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Carter Family

 

U.S. singing group. It consisted of Alvin Pleasant Carter (1891 – 1960), his wife Sara (1898 – 1979), and his sister-in-law Maybelle (1909 – 78). Natives of Virginia, they began their recording career in 1927. Over 16 years, with various combinations of Carter daughters, they recorded more than 300 songs from the 19th and early 20th centuries, including "Wabash Cannonball," "I'm Thinking Tonight of My Blue Eyes," "Wildwood Flower," and "Keep on the Sunny Side." They helped popularize Appalachian folk songs. After the original group broke up in 1943, its members continued to perform. "Mother" Maybelle Carter formed a successful act with her daughters and later performed with her son-in-law Johnny Cash. In the 1950s the Carter Family re-formed and appeared intermittently, with a changing lineup. The original Carter Family was the first group admitted (1970) to the Country Music Hall of Fame.

For more information on Carter Family, visit Britannica.com.

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Columbia Encyclopedia: Carter Family
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Carter Family, group of singers that specialized in traditional music of the Southern Appalachian Mountains; it consisted of A(lvin) P(leasant) Carter, 1891-1960, b. Maces Spring, Va.; his wife, Sara (Dougherty) Carter, 1898-1979, b. Flatwoods, Va.; and his sister-in-law, Maybelle (Addington) Carter, 1909-1978, b. Nickelsville, Va. Perhaps the most influential group in the history of country music, they helped to bring folk and country into America's cultural mainstream. The group sang locally until 1927 when they responded to a talent scout's ad, were "discovered," and became recording artists. During their career they recorded more than 300 songs, sometimes joined by Sara or Maybelle's children.

The Carters' style was marked by close harmonies, by Sara's autoharp, and by "Mother" Maybelle's distinctive guitar-picking style, later adopted by many folk and country artists. Among their best-known songs are Wildwood Flower, Will the Circle Be Unbroken, and Wabash Cannonball. While the so-called Original Carter Family disbanded in 1943 (seven years after Sara divorced A. P.), later Carters followed in their tradition; Maybelle continued to perform into the 1960s along with her daughters Helen (1927-98), Anita (1933-99), and June (1929-2003), who was married to and often sang with Johnny Cash. Today, A. P. and Sara's children Janette and Joe both sing country music, notably at the Carter Family Memorial Music Center in Hiltons, Va. (est. 1979). The Carter Family was elected to the Country Music Hall of Fame in 1970.

Bibliography

See study by M. Zwonitzer (2002),

Artist: The Carter Family
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See The Carter Family Lyrics
  • Formed: 1926, Virginia
  • Disbanded: 1943
  • Genres: Country
  • Representative Albums: "Anchored in Love: Their Complete Victor Recordings (1927-28)," "Can the Circle Be Unbroken?: Country Music's First Family," "Worried Man Blues: Their Complete Victor Recordings (1930)"
  • Representative Songs: "Wildwood Flower," "Keep on the Sunny Side," "I'm Thinking Tonight of My Bl"

Biography

The most influential group in country music history, the Carter Family switched the emphasis from hillbilly instrumentals to vocals, made scores of their songs part of the standard country music canon, and made a style of guitar playing, "Carter picking," the dominant technique for decades. Along with Jimmie Rodgers, the Carter Family were among the first country music stars. Comprised of a gaunt, shy gospel quartet member named Alvin P. Carter and two reserved country girls -- his wife, Sara, and their sister-in-law, Maybelle -- the Carter Family sang a pure, simple harmony that influenced not only the numerous other family groups of the '30s and the '40s, but folk, bluegrass, and rock musicians like Woody Guthrie, Bill Monroe, the Kingston Trio, Doc Watson, Bob Dylan, and Emmylou Harris, to mention just a few.

It's unlikely that bluegrass music would have existed without the Carter Family. A.P., the family patriarch, collected hundreds of British/Appalachian folk songs and, in arranging these for recording, enhanced the pure beauty of these "facts-of-life tunes" and at the same time saved them for future generations. Those hundreds of songs the trio members found around their Virginia and Tennessee homes, after being sung by A.P., Sara, and Maybelle, became Carter songs, even though these were folk songs and in the public domain. Among the more than 300 sides they recorded are "Worried Man Blues," "Wabash Cannonball," "Will the Circle Be Unbroken," "Wildwood Flower," and "Keep on the Sunny Side."

