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| Britannica Concise Encyclopedia: Karl Czerny |
For more information on Karl Czerny, visit Britannica.com.
| Music Encyclopedia: Carl Czerny |
(b Vienna, 21 Feb 1791; d there, 15 July 1857). Austrian >piano teacher, composer,pianist and writer on music. As Beethoven's pupil and Liszt's teacher he occupies a unique position among 19th-century pianists, both as a transmitter of ideas from one master to another and for his extraordinary productivity during a time of dramatic change in the piano and its literature. After early training from his father he was accepted as a pupil by Beethoven, who stressed material in C.P.E. Bach's Versuch and legato playing. He made his début in 1800, gaining renown for his interpretation of Beethoven, but was drawn to teaching rather than a career as a travelling virtuoso; among his pupils were Beethoven's nephew Karl, Döhler, Thalberg, Leopoldine Blahetka and Liszt, whose Transcendental Studies were dedicated to him. He was a remarkably prolific composer, with an output of over 1000 works, including chamber and orchestral music, sacred choral music and hundreds of arrangements in diverse styles; more significant are his wide range of studies and exercises and the treatises School of Extemporaneous Performance Opp. 200, 300 and Complete Theoretical and Practical Pianoforte School op.500 (1839).
| Columbia Encyclopedia: Karl Czerny |
Dictionary:
Czer·ny (chĕr'nē) , Karl
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| Artist: Carl Czerny |
| Wikipedia: Carl Czerny |
Carl Czerny (sometimes Karl; February 21, 1791 – July 15, 1857) was an Austrian pianist, composer and teacher. He is best remembered today for his books of études for the piano. Czerny knew and was influenced by the well-known pianists Muzio Clementi and Johann Nepomuk Hummel.
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Carl Czerny was born in Vienna to a family of
Carl Czerny was a child prodigy, making his first appearance in public in 1800 playing a Mozart piano concerto. However, he was never comfortable playing in public and he resolved to withdraw permanently from the stage, and from society in general.[1] He quickly took to teaching and composition, and by the age of fifteen, he was already a sought after instructor. He remained in Vienna for the rest of his life, only leaving three times (he visited Leipzig in 1836, Paris and London in 1837, and Lombardy in 1846).[1] At age 21, in February 1812, he returned to the public to give the Vienna premiere of Beethoven's Piano Concerto No. 5, "Emperor".
His most famous student was Franz Liszt, who dedicated his twelve Transcendental Etudes to Czerny and also involved him in the collaborative work Hexaméron (the fifth variation on Bellini's theme is his).
His other notable students included Sigismond Thalberg, Stephen Heller, Alfred Jaëll, Theodor Leschetizky, Theodor Kullak, Theodor Döhler, and Anne Caroline de Belleville
Czerny composed a very large number of pieces (up to Op. 861), including a number of masses and requiems, and a large number of symphonies, concertos, sonatas and string quartets. None of these pieces are played often today, however, and he is known as a composer almost exclusively because of the large number of didactic piano pieces he wrote, many of which are still used today, such as The School of Velocity and The Art of Finger Dexterity. He was one of the first composers to use étude ("study") for a title.
On a minor note, he was one of 50 composers who each wrote a Variation on a theme of Anton Diabelli for Part II of the Vaterländischer Künstlerverein (published 1824). He also wrote a coda to round out the collection. Part I was devoted to the 33 variations supplied by Beethoven, which have gained an independent identity as his Diabelli Variations, Op. 120.
Czerny's published compositions number nearly 1,000 and include arrangements for eight pianos, four hands each, of two overtures of Gioachino Rossini. He also left an essay on performing the piano sonatas of Beethoven. He published an autobiographical sketch, Erinnerungen aus meinem Leben (1842; “Memories from My Life”).
Czerny died in Vienna at the age of 66. He never married and he had no near relatives. Shortly before his death, he disposed of his considerable fortune with the help of his friend Leopold von Sonnleithner.[1]
Signum Records recently issued at least three CD recordings of Czerny's symphonies and concerti, including a concerto for piano four hands in C major. In fact, the view of Czerny as primarily a composer of didactic works is being challenged, as can be seen in the review cited below of a Sony Classical CD of some of Czerny's four-hand works.
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| Anton Kuerti (Classical Musician) | |
| Variation on the March from Bellini's I Puritani, for piano in E major (No. 6 of collaborative work "Hexaméron"), KK IIb/2, CT. 230 (Classical Work) | |
| Rondo for piano & orchestra in B flat major, WoO 6 (Classical Work) |
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