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Carol Kaye

 
Artist: Carol Kaye

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Performed Songs By:

Worked With:

Formal Connection With:

Tommy Dee
  • Born: March 24, 1935, Everett, WA
  • Active: '60s, '70s, '80s, '90s
  • Genres: Jazz
  • Instrumental Pop, Soul-Jazz, Post-Bop Instrument: Bass
  • Representative Albums: "California Creamin'," "The First Lady on Bass"

Biography

Carol Kaye was not only a pioneer in the male-dominated world of pop recording sessions, but she also broke down musical barriers, playing on a multitude of records and TV and movie scoring dates of almost every kind. The West Coast-based freelance musician reportedly played on over 10,000 recording sessions, and her mind-boggling long discography would seem to bare that out. Born in Everett, WA, Kaye's parents, Clyde and Dot Smith, were professional musicians. In 1949, she began playing bebop jazz guitar in bands in dozens of nightclubs around Los Angeles while giving guitar lessons. She shared the bandstand with Jack Sheldon, Teddy Edwards, Billy Higgins, and Bob Neal. By chance in 1957, Kaye got into studio work, playing guitar on Sam Cooke's "Summertime" and "What a Wonderful World," among others.

In 1963, when a bassist failed to show for a record date at Capitol Records, Kaye picked up the electric Fender bass. Her skill on the instrument put her on the A list of record companies, movie and TV score producers (the wacky "Hikky Burrrrr" single, the theme of The Bill Cosby Show of the late '60s), commercial jingle writers, and industrial films. She worked with Michel LeGrand, Quincy Jones (Ironside), Jerry Goldsmith (Escape From the Planet of the Apes), Elmer Bernstein, Lalo Schifrin (Mission Impossible), Jerry Fuller, Phil Spector (the Shirelles, the Righteous Brothers, the Ronettes, the Crystals, the Paris Sisters, the Blossoms), David Rose, David Grusin, Ernie Freeman, Hugo Montenegro, Leonard Rosenman, John Williams (Lost in Space), Alfred & Lionel Newman (M.A.S.H., both the movie and TV series), and Barry De Vorzon and Perry Botkin (Bless the Beasts and the Children). Kaye shared the recording studio/stage with a various who's who of top '60s/'70s session players: Glen Campbell, Tommy Tedesco, Billy Strange, Hal Blaine, Larry Knechtel, and Joe Osborn, among others. Kaye's discography is exhaustive, a creation of her almost seven-days-a-week/on-call-24-hours-a-day schedule. A schedule she maintained for many years, through her own love of music and the tight-knit camaraderie of those involved.

Some of the other artists Kaye played with are the Beach Boys, Glen Campbell, Ray Charles, Herb Alpert, Joe Cocker, Elvis Presley, Lou Rawls, the Righteous Brothers, Simon and Garfunkel, Frank Sinatra, Nancy Sinatra, Sonny and Cher, Barbara Streisand, Dean Martin, and Roger Miller. Her former students include Toto member/Nashville producer David Hungate, Monty Budwig, Max Bennett, Abe Luboff, and TV composer Alf Clausen (The Simpsons, Moonlighting). She earned accolades from such music heavyweights as Sting, Steve Bailey, Nathan East, Abraham Laboriel, Jack Casady, Robert Trujillo, Jaco Pastorius, and Hampton Hawes. In 1969, Kaye created the first of over 27 bass tutoring books and instructional videos, How to Play the Electric Bass. The veteran bassist has conducted many music seminars all over the U.S.A. and taught classes at the Henry Mancini Institute at U.C.L.A. ~ Ed Hogan, All Music Guide
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Wikipedia: Carol Kaye
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Carol Kaye
Born March 24, 1935 (1935-03-24) (age 74)
Everett, Washington
Occupations Session musician, teacher
Instruments electric bass guitar, guitar
Years active 1950s-present
Associated acts The Beach Boys, David Axelrod, The Doors, Ritchie Valens, Frank Sinatra, Nancy Sinatra, Glen Campbell, Leon Russell, Sonny & Cher, Joe Cocker, Barbra Streisand, Ray Charles, Frank Zappa, Ike & Tina Turner, Johnny Mathis, Simon & Garfunkel, The Righteous Brothers, The Marketts Herb Alpert, The Buckinghams, Paul Revere & The Raiders, Gary Lewis & The Playboys and the Monkees.
Website Carol Kaye's website

Carol Kaye (born March 24, 1935) is an American musician, best known as one of the most prolific and widely heard bass guitarists in history, playing on an estimated 10,000 recording sessions.[1]

As a session musician Kaye was the bassist on several Phil Spector, Brian Wilson and David Axelrod productions in the 1960s and 1970s. She played guitar on Ritchie Valens' "La Bamba" and is credited with the bass tracks on several Simon & Garfunkel hits and many film scores by Quincy Jones and Lalo Schifrin. Among her most often cited work Kaye anchored the Beach Boys' album Pet Sounds.