The Carter Family's instrumental backup, like their vocals, was unique. On her Gibson L-5 guitar, Maybelle played a bass-strings lead (the guitar being tuned down from the standard pitch) that is the mainstay of bluegrass guitarists to the present. Sara accompanied her on the autoharp or on a second guitar, while A.P. devoted his talent to singing in a haunting though idiosyncratic bass or baritone. Although the original Carter Family disbanded in 1943, enough of their recordings remained in the vaults to keep the group current through the '40s. Furthermore, their influence was evident through further generations of musicians, in all forms of popular music, through the end of the century.

Initially, the Carter Family consisted of just A.P. and Sara. Born and raised in the Clinch Mountains of Virginia, A.P. (b. Alvin Pleasant Delaney Carter, April 15, 1891; d. November 7, 1960) learned to play fiddle as a child, with his mother teaching him several traditional and old-time songs; his father had played violin as a young man, but abandoned the instrument once he married. Once he became an adult, he began singing with two uncles and his older sister in a gospel quartet, but he became restless and soon moved to Indiana, where he worked on the railroad. By 1911, he had returned to Virginia, where he sold fruit trees and wrote songs in his spare time.

While he was traveling and selling trees, he met Sara (b. Sara Dougherty, July 21, 1898; d. January 8, 1979). According to legend, she was on her porch playing the autoharp and singing "Engine 143" when he met her. Like A.P., Sara learned how to sing and play through her family. As a child, she learned a variety of instruments, including autoharp, guitar, and banjo, and she played with her friends and cousins.

A.P. and Sara fell in love and married on June 18, 1915, settling in Maces Springs, where he worked various jobs while the two of them sang at local parties, socials, and gatherings. For the next 11 years, they played locally. During that time, the duo auditioned for Brunswick Records, but the label was only willing to sign A.P. and only if he recorded fiddle dance songs under the name Fiddlin' Doc; he rejected their offer, believing that it was against his parents' religious beliefs.

Eventually, Maybelle Carter (b. Maybelle Addington, May 10, 1909; d. October 23, 1978) -- who had married A.P.'s brother Ezra -- began singing and playing guitar with Sara and A.P. Following Maybelle's addition to the Carter Family in 1926, the group began auditioning at labels in earnest. In 1927, the group auditioned for Ralph Peer, a New York-based A&R man for Victor Records who was scouting for local talent in Bristol, TN. The Carters recorded six tracks, including "The Wandering Boy" and "Single Girl, Married Girl." Victor released several of the songs as singles, and when the records sold well, the label offered the group a long-range contract.

The Carter Family signed with Victor in 1928, and over the next seven years the group recorded most of its most famous songs, including "Wabash Cannonball," "I'm Thinking Tonight of My Blue Eyes," "John Hardy Was a Desperate Little Man," "Wildwood Flower," and "Keep on the Sunny Side," which became the Carters' signature song. By the end of the '20s, the group had become a well-known national act, but its income was hurt considerably by the Great Depression. Because of the financial crisis, the Carters were unable to play concerts in cities across the U.S. and were stuck playing schoolhouses in Virginia. Eventually, all of the members became so strapped for cash they had to move away from home to find work. In 1929, A.P. moved to Detroit temporarily while Maybelle and her husband relocated to Washington, D.C.

In addition to the stress of the Great Depression, A.P. and Sara's marriage began to fray, and the couple separated in 1932. For the next few years, the Carters only saw each other at recording sessions, partially because the Depression had cut into the country audience and partially because the women were raising their families. In 1935, the Carters left Victor for ARC, where they re-recorded their most famous songs. The following year, they signed to Decca.

Eventually, the group signed a lucrative radio contract with XERF in Del Rio, TX, which led to contracts at a few other stations along the Mexican and Texas border. Because of their locations, these stations could broadcast at levels that were far stronger than other American radio stations, so the Carters' radio performances could be heard throughout the nation, either in their live form or as radio transcriptions. As a result, the band's popularity increased dramatically, and their Decca records became extremely popular.

Just as their career was back in full swing, Sara and A.P.'s marriage fell apart, with the couple divorcing in 1939. Nevertheless, the Carter Family continued to perform, remaining in Texas until 1941, when they moved to a radio station in Charlotte, NC. During the early '40s, the band briefly recorded for Columbia before re-signing with Victor in 1941. Two years later, Sara decided to retire and move out to California with her new husband, Coy Bayes (who was A.P.'s cousin), while A.P. moved back to Virginia, where he ran a country store. Maybelle Carter began recording and touring with her daughters, Helen, June, and Anita.

