- The science that deals with the determination of dates and the sequence of events.
- The arrangement of events in time.
- A chronological list or table.
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The arrangement of events in a time sequence, usually from the beginning to the end of an event.
Chronology The following general chronology is provided for reference. The history of photography has been traced thematically in many of the longer entries. But this ‘backbone’ of dates offers a general overview of key technical, institutional, and artistic events in a wide range of countries. Usually, for each year cited, technical innovations appear first, followed by institutional events, and with publications (italicized) and significant photographs (italicized and bold) last.
Listing dates is not always a straightforward matter, especially in the case of new processes or items of equipment. In some cases—the year 1839 is an extreme example—similar discoveries were claimed by several people in different places. Preparing the list sometimes revealed inconsistencies between entries in the book, which were difficult to resolve. But we have done our best, using a wide range of sources. The most useful included Gail Buckland, Fox Talbot and the Invention of Photography (1980); Farbe im Foto: Die Geschichte der Farbphotographie von 1861 bis 1981 (1981); Willfried Baatz, Geschichte der Fotografie (1997); Quentin Bajac, L'Image révéleé: l'invention de la photographie (2001; Eng. The Invention of Photography, 2002); A. W. Tucker et al., The History of Japanese Photography (2003); and, much the most detailed and wide ranging, Christian Sixou, Les Grandes Dates de la photographie (2000). There is an admirably clear and well-illustrated short chapter on the history of photographic processes in Brian Coe (ed.), Techniques of the World's Great Photographers (1981).
| 1558 | Giovanni Battista della Porta's Magiae Naturalis includes a description of a camera obscura |
| 1725 | The German chemist Johann Heinrich Schulze discovers that light can darken a solution of chalk moistened with silver nitrate |
| 1777 | The Swedish chemist Carl Vilhelm Scheele compares the darkening effect on silver compounds of the different colours of the spectrum |
| 1801 | The English doctor Thomas Young elucidates the principles of human colour perception |
| 1802 | Thomas Wedgwood and Humphry Davy contact-print silhouettes of leaves and other objects on paper and leather sensitized with silver nitrate, but cannot fix them |
| 1816 | The French inventor Joseph Nicéphore Niépce, working at his Burgundian estate near Saint-Loup-de-Varennes, embarks on photographic experimentation, using a variety of supports and light-sensitive materials. His objective is to create multiple reproductions of engravings and of images formed in the camera obscura |
| 1822 | Niépce makes a permanent copy of an engraving contact printed onto a glass plate sensitized with bitumen of Judaea, a substance that hardens when exposed to light |
| 1824 | At about this time, Niépce succeeds in making camera obscura images from his study window (points de vue), using a direct-positive process involving bitumen-coated metal plates. He names the process ‘heliography’ |
| In Paris, the diorama proprietor Louis Jacques Mandé Daguerre also begins photographic experiments | |
| 1826 | Daguerre learns from the Paris optician Chevalier of Niépce's work and conducts an inconclusive correspondence with him |
| 1827 | Probably in this summer Niépce creates View from the Study Window (Point de vue du Gras à Saint-Loup de Varennes). Niépce meets Daguerre in Paris while en route to visit his brother in London, where he fails to interest the scientific establishment in his heliographic process |
| 1829 | Niépce and Daguerre sign a formal partnership contract (14 December), prior to which Niépce writes a description of his process, Notice sur l'héliographie. Subsequently Niépce starts using silver iodide as a means of sensitizing silver-plated copper plates |
| 1833 | In rural Brazil, Hercules Florence succeeds in contact printing and fixing on paper drawings and script created on glass with a burin; he also uses the term photographie |
| Following Niépce's premature death (5 July), and building on his work, Daguerre continues to experiment, from 1836 assisted by the architect Eugène Hubert. The priority is now the speed of the process and the clarity and permanence of the image, rather than its reproducibility | |
| 1834 | In England, William Henry Fox Talbot begins photographic experiments (January) and eventually succeeds in making and partially fixing silhouetted cameraless negative images of botanical specimens on paper, a process he describes as ‘photogenic drawing’ |
| 1835 | On 28 February Talbot first notes the possibility of making ‘positive’ from ‘negative’ images |
| That summer Talbot creates photogenic negative images on his estate at Lacock, using small wooden cameras (‘mousetraps’). The earliest surviving example is the c.1-inch square Lacock Oriel Window (Latticed Window) (August). Most significantly for the future, however, he also makes positive prints from his original negatives | |
| Some time between c.1835 and 1837, Daguerre begins to use mercury vapour to develop the latent image and salt to fix the result: a unique, positive, and finely detailed picture which becomes known as the daguerreotype | |
| 1838 | In the autumn, after unsuccessful attempts to fund his invention by public subscription, Daguerre approaches the physicist and parliamentarian François Arago with a view to obtaining government support |
