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Christopher Isherwood (1904-1986) was a British-born American writer who worked in many genres, including fiction, drama, film, travel, and autobiography. He was especially esteemed for his stories about Berlin in the early 1930s.
The son of a career military officer, Christopher Isherwood was born in High Lane, Cheshire, England, on August 26, 1904. He attended the Repton School from 1919 to 1922 and Cambridge University from 1924 to 1925. His university year was significant because it was at Cambridge that he met Wystan Hugh Auden, with whom he later collaborated on several literary projects, and because it was there that he became a practicing homosexual, an orientation which played an important role in his personal and artistic life.
Leaving the university without a degree, Isherwood worked for a year as the secretary to French violinist Andre Mangeot and as a private tutor in London. In his spare hours he worked on his first novel, which was published as All the Conspirators in 1928.
Scenes of a Crumbling Germany
In 1929 he went to Germany to visit Auden, who was living there, and was attracted to life in the crumbling Weimar Republic, and particularly to the sexual freedom that existed. As he so succinctly put it in his 1976 book Christopher and His Kind 1929-1939, "Berlin meant Boys." He was not long in establishing a liaison with Berthold "Bubi" Szczesny, a bisexual ex-boxer, which lasted until Szczesny was forced to leave the country. Among the young men he met subsequently was one from the working class section of Berlin; he took a room with this boy's family for a time and so became familiar with day-to-day living among the urban proletariat.
At first his stay in Germany was financed through an allowance provided by his only wealthy relative, his uncle Henry Isherwood. His uncle was also homosexual and seemed happy to assist his nephew in the quest for companions. Eventually, however, Uncle Henry stopped his remittances, and Isherwood paid his way by tutoring in English; in this way he met Berliners from the upper classes.
All this provided background for his most successful work, The Last of Mr. Norris (1935), Sally Bowles (1937), and Goodbye to Berlin (1939), all collected under the title The Berlin Stories in 1945. In these novellas and short stories he presented an in-depth portrait of life in Germany's capital as the republican center collapsed, the Communists tried desperately to stem the rightist tide, and the Nazis came to power.
He began in "A Berlin Diary (Autumn 1930)" with an almost offhand observation about Fráulein Hippi, a student whom the narrator is tutoring in English: "Like everyone else in Berlin, she refers continually to the political situation, but only briefly, with a conventional melancholy…. It is quite unreal to her." In "Sally Bowles," he mentioned the closing of two major banks and noted: "One alarmist headline stood out boldly, barred with blood-red ink: 'Everything Collapses'."
In "The Nowaks," about a working class family, he described their neighborhood in this way: "The entrance to the Wassertorstrasse was … a bit of old Berlin, daubed with hammers and sickles and Nazi crosses and plastered with tattered bills…." The political pressures are seen increasing in "The Landauers," about a well-to-do Jewish family: "One night in October 1930, about a month after the Elections, there was a big row on the Leipzigerstrasse. Gangs of Nazi toughs turned out to demonstrate against the Jews. They … smashed the windows of all the Jewish shops." Finally, in "A Berlin Diary (Winter 1932-33)," the narrator observes: "Schleicher has resigned. Hitler has formed a cabinet…. Nobody thinks it can last until the spring."
The Berlin stories were picked up by playwright John van Druten, who was struck by a sentence in "A Berlin Diary (Autumn 1930)": "I am a camera, with its shutter open, quite passive, recording not thinking." He wrote the play I Am a Camera, centering on Sally Bowles, of whom Alan Wilde wrote: "Sally's charm is her naíveté, … her total capacity for self-deception and self-contradiction, … her ability to accommodate herself to each new situation…." I Am a Camera in turn became the musical Cabaret (1967), with book by Joe Masteroff and lyrics by Fred Ebb, which was produced both on stage and in film.
