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Camden Town Group

 

Group of English painters formed in 1911. The artists met weekly in the studio of Walter Sickert (1860 – 1942), the group's prime inspiration, in a working-class area of London. The Camden Town artists utilized an Impressionist technique but were also open to the influence of Post-Impressionism. Their subject matter was derived from the everyday life of an English industrial town. Despite a somewhat expressive use of colour, their paintings remained representational and realistic, reflecting an interpretation of a modern aesthetic different from the more formally daring developments emerging in Paris at the same time. The Camden Town Group was absorbed in 1913 by the London Group, a combination of several smaller groups of contemporary English artists.

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Art Encyclopedia: Camden Town Group
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Exhibiting society of 16 British painters that flourished between 1911 and 1914. It was created from the inner core of artists who regularly attended the informal Saturday afternoon gatherings first established by Walter Sickert in 1907 in a rented studio at 19 Fitzroy Street, London. Sickert, Lucien Pissarro, Spencer Gore, Harold Gilman and Robert Bevan, together with disciples, pupils and sympathetic colleagues, met weekly to display their work to each other and to a small band of patrons while discussing the politics of art in London. Although Fitzroy Street was never intended to represent a movement or school, between 1907 and 1911 it did nurture a distinct episode in the history of British art, which is most suggestively described as Camden Town painting. The pictures tended to be small: 'little pictures for little patrons', to quote one of the latter, Louis Fergusson. A Sickert-inspired vocabulary of favourite themes was established: nudes on a bed or at their toilet, informal portraits of friends and coster models in shabby bed-sitter interiors, mantelpiece still-lifes of cluttered bric-?-brac, and views of commonplace London streets, squares and gardens. Every theme was treated with objective perceptual honesty. The handling developed by many of these painters, influenced above all by Lucien Pissarro, represents a late and temperate flowering in England of French Impressionism. With qualifications, interest in colour analysis and the development of a broken touch were characteristics common to the inner core of 'Camden Town' painters.

See the Abbreviations for further details.



Wikipedia: Camden Town Group
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The Camden Town Group was a group of English Post-Impressionist artists active 1911-1913. They gathered frequently at the studio of painter Walter Sickert in the Camden Town area of London.

Contents

History

In 1908 critic Frank Rutter created the Allied Artists Association (AAA), a group separate from the Royal Academy artistic societies and modelled on the French Salon des Indépendants. Many of the artists who became the Camden Town Group exhibited with the AAA.

Harold Gilman. Mrs Mounter at the Breakfast Table, 1917

The members of the Camden Town Group included Walter Sickert, Harold Gilman, Spencer Frederick Gore, Lucien Pissarro (the son of French Impressionist painter Camille Pissarro), Wyndham Lewis, Walter Bayes, J.B. Manson, Robert Bevan, Augustus John, Henry Lamb, and Charles Ginner.

Influences include Vincent Van Gogh and Paul Gauguin whose work can clearly be traced throughout this groups work. Their portrayal of much of pre 1914-18 war London, as well as during the conflict, is as historically interesting as it is artistically important.

Robert Polhill Bevan. Mare and Foal, 1917

In the Cinema by Malcolm Drummond is noted for its claustrophobic feeling. It is an interesting foil to the work of Sickert who painted many rowdy music hall scenes, including Gallery of the Old Mogul (also depicting the viewers of a film). Sickert's "Ennui" of 1914 is often considered the masterpiece of this group's work, with its portrayal of boredom and apathy in the mould of Flaubert and others.

The group organized the exhibition of Cubist and Post-Impressionist paintings.

A major retrospective of the group's works was held at Tate Britain in London in 2008. The show did not include eight of the members, among them Duncan Grant, J.D. Innes, Augustus John, Henry Lamb, Wyndham Lewis and J.B. Manson, who was, according to Wendy Baron, of "too little individual character".[1]

Members

J.B. Manson. Lucien Pissarro Reading, est. 1913

It was decided that there should be a 16 member, men only, limit on the group: Maxwell Gordon Lightfoot died after the first exhibition, and Duncan Grant was elected to take his place.[2]

See also

Spencer Gore. Hartington Square

Notes and references

  1. ^ Lambirth, Andrew. "Velvet Revolutionaries", The Spectator, 5 March 2008. Retrieved 15 September 2008.
  2. ^ Baron, Wendy and Sickert, Walter. Sickert: Paintings and Drawings, p. 81, Yale University Press, 2006. ISBN 0300111290, ISBN 9780300111293. Available on Google books.

Further reading

Robert Upstone, Modern Painters: The Camden Town Group, exhibition catalogue, Tate Britain, London, 2008 ISBN 1854377817

External links


 
 

 

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Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 2006 Encyclopædia Britannica, Inc. All rights reserved.  Read more
Art Encyclopedia. The Concise Grove Dictionary of Art. Copyright © 2002 by Oxford University Press, Inc.. All rights reserved.  Read more
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