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Charlie Gracie

 
Artist: Charlie Gracie
  • Born: May 14, 1936, Philadelphia, PA
  • Active: '50s, '60s, '70s, '80s, 2000s
  • Genres: Rock
  • Instrument: Vocals, Guitar
  • Representative Albums: "The Best of Charlie Gracie 1956-1958," "Live at the Stockton Globe," "Rockin' Italy"

Biography

Charlie Gracie was Philadelphia's first rock & roll star, the first successful artist on that city's famed Cameo Records, an early regular on American Bandstand, and a skilled rockabilly-style guitarist. He is best known for the 1957 hit single "Butterfly," which rose to number one on the Billboard charts. His popularity was also significant in the U.K. and his lingering influence there is such that his praises have been sung by the likes of Paul McCartney (who covered "Fabulous," one of Gracie's early recordings), George Harrison, Van Morrison and Graham Nash.

Born May 14, 1936 (the same day as Bobby Darin), with his surname originally spelled "Graci", Charlie Gracie grew up in South Philadelphia, listening to country music and big-band jazz. At age 10, he obtained his first guitar, and by 15 he was a prodigy, performing regularly and winning contests on the simulcast radio and television show of early jazz great Paul Whiteman. Signed first to Cadillac Records, Gracie's first single, "Boogie-Woogie Blues," recorded in 1951, was not a hit, nor were a couple of follow-ups for other labels. Then, in 1956, he was signed to the fledgling Cameo label. Gracie's first recording consisted of two songs written by the label's co-owners, Bernie Lowe and Kal Mann, "Butterfly" and "Ninety-Nine Ways." With repeated appearances on American Bandstand, hosted by Dick Clark, as well as The Ed Sullivan Show and other TV programs of the day, Gracie's popularity soared, and by April 1957, "Butterfly" had reached number one in the States. ("Butterfly" also became a chart-topper for crooner Andy Williams the same year.) Gracie's style was not as raucous as fellow early guitar rockers such as Gene Vincent or Eddie Cochran, but he made up for any loss of grit with an undeniable professionalism and easy likeability. Gracie's guitar style has been described as a mix of rockabilly, jump blues, swing, and country boogie, while his vocals incorporate pop, blues, R&B, and rock & roll influences.

Another Mann-Lowe composition, "Fabulous" followed "Butterfly" in the spring of 1957, reaching number 16 in the U.S. and number eight in the U.K. Gracie subsequently toured the U.K. -- the first solo American rock & roller to do so -- headlining at the Hippodrome Theater. He scored only one further hit in America, "I Love You So Much It Hurts," written by country singer Floyd Tillman, which only reached number 71 (although it reached number 14 in the U.K.). His biggest hit in England was yet to come, "Wanderin' Eyes," which reached number six there, and he logged his final U.K. hit with "Cool Baby." Gracie continued to record for Cameo into 1958, when he had a falling out with Lowe. Clark no longer booked him on his program after that, and Gracie faded from the charts. He recorded for several other labels into the '60s, including Coral and Roulette, and has continued to perform regularly both near Philadelphia and in Europe, where the rockabilly revival kept his popularity high for decades. Gracie was still going strong into the first decade of the 21st century. His Cameo catalog remained unavailable on CD for many years, until the ABKCO label released a compilation in 2006. In 2007, a documentary film chronicling Gracie's story Fabulous, was aired on PBS stations. ~ Jeff Tamarkin, All Music Guide
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Charlie Gracie (born Charles Anthony Graci, May 14, 1936, Philadelphia, Pennsylvania[1]) is an American rock pioneer and singer.

His father encouraged him to play the guitar. Gracie's musical career started at the age of 14 when he appeared on the Paul Whiteman television show.

Career

Gracie performed at weddings, local restaurants, and parties, and on local radio and television. He also won regional talent contests.

The owner of Cadillac Records, Graham Prince, heard one of Gracie's early radio performances, contacted the young musician and signed him to a recording contract. This association yielded the single, "Boogie Woogie Blues" backed with "I'm Gonna Sit Right Down And Write Myself A Letter". The record led to Charlie's first appearance on Bob Horn's American Bandstand television program. (This was four years before Dick Clark became the host). After cutting two more singles for Cadillac, "Rockin´ ´n´ Rollin´" being one of the titles (and remember, this was in 1952!) Charlie moved on to 20th Century Records where he put out another four sides. The discs he made embraced a wide variety of styles: jump blues, gospel, and country boogie with the influences of Big Joe Turner, B.B. King, Louis Jordan, Roy Acuff, and Hank Williams.

