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Cedar Walton

 
  • Genres: Jazz

Biography

One of the most valued of all hard bop accompanists, Cedar Walton is a versatile pianist whose funky touch and cogent melodic sense have graced the recordings of many of jazz's greatest players. He is also one of the music's more underrated composers; although he has always been a first-rate interpreter of standards, Walton wrote a number of excellent tunes ("Mosaic," "Ugetsu," and "Bolivia," to name a few) that found their way into Art Blakey's book during the pianist's early-'60s stint with the Jazz Messengers. In addition to his many quantifiable accomplishments, Walton is less well known as the first pianist to record, in April 1959 with John Coltrane, the tenorist's daunting "Giant Steps" -- unlike the unfortunate Tommy Flanagan a month later, Walton wasn't required to solo, though he does comp magnificently.

Walton was first taught piano by his mother. After attending the University of Denver, he moved to New York in 1955, ostensibly to play music. Instead, he was drafted into the Army. Stationed in Germany, Walton played with American musicians Leo Wright, Don Ellis, and Eddie Harris. After his discharge, Walton moved back to New York, where he began his career in earnest. From 1958-1961, Walton played with Kenny Dorham, J.J. Johnson, and Art Farmer's Jazztet, among others. Walton joined Blakey in 1961, with whom he remained until 1964. This was perhaps Blakey's most influential group, with Freddie Hubbard and Wayne Shorter. Walton served time as Abbey Lincoln's accompanist from 1965-1966 and made records with Lee Morgan from 1966-1968; from 1967-1969, Walton served as a sideman on many Prestige albums as well. Walton played in a band with Hank Mobley in the early '70s and returned to Blakey for a 1973 tour of Japan.

Walton's own band of the period was called Eastern Rebellion, and was comprised of a rotating cast that included saxophonists Clifford Jordan, George Coleman, and Bob Berg; bassist Sam Jones; and drummer Billy Higgins. From the '80s onward, Walton continued to lead his own fine bands, releasing numerous albums including The Maestro in 1980, Cedar Walton Plays in 1986, and Composer in 1996, followed a year later by Roots, featuring trumpeter Terence Blanchard and saxophonist Joshua Redman. In 2001 Walton released The Promise Land, his debut for Highnote, which was followed by Latin Tinge in 2002, Underground Memoirs in 2005, and Seasoned Wood with trumpeter Jeremy Pelt in 2008. Walton was joined by saxophonist Vincent Herring on Voices Deep Within in 2009. Herring was also featured along with trombonist Steve Turre on The Bouncer in 2011. ~ Chris Kelsey, Rovi
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Cedar Walton

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Cedar Walton

Cedar Walton, 2001
Background information
Birth name Cedar Anthony Walton, Junior
Born January 17, 1934 (1934-01-17) (age 78)
Origin Dallas, Texas
Genres Hard bop and Jazz-Funk
Occupations pianist
Instruments piano
Years active 1950s–present
Labels Various
Associated acts Jazz Messengers

Cedar Anthony Walton, Junior (born January 17, 1934) is an American hard bop jazz pianist.

Contents

Biography

Walton grew up in Dallas, Texas. His mother was an aspiring concert pianist, and was Walton's initial teacher. She also took him to jazz performances around Dallas. As a result, he was exposed to a wide range of jazz, including Nat King Cole, Errol Garner, Mary Lou Williams, Earl Hines, Hank Jones, Oscar Peterson, Lester Young and Dizzy Gillespie. Walton cites Nat King Cole, Bud Powell, Thelonious Monk and Art Tatum as his major influences on piano.[citation needed] He began emulating recordings of these artists from an early age, and also began composing "hieroglyphics"[citation needed] for friends to play along with him.

While on family vacation as a teen his family visited the University of Denver, which was surprised and attracted Walton because the "dormitories were coed."[citation needed] He ended up attending the University of Denver as a composition major originally, but was encouraged to switch to a music education program targeted to set up a career in the local public school system. This switch later proved extremely useful since Walton learned to play and arrange for various instruments, a talent he would hone with Art Blakey's Jazz Messengers.

Walton was tempted by the promise of New York through his associations with the likes of John Coltrane, Charlie Parker, and Richie Powell, whom he met at various after hours sessions around the city of Denver. In 1955, he decided to leave school and drove with a friend to New York City. He quickly got recognition from Johnny Garry, who ran Birdland at that time. Garry included Walton on Monday nights with players "striving to make a name for themselves."[citation needed]

Walton was drafted into the Army, and stationed in Germany, cutting short his rising status in the after hours scene. While in the Army, he played with musicians Leo Wright, Don Ellis, and Eddie Harris. Upon his discharge, he picked up where he left off, playing as a sideman with Kenny Dorham and J. J. Johnson, and joining the Jazztet, led by Benny Golson and Art Farmer. Walton played with this group from 1958 to 1961. In April 1959, Cedar Walton recorded an alternate take of "Giant Steps" with John Coltrane, though he did not solo.

In the early 1960s, he joined Art Blakey's Jazz Messengers as a pianist-arranger for 3 years (the same day as Freddie Hubbard), where he played with Wayne Shorter and Freddie Hubbard. In this group, he demonstrated a keen sense of arranging in originals such as "Ugetsu" and "Mosaic". He left the Messengers in 1964 and by the late 1960s was part of the house rhythm section at Prestige Records, where in addition to releasing his own recordings, he recorded with Sonny Criss, Pat Martino, Eric Kloss, and Charles McPherson. For a year, he served as Abbey Lincoln's accompanist, and recorded with Lee Morgan from 1966 to 1968. During the mid-1970s, Walton led the funk group Mobius.

In 1974, Cedar Walton formed his own band, Eastern Rebellion. From the 1980s until the present day, Cedar Walton has remained active, and many of his compositions have been adopted as jazz standards, including "Firm Roots", "Bolivia" and "Cedar's Blues". "Bolivia" is perhaps Walton's best known composition, while one of his oldest is "Fantasy in D", recorded under the title "Ugetsu" by Art Blakey in 1963.[1]

In January 2010, he was inducted as a member of the NEA 2010 class of Jazz Masters. He stated "It's quite an honor because it represents the endurance of an artist and his output as an artist and his ability to keep a certain stream of good performances throughout his or her career."[citation needed]

Discography

As leader

As sideman

With Art Blakey

With Donald Byrd

With Ornette Coleman

With John Coltrane

With Kenny Dorham and Cannonball Adderley

With Curtis Fuller

With Joe Henderson

With Freddie Hubbard

With Bobby Hutcherson

With Milt Jackson

With Christian McBride

  • New York Time (Chesky, 2006)

With Lee Morgan

With Blue Mitchell

With Stanley Turrentine

References

  1. ^ Bailey, Phil (1985) Volume 35 - Cedar Walton, Jamey Aebersold, 1985.

External links


 
 
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