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Chicago School

 
Dictionary: Chicago School

n.
A group of U.S. architects of the late 19th to early 20th century, including William Le Baron Jenney and Louis Sullivan, noted for their utilitarian designs and their use of steel framing as a skeleton for multistory buildings.

[From the core of the group being located at the University of Chicago.]


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Group of architects and engineers who in the 1890s exploited the twin developments of structural steel framing and the electrified elevator, paving the way for the ubiquitous modern-day skyscraper. Their work earned Chicago a reputation as the "birthplace of modern architecture." Among the school's members were Louis Sullivan, Daniel Burnham, and John Wellborn Root (1850 – 91).

For more information on Chicago School, visit Britannica.com.

Art Encyclopedia: Chicago School
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Term applied today to an informal group of architects, active mainly in Chicago in the late 19th century and early 20th. The architects whose names have come to be associated with the term include Dankmar Adler, Daniel H. Burnham, William Holabird, William Le Baron Jenney, Martin Roche and, primarily, LOUIS SULLIVAN. All these architects were linked by their use of the new engineering and construction methods developing in high-rise buildings from the 1880s (sometimes described as 'Chicago construction') and by a new approach to the articulation of fa?ades. In its original use, however, as defined in 1908 by the architect and writer Thomas E. Tallmadge (1876-1940), the term was applied to the work of architects of the next generation (see

See the Abbreviations for further details.



Architecture: Chicago School
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A group of highly influential architects, including Adler and Sullivan, Burnham and Root, William LeBaron Jenney, and their followers in Chicago in the latter part of the 19th century. The School’s central philosophy was that architectural design should be of its time rather than based on the past. This group initially applied its philosophy to both skyscrapers and homes, but its greatest and most lasting influence was in the design of skyscrapers, and its greatest achievements were in structural design. Also see Prairie School.


Law Encyclopedia: Chicago School
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This entry contains information applicable to United States law only.

Among contemporary movements in U.S. law, few have had as much influence as the Chicago school. This school of thought helped revolutionize legal thinking on economics from the 1970s to the 1980s. At the heart of its philosophy is the idea that economic efficiency should be the goal of national policy and law. This argument left its mark, in particular, in the area of antitrust, where the Chicago school swayed the U.S. Supreme Court for more than a decade. Although they received less attention in the 1990s than they had earlier, the school's leaders continued to rank among the preeminent — and more controversial — figures on the legal landscape.

The Chicago school takes its name from the University of Chicago, with which most of its core proponents were all affiliated at one time. These include Professor Ronald H. Coase, Judge Frank H. Easterbrook, Professor Richard A. Epstein, Professor Daniel R. Fischel, Judge Richard A. Posner, and Judge Ralph K. Winter, Jr. Robert H. Bork, another prominent member, was a professor at Yale. The early work of the Chicago school, produced in the 1960s, built on scholarship by Professor Aaron Director. Director's specialty had been antitrust, the area of law that addresses unfair competition in business. Antitrust has a long history, in which ideas have come and gone. Through the late 1960s, the U.S. Supreme Court took a harsh view of restraints on trade. The Court ruled that certain anticompetitive practices were " per se" illegal — so harmful to competition that they need not even be evaluated on a case-by-case basis.

The Chicago school urged the Court to take another look. Scholars of the school praised economic efficiency. If they could show, for instance, that certain restraints on trade were actually a result of efficient competition, then why should these practices be considered illegal by courts? Underlying this view was the contention that markets could take care of themselves without the need for heavy regulation. It was not long before the Chicago school's ideas began to influence the Supreme Court. In 1977, the Court abandoned its reliance on per se rules in Continental T.V. v. GTE Sylvania, 433 U.S. 36, 97 S. Ct. 2549, 53 L. Ed 2d 568, and turned instead to a rule of "reason," opening a new era in antitrust law.

Throughout the 1970s, the Chicago school continued to refine its economic theory in numerous essays and treatises such as Posner's Antitrust Law (1976) and Robert H. Bork's The Antitrust Paradox (1978), both of which attacked the idea that big business is necessarily bad. The school argued that an unrestricted market, in which producers and consumers acted freely, will operate rationally and efficiently all by itself. The hands-off implications of this picture had broad significance for corporate law and national policy. Chicago school theory influenced the Reagan administration's attack on government regulation.

President Ronald Reagan appointed several Chicago school members to the federal bench: Posner in 1981 to the Seventh Circuit, Winter in 1982 to the Second Circuit, and Easterbrook in 1985 to the Seventh Circuit. Bork, a judge on the U.S. Court of Appeals for the District of Columbia Circuit, was nominated to the U.S. Supreme Court in 1987. However, widespread protest over his views led the U.S. Senate to block his confirmation.

In the 1990s the Chicago school continued to provoke lively debate. Bork, despite resigning from the judiciary in 1988 following his failed nomination to the Supreme Court, attracted attention with publications such as his 1990 book The Tempting of America: The Political Seduction of the Law. But in the area of antitrust, at least, the heyday of the school's influence was over. For years, the Chicago school's theory had been undergoing a reevaluation, with critics questioning its faith in government nonintervention.