| Daguerre, Boulevard du Temple Paris, probably the first surviving photograph of a human being, a man having his shoes polished in the street | |
| Charles Wheatstone invents a reflecting stereoscope | |
| 1839 | Arago and the physicist Jean Baptiste Biot announce Daguerre's discovery—but not its practical details—to the Academy of Science in Paris (7 January) |
| The first public showing of Talbot's photogenic drawings takes place at the Royal Institution, London (25 January) | |
| Talbot reveals the working details of his process to the Royal Society, London (21 February) | |
| Talbot's friend Sir John Herschel reveals his own, rapidly devised photographic process to the Royal Society (14 March). Herschel also proposes the use of sodium thiosulphate (‘hypo’) as a means of fixing photographic images | |
| The French civil servant Hippolyte Bayard produces his first direct-positive images on paper (20 March) | |
| In Munich, Carl August von Steinheil and Franz von Kobell make circular paper negatives of local views, and describe their process to the Bavarian Academy of Sciences (13 April) | |
| In June and July it is arranged that Daguerre should cede the rights to his invention to the French state in return for an annual pension of 6, 000 francs | |
| Arago reveals the details of Daguerre's process at a joint meeting of the Academies of Science and Fine Arts (19 August) | |
| Daguerre's manual Historique et description du procédé du daguerréotype et du diorama is published (21 August). A daguerreotype craze follows, with kits on sale from entrepreneurs like Chevalier, Lerebours, and Daguerre himself for c.300 francs | |
| The first public demonstration of the daguerreotype in London (11 September) | |
| In Barcelona, Ramón Alabern makes Spain's first daguerreotype (10 November) | |
| The details of Daguerre's process rapidly circulate throughout Europe and the eastern United States, and many translations of the Historique et description appear | |
| 1840 | The Hungarian mathematician Josef Petzval designs a fast (f/3.6) ‘portrait’ lens that, in conjunction with chemical improvements by John Goddard, Franz Kratochwilla, and Antoine Claudet, greatly reduces daguerreotype exposure times; Hippolyte Fizeau introduces gold toning to improve the contrast of the final image and make it less fragile |
| The American dentist Alexander S. Wolcott opens the world's first photographic (daguerreotype) portrait studio (Wolcott & Johnson) in New York (4 March) | |
| The first lunar daguerreotype is taken by the American chemistry professor John W. Draper | |
| Talbot discovers a method of speeding the formation and development of the latent (negative) image (September). It becomes easier to use the negative-positive process for living subjects, and Talbot creates a portrait of his wife Constance on 10 October. Talbot's improved process, patented in 1841, is called the calotype (or, by some, the Talbotype) | |
| The Abbé Louis Compte, visiting South America aboard a French vessel, makes daguerreotypes at Rio de Janeiro (January); the young Emperor of Brazil, Pedro II, buys a camera and subsequently becomes a patron of photography | |
| Hippolyte Bayard, Self-Portrait as a Drowned Man (Le Noyé) | |
| During the next decade, a variety of optical, chemical, and manipulative advances improve the efficacy of both Daguerre's and Talbot's processes, until both are superseded by the wet-plate process during the 1850s | |
| 1841 | Richard Beard opens what is reputed to be Europe's first daguerreotype portrait studio, in Regent Street, London (March); Hermann Biow opens a studio in Hamburg |
| 1842 | Herschel invents the cyanotype printing process |
| Appearance of the Illustrated London News (14 May) | |
| Biow photographs the aftermath of the catastrophic Hamburg fire (May) | |
| Mads Alstrup opens the first portrait studio in Copenhagen | |
| 1843 | The Austrian Joseph Puchberger patents a panoramic camera capable of making 48.3 × 61 cm (19 × 24 in) daguerreotypes |
| Robert Adamson opens a studio at Rock House, Calton Hill, Edinburgh (May), and goes into partnership with the painter David Octavius Hill; that year they begin making calotypes at the fishing village of Newhaven (until 1847) | |
| Founding of the Edinburgh Calotype Club | |
| Appearance of the Illustrirte Zeitung in Leipzig, Saxony | |
| Anna Atkins begins publication of Photographs of British Algae: Cyanotype Impressions (October; it is completed a decade later) | |
| Sergei Levitsky makes daguerreotype views in the Caucasus | |
| The firm of Southworth & Hawes is founded in Boston | |
| 1844 | Henry Talbot opens the Reading Establishment for commercial production of photographic prints and publications |
| Talbot, The Pencil of Nature (6 parts, 1844-6) | |
| Talbot, The Haystack | |
| 1845 | Talbot, Sun Pictures of Scotland |
| 1847 | C. F. A. Niépce de Saint-Victor introduces a practical method for making negatives on glass, using a coating of egg white (albumen) and potassium iodide |
| Calotype Society founded in London | |
| L.D. Blanquart-Évrard announces significant improvements to Talbot's calotype process | |
| The African-American Glenalvin Goodridge founds a daguerreotype studio in York, Pennsylvania; by 1865, after an interval, his brothers Wallace and William have restarted the business in Saginaw, Michigan | |
| 1848 | L'Illustration publishes wood engravings of revolutionary events in Paris from daguerreotypes by Thibault (July) |