A.P. and Sara re-formed the Carter Family with their grown children in 1952, performing a concert in Maces Spring. Following the successful concert, the Kentucky-based Acme signed A.P., Sara, and their daughter Janette to a contract, and over the next four years they recorded nearly 100 songs that didn't gain much attention at the time. In 1956, the Carter Family disbanded for the second time. Four years later, A.P. died at his Maces Spring home. Following his death, the Carter Family's original recordings began to be reissued. In 1966, Maybelle persuaded Sara to reunite to play a number of folk festivals and record an album for Columbia. In 1970, the Carter Family became the first group to be elected into the Country Music Hall of Fame, which is a fitting tribute to their immense influence and legacy. ~ David Vinopal, All Music Guide
Discography: The Carter Family
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20th Century Masters - The Millennium Collection: The Best of the Carter Family

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Can the Circle Be Unbroken

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Sunshine in the Shadows

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Original and Great

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In the Shadow of Clinch Mountain

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Gospel Gold

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When the Roses Bloom in Dixieland: Their Complete Victor Recordings (1929-30)

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Worried Man Blues: Their Complete Victor Recordings (1930)

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Early Country Radio

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Early Country Radio

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Proper Introduction to the Carter Family: Keep on the Sunny Side

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My Clinch Mountain Home: Their Complete Victor Recordings (1928-1929)

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Greatest Hits 1927-34

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Country by the Carter Family

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Decca Sessions, Vol. 1 (1936)

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Decca Sessions, Vol. 2

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Country Folk

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Famous Country Music Makers

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Will You Remember Me

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Carter Family Favorites

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Carter Family Favorites

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RCA Country Legends

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Best of the Carter Family [2005]

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Best of the Carter Family, Vol. 1

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Best of the Carter Family, Vol. 2

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Country Music Hall of Fame: 1970

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Can the Circle Be Unbroken?: Country Music's First Family

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Best of the Best of the Original Carter Family

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Give Me the Roses While I Live: Their Complete Victor Recordings (1932-33)

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Gold Watch and Chain: Their Complete Victor Recordings (1933-34)

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Roots of Country

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Country and Folk Roots

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Country Music Legends

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Collection

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Country Hit Parade

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Wildwood Flower [ASV/Living Era]

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Carter Family: 1927-1934

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Carter Family, Vol. 2: 1935-1941

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Longing for Old Virginia: Their Complete Victor Recordings (1934)

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Last Sessions: Their Complete Victor Recordings (1934-41)

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Acme Sessions, 1952-56

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Country Folk: Keep on the Sunny Side

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Country Folk: Worried Man Blues

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Country Folk: My Dixie Darling

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Country Folk: My Home's Across the Blue Ridge Mountains

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Best of the Carter Family [Prism]

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On Border Radio, Vol. 2: 1939

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Sunshine in the Shadows: Their Complete Victor Recordings (1931-32)

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On Border Radio, Vol. 1

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Anchored in Love: Their Complete Victor Recordings (1927-28)

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Country Music Hall of Fame

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Clinch Mountain Treasures

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Diamonds in the Rough

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Carter Family

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Wikipedia: Carter Family
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Carter Family
Origin Maces Spring, Virginia
Genres Country
Years active 1927–1987
Associated acts Johnny Cash
Former members
A. P. Carter
Sara Carter
Maybelle Carter
Helen Carter
Anita Carter
June Carter Cash
Janette Carter
Joe Carter

The Carter Family was a country music group that recorded between 1927 and 1956. Their music had a profound impact on bluegrass, country, southern gospel, pop and rock musicians as well as on the U.S. folk revival of the 1960s. They were the first vocal group to become country music stars. Their recordings of such songs as "Wabash Cannonball," "Will the Circle Be Unbroken," "Wildwood Flower" and "Keep On the Sunny Side" made them country standards.[1]

The original group consisted of Alvin Pleasant "A.P." Delaney Carter (1891-1960), his wife Sara Dougherty Carter (1898-1979), and his sister-in-law Maybelle Addington Carter (1909-1978). Maybelle was married to A.P.'s brother Ezra (Eck) Carter and was also Sara's first cousin. All three were born and raised in southwestern Virginia, where they were immersed in the tight harmonies of mountain gospel music and shape note singing. Maybelle's distinctive guitar playing style became a hallmark of the group.

Contents

History

The Carter Family made their first recordings on August 2, 1927.[2] A.P. had convinced Sara and Maybelle the day before to make the journey from Maces Spring, Virginia, to Bristol, Tennessee, to audition for record producer Ralph Peer, who was seeking new talents for the relatively embryonic recording industry. They received $50 for each song they recorded.

