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| Britannica Concise Encyclopedia: Camden Town Group |
For more information on Camden Town Group, visit Britannica.com.
| Art Encyclopedia: Camden Town Group |
Exhibiting society of 16 British painters that flourished between 1911 and 1914. It was created from the inner core of artists who regularly attended the informal Saturday afternoon gatherings first established by Walter Sickert in 1907 in a rented studio at 19 Fitzroy Street, London. Sickert, Lucien Pissarro, Spencer Gore, Harold Gilman and Robert Bevan, together with disciples, pupils and sympathetic colleagues, met weekly to display their work to each other and to a small band of patrons while discussing the politics of art in London. Although Fitzroy Street was never intended to represent a movement or school, between 1907 and 1911 it did nurture a distinct episode in the history of British art, which is most suggestively described as Camden Town painting. The pictures tended to be small: 'little pictures for little patrons', to quote one of the latter, Louis Fergusson. A Sickert-inspired vocabulary of favourite themes was established: nudes on a bed or at their toilet, informal portraits of friends and coster models in shabby bed-sitter interiors, mantelpiece still-lifes of cluttered bric-?-brac, and views of commonplace London streets, squares and gardens. Every theme was treated with objective perceptual honesty. The handling developed by many of these painters, influenced above all by Lucien Pissarro, represents a late and temperate flowering in England of French Impressionism. With qualifications, interest in colour analysis and the development of a broken touch were characteristics common to the inner core of 'Camden Town' painters.
See the Abbreviations for further details.
| Wikipedia: Camden Town Group |
The Camden Town Group was a group of English Post-Impressionist artists active 1911-1913. They gathered frequently at the studio of painter Walter Sickert in the Camden Town area of London.
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In 1908 critic Frank Rutter created the Allied Artists Association (AAA), a group separate from the Royal Academy artistic societies and modelled on the French Salon des Indépendants. Many of the artists who became the Camden Town Group exhibited with the AAA.
The members of the Camden Town Group included Walter Sickert, Harold Gilman, Spencer Frederick Gore, Lucien Pissarro (the son of French Impressionist painter Camille Pissarro), Wyndham Lewis, Walter Bayes, J.B. Manson, Robert Bevan, Augustus John, Henry Lamb, and Charles Ginner.
Influences include Vincent Van Gogh and Paul Gauguin whose work can clearly be traced throughout this groups work. Their portrayal of much of pre 1914-18 war London, as well as during the conflict, is as historically interesting as it is artistically important.
In the Cinema by Malcolm Drummond is noted for its claustrophobic feeling. It is an interesting foil to the work of Sickert who painted many rowdy music hall scenes, including Gallery of the Old Mogul (also depicting the viewers of a film). Sickert's "Ennui" of 1914 is often considered the masterpiece of this group's work, with its portrayal of boredom and apathy in the mould of Flaubert and others.
The group organized the exhibition of Cubist and Post-Impressionist paintings.
A major retrospective of the group's works was held at Tate Britain in London in 2008. The show did not include eight of the members, among them Duncan Grant, J.D. Innes, Augustus John, Henry Lamb, Wyndham Lewis and J.B. Manson, who was, according to Wendy Baron, of "too little individual character".[1]
It was decided that there should be a 16 member, men only, limit on the group: Maxwell Gordon Lightfoot died after the first exhibition, and Duncan Grant was elected to take his place.[2]
Robert Upstone, Modern Painters: The Camden Town Group, exhibition catalogue, Tate Britain, London, 2008 ISBN 1854377817
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