| 1849 | Sir David Brewster perfects a lenticular stereoscope for viewing stereo daguerreotypes |
| In the autumn Maxime Du Camp and Gustave Flaubert embark on a photographic expedition to the Middle East which lasts until the spring of 1851 | |
| 1850 | The Imperial Printing Office in Vienna opens a photographic department under Paul Pretsch which produces calotype architectural studies and views |
| L.D. Blanquart-Évrard introduces albumen paper for printing positives from negatives | |
| The Daguerreian Journal (later Humphrey's Journal) is founded in New York | |
| J.T. Zealy makes daguerreotypes of South Carolina slaves (rediscovered in 1976) | |
| 1851 | Gustave Le Gray's waxed negative technique further improves the calotype process, enabling sensitive materials to be prepared and stored before use |
| Frederick Scott Archer publishes a description of the wet-collodion process in The Chemist (March). Although cumbersome and difficult to use, especially out of doors, this wet-plate process, especially in conjunction with albumenized paper, is capable of producing extremely fine images. It dominates photographic practice for over two decades | |
| The Great Exhibition in the Crystal Palace, London, includes over 700 entries from both sides of the Atlantic, including Jules Duboscq's stereo-daguerreotypes and John Whipple's daguerreotype of the moon, but also boosts the wet-plate process | |
| Société Héliographique founded in Paris (January) | |
| Appearance of La Lumière, edited by Ernest Lacan (9 February) | |
| The French Mission Héliographique, the first state-sponsored photographic survey of historical monuments, produces c.300 paper prints, made by Baldus, Bayard, Le Gray, Le Secq, and Mestral | |
| L.D. Blanquart-Évrard opens his Imprimerie Photographique at Loos-lès-Lille, and by the time the establishment closes in 1855 has produced the salt prints for several important archaeological and other works, including Du Camp's Égypte, Nubie, Palestine et Syrie (1852), Greene's Le Nil (1854), and Salzmann's Jérusalem (1856) | |
| 1852 | Henry Talbot begins experimenting with a photomechanical etching process (‘photoglyphic engraving’), later known as photogravure, which is eventually brought to fruition by Karl Klič in 1879 |
| George Washington Wilson establishes his firm in Aberdeen, Scotland | |
| 1853 | Adolphe Martin invents a rapid direct-positive process later known as the tintype, which becomes particular popular with itinerant photographers |
| The Photographic Society of London is founded (20 January; it becomes the Royal Photographic Society of Great Britain (RPS) in 1894) | |
| Félix Teynard, Égypte et Nubie (part-work completed in 1858) | |
| 1854 | Achille Quinet patents the first ‘binocular’ (twin-lens) stereoscopic camera, the Quinetoscope |
| First description of a solar camera, using reflected sunlight to make enlargements from negatives (ordinary contact printing created images the same size as the original negative) | |
| Société Française de Photographie (SFP) founded in Paris | |
| London Stereoscopic Company founded | |
| The Liverpool Journal of Photography is launched, becoming in 1860 the British Journal of Photography | |
| André Disdéri patents the carte de visite format (November) | |
| The firm of Fratelli Alinari is founded in Florence | |
| Nadar, The Mime Charles Debureau as Pierrot (1854-5) | |
| US Acting Master's Mate Eliphalet Brown Jr., Portrait of Tanaka Mitsuyoshi and other daguerreotypes of people and scenes in Yokohama and elsewhere (the Mitsuyoshi portrait is rediscovered in 1983); other Japanese scenes are photographed by a Russian naval officer, Alexander Fyodorovich Mozhaisky | |
| 1855 | Roger Fenton takes c.360 wet-plate photographs of views and military scenes in the Crimea (March-June) |
| Édouard-Denis Baldus creates an album of photographs of the railway between Paris and Boulogne-sur-Mer | |
| Gustave Le Gray opens a lavish studio on the Boulevard des Capucines, Paris | |
| The Exposition Universelle in Paris includes a large photographic exhibition organized by the SFP | |
| A photographic school is established at Elphinstone College, Bombay | |
| John Mayall, Sergeant Dawson and his Daughter | |
| 1856 | William Thompson makes primitive underwater photographs in the Wey estuary, southern England |
| Photographic instruction is included in the training of the British Royal Engineers | |
| Countess Castiglione begins her photographic association with Pierre-Louis Pierson of the Paris studio Mayer & Pierson | |
| Gustave Le Gray, The Brig | |
| 1857 | Felice Beato photographs Lucknow after its recapture from rebels by the British |
| Carlo Naya opens a studio in Venice | |
| The Bonfils photographic company is founded in Beirut | |
| Camille Silvy, La Vallée de l'Huisne (River Scene, France) | |
| Oscar Gustav Rejlander, The Two Ways of Life | |
| Robert Howlett, Isambard Kingdom Brunel before the Launch of the Leviathan [Great Eastern] (November) | |
| Shiro Ichiki, Portrait of Nariakira Shimazu, the oldest surviving daguerreotype by a Japanese (rediscovered in 1975) | |
| 1858 | The South Kensington Museum, London (later the Victoria & Albert Museum) holds an international photography exhibition jointly organized by the Photographic Society and the SEP |
| Nadar makes wet-plate aerial photographs from a balloon | |
| Warren de la Rue makes stereographs of the moon | |
| The American Society of Photographers is founded | |
| Désiré Charnay makes the first of several visits to the Yucatán, Mexico, where he photographs pre-Columbian ruins | |