Contents

Life and career

Kaye was born in Everett, Washington to professional musicians Clyde and Dot Smith. She grew up in poverty near the Port of Los Angeles and in 1949 at the age of fourteen began teaching guitar professionally.[2] Throughout the 1950s Kaye played bebop jazz guitar in dozens of nightclubs around Los Angeles with many noted bands including Bob Neal's jazz group, Jack Sheldon backing Lenny Bruce, Teddy Edwards and Billy Higgins. By her own account Kaye got into lucrative studio work "accidentally" in late 1957 with Sam Cooke. A few years later, when a bass player failed to show for a session at Capitol Records in Hollywood, she was asked to fill in on what was then often called the Fender bass.

Throughout the 1960s, she played bass on a significant percentage of records appearing on the Billboard Hot 100, although she was almost wholly unknown to the general public at the time. Kaye played bass on many of the Beach Boys hit recordings, including Good Vibrations, Help Me, Rhonda, Sloop John B and California Girls. She worked on Brian Wilson's ill-fated but legendary Smile project (and was present at the "Fire" session in late November 1966 when Wilson reportedly asked the studio musicians to wear toy fire hats). Kaye's work also appears extensively on well-known television and film soundtracks from the 1960s and early 1970s.

She worked under most of the leading producers and musical directors in Los Angeles during that era, including Brian Wilson, Michel Legrand, Phil Spector, Elmer Bernstein, Lalo Schifrin, David Rose, Dave Grusin, Ernie Freeman, Hugo Montenegro, Leonard Rosenman, John Williams, Alfred, David Axelrod and Lionel Newman. Kaye played the bass tracks on several of the Monkees hits, did soundtrack work (including sound effects on bass guitar) for a young Steven Spielberg and tracks for Quincy Jones whose 2001 autobiography Q noted, "...women like ...Fender bass player Carol Kaye ...could do anything and leave men in the dust."[3]

Kaye performed on several American television themes including the Quinn Martin produced Cannon, The Streets of San Francisco, Mission: Impossible, M*A*S*H, Kojak, Get Smart, Hogan's Heroes, The Love Boat, McCloud, Mannix, It Takes a Thief, Peyton Place and the Cosby Show. She is credited with performing on the soundtracks of Hawaii Five-0, The Addams Family and The Brady Bunch along with Ironside, Room 222, Bonanza, Wonder Woman, Alias Smith & Jones, Run for Your Life and Barnaby Jones.[4]

Beginning in 1969, she wrote How To Play The Electric Bass, the first of many bass tutoring books and DVD Courses. She gave lessons to thousands of students, including John Clayton, Mike Porcaro, Alf Clausen, David Hughes, Tony Sales, Karl E. H. Seigfried, Roy Vogt and David Hungate. Kaye retired from studio work during the 1970s because of arthritis. She later became active again as a session musician, live jazz performer and teacher of both bass and guitar, giving seminars and interviews.

Zappa

Kaye played 12-string guitar on Frank Zappa's groundbreaking album Freak Out!. She also played on a few songs for his following album but declined to continue, saying she found some of the lyrics offensive. Kaye later said Zappa was good-natured and understanding about her qualms and they remained on friendly terms.

Selected discography

Kaye played on hundreds of commercially released recordings and soundtracks. These lists represent only a small fraction of her recorded performances.

Electric bass credits

Songs

Albums

Selected highlights include:

Guitar credits

References

  1. ^ Berklee College of Music (2000-10-18). "Berklee Welcomes Legendary Studio Bassist Carol Kaye". http://www.berklee.edu/opi/2000/1018.html. Retrieved 2007-03-13. "Kaye is the most recorded bassist of all time, with 10,000 sessions spanning four decades." 
  2. ^ Carol Kaye official website Biography, retrieved 29 Nov 2007
  3. ^ Jones, Quincy, Q: the autobiography of Quincy Jones, Doubleday 2001 ISBN 0-385-48896-3, Pg. 126
  4. ^ IMDb, Carol Kaye - bio, retrieved 29 Nov 2007

Sources

Teaching materials by Kaye

  • How To Play The Electric Bass
  • Personally yours (1970)
  • Electric Bass lines series Nos 1-6
  • Jazz Improv For Bass
  • Pro's Jazz Phrases Bass
  • Bass DVD Course
  • Music Reading DVD w/Manual
  • Teaching Playing Hangin' DVD
  • Jazz Bass CD & Guide
  • Rock-Funk Bass CD & Guide, produced Joe Pass
  • Carol Kaye: Bass CD
  • Bass Performances CD
  • Hit Bass Lines CD
  • Jazz Improv Soloing DVD Course
  • How to play Electric Bass chords

Archival recordings

  • California Creamin - Carol Kaye Guitars 1965 CD
  • Better Days (1971) CD

Documentary

  • Rockin Suuri Tuntematon aka First Lady of Bass: Carol Kaye documentary, Pekka Rautiomaa, YLE Dokumenttiohjelmat 2004

External links


 
 
Learn More
Joe Williams Live (1973 Album by Joe Williams)
Ritchie Valens: The Lost Tapes (1995 Album by Ritchie Valens)
Carol K. & the Hitmen (Jazz Band, '60s)

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