Charles and Ray Eames

Charles (1907–1978) and Ray (1912–1988) Eames (pronounced /ˈiːmz/) were American designers, married in 1941, who worked and made major contributions in many fields of design including industrial design, furniture design, art, graphic design, film and architecture.

Contents 1 Charles Eames 2 Ray Eames 3 Designers 4 Philosophy 5 Works 5.1 Architecture 5.2 Selected films 5.3 Exhibition design 5.4 Exhibits and retrospectives 5.5 Furniture 5.6 Other 6 Quotes 7 References 8 External links

Charles Eames

Charles Ormond Eames, Jr (June 17, 1907 – August 21, 1978) was born in 1907 in Saint Louis, Missouri. Charles was born the nephew of St. Louis architect William S. Eames. By the time he was 14 years old, while attending high school, Charles worked at the Laclede Steel Company as a part-time laborer, where he learned about engineering, drawing, and architecture (and also first entertained the idea of one day becoming an architect).

Charles briefly studied architecture at Washington University in St. Louis on an architectural scholarship. After two years of study, he left the university. Many sources claim, with little evidence, that he was dismissed for his advocacy of Frank Lloyd Wright and his interest in modern architects. Several websites claim that "In the report describing why he was dismissed from the university, a professor wrote the comment 'His views were too modern.'" This alleged comment has yet to be attributed to any specific member of the architectural faculty. Other sources, less frequently cited, note that while a student, Charles Eames also was employed as an architect at the firm of Trueblood and Graf.^[1] The demands on his time from this employment and from his classes, led to sleep-deprivation and diminished performance at the university.

While at Washington University, he met his first wife, Catherine Woermann, whom he married in 1929. A year later, they had a daughter, Lucia.

In 1930, Charles began his own architectural practice in St. Louis with partner Charles Gray. They were later joined by a third partner, Walter Pauley.

Charles Eames was greatly influenced by the Finnish architect Eliel Saarinen (whose son Eero, also an architect, would become a partner and friend). At the elder Saarinen's invitation, Charles moved in 1938 with his wife Catherine and daughter Lucia to Michigan, to further study architecture at the Cranbrook Academy of Art, where he would become a teacher and head of the industrial design department. In order to apply for the Architecture and Urban Planning Program, Eames defined an area of focus—the St. Louis waterfront. Together with Eero Saarinen he designed prize-winning furniture for New York's Museum of Modern Art "Organic Design in Home Furnishings" competition.^[2] Their work displayed the new technique of wood moulding (originally developed by Alvar Aalto), that Eames would further develop in many moulded plywood products, including, beside chairs and other furniture, splints and stretchers for the U.S. Navy during World War II.^[3]

In 1941, Charles and Catherine divorced, and he married his Cranbrook colleague Ray Kaiser, who was born in Sacramento, California. He then moved with her to Los Angeles, California, where they would work and live for the rest of their lives. In the late 1940s, as part of the Arts & Architecture magazine's "Case Study" program, Ray and Charles designed and built the groundbreaking Eames House, Case Study House #8, as their home. Located upon a cliff overlooking the Pacific Ocean, and hand-constructed within a matter of days entirely of pre-fabricated steel parts intended for industrial construction, it remains a milestone of modern architecture.

On June 17, 2008 the US Postal Service released the Eames Stamps. A pane of 16 stamps celebrating the designs of Charles and Ray Eames.

Ray Eames

Ray-Bernice Alexandra Kaiser Eames (December 15, 1912 – August 21, 1988) was an American artist, designer, and filmmaker who, together with her husband Charles, is responsible for many classic, iconic designs of the 20th century. She was born in Sacramento, California. Having lived in a number of cities during her youth, in 1933 she moved to New York, where she studied abstract painting with Hans Hofmann.

In September 1940 she began studies at the Cranbrook Academy of Art in Bloomfield Hills, Michigan, where she met Charles Eames, marrying him the following year. Settling in Los Angeles, California, Charles and Ray Eames would lead an outstanding career in design and architecture.

Ray Eames died in Los Angeles in 1988, ten years to the day after Charles.

