurae: masculine and feminine. A masculine caesura is a pause that follows a stressed syllable; a feminine caesura follows an unstressed syllable. Another distinction is by the position of the caesura in a line. Initial caesura describes a break close to the beginning of a line, medial denotes a pause in the middle and terminal occurs at the very end. Initial and terminal caesura were rare in formal, Romance, and Neoclassical verse, which preferred medial caesura. In scansion, the "double pipe" sign ("||") is used to denote the position of a caesura in a line.

Caesurae feature prominently in Greek and Latin versification, especially in the heroic verse form, dactylic hexameter.

In musical notation, caesura denotes a complete cessation of musical time.

Contents

Examples

The "double pipes" or "train tracks" are not original to any of the texts quoted, but only serve to show the position of the audible pause.

Homer

Caesuras were widely used in Greek poetry, for example in the opening line of the Iliad:

μῆνιν ἄειδε θεὰ || Πηληϊάδεω Ἀχιλῆος

This line includes a masculine caesura after θεὰ, a natural break that separates the line into two logical parts. Unlike later writers, Homeric lines more commonly employ the feminine caesura

Latin

Caesuras were widely used in Latin poetry, for example in Virgil's opening line of the Aeneid:

Arma virumque cano, || Troiae qui primus ab oris
("I sing of arms and the man, who first from the shores of Troy. . .")

This line displays an obvious caesura in the medial position. In dactylic hexameter, a caesura occurs any time the ending of a word does not coincide with the beginning or the end of a metrical foot; in modern prosody, however, it is only called one when the ending also coincides with an audible pause in the line. The ancient elegiac couplet form of the Greeks and Romans contained a line of dactylic hexameter followed by a line of pentameter; the pentameter often displayed an even more obvious caesura:

Cynthia prima fuit; || Cynthia finis erit.
("Cynthia was the first; Cynthia will be the last" — Propertius)

Old English

The caesura was even more important to Old English verse than it was to Latin or Greek poetry. In Latin or Greek poetry, the caesura could be suppressed for effect in any line at will. In the alliterative verse that is shared by most of the oldest Germanic languages, the caesura is an ever-present and necessary part of the verse form itself. Consider the opening line of Beowulf:

Hwæt! we Gar-Dena || on geardagum
("Lo! we Spear-Danes, in days of yore. . .")

Middle English

William Langland's Piers Plowman:

I loked on my left half || as þe lady me taughte
And was war of a womman || worþeli ycloþed.
("I looked on my left side / as the lady me taught / and was aware of a woman / worthily clothed.")

Other examples

Caesuras can occur in later forms of verse; in these, though, they are usually optional. The so-called ballad meter, or the common meter of the hymn odists, is usually thought of as a line of iambic tetrameter followed by a line of trimeter, but it can also be considered a line of heptameter with a fixed caesura at the fourth foot.

Considering the break as a caesura in these verse forms, rather than a beginning of a new line, explains how sometimes multiple caesuras can be found in this verse form (from the ballad Tom o' Bedlam):

From the hag and hungry goblin || that into rags would rend ye,
And the spirits that stand || by the naked man || in the Book of Moons, defend ye!

In later and freer verse forms, the caesura is optional. It can, however, be used for rhetorical effect, as in Alexander Pope's line:

To err is human; || to forgive, divine.

See also

References

  • [1]caesura” Encyclopædia Britannica. 2007. Encyclopædia Britannica Online. 3 March 2007

 
 

 

Copyrights:

Dictionary. The American Heritage® Dictionary of the English Language, Fourth Edition Copyright © 2007, 2000 by Houghton Mifflin Company. Updated in 2007. Published by Houghton Mifflin Company. All rights reserved.  Read more
Literary Dictionary. The Concise Oxford Dictionary of Literary Terms. Copyright © Chris Baldick 2001, 2004. All rights reserved.  Read more
Classical Literature Companion. The Concise Oxford Companion to Classical Literature. Copyright © 1993, 2003 by Oxford University Press. All rights reserved.  Read more
Obscure Words. © 2008 by Michael A. Fischer http://home.comcast.net/~wwftd Read more
Poetry Glossary. Copyright © 2007, ILOVEPOETRY, Inc, All Rights Reserved.  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Caesura" Read more