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Chinatown

DVD Release: Chinatown [WS & 25th Anniversary Edition]

  • Release Date: 1999
  • Dolby Digital: English 5.1 Surround; restored English mono; French mono
  • Retrospective: interviews with Roman Polanski, Robert Towne, and Robert Evans
  • Widescreen version enhanced for 16x9
  • English subtitles
  • Dynamic interactive menus
  • Scene selection
  • Theatrical trailer

DVD Release: Chinatown [WS]

  • Widescreen version enhanced for 16x9
  • Dolby Digital
  • English subtitles
  • Dynamic interactive menus
  • Scene selection
  • Theatrical trailer
  • Retrospective interviews with Roman Polanski, Robert Towne, and Robert Evans

  • Rating: StarStarStarStarStar
  • Genre: Mystery
  • Movie Type: Detective Film, Post-Noir (Modern Noir)
  • Themes: Private Eyes, Haunted By the Past, Femmes Fatales
  • Director: Roman Polanski
  • Main Cast: Jack Nicholson, Faye Dunaway, John Huston, Perry Lopez, John Hillerman
  • Release Year: 1974
  • Country: US
  • Run Time: 130 minutes
  • MPAA Rating: R

Plot

"You may think you know what you're dealing with, but believe me, you don't," warns water baron Noah Cross (John Huston), when smooth cop-turned-private eye J.J. "Jake" Gittes (Jack Nicholson) starts nosing around Cross's water diversion scheme. That proves to be the ominous lesson of Chinatown, Roman Polanski's critically lauded 1974 revision of 1940s film noir detective movies. In 1930s Los Angeles, "matrimonial work" specialist Gittes is hired by Evelyn Mulwray (Faye Dunaway) to tail her husband, Water Department engineer Hollis Mulwray (Darrell Zwerling). Gittes photographs him in the company of a young blonde and figures the case is closed, only to discover that the real Mrs. Mulwray had nothing to do with hiring Gittes in the first place. When Hollis turns up dead, Gittes decides to investigate further, encountering a shady old-age home, corrupt bureaucrats, angry orange farmers, and a nostril-slicing thug (Polanski) along the way. By the time he confronts Cross, Evelyn's father and Mulwray's former business partner, Jake thinks he knows everything, but an even more sordid truth awaits him. When circumstances force Jake to return to his old beat in Chinatown, he realizes just how impotent he is against the wealthy, depraved Cross. "Forget it, Jake," his old partner tells him. "It's Chinatown." Reworking the somber underpinnings of detective noir along more pessimistic lines, Polanski and screenwriter Robert Towne convey a '70s-inflected critique of capitalist and bureaucratic malevolence in a carefully detailed period piece harkening back to the genre's roots in the 1930s and '40s. Gittes always has a smart comeback like Humphrey Bogart's Sam Spade and Philip Marlowe, but the corruption Gittes finds is too deep for one man to stop. Other noir revisions, such as Robert Altman's The Long Goodbye (1973) and Arthur Penn's Night Moves (1975), also centered on the detective's inefficacy in an uncertain '70s world, but Chinatown's period sheen renders this dilemma at once contemporary and timeless, pointing to larger implications about the effects of corporate rapaciousness on individuals. Polanski and Towne clashed over Chinatown's ending; Polanski won the fight, but Towne won the Oscar for Best Screenplay. Chinatown was nominated for ten other Oscars, including Picture, Director, Actor, Actress, Cinematography, Art Direction, Costumes, and Score. ~ Lucia Bozzola, All Movie Guide

Review

By 1974, a lingering national malaise spawned by the killing of John F. Kennedy and fed by the national debate over the Vietnam War, the continued wave of political assassinations, and the sudden rise and slow collapse of the counterculture movement had finally come to a head with the revelations of the Watergate scandal. Chinatown, a glossy variant on the hard-boiled film noir detective pictures of the 1940s, suggested that none of this was new, and that ugly battles over power and profit touched every area of our lives...even the water we drink. In Chinatown, elected officials are the easily purchased pawns of corrupt power brokers whose appetites know no check or balance (ranging from simple greed to the violation of natural law through incest), and the closest thing we have to a honest and moral guide through this fallen world is a private detective -- a man whose career dictates that his loyalty can be purchased for a relatively small fee. While Roman Polanski's expert pacing and the superbly modulated performances of Jack Nicholson, Faye Dunaway, and John Huston would have made Chinatown memorable regardless of its political and cultural contexts, the intelligent but relentless cynicism of Robert Towner's screenplay reflected the dark tone of '40s noir while updating it for a California-fed '70s culture. ~ Mark Deming, All Movie Guide