| Founding of the Odessa Photographic Society and the Russian journal Svetopis (Light-Painting) | |
| Egypt and Palestine Photographed and Described by Francis Frith | |
| Henry Peach Robinson, Fading Away | |
| 1859 | Camille Silvy opens a successful carte de visite studio in Bayswater, London |
| Charles Leander Weed takes the first photographs of the Yosemite Valley (June) | |
| 1860 | Permission for the sale of royal photographic portraits in Britain gives a major impetus to celebrity photography |
| Personal and financial difficulties force Le Gray to leave France; later he photographs Palermo shortly after its capture by Garibaldi (June) | |
| Disdéri launches his subscription celebrity series Galérie des contemporains | |
| 1861 | The English photographer Thomas Sutton invents and patents (August) a single-lens reflex (SLR) camera, but few are actually made |
| The Scottish physicist James Clerk Maxwell makes the first (projected) colour photograph, using three colour separations, but the photographic establishment takes little notice | |
| Auguste Rosalie Bisson takes wet-plate views from the summit of Mont Blanc (24 July) | |
| Nadar uses battery-powered lights to photograph the Paris catacombs (December) | |
| A photographic department is founded by the Krupp steelworks, Essen | |
| 1862 | The British Fine Art Copyright Act extends copyright protection to photographs registered at Stationers' Hall, London (it remains in force until 1912) |
| Hikoma Ueno opens the first Japanese-owned studio, in Nagasaki | |
| Guillaume Duchenne de Boulogne, Mécanisme de la physionomie humaine | |
| 1863 | The studio of Howard, Bourne & Shepherd (from 1865, Bourne & Shepherd) is established in Simla, north-western India; Samuel Bourne makes the first of three photographic expeditions into the Himalayas |
| Felice Beato arrives in Japan, and opens a studio in Yokohama | |
| 1864 | John Wilson Swan introduces important improvements to the carbon process, described by Adolphe Louis Poitevin in 1855; the resulting prints are both subtle and permanent, and become widely used in commercial photography |
| The journal Photographische Mitteilungen is founded by Hermann Wilhelm Vogel | |
| Central Europe's first exhibition devoted exclusively to photography is organized in Vienna by the Photographische Gesellschaft (f. 1861) | |
| 1865 | Charles Piazzi Smyth uses magnesium combustion to photograph inside the Great Pyramid at Giza, Egypt |
| Foundation of the Palestine Exploration Fund | |
| William Mervyn Lawrence opens a portrait and view business in Dublin; a British intelligence officer, Samuel Lee Anderson, based in Dublin Castle, creates an album of Irish nationalists, inscribed Members of the Fenian Brotherhood | |
| The Uruguayan Esteban Garcia photographs the war between Paraguay and Argentina, Brazil, and Uruguay (1865-70) for an American company | |
| Alexander Gardner, Execution of the Lincoln Conspirators at Washington Arsenal (7 July) | |
| 1866 | W. B. Woodbury patents the photomechanical Woodburytype process |
| The Rapid Rectilinear distortion-free lens is introduced independently by J. H. Dallmeyer and H. A. Steinheil | |
| Ernst Abbe of Zeiss collaborates with the Schott glass company to develop new glasses suitable for the manufacture of more advanced lenses | |
| Introduction of the cabinet format studio photograph | |
| Émile Gsell photographs of the ruins of Angkor in Cambodia | |
| George Barnard, Photographic Views of Sherman's Campaign | |
| 1867 | Commencement of the first of four US Geological and Geographical Surveys of the Western Territories, a programme lasting until 1879 and producing thousands of photographs of the American West |
| Julia Margaret Cameron, Sir John Herschel (April) | |
| 1868 | An eight-volume official work, The People of India, begins to appear, and is completed in 1875 |
| 1869 | The ‘joining of the rails’ at Promontory Point, Utah, is recorded by A. J. Russell, Alfred Hart, and Charles R. Savage (10 May) |
| Launch of the specialist Revue photographique des hôpitaux de Paris, illustrated with tipped-in, hand-coloured photographs (it lasts until 1876) | |
| 1870 | During the Franco-Prussian War (1870-1), microphotography is used to create micro-documents transportable by pigeon to and from besieged French cities |
| Eugène Appert's Crimes of the Commune use photomontage to fake images of atrocities committed by the Paris Communards | |
| Foundation of the Archaeological Survey of India, which in 1871 acquires a photographic branch | |
| Launch in Yokohama of the journal Far East (30 May), regularly illustrated with albumen prints | |
| Andrei Karelin, Nizhni Novgorod | |
| 1871 | Richard Leach Maddox describes a prototype gelatin dry plate; improved versions are increasingly used in the course of the decade, and eventually revolutionize photographic practice. In particular, dry emulsions make the creation of roll-film possible, and standardized manufacturing procedures encourage the development of practical sensitometry |
| William Henry Jackson photographs in Yellowstone | |
| 1872 | Tomishige Studio founded by Rihei Tomishige in Kumamoto City, Kyushu, Japan |
| Henry Taunt, A New Map of the River Thames | |
| Charles Darwin, On the Expression of the Emotions in Man and Animals, partly illustrated with photographs by Oscar Rejlander | |
| 1873 | William Willis introduces the platinum print (platinotype) |
| Timothy H. O'Sullivan, Ancient Ruins in the Canyon de Chelly, New Mexico | |
| 1877 | John Thomson, Street Life in London (12 parts completed in 1878) |