Isherwood of course became fluent in German and got acquainted, as did Auden, with the expressionist drama of such important figures as Ernst Toller, Georg Kaiser, and Bertolt Brecht. This led the two British artists to collaborate on three expressionist plays: The Dog Beneath the Skin (1935), The Ascent of F6 (1937), and A Melodrama in Three Acts: On the Frontier (1938), of which the first two are generally considered the more successful.
Move to the United States
Isherwood and Auden travelled to China in 1938 and in 1939 worked together on Journey to a War. In that same year, the year World War II began, both came to America, a move which made them anathema to many Britons. Indeed, even three years later in Put Out More Flags novelist Evelyn Waugh, christening them Parsnip and Pimpernell, commented, "What I don't see is how these two can claim to be contemporary if they run away from the biggest event in contemporary history."
During World War II Isherwood wrote scripts for Metro-Goldwyn-Mayer, Warner Brothers, and 20th Century Fox film studios; worked for a year in a refugee center in Haverford, Pennsylvania; and became a resident student of the Vedanta Society of Southern California and co-editor of the group's magazine Vedanta and the West.
He became increasingly involved in the Vedantist religion, editing the volumes Vedanta for the Western World in 1945 and Vedanta for Modern Man in 1951 and writing An Approach to Vedanta in 1963, Ramakrishna and His Disciples in 1965, and Essentials of Vedanta in 1969. He explained its basic tenets in the 1963 work as follows: "We have two selves - an apparent, outer self and an invisible, inner self. The apparent self claims to be an individual and as such, other than all other individuals…. The real self is unchanging and immortal."
Isherwood did not confine himself solely to religious writings, however. He authored such novels as Prater Violet (1945), The World in the Evening (1954), A Single Man (1964), and A Meeting by the River (1967), which he dramatized in 1972. He also wrote the travel book The Condor and the Cows (1949), autobiographical volumes, and the collection of stories, articles, and poems titled Exhumations (1966). Additionally, he taught at Los Angeles State University, the University of California at Santa Barbara, and the University of California at Los Angeles and wrote film scripts.
Isherwood's status in modern literature was best summarized by G. K. Hall: "Christopher Isherwood has always been a problem for the critics. An obviously talented writer, he has refused to exploit his artistry for either commercial success or literary status…. Isherwood was adjudged a 'promising writer' - a designation that he has not been able to outrun even to this day. It is still a clicheé of Isherwood criticism to say that he never fulfilled his early promise….In any case, five decades of Isherwood criticism present a history of sharply divided opinion."
Isherwood, who became an American citizen in 1946, lived and worked in southern California until his death from cancer January 4, 1986.
Further Reading
Much personal information is in his autobiographical Christopher and His Kind (1976). In G. K. Hall's Christopher Isherwood: A Reference Guide (1979) the reader will find a comprehensive listing of all works by and about the subject.
Additional Sources
Finney, Brian, Christopher Isherwood: a critical biography, New York: Oxford University Press, 1979.
Fryer, Jonathan, Isherwood, Garden City, N.Y.: Doubleday, 1978, 1977.
Fryer, Jonathan, Isherwood: a biography of Christopher Isherwood, London: New English Library, 1977.
Isherwood, Christopher, Christopher and his kind, 1929-1939, London: Eyre Methuen, 1977; New York: Farrar, Straus Giroux, 1976.
Isherwood, Christopher, My guru and his disciple, New York, N.Y.: Penguin Books, 1981.
King, Francis Henry, Christopher Isherwood, Harlow Eng.: Published for the British Council by Longman Group, 1976.
Lehmann, John, Christopher Isherwood: a personal memoir, New York: H. Holt, 1988, 1987.
