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Christopher Isherwood

 
Britannica Concise Encyclopedia:

Christopher Isherwood


(born Aug. 26, 1904, High Lane, Cheshire, Eng. — died Jan. 4, 1986, Santa Monica, Calif., U.S.) British-born U.S. writer. Educated at Cambridge University, he became close friends with W.H. Auden, with whom he traveled and collaborated on three verse dramas, including The Ascent of F6 (1936). He lived in Berlin from 1929 to 1933; his two novels about this period, later published together as The Berlin Stories (1946), inspired the play I Am a Camera (1951; film, 1955) and the musical Cabaret (1966; film, 1972). A pacifist, he moved to southern California at the beginning of World War II, where he taught and wrote screenplays. His later fiction and memoirs reflect his homosexuality. A follower of Swami Prabhavananda, he wrote and translated works on Indian Vedanta.

For more information on Christopher Isherwood, visit Britannica.com.

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Gale Encyclopedia of Biography:

Christopher Isherwood

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Christopher Isherwood (1904-1986) was a British-born American writer who worked in many genres, including fiction, drama, film, travel, and autobiography. He was especially esteemed for his stories about Berlin in the early 1930s.

The son of a career military officer, Christopher Isherwood was born in High Lane, Cheshire, England, on August 26, 1904. He attended the Repton School from 1919 to 1922 and Cambridge University from 1924 to 1925. His university year was significant because it was at Cambridge that he met Wystan Hugh Auden, with whom he later collaborated on several literary projects, and because it was there that he became a practicing homosexual, an orientation which played an important role in his personal and artistic life.

Leaving the university without a degree, Isherwood worked for a year as the secretary to French violinist Andre Mangeot and as a private tutor in London. In his spare hours he worked on his first novel, which was published as All the Conspirators in 1928.

Scenes of a Crumbling Germany

In 1929 he went to Germany to visit Auden, who was living there, and was attracted to life in the crumbling Weimar Republic, and particularly to the sexual freedom that existed. As he so succinctly put it in his 1976 book Christopher and His Kind 1929-1939, "Berlin meant Boys." He was not long in establishing a liaison with Berthold "Bubi" Szczesny, a bisexual ex-boxer, which lasted until Szczesny was forced to leave the country. Among the young men he met subsequently was one from the working class section of Berlin; he took a room with this boy's family for a time and so became familiar with day-to-day living among the urban proletariat.

At first his stay in Germany was financed through an allowance provided by his only wealthy relative, his uncle Henry Isherwood. His uncle was also homosexual and seemed happy to assist his nephew in the quest for companions. Eventually, however, Uncle Henry stopped his remittances, and Isherwood paid his way by tutoring in English; in this way he met Berliners from the upper classes.

All this provided background for his most successful work, The Last of Mr. Norris (1935), Sally Bowles (1937), and Goodbye to Berlin (1939), all collected under the title The Berlin Stories in 1945. In these novellas and short stories he presented an in-depth portrait of life in Germany's capital as the republican center collapsed, the Communists tried desperately to stem the rightist tide, and the Nazis came to power.

He began in "A Berlin Diary (Autumn 1930)" with an almost offhand observation about Fráulein Hippi, a student whom the narrator is tutoring in English: "Like everyone else in Berlin, she refers continually to the political situation, but only briefly, with a conventional melancholy…. It is quite unreal to her." In "Sally Bowles," he mentioned the closing of two major banks and noted: "One alarmist headline stood out boldly, barred with blood-red ink: 'Everything Collapses'."

In "The Nowaks," about a working class family, he described their neighborhood in this way: "The entrance to the Wassertorstrasse was … a bit of old Berlin, daubed with hammers and sickles and Nazi crosses and plastered with tattered bills…." The political pressures are seen increasing in "The Landauers," about a well-to-do Jewish family: "One night in October 1930, about a month after the Elections, there was a big row on the Leipzigerstrasse. Gangs of Nazi toughs turned out to demonstrate against the Jews. They … smashed the windows of all the Jewish shops." Finally, in "A Berlin Diary (Winter 1932-33)," the narrator observes: "Schleicher has resigned. Hitler has formed a cabinet…. Nobody thinks it can last until the spring."