| 1878 | Eadweard Muybridge devises a battery-of-cameras system to capture photographs of horses in motion |
| 1879 | Photogravure, a photomechanical process for creating high-quality reproductions, is perfected by Karl Klič |
| 1880 | The New York Daily Graphic uses the half-tone process to print a small-scale reproduction of a photograph of Manhattan's Shantytown (4 March) |
| The Underwood & Underwood stereographic company is founded in Ottowa, Kansas (it moves to New York in 1891) | |
| 1881 | George Eastman founds the Eastman Dry Plate Company at Rochester, NY, with six employees |
| 1884 | Photomechanical reproductions of photographs of military manoeuvres by Ottomar Anschütz appear in the Leipzig Illustrirte Zeitung (15 March) |
| Launch of Amateur Photographer magazine (10 October) | |
| Lala Deen Dayal becomes court photographer to the Nizam of Hyderabad | |
| The first edition of Josef Maria Eder's multi-volume Ausführliches Handbuch der Fotografie (Comprehensive Handbook of Photography) begins to appear | |
| 1885 | Launch of the Eastman-Walker roll holder, taking a 24-exposure paper film and suitable for attachment to standard plate cameras |
| Gaston Tissandier, La Photographie en ballon | |
| 1886 | John Thomson is appointed ‘Official Instructor of Photography’ at the Royal Geographical Society, London |
| Nadar's interview of the centenarian chemist Michel Chevreul is photographed by Paul Nadar, and thirteen of the pictures are photomechanically reproduced in Le Journal illustré (5 September) | |
| An international photography exhibition is held in Oporto, Portugal | |
| Frank Meadow Sutcliffe, Water Rats | |
| Josef Maria Eder, Die Moment-Photographie (Instantaneous Photography) | |
| 1887 | Patenting of the Kinetoscope motion-picture viewer |
| Peter Henry Emerson, Life and Landscape on the Norfolk Broads | |
| Eadweard Muybridge, Animal Locomotion | |
| 1888 | Launch of the Kodak roll-film box camera (June), with the marketing slogan ‘you press the button, we do the rest’ |
| As a by-product of their pioneering research on sensitometry, Ferdinand Hurter and Vero Driffield patent an exposure calculator (14 April), later marketed as the Actinograph | |
| Founding of the Photo-Club de Paris | |
| Appearance of National Geographic Magazine (October) | |
| 1889 | Opening of the Graphische Lehr- und Versuchsanstalt (Graphic Art Institute) in Vienna, providing important facilities for photographic training |
| P. H. Emerson, Naturalistic Photography for Students of the Art | |
| 1890 | Paul Rudolph of Zeiss designs the Protar, the first anastigmat lens |
| Inauguration of the Berlin Lette-Verein's photography school for women | |
| Berliner illustrirte Zeitung founded | |
| Jacob Riis, How the Other Half Lives | |
| Alphonse Bertillon, La Photographie judiciaire | |
| 1892 | Foundation of the Brotherhood of the Linked Ring (April) |
| Foundation of the Keystone View Company in Meadville, Pa., by Benjamin L. Singley | |
| 1893 | Verascope stereoscopic camera launched by Jules Richard, Paris |
| 1894 | Invention of the Mutoscope, a device using series of still photographs to create the illusion of movement |
| Creation of the Japanese Army Photographic Unit | |
| Alfred Lichtwark, Die Bedeutung der Amateur-Photographie (The Significance of Amateur Photography) | |
| 1895 | The German physicist Wilhelm Röntgen takes the first X-ray photographs (November-December) |
| The pictorialist Society for the Encouragement of Amateur Photography is founded in Hamburg | |
| George Ewing, A Handbook of Photography for Amateurs in India | |
| 1896 | Paul Martin receives the RPS's Gold Medal for his series of night photographs London by Gaslight |
| 1897 | Foundation of the National Photographic Record Association by Sir Benjamin Stone and others, active until 1910 |
| Richard and Cherry Kearton, With Nature and a Camera | |
| 1898 | The Folmer & Schwing Manufacturing Co. launches the Graflex camera, the first of a long line of best-selling SLR cameras |
| Secondo Pia takes controversial photographs of the Turin Shroud | |
| Clarence H. White, Girl with a Mirror | |
| 1899 | Louis Boutan makes an artificially lit underwater photograph 50 m (164 ft) down in the open Mediterranean |
| 1900 | Eastman Kodak launches the Brownie camera |
| By this time, c.30 per cent of British amateurs are women, and more than 3, 500 female professionals are working in the USA | |
| George R. Lawrence of Chicago uses a purpose-built Mammoth camera to photograph an entire train | |
| The Munich Photo School is founded, a joint venture between the city, the Bavarian state, and the South German Photographers' Association | |
| Louis Boutan, La Photographie sous-marine et les progrès de la photographie | |
| 1901 | The Professional Photographers' Association is founded, and later (1983) becomes the British Institute of Professional Photographers |
| Charles Caffin, Photography as a Fine Art | |
| 1902 | Paul Rudolph designs the Tessar lens |
| Alfred Stieglitz founds the Photo-Secession in New York | |
| 1903 | Stieglitz launches the journal Camera Work |
| Rodolphe Archibald Reiss, La Photographie judiciaire | |
| Frederick Evans, A Sea of Steps (Wells Cathedral) | |
| 1904 | The German physicist Arthur Korn transmits photographic images over telephone lines from Munich to Nuremberg |
| The autochrome colour process is announced by the Lumière brothers of Lyon, France | |
| Edward S. Curtis, The Vanishing Race—Navaho | |
| 1905 | The Little Galleries of the Photo-Secession—later known as Gallery 291—open at 291 Fifth Avenue, New York, and continue until 1917 |