By 1956, Philadelphia had given birth to the new Cameo record label. Its founders, in search of a strong talent, signed Gracie later that year. With a $600 budget, this new union went into the recording studio to record "Butterfly" backed with "Ninety Nine Ways". It became a hit record, reaching the #5 on the Billboard Hot 100 chart. Charlie received a gold disc for the two million plus sales.[1] His only other Top 40 hit was with a song entitled "Fabulous" the same year, which reached #16. Two other substantial sellers followed; "Wandering Eyes", his third Billboard Top 100 hit, which peaked at #71, and "Cool Baby". The financial success of these hits bankrolled the Cameo label, which became a dominant force in the music industry for several years.

Gracie's personal appearances grew until he performed and headlined some of the biggest venues of that time: Alan Freed's rock and roll shows at the Brooklyn Paramount, The Ed Sullivan Show, American Bandstand and the 500 Club in Atlantic City. He appeared in the 1957 film, Jamboree,[2] and toured with Chuck Berry, The Everly Brothers, Bo Diddley and his close friend, Eddie Cochran.

Gracie became only the second American rock and roller to bring this new art form to the British concert stage. His two extensive tours in 1957 and 1958 were topped off by headlining the Palladium and the Hippodrome in London. In the audiences, among Gracie's fans, were future rock musicians Graham Nash,[3] members of The Beatles[3] and The Rolling Stones, Joe Cocker and Van Morrison.[citation needed] These performers and many other well-known acts have credited Gracie as an influence. George Harrison referred to Gracie's guitar technique as 'brilliant' in a March 1996 interview with Billboard; Paul McCartney invited Gracie to the premiere party of his 1999 release which paid tribute to the early pioneers of rock music.

According to the documentary film Wages of Spin, Gracie sued Cameo Records for unpaid royalties and in retaliation was blacklisted from the radio and American Bandstand. Per the film, Bandstand host Dick Clark had a relationship with the record company and was paid $14,000 for services related to Gracie's song "Butterfly".[3]

Gracie moved on to other record labels such as Coral, Roulette, Felsted, and Diamond, performing more of the R&B he preferred. Even as success slowed, he continued to perform in clubs, theaters, and resorts, from the 1960s through the 1990s. He still enjoys a loyal following in the United Kingdom, Germany, Austria, Switzerland, France, and the Netherlands.

During the late 1990s, he was introduced to Quentin Jones, a guitarist, studio owner and label head. Jones had a strong background in roots music, having played in a rockabilly band produced by The Stray Cats bassist Lee Rocker. He also played lead guitar on Robert Gordon's 1996 self titled CD. Gracie and Jones met at Valley Forge, Pennsylvania. They decided to record an album together with Jones acting as producer. He brought in bandmate Dave Ferrara to play drums. Jones played bass guitar, combining with Gracie's guitar and vocals. Gracie invited Jones and Ferrara to back him when Van Morrison commissioned Gracie to open his 2000 West Coast tour.

Contributing their musical talents on his latest CD were Tommy Conwell, whose guitar playing is featured on "Still 19", Ralph Miller on piano, Daryl Jenkins on saxophone, and Pete Barnhart on percussion. Graham Nash contributed vocals to the song "A little Too Soon To Tell".

Gracie's pioneering contribution to the genre has been recognized by the Rockabilly Hall of Fame.

In August 2007, Gracie was honored as one of the most influential musicians and singers at an unveiling of a mural painting at the original American Bandstand studio in Philadelphia, along with a number of other artists and performers. Through the collaboration of Charles Amann, noted historian and authority of the period, and the muralist Diane Keller, the unveiling took place on 2 August, in celebration of the fiftieth anniversary of American Bandstand 's first national broadcast on 5 August 1957.

In January 2008, he played a gig with an aspiring rock and roll piano player, Sean Gale.

Gracie is a devoted family man, married 40 plus years to his first and only wife, Joan. They have two children, a son and a daughter.

References

  1. ^ a b Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. p. 91. ISBN 0-214-20512-6. 
  2. ^ IMDb.com
  3. ^ a b c "Showbiz Mogul Dick Clark Under Harsh Spotlight In Documentary". The New York Times. 2009-09-24. http://www.nytimes.com/reuters/2009/09/24/arts/entertainment-us-clark.html. 

External links


 
 
Learn More
Don Haven & the Hi-Fi's (1991 Album by Various Artists)
Jamboree (1957 Musical Film)
The Best of Charlie Gracie 1956-1958 (2006 Album by Charlie Gracie)

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