The Berlin stories were picked up by playwright John van Druten, who was struck by a sentence in "A Berlin Diary (Autumn 1930)": "I am a camera, with its shutter open, quite passive, recording not thinking." He wrote the play I Am a Camera, centering on Sally Bowles, of whom Alan Wilde wrote: "Sally's charm is her naíveté, … her total capacity for self-deception and self-contradiction, … her ability to accommodate herself to each new situation…." I Am a Camera in turn became the musical Cabaret (1967), with book by Joe Masteroff and lyrics by Fred Ebb, which was produced both on stage and in film.

Isherwood of course became fluent in German and got acquainted, as did Auden, with the expressionist drama of such important figures as Ernst Toller, Georg Kaiser, and Bertolt Brecht. This led the two British artists to collaborate on three expressionist plays: The Dog Beneath the Skin (1935), The Ascent of F6 (1937), and A Melodrama in Three Acts: On the Frontier (1938), of which the first two are generally considered the more successful.

Move to the United States

Isherwood and Auden travelled to China in 1938 and in 1939 worked together on Journey to a War. In that same year, the year World War II began, both came to America, a move which made them anathema to many Britons. Indeed, even three years later in Put Out More Flags novelist Evelyn Waugh, christening them Parsnip and Pimpernell, commented, "What I don't see is how these two can claim to be contemporary if they run away from the biggest event in contemporary history."

During World War II Isherwood wrote scripts for Metro-Goldwyn-Mayer, Warner Brothers, and 20th Century Fox film studios; worked for a year in a refugee center in Haverford, Pennsylvania; and became a resident student of the Vedanta Society of Southern California and co-editor of the group's magazine Vedanta and the West.

He became increasingly involved in the Vedantist religion, editing the volumes Vedanta for the Western World in 1945 and Vedanta for Modern Man in 1951 and writing An Approach to Vedanta in 1963, Ramakrishna and His Disciples in 1965, and Essentials of Vedanta in 1969. He explained its basic tenets in the 1963 work as follows: "We have two selves - an apparent, outer self and an invisible, inner self. The apparent self claims to be an individual and as such, other than all other individuals…. The real self is unchanging and immortal."

Isherwood did not confine himself solely to religious writings, however. He authored such novels as Prater Violet (1945), The World in the Evening (1954), A Single Man (1964), and A Meeting by the River (1967), which he dramatized in 1972. He also wrote the travel book The Condor and the Cows (1949), autobiographical volumes, and the collection of stories, articles, and poems titled Exhumations (1966). Additionally, he taught at Los Angeles State University, the University of California at Santa Barbara, and the University of California at Los Angeles and wrote film scripts.

Isherwood's status in modern literature was best summarized by G. K. Hall: "Christopher Isherwood has always been a problem for the critics. An obviously talented writer, he has refused to exploit his artistry for either commercial success or literary status…. Isherwood was adjudged a 'promising writer' - a designation that he has not been able to outrun even to this day. It is still a clicheé of Isherwood criticism to say that he never fulfilled his early promise….In any case, five decades of Isherwood criticism present a history of sharply divided opinion."

Isherwood, who became an American citizen in 1946, lived and worked in southern California until his death from cancer January 4, 1986.

Further Reading

Much personal information is in his autobiographical Christopher and His Kind (1976). In G. K. Hall's Christopher Isherwood: A Reference Guide (1979) the reader will find a comprehensive listing of all works by and about the subject.

Additional Sources

Finney, Brian, Christopher Isherwood: a critical biography, New York: Oxford University Press, 1979.

Fryer, Jonathan, Isherwood, Garden City, N.Y.: Doubleday, 1978, 1977.

Fryer, Jonathan, Isherwood: a biography of Christopher Isherwood, London: New English Library, 1977.

Isherwood, Christopher, Christopher and his kind, 1929-1939, London: Eyre Methuen, 1977; New York: Farrar, Straus Giroux, 1976.

Isherwood, Christopher, My guru and his disciple, New York, N.Y.: Penguin Books, 1981.

King, Francis Henry, Christopher Isherwood, Harlow Eng.: Published for the British Council by Longman Group, 1976.

Lehmann, John, Christopher Isherwood: a personal memoir, New York: H. Holt, 1988, 1987.