Designers

In the 1950s, the Eames' continued their work in architecture and modern furniture design. Like in the earlier moulded plywood work, the Eameses pioneered innovative technologies, such as the fiberglass, plastic resin chairs and the wire mesh chairs designed for Herman Miller. Charles and Ray would soon channel Charles' interest in photography into the production of short films. From their first film, the unfinished Traveling Boy (1950), to the extraordinary Powers of Ten (1977), their cinematic work was an outlet for ideas, a vehicle for experimentation and education.

The Eames' also conceived and designed a number of landmark exhibitions. The first of these, Mathematica: a world of numbers...and beyond (1961), was sponsored by IBM, and is the only one of their exhibitions still extant. ^[4] The Mathematica Exhibition is still considered a model for scientific popularization exhibitions. It was followed by "A Computer Perspective: Background to the Computer Age" (1971) and "The World of Franklin and Jefferson" (1975–1977), among others.

The office of Charles and Ray Eames, which functioned for more than four decades (1943–88) at 901 Washington Boulevard in Venice, California, included in its staff, at one time or another, a number of remarkable designers, like Henry Beer and Richard Foy, now Co-chairmen of CommArts, Inc., Don Albinson, Deborah Sussman, Harry Bertoia, and Gregory Ain, who was Chief Engineer for the Eames' during World War II^[5]. Among the many important designs originating there are the molded-plywood DCW (Dining Chair Wood) and DCM (Dining Chair Metal with a plywood seat) (1945), Eames Lounge Chair (1956), the Aluminum Group furniture (1958) and as well as the Eames Chaise (1968), designed for Charles's friend, film director Billy Wilder, the playful Do-Nothing Machine (1957), an early solar energy experiment, and a number of toys.

Short films produced by the couple often document their interests in collecting toys and cultural artifacts on their travels. The films also record the process of hanging their exhibits or producing classic furniture designs, to the purposefully mundane topic of filming soap suds moving over the pavement of a parking lot. Perhaps their most popular movie, "Powers of Ten" (narrated by the late physicist Philip Morrison), gives a dramatic demonstration of orders of magnitude by visually zooming away from the earth to the edge of the universe, and then microscopically zooming into the nucleus of a carbon atom. Charles was a prolific photographer as well with thousands of images of their furniture, exhibits and collections, and now a part of the Library of Congress.

Charles Eames died of a heart attack on August 21, 1978 while on a consulting trip in his native Saint Louis, and now has a star on the St. Louis Walk of Fame. Ray died 10 years later to the exact day.

At the time of his death they were working on what became their last production, the Eames Sofa which went into production in 1984.

From the beginning, the Eames furniture has usually been listed as by Charles Eames; indeed in the 1948 and 1952 Herman Miller bound catalogs, only Charles' name is listed, but it has become clear that Ray was deeply involved and should be considered an equal partner. The Eames fabrics (many are currently available from Maharam) were mostly designed by Ray, as were the Time Life Stools. But in reading the various books on Eames, and seeing the photos of furniture development, it is clear that Ray's involvement is absolute.

Philosophy

In 1970–71, Charles Eames gave the Charles Eliot Norton Lectures at Harvard University. At the lectures, the Eames viewpoint and philosophy are related through Charles' own telling of what he called the banana leaf parable, a banana leaf being the most basic dish off which to eat in southern India. He related the progression of design and its process where the banana leaf is transformed into something fantastically ornate. He explains the next step and ties it to the design process by finishing the parable with:

"But you can go beyond that and the guys that have not only means, but a certain amount of knowledge and understanding, go the next step and they eat off of a banana leaf. And I think that in these times when we fall back and regroup, that somehow or other, the banana leaf parable sort of got to get working there, because I'm not prepared to say that the banana leaf that one eats off of is the same as the other eats off of, but it's that process that has happened within the man that changes the banana leaf. And as we attack these problems—and I hope and I expect that the total amount of energy used in this world is going to go from high to medium to a little bit lower—the banana leaf idea might have a great part in it."^[6]

Works

This is an incomplete list, which may never be able to satisfy certain standards for completion. You can help by expanding it with reliably sourced additions.