Cast


Diane Ladd - Ida Sessions; Darrell Zwerling - Hollis Mulwray; Jim Burk - Farmer in the Valley; Fritzi Burr - Mulwray's Secretary; Lee de Broux - Policeman; Cecil Elliott - Emma Dill; Jerry Fujikawa - Gardener; Bruce Glover - Duffy; Nandu Hinds - Sophie; John Holland - Farmer in the Valley; Rance Howard - Irate Farmer; Paul Jenkins - Policeman; Roy Jenson - Claude Mulvihill; Charles Knapp - Mortician; Joe Mantell - Walsh; James O'Reare - Lawyer; Belinda Palmer - Katherine; Beulah Quo - Maid; Roy Roberts - Mayor Bagby; Allan Warnick - Clerk; Noble Willingham - Councilman; Burt Young - Curly; Denny Arnold - Farmer in the Valley; James Hong - Evelyn's Butler; Roman Polanski - Man With Knife; Jesse Vint - Farmer in the Valley; Elizabeth Harding - Curly's Wife; Bob Golden - Policeman; Frederico Roberto - Cross's Butler; Doc Erickson - Customer; George Justin - Barber; Dick Bakalyan - Loach; Elliott Montgomery - Councilmen; Claudio Martinez - Boy on Horseback; John Rogers - Mr. Palmer

Credit

John A. Alonzo - Cinematographer; W. Stewart Campbell - Art Director; Vernon Duke - Songwriter; C.O. Erickson - Associate Producer; Robert Evans - Producer; Dorothy Fields - Songwriter; Logan R. Frazee - Special Effects; Rudolf Friml - Songwriter; Ira Gershwin - Songwriter; Jerry Goldsmith - Composer (Music Score); Lee C. Harman - Makeup; Jerome Kern - Songwriter; Howard W. Koch, Jr. - First Assistant Director; Ruby Levitt - Set Designer; Sam O'Steen - Editor; Roman Polanski - Director; Ralph Rainger - Songwriter; Leo Robin - Songwriter; Anthea Sylbert - Costume Designer; Richard Sylbert - Production Designer; Hank Ebbs - Makeup; Hank Edds - Makeup; Brian Hooker - Songwriter; Gabe Resh - Set Designer; Robert Resh - Set Designer; Mike Fenton - Casting; Jane Feinberg - Casting; Robert Towne - Screenwriter

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Wikipedia: Chinatown (film)
Chinatown
Chinatownposter1.jpg
Directed by Roman Polanski
Produced by Robert Evans
Written by Robert Towne
Starring Jack Nicholson
Faye Dunaway
John Huston
Music by Jerry Goldsmith
Distributed by Paramount Pictures
Release date(s) June 20 1974 (U.S.A.)
Running time 131 min.
Language English
Budget $6,000,000 US (est.)
Followed by The Two Jakes
All Movie Guide profile
IMDb profile

Chinatown is a 1974 film directed by Roman Polanski featuring many elements of the film noir genre, particularly a multi-layered story that is part mystery and part psychological drama. The movie won several high-profile awards, including an Academy Award in 1975 for Best Original Screenplay for Robert Towne.

Chinatown stars Jack Nicholson, Faye Dunaway, and John Huston and also features a cameo appearance by its director, Roman Polanski. Also appearing in the film are John Hillerman, Diane Ladd, Perry Lopez, James Hong, Joe Mantell, Bruce Glover, Burt Young, and Noble Willingham. The film has been selected for preservation in the United States National Film Registry. A sequel, called The Two Jakes, was released in 1990, starring Jack Nicholson (who also directed it), with a screenplay written by Robert Towne.