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A close friend of W. H. Auden, Isherwood collaborated with him on the dramas The Dog Beneath the Skin (1935), The Ascent of F6 (1936), and On the Frontier (1938), as well as on Journey to a War (1939), a book on China. Isherwood emigrated (1939) to the United States, becoming a citizen (1946). During the 1940s his interests turned to Hinduism; see his Essentials of Vedanta (1969). Among his later works are Prater Violet (1945), The World in the Evening (1954), Down There on a Visit (1962), A Single Man (1964), and Meeting by the River (1967) and a study of his parents, Kathleen and Frank (1971). Isherwood was an early advocate of discarding the taboos against homosexuality, a subject discussed in his memoir, Christopher and His Kind (1972).
Bibliography
See his diaries, ed. by K. Bucknell (Vol. 1, 1997, Vol. 2, 2010) and Lost Years: A Memoir, 1945-1951 (2000); J. J. Berg and C. Freeman, ed., Conversations with Christopher Isherwood (2001); biography by P. Parker (2004); studies by C. G. Heilbrun (1970), P. Piazza (1978), S. Wade (1991), and K. Ferres (1994).
Houghton Mifflin Chronology of US Literature:
Works by Christopher Isherwood |
| 1939 | Goodbye to Berlin. Published in the same year that Isherwood immigrates to the United States (he would become a naturalized citizen in 1946), this collection of autobiographical sketches of Berlin life in the years immediately preceding Hitler's coming to power would be adapted by John Van Druten as I Am a Camera (1951), which in turn became the basis for the musical Cabaret (1966). |
| 1954 | The World in the Evening. The first of Isherwood's books with an American setting shows the struggles faced by a homosexual in a homophobic society. A popular success but a critical failure, the book marks a decline in Isherwood's reputation but would later be recognized as an important precursor work for the gay liberation movement. |
| 1964 | A Single Man. Isherwood's novel, considered by many his masterpiece, treats a day in the life of an expatriate British professor in Los Angeles in the 1960s, mourning the death of his longtime lover. |
| 1976 | Christopher and His Kind. Isherwood's autobiography deals frankly with the writer's homosexual experiences between 1929 and 1939, from his arrival in Berlin to his immigration to the United States. The book helps fuel the American gay liberation movement of the period. |
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This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. Please improve this article by introducing more precise citations. (November 2010) |
| Christopher Isherwood | |
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| Born | Christopher William Bradshaw Isherwood 26 August 1904 Wyberslegh Hall, High Lane, Cheshire, England |
| Died | 4 January 1986 (aged 81) Santa Monica, California, USA |
| Occupation | Novelist |
| Language | English |
| Nationality | British |
| Citizenship | British, American (naturalised) |
| Partner(s) | Heinz Neddermeyer (1932—1937) Don Bachardy (1953—1986) |
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| Signature | |
Christopher William Bradshaw Isherwood (26 August 1904 – 4 January 1986) was an English-American novelist.[1][2]
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Born at Wyberslegh Hall, High Lane, Cheshire, in North West England, Isherwood spent his childhood in various towns where his father, a Lieutenant-Colonel in the British Army, was stationed.[citation needed] After his father was killed in the First World War, he settled with his mother and his younger brother, Richard, in London and at Wyberslegh.[citation needed]
Isherwood attended preparatory school, St. Edmund's, Surrey, where he first met W. H. Auden.[citation needed] At Repton School he met his lifelong friend Edward Upward, with whom he wrote the extravagant "Mortmere" stories, of which one was published during his lifetime, a few others appeared after his death, and others he summarised in Lions and Shadows. He deliberately failed his tripos and left Corpus Christi College, Cambridge without a degree in 1925. For the next few years he lived with violinist André Mangeot, worked as secretary to Mangeot's string quartet and studied medicine. During this time he wrote a book of nonsense poems, People One Ought to Know, with illustrations by Mangeot's eleven-year-old son, Sylvain. It was not published until 1982.
In 1925 he was reintroduced to W. H. Auden and became his literary mentor and partner in an intermittent, casual liaison. Auden sent his poems to Isherwood for comment and approval. Through Auden, Isherwood met Stephen Spender, with whom he later spent much time in Germany. His first novel, All the Conspirators, appeared in 1928. It was an anti-heroic story, written in a pastiche of many modernist novelists, about a young man who is defeated by his mother. In 1928–29 Isherwood studied medicine at King's College London, but gave up his studies after six months to join Auden for a few weeks in Berlin.