In the fall of 1927, the Victor recording company released a double-sided 78 rpm record of the group performing "Wandering Boy" and "Poor Orphan Child". In 1928, another record was released with "The Storms Are on the Ocean" and "Single Girl, Married Girl". This record became very popular.

On May 27, 1928, Peer had the group travel to Camden, New Jersey, where they recorded many of what would become their signature songs, including:

  • "Meet me by the Moonlight Alone";
  • "Keep on the Sunny Side";
  • "Can the Circle be Unbroken";
  • "Little Darling, Pal of Mine";
  • "Forsaken Love";
  • "Anchored in Love";
  • "I Ain't Goin' to Work Tomorrow";
  • "Will You Miss Me when I'm Gone";
  • "Wildwood Flower";
  • "River of Jordan";
  • "Chewing Gum"; and
  • "John Hardy Was a Desperate Little Man".

The group did not receive any money for this effort and left with a contract that assured a small royalty for sales of their records and sheet music. "Wildwood Flower" in both vocal and instrumental forms has endured as a signature tune for traditional country and bluegrass artists. During a February 1929 session they recorded:

  • "I'm Thinking Tonight of My Blue Eyes";
  • "My Clinch Mountain Home";
  • "Sweet Fern";
  • "Grave on the Green Hillside";
  • "Little Moses";
  • "Don't Forget This Song"; and
  • "Engine 143".

By the end of 1930 they had sold 300,000 records in the U.S.

Realizing that he would benefit financially with each new song he collected and copyrighted, A.P. traveled around the southwestern Virginia area in search of new songs. In the early 1930s, he befriended Lesley "Esley" Riddle, a black guitar player from Kingsport, Tennessee. Esley accompanied A.P. on his song-collecting trips. In June 1931, the Carters did a recording session in Nashville, Tennessee along with Jimmie Rodgers. In 1933, Maybelle met the Cook Family Singers at the World's Fair in Chicago and fell in love with their signature sound. She asked them to tour with the Carter Family.

Second generation

In the winter of 1938-39, the Carter Family traveled to Texas, where they had a twice-daily program on the border radio station XERA (later XERF) in Villa Acuña (now Ciudad Acuña, Mexico, across the border from Del Rio, Texas. In the 1939-40 season, June Carter (middle daughter of Ezra Carter and Maybelle Carter) joined the group, which was now in San Antonio, Texas, where the programs were prerecorded and distributed to multiple border radio stations. In the fall of 1942, the Carters moved their program to WBT radio in Charlotte, North Carolina, for a one-year contract. They occupied the sunrise slot, with the program airing between 5:15 and 6:15 a.m.

By 1936, A.P. and Sara's marriage had dissolved. Sara married A.P.'s cousin, moved to California, and the group disbanded.

Maybelle continued to perform with her daughters, Anita, June, and Helen, as "Mother Maybelle and the Carter Sisters" into the 1970s. A.P., Sara, and their children Joe and Janette recorded some material in the 1950s. Maybelle and Sara briefly reunited, recorded a reunion album, and toured in the 1960s during the height of folk music's popularity.[3]

In 1987, reunited sisters June Carter Cash and Helen and Anita Carter, along with June's daughter Carlene Carter, appeared as the Carter Family and were featured on a 1987 television episode of Austin City Limits along with Johnny Cash. [4]

Revivalist folksingers during the 1960s performed much of the material the Carters had collected or written. For example, on her early Vanguard albums, folk performer Joan Baez sang "Wildwood Flower", "Little Moses", "Engine 143", "Little Darling, Pal of Mine", and "Gospel Ship". The Carter Family Song "Wayworn Traveller" was covered by a young Bob Dylan, who wrote his own words to the melody and named it "Paths Of Victory"; this recording is featured on Bootleg Series Vol. 1-3. After writing that song, he wrote new words to the melody and changed the time signature to 3/4, thus creating one of his most famous songs, "The Times They Are a-Changin'".[5] This became the second time an American folk singer used a Carter Family melody to create his best-known song (Woody Guthrie did it by turning "When This World's on Fire" into "This Land Is Your Land").

