
[Middle English chivalrie, from Old French chevalerie, from chevalier, knight. See chevalier.]
WORD HISTORY The Age of Chivalry was also the age of the horse. Bedecked in elaborate armor and other trappings, horses were certainly well dressed, although they might have wished for lighter loads. That the horse should be featured so prominently during the Age of Chivalry is etymologically appropriate, because chivalry goes back to the Latin word caballus, "horse, especially a riding horse or packhorse." Borrowed from French, as were so many other important words having to do with medieval English culture, the English word chivalry is first recorded in works composed around the beginning of the 14th century and is found in several senses, including "a body of armored mounted warriors serving a lord" and "knighthood as a ceremonially conferred rank in the social system." Our modern sense, "the medieval system of knighthood," could not exist until the passage of several centuries had allowed the perspective for such a conceptualization, with this sense being recorded first in 1765.
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noun
Definition: valor, gallantry
Antonyms: cowardice, fear, humbleness, humility
The French precursor of this term, chevalerie, indicates that this code of behaviour derived initially from the special status of the mounted warrior. Developments in warfare c.800-1100 elevated this type of soldier in both a military and social context. Thus was generated a moral, religious, and social code, which over the centuries became more closely defined through the conduct of tournaments, laws of war, orders of chivalry, and heraldry. The church, too, was keen to encourage the proper conduct of the warrior élite, and the crusades helped to shape ‘the distinctive Christian strand in chivalry’. Historians of chivalry debate whether art and literature reflected realities or were intended to shape them. Although chivalry was to some degree institutionalized in the later Middle Ages it remained a nebulous concept. It was important in creating a social bond between the crown, nobility, and gentry, and in generating the code of behaviour expected of a gentleman, demanding personal honour, generosity, loyalty, and courage. Thus it survived well beyond the era of the mounted knight.
Chivalric ethics originated chiefly in France and Spain and spread rapidly to the rest of the Continent and to England. They represented a fusion of Christian and military concepts of morality and still form the basis of gentlemanly conduct. Noble youths became pages in the castles of other nobles at the age of 7; at 14 they trained as squires in the service of knights, learning horsemanship and military techniques, and were themselves knighted, usually at 21.
The chief chivalric virtues were piety, honor, valor, courtesy, chastity, and loyalty. The knight's loyalty was due to the spiritual master, God; to the temporal master, the suzerain; and to the mistress of the heart, his sworn love. Love, in the chivalrous sense, was largely platonic; as a rule, only a virgin or another man's wife could be the chosen object of chivalrous love. With the cult of the Virgin Mary, the relegation of noblewomen to a pedestal reached its highest expression.
The ideal of militant knighthood was greatly enhanced by the Crusades. The monastic orders of knighthood, the Knights Templars and the Knights Hospitalers, produced soldiers sworn to uphold the Christian ideal. Besides the battlefield, the tournament was the chief arena in which the virtues of chivalry could be proved. The code of chivalrous conduct was worked out with great subtlety in the courts of love that flourished in France and in Flanders. There the most arduous questions of love and honor were argued before the noble ladies who presided (see courtly love). The French military hero Pierre Terrail, seigneur de Bayard, was said to be the last embodiment of the ideals of chivalry.
In practice, chivalric conduct was never free from corruption, increasingly evident in the later Middle Ages. Courtly love often deteriorated into promiscuity and adultery and pious militance into barbarous warfare. Moreover, the chivalric duties were not owed to those outside the bounds of feudal obligation. The outward trappings of chivalry and knighthood declined in the 15th cent., by which time wars were fought for victory and individual valor was irrelevant. Artificial orders of chivalry, such as the Order of the Golden Fleece (1423), were created by rulers to promote loyalty; tournaments became ritualized, costly, and comparatively bloodless; the traditions of knighthood became obsolete.
Medieval secular literature was primarily concerned with knighthood and chivalry. Two masterpieces of this literature are the Chanson de Roland (c.1098; see Roland) and Sir Gawain and the Green Knight (see Pearl, The). Arthurian legend and the chansons de geste furnished bases for many later romances and epics. The work of Chrétien de Troyes and the Roman de la Rose also had tremendous influence on European literature. The endless chivalrous and pastoral romances, still widely read in the 16th cent., were satirized by Cervantes in Don Quixote. In the 19th cent., however, the romantic movement brought about a revival of chivalrous ideals and literature.
For the lyric poetry of the age of chivalry, see troubadours; trouvères; minnesinger.