Architecture

• Sweetzer House (193?)
• St. Louis Post-Dispatch model home (193?)
• St. Mary's Church (Helena, Arkansas) (1934)
• St. Mary's Church (Paragould, Arkansas) (1935)
• Dinsmoor House (193?)
• Dean House (193?)
• Meyer House (1938)
• Bridge house (Eames-Saarinen) (1945)
• Eames House (1949)
• Max De Pree House (1954)

Selected films

• Traveling Boy (1950)
• Blacktop: A Story of the Washing of a School Play Yard (1952)
• Parade Parade Or Here They Are Coming Down Our Street (1952)
• A Communications Primer (1953)
• House: After Five Years of Living (1955)
• Day of the Dead (1957)
• Toccata for Toy Trains (1957)
• Kaleidoscope Jazz Chair (1960)
• Image of the City (1969)
• Banana Leaf (1972)
• Powers of Ten (1977)
• Fiberglass Chairs
• SX-70
• Eames Lounge Chair

Exhibition design

• Textiles and Ornamental Arts of India (1955)
• Glimpses of the USA (seven screens for the American exhibition in Moscow, Sokoolniki Park) (1959)
• Mathematica (for IBM) (1961)
• IBM Pavilion at the 1964 New York World's Fair
• Nehru: The man and his India (1965)
• The World of Franklin and Jefferson (1975) built for the US Bicentennial Commission opens in Paris, travels to five other countries and the US.

Exhibits and retrospectives

• Library of Congress exhibit (1999)

Furniture

• Eames-Saarinen Kleinhans chair (1939)
• Eames-Saarinen organic chair (1941)
• Children's chairs (1945)
• Eames Lounge Chair Wood (LCW) (1945)
• Circular table wood (1945)
• Eames Plywood Side Chair (1946)
• The Soft Pad Chair (1946)
• La chaise (1948)
• Eames RAR (Rocker Armchair Rod) Rocker (1948)
• Eames Eiffel Plastic Side Chair (1950)
• The lounge Chair Metal(1950)
• Eames Eiffel Plastic Armchair (1950)
• Eames Desk and Storage Units (1950)
• Eames Desk and Storage Units (1950)
• The DAW (1950)
• Eames Sofa Compact (1954)
• Eames lounge chair and ottoman (1956)
• Eames Aluminum Management Chair (1958)
• Eames Aluminum Side Chair (1958)
• Eames Aluminum Ottoman (1958)
• Eames Executive Chair (1960) (aka: Lobby Chair, Time-Life Chair)
• Eames Walnut Stool (three styles; Shapes A, B and C 1960)
• Eames tandem sling seating (1962)
• Two piece plastic chair (1971)
• Eames Sofa (1984) produced after Charles Eames' death

Other

• Molded plywood splint (~1942) for the US military
• Molded plywood nose cone and other parts for the CG-16 (flying flatcar) glider (1943)
• Pilot seat (1946) Prototype in molded plywood for the military
• Newton deck of cards (1974)
• House of cards (1952)

Quotes

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• "Eventually, everything connects."—Charles Eames [from http://powersof10.com]
• "Innovate as a last resort."^{[citation needed]}
• "Design is the appropriate combination of materials in order to solve a problem."^{[citation needed]}
• "I have never been forced to accept compromises but I have willingly accepted constraints." ^[7]
• "Take your pleasures seriously."^{[citation needed]}
• “The details are not the details. They make the design.”^{[citation needed]}
• "I like to consider myself to be very very funny, the funny thing is, I dont know what a joke actually is."^{[citation needed]}

References

• John Neuhart, Marilyn Neuhart, Ray Eames. Eames Design. New York: Harry N. Abrams, Inc., 1989. (ISBN 0-8109-0879-4)
• Eames Demetrios. An Eames Primer. New York: Universe, 2002. (ISBN 0-7893-0629-8)
• Gössel, Peter (ed.) Koenig Gloria. Eames. Taschen, 2005. (ISBN 3-8228-3651-6)

External links

Wikimedia Commons has media related to: Category:Charles Eames

• Eames Foundation
• Museum of Modern Art website
• Eames Office Website
• Art Directors Club biography, portrait and images of work
• Charles Eames - Design Dictionary—Illustrated article about Charles Eames
• Ray Eames on The California Museum's California Legacy Trails
• Charles and Ray Eames at the Internet Movie Database
• "A Communications Primer"(1953) at the Internet Archive