| Sir Benjamin Stone's Pictures: Records of National Life and History (2 vols., 1905-6) | |
| 1906 | Marketing of the first commercial panchromatic plates, sensitive to all the colours of the spectrum |
| 1907 | The autochrome process is introduced commercially, becomes popular with amateurs, and remains available for c.30 years |
| The first volume of Edward S. Curtis's twenty-volume The North American Indian appears (the last volume is published in 1930) | |
| Alfred Stieglitz, The Steerage | |
| 1908 | Karl Karlovich Bulla and his son Victor photograph Leo Tolstoy and his family at Yasnaya Polyana on the occasion of the writer's 80th birthday (July) |
| 1909 | Sergei Prokudin-Gorskii embarks on an official photographic survey of Russia, using his own three-colour system |
| 1910 | Herbert Ponting makes still and motion pictures of Scott's ill-fated expedition to the Antarctic (1910-12) |
| International Exhibition of Pictorial Photography at the Albright Museum, Buffalo, NY | |
| The ‘Kodak Girl’ becomes a central feature of Kodak advertising | |
| 1911 | International Salon of Artistic Photography in Kiev |
| 1912 | Jacques-Henri Lartigue, Grand Prix of the Automobile Club de France |
| 1913 | Alvin Langdon Coburn, New York from its Pinnacles |
| Anton Giulio and Arturo Bragaglia, Fotodinamismo futurista | |
| Paul Strand, Abstraction, Shadows of a Veranda, Connecticut | |
| 1914 | The Australian Frank Hurley joins Shackleton's expedition to Antarctica and takes spectacular photographs in extreme conditions |
| 1915 | British troops attacking at Neuve Chapelle on the Western Front use maps based entirely on aerial reconnaissance; in general, the First World War produces major advances in aerial photography |
| Wilhelm Weimar, Die Daguerreotypie in Hamburg, 1839-1860 | |
| 1916 | Arnold Genthe, The Book of the Dance |
| 1917 | Alvin Langdon Coburn's Vortographs exhibited at the London Camera Club (February) |
| The final, double issue (49/50) of Camera Work appears, with modern work by Paul Strand (June) | |
| Elsie Wright and Frances Griffiths take their first ‘fairy’ photographs at Cottingley, Yorkshire (July) | |
| Foundation of the Imperial War Museum, London | |
| Victor Bulla records the revolutionary events in Petrograd (St Petersburg) (February-October) | |
| 1919 | The Photographic Bureau of the British Ministry of Information becomes the Imperial War Museum's Department of Photographs (1 January) |
| 1922 | Arthur Korn transmits photographs by radio |
| Edward Weston, Armco Steel | |
| 1923 | Edward Steichen becomes chief photographer for Nast Publications, publishers of Vogue |
| Alfred Stieglitz embarks on a long series of cloud studies that he describes as Equivalents | |
| Edward Weston travels to Mexico with Tina Modotti | |
| 1924 | L'Illustration (26 January) publishes a three-dimensional anaglyph of the moon produced by Léon Gimpel from two earlier (1902, 1904) astronomical photographs |
| László Moholy-Nagy, Malerei Fotografie Film (Painting Photography Film) | |
| Man Ray, Kiki: le violon d'Ingres | |
| 1925 | Launch of Leitz's Leica I (a) 35 mm camera |
| Arbeiter illustrierte Zeitung founded | |
| 1926 | The German Ica, Goerz, Ernemann, and Contessa-Nettel companies merge to create the Zeiss Ikon photographic conglomerate |
| Meeting of Eugène Atget and Margaret Bourke-White, who acquires many of his negatives after his death the following year; later she sells them to MoMA, New York | |
| Japanese magazine Asahi Camera launched | |
| Rudolf Koppitz, Movement Study | |
| 1927 | Germaine Krull, Metall |
| 1928 | Franke & Heidecke introduce the Rolleiflex twin-lens reflex |
| Dephot agency founded in Berlin | |
| Appearance of the French illustrated weekly Vu (21 March) | |
| Salon de l'Escalier exhibition of modern photography in Paris (May-June) | |
| Karl Blossfeldt, Urformen der Kunst (Archetypes of Art) | |
| Albert Renger-Patzsch, Die Welt ist Schön (The World is Beautiful) | |
| August Sander, Pastry-Cook, Cologne | |
| 1929 | Alfred Stieglitz opens the gallery An American Place in New York, which lasts until 1946 |
| Walter Peterhans is appointed to teach photography at the Bauhaus in Dessau, Germany | |
| Film and Foto (Fifo) exhibition in Stuttgart | |
| An exhibition of Hill and Adamson calotypes is held at the Belvedere, Vienna, curated by Heinrich Schwarz | |
| August Sander, Antlitz der Zeit (Face of our Time) | |
| Tina Modotti, Woman of Tehuantapec (c.1929) | |
| 1930 | Lewis Hine is commissioned to document the construction of the Empire State Building, New York, eventually creating hundreds of images, a selection of which are published in Men at Work (1932) |
| Atget: photographe de Paris, introduced by Pierre Mac Orlan | |
| At about this time, Man Ray creates his celebrated Glass Tears | |
| 1931 | The Soviet photo-essay A Day in the Life of a Moscow Worker (Alpert, Shaikhet, Tules) appears in the Arbeiter illustrierte Zeitung |
| Julien Levy opens his first gallery, at 602 Madison Avenue, New York, with a retrospective exibition of American photography | |
| 1932 | Launch of Zeiss Ikon's Contax I 35 mm camera |
| Group f/64 exhibition at the M. H. de Young Museum, San Francisco (November-December) | |
| Edward Weston, The Art of Edward Weston | |
| Launch of Japanese journal Koga (Light Picture) | |
| Henri Cartier-Bresson, Place de l'Europe | |
| Wanda Wulz, I+Cat | |
| 1933 | Founding of the Rapho agency in Paris |
| A team led by Col. L. V. S. Blacker overflies Mount Everest for the first time and takes photographs (3 April) | |
