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Carlo Scarpa

 
Art Encyclopedia: Carlo Scarpa

(b Venice, 2 June 1906; d Tokyo, 27 Nov 1978). Italian architect and designer. He graduated in architectural design at the Accademia di Belle Arti in Venice (1926), having previously worked for the architect Vincenzo Rinaldi. He began his teaching career at the Istituto Universitario di Architettura in Venice in 1926, holding various posts there throughout his life. His practice was in Venice from 1927 to 1962. From 1927 to 1930 he worked as an artistic consultant to the glassmakers Murano Cappellini. In these early years he concentrated on drawing and painting and experiments with glass, which resulted in windows for the Venini company of Murano, for whom he also became an artistic consultant (1933-47). The restoration of the Ca' F?scari (1936-7), part of the University of Venice, was the first significant work in his own right and already shows the happy acceptance of historical artefacts in design and the skill to complement it with episodic, intensely personal interventions. Scarpa was set apart from the polemic of the period by his philosophy, which ranged from occasional ironic counterpoint to diffuse over-seriousness, with a mastery of materials and an emphatic delight in discontinuity.

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Modern Design Dictionary: Carlo Scarpa
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(1906-78)

Perhaps most widely known as a leading Italian furniture designer and architect of the post-Second World War era, influenced by Le Corbusier and Frank Lloyd Wright, whom he met in Venice in 1951, Scarpa was also a glass and furniture designer of note. His architectural commissions included showrooms for Olivetti in Venice in 1957 and Gavina in Bologna in 1961 and he also played a noteworthy role in his series of installations for the Venice Biennale, from 1942 (a Paul Klee retrospective) through to 1972. After graduating from the Accademia di Belle Arti in Venice in 1926, Scarpa had designed several buildings in an academic manner before falling under the influence of the International Style. He also worked for a number of Venetian glassmaking firms, working closely with Paolo Venini, and experimented with the technical properties, and imaginative possibilities, of glass. He was awarded a Diploma of Honour at the Milan Triennale in 1934. Amongst his best-known contributions to this field were his Tessuto and Battuto series of 1940. Scarpa also established a reputation for furniture design, particularly through his association with Dino Gavina, who helped put his designs into production in the 1960s and early 1970s. These included the Doge and Valmarana tables of 1969 and 1972 manufactured by Simon International. Italian furniture manufacturer Bernini put other Scarpa designs into production, including the Zibaldone shelving unit (1974).

Wikipedia: Carlo Scarpa
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Castelvecchio, stairs by Carlo Scarpa
Castelvecchio, by Carlo Scarpa

Carlo Scarpa (June 2, 1906 - 1978), was an Italian architect, influenced by the materials, landscape, and the history of Venetian culture. Scarpa was also a glass and furniture designer of note.

Scarpa was born in Venice. Much of his early childhood was spent in Vicenza, where his family relocated when he was 2 years old. After his mother's death when he was 13, he, his father and brother moved back to Venice. Carlo attended the Academy of Fine Arts where he focused on architectural studies. Graduated from the Accademia in Venice, with the title of Professor of Architecture, he apprenticed with the architect Francesco Rinaldo. Scarpa married the Rinaldo's niece, Onorina Lazzari.

However, Scarpa refused to sit the pro forma professional exam administrated by the Italian Government after World War II. As a consequence, he was not permitted to practice architecture without associating with an architect. Hence, those who worked with him, his clients, associates, craftspersons, called him "Professor", rather than "architect".

His architecture is deeply sensitive to the changes of time, from seasons to history, rooted in a sensuous material imagination. He was Mario Botta's thesis adviser along with Giuseppe Mazzariol; the latter was the Director of the Fondazione Querini Stampalia when Scarpa completed his renovation and garden for that institution. Scarpa taught drawing and Interior Decoration at the Istituto universitario di architettura di Venezia from the late 1940s until his death. While most of his built work is located in the Veneto, he made designs of landscapes, gardens, and buildings, for other regions of Italy as well as Canada, the United States, Saudi Arabia, France and Switzerland.

One of his last projects, left incomplete at the time of his death, was recently altered (October 2006) by his son Tobia: the Villa Palazzetto in Monselice. This work is one of Scarpa's most ambitious landscape and garden projects, the Brion Sanctuary notwithstanding. It was executed for Aldo Businaro, the representative for Cassina who is responsible for Scarpa's first trip to Japan. Aldo Businaro died in August 2006, a few months before the completion of the new stair at the Villa Palazzetto, built to commemorate Scarpa's centenary.

In 1978, while in Sendai, Japan, Scarpa died after falling down a flight of concrete stairs. He survived for ten days in a hospital before succumbing to the injuries of his fall. He is buried standing up, in the outside corner of his L-shaped Brion family cemetery at San Vito d'Altivole in the Veneto.

In 1984 the Italian composer Luigi Nono dedicated him the composition for orchestra to micro-intervals A Carlo Scarpa, Architetto, Ai suoi infiniti possibili.

Notable works

References

  • Carla Sonego, Carlo Scarpa. Gli anni della formazione (Venice: IUAV, unpublished thesis, 1995), Professor Marco De Michelis, Supervisor.
  • Francesco Dal Co; Giuseppe Mazzariol (2002) Carlo Scarpa : The Complete Works. Rizzoli, (Paperback)
  • M. A. Crippa, (1986). Carlo Scarpa, Theory, Design, Projects. MIT Press, Cambridge, Mass.
  • Olsberg, Nicholas (1999). Carlo Scarpa Architect: Intervening With History. The Monacelli Press, New York. ISBN 1-58093-035-2

bef barden; paperback (1992)

External links


 
 
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Art Encyclopedia. The Concise Grove Dictionary of Art. Copyright © 2002 by Oxford University Press, Inc.. All rights reserved.  Read more
Modern Design Dictionary. A Dictionary of Modern Design. Copyright © 2004, 2005 by Oxford University Press. All rights reserved.  Read more
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