Bibliography
See B. E. Broughton, Dictionary of Medieval Knighthood and Chivalry (1986); M. Keen, Chivalry (1984); H. Chickering and T. H. Seiler, ed., The Study of Chivalry (1988).
The methods of training and standards of behavior for knights in the Middle Ages. The code of chivalry emphasized bravery, military skill, generosity in victory, piety, and courtesy to women. (Compare courtly love.)

Chivalry, or the chivalric code, is the traditional code of conduct associated with the medieval institution of knighthood. It was originally conceived of as an aristocratic warrior code — the term derives from the French term for horseman — involving individual training and service to others. Over time its meaning has been refined to emphasize more ideals such as knightly virtues, honour and courtly love, and less the martial aspects of the tradition.
The Knight's Code of Chivalry was a moral system that stated all knights should protect others who can not protect themselves such as; widows, children, and elders. All knights needed to have the strength and skills to fight wars in the Middle Ages. Knights not only had to be strong but they were also extremely disciplined and were expected to use their power to protect the weak and defenceless. Knights vowed to be loyal, generous, and "noble bearing." Knights were required to tell the truth at all times and always respect the honour of women. Knights not only vowed to protect the weak but also vowed to guard the honour of all fellow knights. They always had to obey those who were placed in authority and were never allowed to refuse a challenge from an equal. Knights lived by honor and for glory. Knights were to fear God and maintain His Church. Knights always kept their faith and never turned their back on a foe. Knights despised pecuniary reward. They persevered to the end in any enterprise begun. The main vow from the knights was that they shall fight for the welfare of all.[1]
Historian Johan Huizinga remarks in his book The Waning of the Middle Ages "the source of the chivalrous idea, is pride aspiring to beauty, and formalized pride gives rise to a conception of honour, which is the pole of noble life."[2]
The term chivalry is sometimes also used to refer to the medieval mounted men-at-arms with whom this code was associated.
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In English, the word is first attested in 1292, as a loan from Old French chevalerie ("knighthood"), an abstract noun formed in the 11th century based on chevalier ("knight" or "horseman"), ultimately from Medieval Latin caballārius[3] ("horseman"); cavalry is from the Italian form of the same word, loaned via Middle French into English around 1540.[4]
Between the 11th century and 15th centuries medieval writers often used the word shivalry, in meanings that changed over time, generally moving from the concrete meaning of "status or fee associated with military follower owning a war horse" towards the moral ideal of the Christian warrior ethos propagated in the Romance genre which became popular by the 12th century, and the ideal of courtly love propagated in the contemporary Minnesang and related genres.
By the 15th century, the term had become mostly detached from its military origins, not least because the rise of infantry in the 14th century had essentially confined knightly horsemanship to the tournament grounds, and essentially expressed a literary ideal of moral and courteous behavior.
Regardless of the diverse written definitions of chivalry, the medieval knightly class was adept at the art of war, trained in fighting in armor, with horses, lances, swords and shields. Knights were taught to excel in the arms, to show courage, to be gallant and loyal and to swear off cowardice and baseness.[5]
Related to chivalry was the practice of heraldry and its elaborate rules of displaying coats of arms. When not fighting, chivalric knights typically resided in a castle or fortified house, while some knights lived in the courts of kings, dukes and other great lords. The skills of the knight carried over to peacetime activities such as the hunt and tournament.
Christianity had a modifying influence on the classical concept of heroism and virtue, nowadays identified with the virtues of chivalry.[6] The Peace and Truce of God in the 10th century was one such example, with limits placed on knights to protect and honor the weaker members of society and also help the church maintain peace. At the same time the church became more tolerant of war in the defense of faith, espousing theories of the just war; and liturgies were introduced which blessed a knight's sword, and a bath of chivalric purification.The first noted support for chivalric vocation, or the establishment of knightly class to ensure the sanctity and legitimacy of Christianity was written in 930 by Odo, abbot of Cluny in the Vita of St. Gerald of Aurillac, which argued that the sanctity of Christ and Christian doctrine can be demonstrated through the legitimate unsheathing of the “sword against the enemy.” [7] In the 11th century the concept of a "knight of Christ" (miles Christi) gained currency in France, Spain and Italy.[5] These concepts of "religious chivalry" were further elaborated in the era of the Crusades, with the Crusades themselves often being seen as a chivalrous enterprise.[5] Their ideas of chivalry were also further influenced by Saladin, who was viewed as a chivalrous knight by medieval Christian writers.
