Winkworth, Catherine (Manchester, 1827-78, nr. Geneva), the daughter of a silk manufacturer, was the most accomplished translator of hymns (see Kirchenlied) for Anglican use. Having as part of her education enjoyed a good grounding in the German language, she spent a culturally stimulating year in Dresden (1845-6) which marked the beginning of her lifelong interest in Anglo-German relations. Fascinated by the challenge of rendering poetry, she increasingly devoted herself to hymns, which appeared in the collection Lyra Germanica. Hymns for the Sundays and Chief Festivals of the Christian Year (1855) and its sequel, Lyra Germanica. The Christian Life (1858). Her next ambition was to synchronize poetry with music, and with this in mind she translated 85 more poems, selected from verse since the Middle Ages; most of its authors are well known, but J. Neander, M. Rinckart, and G. Tersteegen deserve mention. The collection resulted in the Chorale Book for England. A Complete Hymn Book for Public and Private Worship, in accordance with the Services and Festivals of the Church of England (1862), with W. Sterndale Bennett as the volume's musical editor (in collaboration with O. Goldschmidt). Having in the late 1850s moved to Bristol and, like her older sister Susanna, become involved with the city's social problems, she endorsed her concern by translating the biography of the philanthropist Amalie Sieveking (Life of Miss Sieveking, 1863). In 1874 she attended as a British delegate a congress of women workers (under the auspices of the Grand Duchess of Hesse) in Darmstadt; she was accompanied by her sister.
Though less distinguished in her literary achievements, Susanna Winkworth (1820-84) was the first of the sisters to devote herself to the art of translation, encouraged by the Gaskells' abiding interest in Germany and taught by William Gaskell (she helped E. Gaskell with her Life of Charlotte Brontë, 1857). In rendering the Theologia Germanica (1854, see Theologia Deutsch) and 25 sermons by J. Tauler (with a biographical note on his life, 1857), she conveyed basic aspects of German mysticism to a Victorian public. The combined work of the sisters thus represented ‘the two pillars of German devotional literature’ (P. N. Skrine).