| Brassaï: Paris de nuit: 60 photos inédites | |
| José Ortiz-Echagüe inaugurates a three-part series (completed in 1943) of photographic studies of Spain with España: tipos y trajes (Spain: People and Costumes) | |
| 1934 | Founding of Alliance Photo in Paris, and opening of the Harcourt Studio |
| Edward Weston begins a relationship with Charis Wilson (April), who inspires a series of celebrated nudes in the mid- and late 1930s | |
| Alexey Brodovitch becomes art director of Harper's Bazaar | |
| Doctrine of Socialist Realism proclaimed in the USSR | |
| Antoine Poidebard, La Trace de Rome dans le désert de Syrie, based on aerial photographs | |
| Alexander Rodchenko, Girl with a Leica | |
| 1935 | Launch of the AP WirePhoto network (1 January) |
| Kodachrome colour transparency film is introduced for cinematographic use (in 1936 for still cameras) | |
| Roy Stryker creates and heads the Historical Section of the US Resettlement Administration (in 1937 renamed the Farm Security Administration [FSA]) | |
| Madame Yevonde, Lady Milbanke as ‘Queen of the Amazons’ | |
| 1936 | Launch of Ihagee Kamerawerk's 35 mm Kine Exakta SLR, and of Agfacolor transparency film |
| T* lens coating patented by Zeiss | |
| In Japan, the Seiki Optical Co. designs a Leica-type 35 mm camera called the Kwannon (marketed in Europe from 1937 as the Hansa Canon) | |
| Walter Benjamin's essay ‘The Work of Art in the Age of Mechanical Reproduction’ | |
| Appearance of Life magazine (23 November) | |
| Founding of the Black Star agency in New York | |
| The Photo League, a group of New York-based documentary still photographers, emerges from the earlier (1928) Film and Photo League | |
| Bill Brandt, The English at Home | |
| Bill Brandt, The Lambeth Walk | |
| Dorothea Lange, Migrant Mother, Nipomo, California (Prairie Mother) (March) | |
| Robert Capa, The Falling Soldier (Death in Spain) (23 September) | |
| 1937 | Founding of Mass-Observation in England by Tom Harrison, Humphrey Jennings, and Charles Madge |
| Edwin Land founds the Polaroid Corporation | |
| The Hindenburg disaster at Lakehurst, NJ (6 May), is recorded by numerous photographers; many of the pictures are distributed by WirePhoto and published next day | |
| Photography 1839-1937 exhibition at MoMA, New York, curated by Beaumont Newhall, and the first survey of photography to be held at an American museum. It is accompanied by Newhall's The History of Photography | |
| Edward Weston receives the first fellowship awarded to a photographer by the Guggenheim Foundation, for travel in the western states of the USA | |
| Maurice Bonnet founds the Relièphographie company in Paris for production of lenticular stereograms | |
| Man Ray, Max Ernst, Lee Miller, and other Surrealists gather at Lambe Creek near Truro, Cornwall (June) | |
| Herbert List, Goldfish Bowl, Santorini | |
| 1938 | Kodak Super Six-20 camera with automatic exposure control, styled by Walter Dorwin Teague |
| The Minox sub-miniature camera goes into production in Riga | |
| Andor Kraszna-Krausz founds the Focal Press in London | |
| Appearance of the British weekly illustrated paper Picture Post (1 October), edited by Stefan Lorant | |
| D. A. Spencer, Colour Photography in Practice | |
| R. M. Taft, Photography and the American Scene: A Social History, 1839-1889 | |
| Henri Cartier-Bresson, Sunday on the Banks of the Marne | |
| 1939 | Horst P. Horst, Mainbocher Corset, Paris |
| 1940 | Foundation of the Department of Photography at MoMA, New York, the first of its kind in an art museum, directed by Beaumont Newhall |
| Edward Weston, Tide Pool, Point Lobos | |
| 1941 | Victor Hasselblad founds his own manufacturing company in Gothenburg, Sweden |
| The German serviceman Joe Heydecker takes illicit photographs of the Warsaw Ghetto (February) | |
| Launch of the Zurich monthly magazine Du (March) | |
| John Grierson founds the National Film Board in Canada | |
| The Wandering Jew exhibition held by Tanpei Shashin Club, Osaka, Japan (May) | |
| Walker Evans (with James Agee), Let Us Now Praise Famous Men | |
| Ansel Adams, Moonrise, Hernandez, New Mexico | |
| 1942 | Introduction of the Kodacolor process for making colour prints from colour negatives |
| Gregory Bateson and Margaret Mead, Balinese Character: A Photographic Analysis | |
| Jindrich Styrsky (with Jindrich Heisler), On the needles of these days | |
| Launch of the Japanese propaganda magazine Front in sixteen languages (January), its first edition dedicated to the Japanese navy | |
| Gordon Parks, Ella Watson (American Gothic) | |
| 1943 | George Strock, Three American Soldiers Ambushed on Buna Beach, New Guinea (February; published in Life, 20 September) |
| Weegee, The Critic | |
| 1944 | Robert Capa photographs the D-Day landings on Omaha Beach, but most of the pictures are ruined in processing (6 June) |
| 1945 | Atomic bomb test at Alamogordo, N. Mex.; the only surviving colour photograph of the explosion is taken by Jack Aeby of the Special Engineer Detachment (16 July) |
| The atomic attack on Hiroshima is photographed from the bomber Enola Gay by George R. Caron, and on the ground by Yoshito Matsushige (6 August) | |
| Alexey Brodovitch, Ballet | |
| Weegee, Naked City | |
| Joe Rosenthal, Raising of the Stars and Stripes at Iwo Jima (23 February) | |
| 1946 | Refounding of Rapho by Raymond Grosset |
| 1947 | Edwin Land's ‘peel-apart’ instant picture process is demonstrated at the American Optical Society (21 February), heralding the launch of Polaroid 95 instant cameras the following year |