From the 12th century onward chivalry came to be understood as a moral, religious and social code of knightly conduct. The particulars of the code varied, but codes would emphasize the virtues of courage, honor, and service. Chivalry also came to refer to an idealization of the life and manners of the knight at home in his castle and with his court.
Medieval courtly literature glorifies the valor, tactics and ideals of ancient Romans.[5] For example the ancient hand-book of warfare written by Vegetius called De Re Militari was translated into French in the 13th century as L'art de chevalerie by Jean de Meun. Later writers also drew from Vegetius such as Honore Bonet who wrote the 14th century L'arbes des batailles, which discussed the morals and laws of war. In the 15th century Christine de Pizan combined themes from Vegetius, Bonet and Frontinus in Livre des faits d'armes et de chevalerie.
In the later Middle Ages, wealthy merchants strove to adopt chivalric attitudes - the sons of the bourgeoisie were educated at aristocratic courts where they were trained in the manners of the knightly class.[5] This was a democratization of chivalry, leading to a new genre called the courtesy book, which were guides to the behavior of "gentlemen". Thus, the post-medieval gentlemanly code of the value of a man's honor, respect for women, and a concern for those less fortunate, is directly derived from earlier ideals of chivalry and historical forces which created it.[5]
The medieval development of chivalry, with the concept of the honor of a lady and the ensuing knightly devotion to it, not only derived from the thinking about the Virgin Mary, but also contributed to it.[8] The medieval veneration of the Virgin Mary was contrasted by the fact that ordinary women, especially those outside aristocratic circles, were looked down upon. Although women were at times viewed as the source of evil, it was Mary who as mediator to God was a source of refuge for man. The development of medieval Mariology and the changing attitudes towards women paralleled each other and can best be understood in a common context.[9]
When examining medieval literature, chivalry can be classified into three basic but overlapping areas:
These three areas obviously overlap quite frequently in chivalry, and are often indistinguishable.
Different weight given to different areas produced different strands of chivalry:
Chivalry underwent a revival and elaboration of chivalric ceremonial and rules of etiquette in the fourteenth century that was examined by Johan Huizinga, in The Waning of the Middle Ages (1919, 1924), in which he dedicates a full chapter to "The idea of chivalry". In contrasting the literary standards of chivalry with the actual warfare of the age, the historian finds the imitation of an ideal past illusory; in an aristocratic culture such as Burgundy and France at the close of the Middle Ages, "to be representative of true culture means to produce by conduct, by customs, by manners, by costume, by deportment, the illusion of a heroic being, full of dignity and honour, of wisdom, and, at all events, of courtesy. ...The dream of past perfection ennobles life and its forms, fills them with beauty and fashions them anew as forms of art".[10]
There are a number of questions historians debate related to chivalry. In his monumental study of Chivalry, The Broad-Stone of Honour, Kenelm Henry Digby offered the following definition: 'Chivalry is only a name for that general spirit or state of mind which disposes men to heroic actions, and keeps them conversant with all that is beautiful and sublime in the intellectual and moral world.' It is still debated as to what extent the exploits of notable knights and historical figures such as Saladin, Godfrey of Bouillon, William Marshal and Bertrand du Guesclin set new standards of knightly behavior, or were instead reflections of existing models of conduct.[5] Another common debate is whether, since knights bore arms, the ranks of knights were open to anyone who had the physical requirements and skills, or restricted to only those who were born into knightly families.[5]
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Dansk (Danish)
n. - ridderstand
Nederlands (Dutch)
ridderlijkheid, ridderschap
Français (French)
n. - chevalerie, esprit chevaleresque, galanterie
Deutsch (German)
n. - Ritterlichkeit, Rittertum
Ελληνική (Greek)
n. - ιπποσύνη, (μτφ.) ευγενική συμπεριφορά, αβρότητα
Português (Portuguese)
n. - cavalaria (f), cavalheirismo (m), bravura (f)
Русский (Russian)
рыцарство, благородство
Español (Spanish)
n. - caballerosidad
Svenska (Swedish)
n. - höviskhet, ridderskap
中文(简体)(Chinese (Simplified))
骑士精神, 骑士制度
中文(繁體)(Chinese (Traditional))
n. - 騎士精神, 騎士制度
한국어 (Korean)
n. - 기사도, 여성에게 상냥한 신사들
العربيه (Arabic)
(الاسم) شهامه, نبل, نخوة, نظام الفروسيه
עברית (Hebrew)
n. - אבירות, אדיבות
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