Rejecting his upper middle class background and attracted to males, he remained in Berlin, the capital of the young Weimar Republic, drawn by its reputation for sexual freedom. There, he "fully indulged his taste for pretty youths. He went to Berlin in search of boys and found one called Heinz, who became his first great love."[3] Commenting on John Henry Mackay's Der Puppenjunge (The Hustler), Isherwood wrote: "It gives a picture of the Berlin sexual underworld early in this century which I know, from my own experience, to be authentic."[4]
In 1931 he met Jean Ross, the inspiration for his fictional character, Sally Bowles. He also met Gerald Hamilton, the inspiration for the fictional Mr Norris. In September 1931 the poet William Plomer introduced him to E. M. Forster. They became close and Forster served as his mentor. Isherwood's second novel, The Memorial (1932), was another story of conflict between mother and son, based closely on his own family history. During one of his return trips to London he worked with the director Berthold Viertel on the film Little Friend, an experience that became the basis of his novel Prater Violet (1945). He worked as a private tutor in Berlin and elsewhere while writing the novel Mr Norris Changes Trains (1935) and a short novel called Goodbye to Berlin (1939) (often published together in a collection called The Berlin Stories). These works provided the inspiration for the play I Am a Camera (1951), the 1955 film I Am a Camera (both starring Julie Harris), the Broadway musical Cabaret (1966) and the film (1972) of the same name. In 1932 he met and fell in love with a young German man named Heinz Neddermeyer.[5]
After leaving Berlin in 1933, he and Heinz moved around Europe, and lived in Copenhagen, Sintra and elsewhere. Heinz was arrested as a draft-evader in 1937 following his brief return to Germany after he was ejected from Luxembourg as an "undesirable alien". Convicted of "reciprocal onanism",[6] he was sentenced to six months in prison, a year of state labour and two years of compulsory military service.[7] Isherwood collaborated on three plays with Auden: The Dog Beneath the Skin (1935), The Ascent of F6 (1936), and On the Frontier (1939). Isherwood wrote a lightly fictionalised autobiographical account of his childhood and youth, Lions and Shadows (1938), using the title of an abandoned novel. Auden and Isherwood travelled to China in 1938 to gather material for their book on the Sino-Japanese War called Journey to a War (1939).
After visiting New York on their way back to Britain, in January 1939, Auden and Isherwood decided to emigrate to the United States. Their emigration happened just months before Britain entered the Second World War, and exposed them to charges that they lacked patriotism and commitment to the war effort. After a few months with Auden in New York, Isherwood settled in Hollywood, California.[citation needed]
During this period, Isherwood also befriended Truman Capote, an up-and-coming young writer who would be influenced by Isherwood's Berlin Stories, most specifically in the traces of the story "Sally Bowles" that surface in Capote's famed novella, Breakfast at Tiffany's.[8] Isherwood also met Gerald Heard, the mystic-historian who founded his own monastery at Trabuco Canyon that was eventually donated to the Vedanta Society of Southern California. Through Heard, who was the first to discover Swami Prabhavananda and Vedanta, Isherwood joined an extraordinary band of mystic explorers that included Aldous Huxley, Bertrand Russell[citation needed], Chris Wood (Heard's lifelong friend), John Yale and J. Krishnamurti. He embraced Vedanta, and, together with Swami Prabhavananda, he produced several Hindu scriptural translations, Vedanta essays, the biography Ramakrishna and His Disciples, novels, all imbued with the themes and character of Vedanta and the Upanishadic quest. Through Huxley, Isherwood befriended the Russian composer Igor Stravinsky.
A chance encounter in a Los Angeles bookstore with the fantasy writer Ray Bradbury led to a favourable review of The Martian Chronicles, which boosted Bradbury's career and helped to form a friendship between the two men.