Answer of the Day:

Christopher Isherwood

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Life is a Cabaret
Writer Christopher Isherwood was born on this date in 1904. The British-born author spent four years in Germany in the 1930s, as the Nazi party took over the country. He related his experiences in The Last of Mr. Norris and Goodbye to Berlin, which became the basis for John Van Druten's play, I Am a Camera (1951). The play, in turn, was made into the Broadway musical and film Cabaret. The musical won eight Tony awards, including one for Best Musical, Best Composer and Lyricist, and Best Supporting Actor in a Musical (Joel Grey). The film won eight Oscars, including Best Director (Bob Fosse), Best Actress (Liza Minelli) and Best Supporting Actor (Joel Grey).

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Columbia Encyclopedia:

Christopher Isherwood

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Isherwood, Christopher (ish'ərwʊd), 1904-86, British-American author. After the appearance of his first novel, All the Conspirators (1928), Isherwood went to Germany. The four years he spent there furnished him with the material for what are probably his best novels, The Last of Mr. Norris (1935) and Goodby to Berlin (1939; reissued as The Berlin Stories, 1946); these books formed the basis for John Van Druten's play, I Am a Camera (1951), and for the Broadway musical Cabaret (1966). The Berlin novels, which report on the period of social and political unrest during the Nazi rise to power, illustrate Isherwood's general concern with the problem of the intellectual in a tyrannical society.

A close friend of W. H. Auden, Isherwood collaborated with him on the dramas The Dog Beneath the Skin (1935), The Ascent of F6 (1936), and On the Frontier (1938), as well as on Journey to a War (1939), a book on China. Isherwood emigrated (1939) to the United States, becoming a citizen (1946). During the 1940s his interests turned to Hinduism; see his Essentials of Vedanta (1969). Among his later works are Prater Violet (1945), The World in the Evening (1954), Down There on a Visit (1962), A Single Man (1964), and Meeting by the River (1967) and a study of his parents, Kathleen and Frank (1971). Isherwood was an early advocate of discarding the taboos against homosexuality, a subject discussed in his memoir, Christopher and His Kind (1972).

Bibliography

See his diaries, ed. by K. Bucknell (Vol. 1, 1997, Vol. 2, 2010) and Lost Years: A Memoir, 1945-1951 (2000); J. J. Berg and C. Freeman, ed., Conversations with Christopher Isherwood (2001); biography by P. Parker (2004); studies by C. G. Heilbrun (1970), P. Piazza (1978), S. Wade (1991), and K. Ferres (1994).

Houghton Mifflin Chronology of US Literature:

Works by Christopher Isherwood

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(1904-1986)

1939Goodbye to Berlin. Published in the same year that Isherwood immigrates to the United States (he would become a naturalized citizen in 1946), this collection of autobiographical sketches of Berlin life in the years immediately preceding Hitler's coming to power would be adapted by John Van Druten as I Am a Camera (1951), which in turn became the basis for the musical Cabaret (1966).
1954The World in the Evening. The first of Isherwood's books with an American setting shows the struggles faced by a homosexual in a homophobic society. A popular success but a critical failure, the book marks a decline in Isherwood's reputation but would later be recognized as an important precursor work for the gay liberation movement.
1964A Single Man. Isherwood's novel, considered by many his masterpiece, treats a day in the life of an expatriate British professor in Los Angeles in the 1960s, mourning the death of his longtime lover.
1976Christopher and His Kind. Isherwood's autobiography deals frankly with the writer's homosexual experiences between 1929 and 1939, from his arrival in Berlin to his immigration to the United States. The book helps fuel the American gay liberation movement of the period.

Quotes By:

Christopher Isherwood

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Quotes:

"Life is not so bad if you have plenty of luck, a good physique and not too much imagination"

AMG AllMovie Guide:

Christopher Isherwood

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Biography

British author and screenwriter Christopher Isherwood began his writing career while enrolled at Cambridge University writing two novels, All the Conspirators and The Memorial. In 1929, he moved to Berlin during the decadent period between the wars. His experiences there inspired him to write the autobiographical Berlin Stories, many of which featured his friend, cabaret singer Sally Bowles. These tales were later adapted into the 1952 play I Am a Camera which after being made into a British film in 1955 evolved into the Broadway musical Cabaret, an Oscar-winning film in 1972. Isherwood, accompanied by his associate and collaborator W.H. Auden moved to the U.S. in 1939 where Isherwood continued writing novels such as Prater Violet and A Single Man. He also began writing screenplays including Rage in Heaven, Diane and The Sailor from Gibraltar. He collaborated on the writing of the television movie Frankenstein: the True Story. In 1977, Isherwood's fascinating life was profiled in Christopher Isherwood: Over There on a Visit Later Isherwood would frequently give lectures on the college circuit. He made a cameo appearance in the film Rich and Famous (1981). ~ Sandra Brennan, Rovi
Wikipedia on Answers.com:

Christopher Isherwood

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Christopher Isherwood
Born Christopher William Bradshaw Isherwood
26 August 1904(1904-08-26)
Wyberslegh Hall, High Lane, Cheshire, England
Died 4 January 1986(1986-01-04) (aged 81)
Santa Monica, California, USA
Occupation Novelist
Language English
Nationality British
Citizenship British, American (naturalised)
Partner(s) Heinz Neddermeyer (1932—1937)
Don Bachardy (1953—1986)

Signature

Christopher William Bradshaw Isherwood (26 August 1904 – 4 January 1986) was an English-American novelist.[1][2]

Contents

Early life and work

Born at Wyberslegh Hall, High Lane, Cheshire, in North West England, Isherwood spent his childhood in various towns where his father, a Lieutenant-Colonel in the British Army, was stationed.[citation needed] After his father was killed in the First World War, he settled with his mother and his younger brother, Richard, in London and at Wyberslegh.[citation needed]

Isherwood attended preparatory school, St. Edmund's, Surrey, where he first met W. H. Auden.[citation needed] At Repton School he met his lifelong friend Edward Upward, with whom he wrote the extravagant "Mortmere" stories, of which one was published during his lifetime, a few others appeared after his death, and others he summarised in Lions and Shadows. He deliberately failed his tripos and left Corpus Christi College, Cambridge without a degree in 1925. For the next few years he lived with violinist André Mangeot, worked as secretary to Mangeot's string quartet and studied medicine. During this time he wrote a book of nonsense poems, People One Ought to Know, with illustrations by Mangeot's eleven-year-old son, Sylvain. It was not published until 1982.

In 1925 he was reintroduced to W. H. Auden and became his literary mentor and partner in an intermittent, casual liaison. Auden sent his poems to Isherwood for comment and approval. Through Auden, Isherwood met Stephen Spender, with whom he later spent much time in Germany. His first novel, All the Conspirators, appeared in 1928. It was an anti-heroic story, written in a pastiche of many modernist novelists, about a young man who is defeated by his mother. In 1928–29 Isherwood studied medicine at King's College London, but gave up his studies after six months to join Auden for a few weeks in Berlin.

Rejecting his upper middle class background and attracted to males, he remained in Berlin, the capital of the young Weimar Republic, drawn by its reputation for sexual freedom. There, he "fully indulged his taste for pretty youths. He went to Berlin in search of boys and found one called Heinz, who became his first great love."[3] Commenting on John Henry Mackay's Der Puppenjunge (The Hustler), Isherwood wrote: "It gives a picture of the Berlin sexual underworld early in this century which I know, from my own experience, to be authentic."[4]

In 1931 he met Jean Ross, the inspiration for his fictional character, Sally Bowles. He also met Gerald Hamilton, the inspiration for the fictional Mr Norris. In September 1931 the poet William Plomer introduced him to E. M. Forster. They became close and Forster served as his mentor. Isherwood's second novel, The Memorial (1932), was another story of conflict between mother and son, based closely on his own family history. During one of his return trips to London he worked with the director Berthold Viertel on the film Little Friend, an experience that became the basis of his novel Prater Violet (1945). He worked as a private tutor in Berlin and elsewhere while writing the novel Mr Norris Changes Trains (1935) and a short novel called Goodbye to Berlin (1939) (often published together in a collection called The Berlin Stories). These works provided the inspiration for the play I Am a Camera (1951), the 1955 film I Am a Camera (both starring Julie Harris), the Broadway musical Cabaret (1966) and the film (1972) of the same name. In 1932 he met and fell in love with a young German man named Heinz Neddermeyer.[5]

After leaving Berlin in 1933, he and Heinz moved around Europe, and lived in Copenhagen, Sintra and elsewhere. Heinz was arrested as a draft-evader in 1937 following his brief return to Germany after he was ejected from Luxembourg as an "undesirable alien". Convicted of "reciprocal onanism",[6] he was sentenced to six months in prison, a year of state labour and two years of compulsory military service.[7] Isherwood collaborated on three plays with Auden: The Dog Beneath the Skin (1935), The Ascent of F6 (1936), and On the Frontier (1939). Isherwood wrote a lightly fictionalised autobiographical account of his childhood and youth, Lions and Shadows (1938), using the title of an abandoned novel. Auden and Isherwood travelled to China in 1938 to gather material for their book on the Sino-Japanese War called Journey to a War (1939).