Plot

A Los Angeles private investigator named Jake 'J.J' Gittes (Nicholson) is hired to spy on Hollis Mulwray, the chief engineer for the city's water department. The woman hiring Gittes claims to be Evelyn Mulwray, Hollis' wife. Mr. Mulwray spends most of his time investigating dry river beds. Mr. Mulwray also has a heated argument with an elderly man. Gittes finally catches Mulwray during an outing with a young blonde and photographs the pair in a kiss, which becomes a scandal in the press. After the story is published, Gittes learns that the woman who hired him was not the real Evelyn Mulwray.

Clues suggest a scandal in the city government: Despite a serious drought and an expensive proposal to build a new dam, the Water and Power department is dumping fresh water into the ocean at night.

On a tip, Gittes seeks out Mr. Mulwray at a reservoir but finds the police there instead, investigating Hollis Mulwray's death from drowning. When the police speak to Mrs. Mulwray about the death, they assume she hired Gittes, which Gittes corroborates. She thanks him and hires him to investigate what happened to her husband.

Later that night, while breaking into the reservoir's secured area, Gittes is confronted by water department security, Claude Mulvihill, and a thug (a cameo by Polanski himself), who slashes Jake's nose for being a "very nosy fella." Gittes receives a call from Ida Sessions, the woman who was hired to pretend to be Mrs. Mulwray, who suggests that Gittes look at the obituary column. At the water department, Gittes notices photographs of the elderly man Mulwray quarreled with a few days before his death, Noah Cross (Huston). Cross, who is Evelyn Mulwray's father, used to own the water department as Mulwray's business partner. Cross ended his association with the department when the partners sold it to the city.


Cross hires Gittes to find the blond girl Hollis had been seeing, saying that she might know what happened to him. Acting on a hint from Sessions, Gittes begins to unravel an intricate water scandal. Cross and his partners have been forcing farmers out of their land so they can buy it cheap, after which a newly-built (and controversial) dam and water system would start redirecting much of L.A.'s water supply to that land, dramatically increasing its value. Since Cross wants no record of such transactions, he has partnered with a retirement home community in such a way that many of the eldest residents within (one of whom is mentioned in the obituary column) would legally, but unknowingly, own the land.

Gittes follows Evelyn to a middle-class house and sees Mulwray's girlfriend crying. Evelyn claims this is her sister, who was crying because she had just learned about Hollis' death. Later that night, Sessions is murdered. Escobar points out that the coroner's report proves that salt water was found in Mulwray's lungs even though the body was found in a freshwater reservoir.

Gittes returns to Evelyn's mansion, where he discovers a pair of eyeglasses in a garden saltwater pond. Gittes confronts Evelyn, who reveals that the blonde girl, Katherine, is both her sister and her daughter; Gittes asks Evelyn if her father raped her and she shakes her head no but it is insinuated through her body language and frequently expressed fear of her father that she is not being wholly truthful. Gittes then chooses to help Evelyn escape. Evelyn remembers that the eyeglasses could not have been her husband's because they are bifocals. Gittes arranges for the two women to flee to Mexico and instructs Evelyn to meet him at her butler's address in Chinatown. Evelyn leaves, and Cross arrives with Mulvihill under the pretext that Gittes has found the girl; however, Gittes confronts Cross with the accusation of murder and the glasses. Mulvihill takes away the eyeglasses that are the only physical evidence. Cross forces Gittes to take him to the girl. When Gittes arrives at Evelyn's hiding place in Chinatown, the police are already there.

When Cross approaches the girl, demanding custody of her, Evelyn pushes him back, shoots him in the arm and starts her car. The police arrest Gittes, and as Evelyn drives away, they open fire and Evelyn is shot and killed. Cross clutches Evelyn's shrieking daughter as a devastated Gittes is comforted by his associates, one of them saying, "Forget it, Jake. It's Chinatown."


The plot is based in part on real events that formed the California Water Wars, in which William Mulholland acted on behalf of Los Angeles interests to secure water rights in the Owens Valley.

