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Chekhov's gun

 

Chekhov's gun is a literary technique whereby an apparently irrelevant element is introduced early in the story whose significance becomes clear later in the narrative.[dubious ] The concept is named after Russian playwright Anton Chekhov, who mentioned several variants of the concept in letters.

The phrase "Chekhov's gun" is often interpreted as a method of foreshadowing, but the concept can also be interpreted as meaning "do not include any unnecessary elements in a story." Failure to observe the rule of "Chekhov's gun" may be cited by critics when discussing plot holes.

Contents

Chekhov's statements of this principle

  • "One must not put a loaded rifle on the stage if no one is thinking of firing it." Chekhov, letter to Aleksandr Semenovich Lazarev (pseudonym of A. S. Gruzinsky), 1 November 1889.
  • "If in the first act you have hung a pistol on the wall, then in the following one it should be fired. Otherwise don't put it there." From Gurlyand's Reminiscences of A. P. Chekhov, in Teatr i iskusstvo 1904, No. 28, 11 July, p. 521.’[1]
  • "If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off. If it's not going to be fired, it shouldn't be hanging there." From S. Shchukin, Memoirs (1911)

See also

References

  1. ^ In 1889, 24-year-old Ilia Gurliand noted these words down from Chekhov's conversation: "If in Act I you have a pistol hanging on the wall, then it must fire in the last act". Donald Rayfield, Anton Chekhov: A Life, New York: Henry Holt and Company, 1997, ISBN 0-8050-5747-1, 203. Ernest. J. Simmons says that Chekhov repeated the point later (which may account for the variations). Ernest J. Simmons, Chekhov: A Biography, Chicago: Chicago University Press, 1962, ISBN 0-226-75805-2, 190.

External links


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