Extended family

This family tree shows the extended Carter family through several generations.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
William Sevier Dougherty
 
Nancy Elizabeth Kilgore
 
Robert C. Carter
 
Mollie Arvell Bays
 
Margaret S. Kilgore
 
Hugh Jackson Addington
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Sara Carter
 
A. P. Carter
 
 
 
 
 
Ezra J. Carter
 
Maybelle Carter
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Gladys Carter
 
Janette Carter
 
Joe Carter
 
 
Helen Carter
 
 
 
 
Anita Carter
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Vivian Liberto
 
Johnny Cash
 
June Carter Cash
 
 
 
 
 
 
 
 
Carl Smith
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Edwin "Rip" Nix
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Rosanne Cash
 
Kathleen Cash
 
Cindy Cash
 
Tara Cash
 
John Carter Cash
 
 
Rosie Nix Adams
 
 
 
Carlene Carter
 
 
 
 
 
 
 
Nick Lowe
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Joseph Breen
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Legacy and musical style

As important to country music as the family's repertoire of songs was Maybelle's guitar playing. She developed her innovative guitar technique largely in isolation; her style is today widely known as the "Carter scratch" or "Carter style" of picking (see Carter Family picking). While Maybelle did use a flatpick on occasion, her major method of guitar playing was the use of her thumb (with a thumbpick) along with one or two fingers. What her guitar style accomplished was to allow her to play melody lines (on the low strings of the guitar) while still maintaining rhythm using her fingers, brushing across the higher strings. Before the Carter family's recordings, the guitar was rarely used as a lead or solo instrument among white musicians. Maybelle's interweaving of a melodic line on the bass strings with intermittent strums is now a staple of steel string guitar technique. Flatpickers such as Doc Watson, Clarence White and Norman Blake took flatpicking to a higher technical level, but all acknowledge Maybelle's playing as their inspiration.

It has been noted by that 'by the end of the twenties, Maybelle Carter scratch ... was the most widely imitated guitar style in music. Nobody did as much to popularize the guitar, because from the beginning, her playing was distinctive as any voice.'"
quoted in The Bristol Sessions: Writings About the Big Bang of Country Music (2005)[6]

The Carters were elected to the Country Music Hall of Fame in 1970 and were given the nickname "The First Family of Country Music". In 1988, the Carter Family was inducted into the Grammy Hall of Fame and received its Award for the song "Will the Circle Be Unbroken". In 1993, the U.S. Postal Service issued a commemorative postage stamp honoring A.P., Sara, and Maybelle. In 2001, the group was inducted into the International Bluegrass Music Hall of Honor. In 2005, the group received the Grammy Lifetime Achievement Award.

Discography

Albums

Year Album US Country Label
1972 Travelin' Minstrel Band 44 Columbia
1973 Mother Maybelle Carter 44
1976 Country's First Family 49

Singles

Year Single Chart Positions Album
US Country CAN Country
1928 "Bury Me Under the Weeping Willow" singles only
"Wildwood Flower"
1929 "I'm Thinking Tonight of My Blue Eyes"
1935 "Can the Circle Be Unbroken (By and By)"
1971 "A Song to Mama" (with Johnny Cash) 37 42 Travelin' Minstrel Band
1972 "Travelin' Minstrel Band" 42
"The World Needs a Melody" (with Johnny Cash) 35 55
1973 "Praise the Lord and Pass the Soup"
(with Johnny Cash & The Oak Ridge Boys)
57 65 singles only
"Pick the Wildwood Flower" (with Johnny Cash) 34

Guest singles

Year Single Artist US Country Album
1963 "Busted" Johnny Cash 13 Blood, Sweat and Tears

Notes

  1. ^ Heatley, Michael (2007). The Definitive Illustrated Encyclopedia of Rock. London, United Kingdom: Star Fire. ISBN 978 1 84451 996 5. 
  2. ^ Interview with Maybelle Carter on Wildflower Pickin, Vanguard compact disc.
  3. ^ Maybelle and Sara Carter in concert
  4. ^ Johnny Cash with The Carter Family, Austin City Limits, 1987
  5. ^ Goodman, Elizabeth. "In Which We All Want To Be Bob Dylan". January 4, 2007. http://www.rollingstone.com.
  6. ^ Charles K. Wolfe, Ted Olson (2005). The Bristol Sessions: Writings About the Big Bang of Country Music, p.74. ISBN 0786419458.

References

  • Among my klediments, June Carter Cash, Grand Rapids, MI, Zondervan, 1979. ISBN 0-310-38170-3
  • In the Country of Country: A Journey to the Roots of American Music, Nicholas Dawidoff, Vintage Books, 1998. ISBN 0-375-70082-X
  • Will you miss me when I'm gone? : the Carter Family and their legacy in American music, Mark Zwonitzer with Charles Hirshberg, New York, Simon & Schuster, 2002

External links

Awards
Preceded by
Gram Parsons
AMA Presidents Award
2004
Succeeded by
John Hartford

 
 

 

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