Wikipedia: Chicago school (architecture)
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Chicago's architecture is famous throughout the world and one style is referred to as the Chicago School. The style is also known as Commercial style.[1] In the history of architecture, the Chicago School was a school of architects active in Chicago at the turn of the 20th century. They were among the first to promote the new technologies of steel-frame construction in commercial buildings, and developed a spatial aesthetic which co-evolved with, and then came to influence, parallel developments in European Modernism. A "Second Chicago School" later emerged in the 1960s and 1970s which pioneered new structural systems such as the tube-frame structure.[2]

Contents

First Chicago School

While the term "Chicago School" is widely used to describe buildings in the city during the 1880s and 1890s, this term has been disputed by scholars, in particular in reaction to Carl Condit's 1952 book The Chicago School of Architecture. Historians such as H. Allen Brooks, Winston Weisman and Daniel Bluestone have pointed out that the phrase suggests a unified set of aesthetic or conceptual precepts, when, in fact, Chicago buildings of the era displayed a wide variety of styles and techniques. Other scholars[who?] have noted that the phrase implies that Chicago was the only locus of technical or aesthetic innovation in skyscraper design, when in fact developments in Boston, New York, Philadelphia and Cincinnati often paralleled or preceded similar work in Chicago[citation needed]. Contemporary publications used the phrase "Commercial Style" to describe the innovative tall buildings of the era rather than proposing any sort of unified "school".

Chicago School window grid

Some of the distinguishing features of the Chicago School are the use of steel-frame buildings with masonry cladding (usually terra cotta), allowing large plate-glass window areas and the use of limited amounts of exterior ornament. Sometimes elements of neoclassical architecture are used in Chicago School skyscrapers. Many Chicago School skyscrapers contain the three parts of a classical column. The first floor functions as the base, the middle stories, usually with little ornamental detail, act as the shaft of the column, and the last floor or so represent the capital, with more ornamental detail and capped with a cornice.

The "Chicago window" originated in this school. It is a three-part window consisting of a large fixed center panel flanked by two smaller double-hung sash windows. The arrangement of windows on the facade typically creates a grid pattern, with some projecting out from the facade forming bay windows. The Chicago window combined the functions of light-gathering and natural ventilation; a single central pane was usually fixed, while the two surrounding panes were operable. These windows were often deployed in bays, known as oriel windows, that projected out over the street.

Architects whose names are associated with the Chicago School include Henry Hobson Richardson, Dankmar Adler, Daniel Burnham, William Holabird, William LeBaron Jenney, Martin Roche, John Root, Solon S. Beman, and Louis Sullivan. Frank Lloyd Wright started in the firm of Adler and Sullivan but created his own Prairie Style of architecture. Ludwig Mies van der Rohe, who had run the Bauhaus in Germany before coming to Chicago, is sometimes credited with the rise of a second "Chicago school" between 1939 and 1975.

The Home Insurance Building, which some regarded as the first skyscraper in the world, was built in Chicago in 1885 and was demolished in 1931. Some of the more famous Chicago School buildings include:

Louis Sullivan's Carson, Pirie, Scott & Co. Building

Second Chicago School

Willis Tower, completed in 1973, introduced the bundled tube structural system and was the world's tallest building until 1998

In the 1960s, a "Second Chicago School" emerged, largely due to the ideas of structural engineer Fazlur Khan.[2] He introduced a new structural system of framed tubes in skyscraper design and construction. The Bangladeshi engineer Fazlur Khan defined the framed tube structure as "a three dimensional space structure composed of three, four, or possibly more frames, braced frames, or shear walls, joined at or near their edges to form a vertical tube-like structural system capable of resisting lateral forces in any direction by cantilevering from the foundation."[3] Closely spaced interconnected exterior columns form the tube. Horizontal loads, for example wind, are supported by the structure as a whole. About half the exterior surface is available for windows. Framed tubes allow fewer interior columns, and so create more usable floor space. Where larger openings like garage doors are required, the tube frame must be interrupted, with transfer girders used to maintain structural integrity.

The first building to apply the tube-frame construction was the DeWitt-Chestnut apartment building which Khan designed and was completed in Chicago by 1963.[4] This laid the foundations for the tube structures of many other later skyscrapers, including his own John Hancock Center and Sears Tower, and can been seen in the construction of the World Trade Center, Petronas Towers, Jin Mao Building, and most other supertall skyscrapers since the 1960s.[5]

Today, there are different styles of architecture all throughout the city, such as the Chicago School, neo-classical, art deco, modern, and postmodern.

See also

Notes

  1. ^ "Commercial style definition". Dictionary of Wisconsin History. Wisconsin Historical Society. http://www.wisconsinhistory.org/dictionary/index.asp?action=view&term_id=9256&keyword=Space. Retrieved 2007-06-26. 
  2. ^ a b Billington, David P. (1985), The Tower and the Bridge: The New Art of Structural Engineering, Princeton University Press, pp. 234-5, ISBN 069102393X 
  3. ^ "Evolution of Concrete Skyscrapers". http://www.civenv.unimelb.edu.au/ejse/Archives/Fulltext/200101/01/20010101.htm. Retrieved 2007-05-14. 
  4. ^ Alfred Swenson & Pao-Chi Chang (2008). "building construction". Encyclopædia Britannica. http://www.britannica.com/EBchecked/topic/83859/building-construction. Retrieved 2008-12-09. 
  5. ^ Ali, Mir M. (2001), "Evolution of Concrete Skyscrapers: from Ingalls to Jin mao", Electronic Journal of Structural Engineering 1 (1): 2-14, http://www.ejse.org/Archives/Fulltext/200101/01/20010101.htm, retrieved 2008-11-30 

 
 

 

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Dictionary. The American Heritage® Dictionary of the English Language, Fourth Edition Copyright © 2007, 2000 by Houghton Mifflin Company. Updated in 2009. Published by Houghton Mifflin Company. All rights reserved.  Read more
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Art Encyclopedia. The Concise Grove Dictionary of Art. Copyright © 2002 by Oxford University Press, Inc.. All rights reserved.  Read more
Architecture. McGraw-Hill Dictionary of Architecture and Construction. Copyright © 2003 by McGraw-Hill Companies, Inc. All rights reserved.  Read more
Law Encyclopedia. West's Encyclopedia of American Law. Copyright © 1998 by The Gale Group, Inc. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Chicago school (architecture)" Read more