Life in the United States

Christopher Isherwood (left) and W. H. Auden (right), photographed by Carl Van Vechten, 1939

After visiting New York on their way back to Britain, in January 1939, Auden and Isherwood decided to emigrate to the United States. Their emigration happened just months before Britain entered the Second World War, and exposed them to charges that they lacked patriotism and commitment to the war effort. After a few months with Auden in New York, Isherwood settled in Hollywood, California.[citation needed]

During this period, Isherwood also befriended Truman Capote, an up-and-coming young writer who would be influenced by Isherwood's Berlin Stories, most specifically in the traces of the story "Sally Bowles" that surface in Capote's famed novella, Breakfast at Tiffany's.[8] Isherwood also met Gerald Heard, the mystic-historian who founded his own monastery at Trabuco Canyon that was eventually donated to the Vedanta Society of Southern California. Through Heard, who was the first to discover Swami Prabhavananda and Vedanta, Isherwood joined an extraordinary band of mystic explorers that included Aldous Huxley, Bertrand Russell[citation needed], Chris Wood (Heard's lifelong friend), John Yale and J. Krishnamurti. He embraced Vedanta, and, together with Swami Prabhavananda, he produced several Hindu scriptural translations, Vedanta essays, the biography Ramakrishna and His Disciples, novels, all imbued with the themes and character of Vedanta and the Upanishadic quest. Through Huxley, Isherwood befriended the Russian composer Igor Stravinsky.

A chance encounter in a Los Angeles bookstore with the fantasy writer Ray Bradbury led to a favourable review of The Martian Chronicles, which boosted Bradbury's career and helped to form a friendship between the two men.

Don Bachardy at nineteen (?), photographed by Carl Van Vechten

Isherwood considered becoming an American citizen in 1945 but balked at taking an oath that included the statement that he would defend the country. The next year he applied for citizenship and answered questions honestly, saying he would accept non-combatant duties like loading ships with food. The fact that he had volunteered for service with the Medical Corps helped as well. At the naturalisation ceremony, he found he was required to swear to defend the nation and decided to take the oath since he had already stated his objections and reservations. He became an American citizen on 8 November 1946.[9]

He began living with the photographer William "Bill" Caskey. In 1947 the two travelled to South America. Isherwood wrote the prose and Caskey took the photographs for a 1949 book about their journey, The Condor and the Cows.

On Valentine's Day 1953, at the age of 48, he met teenaged Don Bachardy among a group of friends on the beach at Santa Monica. Reports of Bachardy's age at the time vary, but Bachardy later said "at the time I was, probably, 16."[10] In fact, Bachardy was 18. Despite the age difference, this meeting began a partnership that, though interrupted by affairs and separations, continued until the end of Isherwood's life.[11]

During the early months of their affair, Isherwood finished—and Bachardy typed—the novel on which he had worked for some years, The World in the Evening (1954). Isherwood also taught a course on modern English literature at Los Angeles State College (now California State University, Los Angeles) for several years during the 1950s and early 1960s.

The 30-year age difference between Isherwood and Bachardy raised eyebrows at the time, with Bachardy, in his own words, "regarded as a sort of child prostitute",[12] but the two became a well-known and well-established couple in Southern Californian society with many Hollywood friends.

Down There on a Visit, a novel published in 1962, comprised four related stories that overlap the period covered in his Berlin stories. In the opinion of many reviewers, Isherwood's finest achievement was his 1964 novel A Single Man, that depicted a day in the life of George, a middle-aged, gay Englishman who is a professor at a Los Angeles university. During 1964 Isherwood collaborated with American writer Terry Southern on the screenplay for the Tony Richardson film adaptation of The Loved One, Evelyn Waugh's caustic satire on the American funeral industry.

Isherwood and Bachardy lived together in Santa Monica for the rest of Isherwood's life. Bachardy became a successful draughtsman with an independent reputation, and his portraits of the dying Isherwood became well known after Isherwood's death.