Isherwood considered becoming an American citizen in 1945 but balked at taking an oath that included the statement that he would defend the country. The next year he applied for citizenship and answered questions honestly, saying he would accept non-combatant duties like loading ships with food. The fact that he had volunteered for service with the Medical Corps helped as well. At the naturalisation ceremony, he found he was required to swear to defend the nation and decided to take the oath since he had already stated his objections and reservations. He became an American citizen on 8 November 1946.[9]
He began living with the photographer William "Bill" Caskey. In 1947 the two travelled to South America. Isherwood wrote the prose and Caskey took the photographs for a 1949 book about their journey, The Condor and the Cows.
On Valentine's Day 1953, at the age of 48, he met teenaged Don Bachardy among a group of friends on the beach at Santa Monica. Reports of Bachardy's age at the time vary, but Bachardy later said "at the time I was, probably, 16."[10] In fact, Bachardy was 18. Despite the age difference, this meeting began a partnership that, though interrupted by affairs and separations, continued until the end of Isherwood's life.[11]
During the early months of their affair, Isherwood finished—and Bachardy typed—the novel on which he had worked for some years, The World in the Evening (1954). Isherwood also taught a course on modern English literature at Los Angeles State College (now California State University, Los Angeles) for several years during the 1950s and early 1960s.
The 30-year age difference between Isherwood and Bachardy raised eyebrows at the time, with Bachardy, in his own words, "regarded as a sort of child prostitute",[12] but the two became a well-known and well-established couple in Southern Californian society with many Hollywood friends.
Down There on a Visit, a novel published in 1962, comprised four related stories that overlap the period covered in his Berlin stories. In the opinion of many reviewers, Isherwood's finest achievement was his 1964 novel A Single Man, that depicted a day in the life of George, a middle-aged, gay Englishman who is a professor at a Los Angeles university. During 1964 Isherwood collaborated with American writer Terry Southern on the screenplay for the Tony Richardson film adaptation of The Loved One, Evelyn Waugh's caustic satire on the American funeral industry.
Isherwood and Bachardy lived together in Santa Monica for the rest of Isherwood's life. Bachardy became a successful draughtsman with an independent reputation, and his portraits of the dying Isherwood became well known after Isherwood's death.
Isherwood died at age 81 in 1986 in Santa Monica, California from prostate cancer. His body was donated to medical science, specifically to the UCLA Medical School.[13]
The house in the Schöneberg district of Berlin where Isherwood lived bears a memorial plaque to mark his stay there between 1929 and 1933.
The 2008 film Chris & Don: A Love Story chronicled Isherwood and Bachardy's lifelong relationship.[14]
A Single Man was adapted into a film of the same name in 2009.[15]
In 2010 Isherwood's autobiography, Christopher and His Kind, was adapted into a television film by the BBC, starring Matt Smith as Isherwood and directed by Geoffrey Sax.[16][17] It was broadcast in France and Germany on the Arte channel in February 2011, and in the UK on BBC 2 the following month.
Translations:
Vedanta and the West was the official publication of the Vedanta Society of Southern California. It offered essays by many of the leading intellectuals of the time and had contributions from Aldous Huxley, Gerald Heard, Alan Watts, J. Krishnamurti, W. Somerset Maugham, and many others.
Isherwood was Managing Editor from 1943 until 1945. Together with Huxley and Heard, he served on the Editorial Advisory Board from 1951 until 1962.
Isherwood wrote the following articles that appeared in Vedanta and the West:
In 1948 several articles from Vedanta and the West were issued in book form as Vedanta for the Western World. Isherwood edited the selection and provided an introduction and three articles (Hypothesis and Belief, Vivekananda and Sarah Bernhardt, The Gita and War). Other contributors included Aldous Huxley, Gerald Heard, Swami Prabhavananda, Swami Vivekananda et al.
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