Background and analysis

Chinatown was the first part of a planned trilogy written by Robert Towne about J.J. Gittes and L.A. The second part, The Two Jakes, about the natural gas business in Los Angeles in the 1940s, was directed by Nicholson and released in 1990. However, this film's commercial and critical failure scuttled plans to make Cloverleaf, a film about the development of the area's freeway system (this plot actually became the basis of the live action/animation film Who Framed Roger Rabbit, also set in the 1940s).

Because Chinatown was planned as the first film in a trilogy, Nicholson turned down all detective roles he was offered so that the only detective he played would be Jake Gittes.[citation needed] Gittes was named after Nicholson's friend, producer Harry Gittes. The original script was over 180 pages. Roman Polanski eliminated Gittes' voiceover narration, which was written in the script, and filmed the movie so the audience discovered the clues at the same time Gittes did.

The title Chinatown is both a reference to the setting of the film's tragic ending as well as a symbolic reference to the demons from the past that haunt the characters' lives. Chinatown can also symbolically mean here an alien place beyond J.J. Gittes's understanding or control. The idea of past events haunting and influencing characters' actions is a common thread throughout the film. Every major character in the film is troubled by inner demons that seem to have a profound influence on the present events that Gittes is investigating. Examples of these demons include the breakup of Noah Cross' partnership with Mr. Mulwray, Jake's inability to save a woman he cared for when he was a detective in Chinatown, and Evelyn's troubled personal history. The opening scenes set this theme with the minor character Curly shown devastated by the revelation that his wife is having an affair, and by Jake advising the Evelyn Mulwray imposter, who insists on finding out about her "husband's" infidelity, that it is better to "let sleeping dogs lie." The fact that Jake offers this advice is ironic since it is Jake's inability to "let sleeping dogs lie" that partially leads to the film's tragic ending. The theme of the haunting of characters' pasts is punctuated in the film's final line when Jake's partner Walsh advises Gittes to "Forget it, Jake. It's Chinatown," suggesting that Gittes will be haunted by the memories of this case and that it would be in his best interest to bury his past.

Robert Towne intended the screenplay to have a happy ending. He and Polanski argued over it, with Polanski insisting on a tragic end. Towne was originally offered $175,000 to write a screenplay for The Great Gatsby (1974), but felt he couldn't better the F. Scott Fitzgerald novel and accepted $25,000 to write his own story, Chinatown, instead.

The characters Hollis Mulwray and Noah Cross are both references to the chief engineer for the Los Angeles Department of Water and Power, William Mulholland (1855-1935) — the name Hollis Mulwray is partially an anagram for Mulholland. The name Noah is a reference to a flood — to suggest the conflict between good and evil in Mulholland. Mulholland was the designer and engineer for the Los Angeles Aqueduct, which brought water from the Owens Valley to Los Angeles. The dam Cross and the city want to build — and which Mulwray opposes for reasons of engineering and safety — is a direct reference to the St. Francis Dam, which catastrophically failed in 1928, killing more than 600 people and ending Mulholland's career.

This was the last movie Roman Polanski filmed in the U.S., after he was arrested and convicted of sexual assault of a minor. Polanski was outraged when producer Robert Evans ordered the film lab to give Chinatown a reddish look. Polanski demanded that the film be corrected.

Phillip Lambro was originally hired to write the film's music score, but it was rejected at the last minute by producer Robert Evans, leaving Jerry Goldsmith only 10 days to write and record a new one. The haunting trumpet solos are by the Hollywood studio musician Uan Rasey.

Awards

Academy Awards - 1974

Wins:

Nominations:

Golden Globes - 1974

Wins:

Nominations

Other Awards

Bibliography

  • Easton, Michael (1998) Chinatown (B.F.I. Film Classics series). Los Angeles: University of California Press. ISBN 0-85170-532-4.
  • Towne, Robert (1997). Chinatown and the Last Detail: 2 Screenplays. New York: Grove Press. ISBN 0-8021-3401-7.
  • Tuska, Jon (1978). The Detective in Hollywood. Garden City, New York: Doubleday & Company. ISBN 0-385-12093-1.


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Preceded by
The Exorcist
Golden Globe for Best Picture - Drama
1975
Succeeded by
One Flew Over the Cuckoo's Nest

 
 

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