Isherwood died at age 81 in 1986 in Santa Monica, California from prostate cancer. His body was donated to medical science, specifically to the UCLA Medical School.[13]

Later recognition

Plaque, Nollendorfstraße 17. Christopher Isherwood lived here between March 1929 and January/February 1933.

The house in the Schöneberg district of Berlin where Isherwood lived bears a memorial plaque to mark his stay there between 1929 and 1933.

The 2008 film Chris & Don: A Love Story chronicled Isherwood and Bachardy's lifelong relationship.[14]

A Single Man was adapted into a film of the same name in 2009.[15]

In 2010 Isherwood's autobiography, Christopher and His Kind, was adapted into a television film by the BBC, starring Matt Smith as Isherwood and directed by Geoffrey Sax.[16][17] It was broadcast in France and Germany on the Arte channel in February 2011, and in the UK on BBC 2 the following month.

List of works

  • The Berlin Stories (1945; contains Mr Norris Changes Trains and Goodbye to Berlin; reissued as The Berlin of Sally Bowles, 1975)
  • Vedanta for the Western World (Unwin Books, London, 1949, ed. and contributor)
  • The Condor and the Cows (1949, South-American travel diary)
  • What Vedanta Means to Me (1951, pamphlet)
  • The World in the Evening (1954)
  • Down There on a Visit (1962)
  • An Approach to Vedanta (1963)
  • A Single Man (1964)
  • Ramakrishna and His Disciples (1965)
  • Exhumations (1966; journalism and stories)
  • A Meeting by the River (1967)
  • Essentials of Vedanta (1969)
  • Kathleen and Frank (1971, about Isherwood's parents)
  • Frankenstein: The True Story (1973, with Don Bachardy; based on their 1973 filmscript)
  • Christopher and His Kind (1976, autobiography)
  • My Guru and His Disciple (1980)
  • October (1980, with Don Bachardy)
  • The Mortmere Stories (with Edward Upward) (1994)
  • Where Joy Resides: An Isherwood Reader (1989; Don Bachardy and James P. White, eds.)
  • Diaries: 1939–1960, Katherine Bucknell, ed. (1996)
  • Jacob's Hands: A Fable (1997) originally co-written with Aldous Huxley
  • Lost Years: A Memoir 1945–1951, Katherine Bucknell, ed. (2000)
  • Lions and Shadows (Minneapolis: University of Minnesota Press, 2000)
  • Kathleen and Christopher, Lisa Colletta, ed. (Letters to his mother, Minneapolis: University of Minnesota Press], 2005)
  • Isherwood on Writing (University of Minnesota Press, 2007)

Translations:

  • Charles Baudelaire, Intimate Journals (1930; revised edition 1947)
  • The Song of God: Bhagavad-Gita (with Swami Prabhavananda, 1944)
  • Shankara's Crest-Jewel of Discrimination (with Swami Prabhavananda, 1947)
  • How to Know God: The Yoga Aphorisms of Patanjali (with Swami Prabhavananda, 1953)

Work on Vedanta and the West

Vedanta and the West was the official publication of the Vedanta Society of Southern California. It offered essays by many of the leading intellectuals of the time and had contributions from Aldous Huxley, Gerald Heard, Alan Watts, J. Krishnamurti, W. Somerset Maugham, and many others.

Isherwood was Managing Editor from 1943 until 1945. Together with Huxley and Heard, he served on the Editorial Advisory Board from 1951 until 1962.

Isherwood wrote the following articles that appeared in Vedanta and the West:

  • Vivekananda and Sarah Bernhardt – 1943
  • On Translating the Gita – 1944
  • Hypothesis and Belief – 1944
  • The Gita and War – 1944
  • What is Vedanta? – 1944
  • Ramakrishna and Vivekananda – 1945
  • The Problem of the Religious Novel – 1946
  • Religion Without Prayers – 1946
  • Foreword to a Man of Boys – 1950
  • An Introduction – 1951
  • What Vedanta Means to Me – 1951
  • Who Is Ramakrishna? – 1957
  • Ramakrishna and the Future – 1958
  • The Home of Ramakrishna – 1958
  • Ramakrishna: A First Chapter – 1959
  • The Birth of Ramakrishna – 1959
  • The Boyhood of Ramakrishna – 1959
  • How Ramakrishna Came to Dakshineswar – 1959
  • Early Days at Dakshineswar – 1959
  • The Vision of Kali – 1960
  • The Marriage of Ramakrishna – 1960
  • The Coming of the Bhariravi – 1960
  • Some Visitors to Dakshineswar – 1960
  • Tota Puri – 1960
  • The Writer and Vedanta – 1961
  • Mathur – 1961
  • Sarada and Chandra – 1962
  • Keshab Sen – 1962
  • The Coming of the Disciples – 1962
  • Introduction to Vivekananda – 1962
  • Naren – 1963
  • The Training of Naren – 1963
  • An Approach to Vedanta – 1963
  • The Young Monks – 1963
  • Some Great Devotees – 1963
  • The Gospel of Sri Ramakrishna – 1963
  • The Last Year – 1964
  • The Story Continues – 1964
  • Letters of Swami Vivekananda – 1968
  • Essentials of Vedanta – 1969

