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Charles Macklin

 
Irish Literature Companion: Charles Macklin

Macklin, Charles [McLoughlin, Charles] (?1697-1797), actor and playwright. Born probably in Culdaff, Co. Donegal, he moved in early life to Dublin, where he played the heroine in Thomas Otway's Orphan. After his success he ran away to act in London but was brought home. In 1725 he was engaged by the Lincoln's Inn Fields company, and from 1731 began appearing regularly in comic roles. In 1741 he achieved a sensational success with The Merchant of Venice, playing Shylock as a tragic villain. Macklin's championing of realistic delivery in place of a declamatory manner greatly influenced contemporaries, notably David Garrick. In 1744 he re-opened the Haymarket Theatre with Samuel Foote and others; among the productions his own plays, such as King Henry VII (1746) and The Fortune Hunters (1750), failed repeatedly. For many years he acted alternately in London and in Dublin, initially under Thomas Sheridan at Smock Alley, and later in the Crow Street and Capel Street theatres also. Excepting the jingoistic King Henry VII (composed during the Jacobite Rebellion of 1745), his plays are comedies and farces, of which the most successful were Love à la Mode (1759) and The Man of the World (1781). These revolve around regional characters: a stage-Irishman and a fortune-hunting Scot, a stereotypical Englishman and a Jew. Macklin had success in Dublin with The True-Born Irishman (1762), a satire on the snobbish affectations of English metropolitan manners.

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Columbia Encyclopedia: Charles Macklin
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Macklin, Charles (măk'lĭn), 1697?-1797, English actor and dramatist, whose original name was Charles McLaughlin, b. Ireland. He began his career as a strolling player. His style of acting was radically different from the prevailing declamatory style of James Quin and Barton Booth. At first unsuccessful, he won fame with his dignified, tragic portrayal of Shylock in his production (1741) of The Merchant of Venice. This performance foreshadowed the naturalistic school of acting which was to be realized with David Garrick. His production (1772) of Macbeth, in which he used Scottish dress, was noted as an early attempt to achieve historical accuracy in costuming. Macklin's eccentricities and violent temper were notorious. He wrote and acted in Love à la Mode (1759) and The Man of the World (1781).

Bibliography

See biographies by E. A. Perry (1891) and W. W. Appleton (1960).

Quotes By: Charles Macklin
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Quotes:

"The law is a sort of hocus-pocus science, that smiles in yer face while it picks yer pocket: and the glorious uncertainty of it is of more use to the professors than the justice of it."

Wikipedia: Charles Macklin
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Portrait of Charles Macklin by John Opie, circa 1792

Charles Macklin (26 September 169011 July 1797), originally Cathal MacLochlainn, was an actor and dramatist born in Culdaff, a village on the scenic Inishowen Peninsula of County Donegal, part of the Province of Ulster in the north of Ireland. He was one of the most distinguished actors of his day, equally in tragedy and comedy. He gained his greatest fame in the role of Shylock in The Merchant of Venice.

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Early life

As a youth he was an active swimmer and boxer; the latter activity was alleged to have made him even uglier than he was naturally.

Actor

He spent his early manhood as an itinerant actor in troupes travelling around Britain; his thick Ulster accent was an obstacle to success. He was acting at Lincoln's Inn Fields in 1725; he eventually achieved a place at the Theatre Royal, Drury Lane in 1733. He soon left his accent and the Roman Catholicism of his mother behind, joining the Anglican church of his father.

Macklin resisted playing Shylock as a comic figure, as had been done for half a century; he prepared for his role in an almost Stanislavskian manner, researching Italian Jews like a modern method actor. He debuted on 14 February 1741 in a production that returned to Shakespeare's original text. His Shylock thrust him from being an obscure player to the most famous actor of his time. King George II saw the production and was so moved he couldn't fall asleep that night.

He played the role for nearly the next fifty years, as well as Iago in Othello and the Ghost in Hamlet. In Ben Jonson's Volpone, he played the part of Mosca. He was the creator of Sir Pertinax Macsycophant, a famous burlesque character; and he was Macbeth at Covent Garden in 1772, in a production with authentic Scottish costumes.

Memory

Macklin claimed to have such a good memory that he could recite any speech after reading it through once. As a challenge to this, Samuel Foote wrote him The Great Panjandrum, a short passage designed to be particularly difficult to memorize. (The word Panjandrum has since passed into the English language.)

Playwright

He wrote many plays, some failures, and some successful comedies, like Love a la Mode (1759), The School for Husbands, or The Married Libertine (1761), and The Man of the World (1781). The True-Born Irishman (1763) was a hit in Ireland, and a flop in England.

Marriages

He married his former mistress, Ann Grace, in 1739. Their daughter, Mary Macklin (ca. 1734 – 1781), was a well-known actress in her own era. His wife died in December 1758; he married again the next year, to an Elizabeth Jones.

Legal problems

In 1735 Macklin quarrelled with a fellow actor named Hallam and accidentally killed the man by thrusting his cane through Hallam's eye. He was tried for murder, conducted his own defense, and won an acquittal. Macklin lived a tempestuous life, often involved in lawsuits; sometimes acting as his own lawyer as he had in his murder trial, and sometimes winning.

Death

He died at least a centenarian; his wife gave his birth year as 1690, making him 107 at his death, though it was probable that his wife didn't know his real birth date. It is suggested that he was born in 1710 (see tablet below).

Macklin is remembered today in his native Inishowen, where the Charles Macklin Autumn School is held each October in the village of Culdaff.

This article incorporates public domain text from: Cousin, John William (1910). A Short Biographical Dictionary of English Literature. London, J. M. Dent & sons; New York, E. P. Dutton.

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Irish Literature Companion. The Concise Oxford Companion to Irish Literature. Copyright © 1996, 2000, 2003 by Oxford University Press. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more
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Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Charles Macklin" Read more