In 1948 several articles from Vedanta and the West were issued in book form as Vedanta for the Western World. Isherwood edited the selection and provided an introduction and three articles (Hypothesis and Belief, Vivekananda and Sarah Bernhardt, The Gita and War). Other contributors included Aldous Huxley, Gerald Heard, Swami Prabhavananda, Swami Vivekananda et al.

Audio and Video Recordings

  • Christopher Isherwood reads selections from the Bhagavad Gita - CD[18]
  • Christopher Isherwood reads selections from the Upanishads - CD[19]
  • Lecture on Girish Ghosh - CD[20][21]
  • Christopher Isherwood Reads Two Lectures on the Bhagavad Gita by Swami Vivekananda - DVD

Notes

  1. ^ James J. Berg, ed., Isherwood on writing (Minneapolis: University of Minnesota Press, 2007), 19
  2. ^ Obituary Variety, 15 January 1986.
  3. ^ "Hello to Berlin, boys and books", The Telegraph; Filed: 18 May 2004. [1]
  4. ^ Hubert Kennedy, Mackay, John Henry in glbtq.com. Mackay's work was "a classic boy-love novel set in the contemporary milieu of boy prostitutes in Berlin."
  5. ^ Fryer, p. 128
  6. ^ Christopher and His Kind, p. 287
  7. ^ Fryer, p. 168
  8. ^ "Breakfast at Sally Bowles" by Ingrid Norton, Open Letters Monthly
  9. ^ Christopher Isherwood, edited by Katherine Bucknell, Lost Years: A Memoir, 1945–1951 (NY: HarperCollins, 2000), 40, 77–8
  10. ^ The biographical film Chris & Don: A Love Story
  11. ^ Peter Parker, Isherwood, 2004
  12. ^ "The First Couple: Don Bachardy and Christopher Isherwood," by Armistead Maupin, The Village Voice, Volume 30, Number 16, 2 July 1985. [2]
  13. ^ Find a Grave
  14. ^ Internet Movie Database: "Chris & Don. A Love Story (2007)", accessed 6 July 2010
  15. ^ Internet Movie Database: "A Single Man (2009) ", accessed 6 July 2010
  16. ^ [3] BBC Press Release for "Christopher and His Kind"
  17. ^ Christopher and His Kind at the Internet Movie Database
  18. ^ [CD produced by mondayMEDIA distributed on the GemsTone label
  19. ^ [CD produced by mondayMEDIA distributed on the GemsTone label
  20. ^ Lecture given in the Santa Barbara Vedanta Temple
  21. ^ Review in Allmusic.com

References

  • Fryer, Jonathan (1977). Isherwood: A Biography. Garden City, NY, Doubleday & Company. ISBN 0385126085.
  • Isherwood, Christopher (1976). Christopher and His Kind. Avon Books, a division of The Hearst Corporation. ISBN 0380017954 (Discus edition).

Further reading

  • Christopher Isherwood, The Lost Years 1945–1951
  • J. J. Berg & C. Freeman, eds., Conversations with Christopher Isherwood (2001)
  • Brian Finney, Christopher Isherwood: A Critical Biography (1979)
  • James J. Berg and Chris Freeman, eds., The Isherwood century: essays on the life and work of Christopher Isherwood (2000)
  • Norman Page, Auden and Isherwood: The Berlin Years (2000)
  • Peter Parker, Isherwood: A Life (2004)
  • Lee Prosser, Isherwood, Bowles, Vedanta, Wicca, and Me (2001) ISBN 0-595-20284-5
  • Lee Prosser, Night Tigers (2002) ISBN 0-595-21739-7

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