| Magnum agency founded at meetings in Paris and New York | |
| Edward Steichen succeeds Beaumont Newhall as director of the Department of Photography at MoMA, New York, and stays until 1962 | |
| Incorporation of the Kinsey Institute for Research in Sex, Gender, and Reproduction (Indiana University, Bloomington), which eventually acquires a large photographic archive | |
| Hugo van Wadenoyen, Wayside Snapshots | |
| 1948 | Holography described and named by Denis Gabor |
| W. Eugene Smith's photo-essay Country Doctor appears in Life | |
| Philippe Halsmann, Dali Atomicus | |
| Eric Hosking, Barn Owl with Vole | |
| 1949 | Opening of the International Museum of Photography at George Eastman House, Rochester, NY |
| German fotoform group founded | |
| Launch of Paris Match (25 March) | |
| Robert Doisneau (with Blaise Cendrars), La Banlieue de Paris | |
| Willy Ronis, Provençal Nude | |
| 1950 | First Photokina photographic trade fair, Cologne |
| Drum magazine founded in South Africa, lasting until 1985 | |
| Japan Professional Photographers' Society founded | |
| Izis (Israëlis Bidermanas), Paris des rêves | |
| Robert Doisneau, The Kiss at the Hôtel de Ville (Les Amants de l'Hôtel de Ville) (March) | |
| 1951 | Partly as the result of official harassment, the Photo League disbands |
| Light Publicity, one of the most important post-war Japanese advertising agencies, is created, and employs many leading photographers | |
| The Photographic Society of Japan is founded (December) | |
| David Douglas Duncan, This Is War | |
| 1952 | Helmut and Alison Gernsheim rediscover Niépce's View from the Study Window (Point de vue du Gras à Saint-Loup de Varennes) of 1827 (15 February) |
| Launch of the journal Aperture | |
| Henri Cartier-Bresson, Images à la sauvette, photographies (Paris)/The Decisive Moment: Photography by Henri Cartier-Bresson (New York) | |
| 1953 | Launch of Playboy magazine (November) |
| Dmitri Baltermants, The Announcement of Stalin's Death | |
| 1954 | Ernst Leitz GmbH launches the Leica M series with the M3 rangefinder camera |
| Pierre Bourdin begins working for French Vogue | |
| Pierre Verger, Deux Afriques | |
| 1955 | The Family of Man exhibition opens at MoMA, New York (January) |
| Henri Cartier-Bresson, Les Européens | |
| 1956 | The Family of Man exhibition is held at the Takashimaya department store in Tokyo, and attracts large crowds (March-April); later the first International Subjective Photography exhibition takes place at the same location (December) |
| William Klein, New York (Life is Good and Good for You in New York) | |
| Josef Sudek Fofografie | |
| O. Winston Link, Hot Shot Eastbound at Iaeger Drive-In, West Virginia | |
| 1957 | Picture Post closes (1 June) |
| Lucien Clergue, Corps mémorables | |
| 1958 | Robert Frank, Les Américains: photographies de Robert Frank (Paris)/The Americans (New York, 1959) |
| Ansel Adams, Aspens, Northern New Mexico | |
| 1959 | Launch of 35 mm Nikon F SLR by Nippon Kogaku (later Nikon) |
| The Family of Man exhibition reaches Moscow | |
| VIVO agency launched in Tokyo (July), and lasts until 1961 | |
| Bernd Becher and Hilla Wobeser (later Becher) begin collaborating on images of industrial structures in western Germany | |
| A selection of W. Eugene Smith's Pittsburgh photographs appears in Photography Annual | |
| Richard Avedon, Observations | |
| Jeanloup Sieff, Borinage | |
| 1960 | Federico Fellini's film La dolce vita gives currency to the term paparazzo for intrusive celebrity photographers |
| Irving Penn, Moments Preserved | |
| Alberto Korda, Il guerillero heroico (Che Guevara) (5 March) | |
| 1961 | Creation of the first successful holograms |
| Bill Brandt, Perspective of Nudes | |
| 1962 | John Szarkowski succeeds Edward Steichen as director of the department of photography at MoMA, New York |
| Bert Stern photographs Marilyn Monroe (July), shortly before her death | |
| American aerial reconnaissance photographs identify Russian missiles positioned in western Cuba (October) | |
| Malick Sidibé opens Studio Malick in Bamako, Mali | |
| Eliot Porter, with texts by H. D. Thoreau, In Wildness is the Preservation of the World | |
| 1963 | Kodak Instamatic series launched (February) |
| First production 35 mm SLR camera with through-the-lens (TTL) metering, Tokyo Kogaku's Topcon RE Super | |
| Nippon Kogaku launches the Nikonos underwater camera | |
| An acclaimed exhibition of Jacques-Henri Lartigue's early photographs is held at MoMA, New York | |
| Publication of the first Pirelli Calendar | |
| 1964 | The young Chinese photographer Li Zhensheng joins the Heilongjiang Daily in Harbin in north-eastern China (October); later he photographs events of the Cultural Revolution (1966-76) |
| Edwin Smith (with Edward Hyams), The English Garden | |
| 1965 | Pierre Bourdieu, Un art moyen: essais sur les usages sociaux de la photographie (Paris)/Photography: A Middlebrow Art (New York, 1996) |
| Lennart Nilsson, A Child is Born | |
| 1966 | The Photographer's Eye exhibition at MoMA, New York |
| Michelangelo Antonioni's film Blowup | |
| Hou Bo, Mao Zedong Swimming in the Yangtze River | |
| 1967 | New Documents exhibition at MoMA, New York |
| Founding of the Friends of Photography at Carmel, California | |
| Ernest Cole, House of Bondage | |
| 1968 | The radical Japanese journal and collective Provoke is founded (November) by Daido Moriyama and others |
| Laura Gilpin, The Enduring Navaho | |
| Eddie Adams, General Nguyen Ngoc Loan Executes a Vietcong Prisoner in a Saigon Street (1 February) | |
| Ronald L. Haeberle, Massacre of Villagers at My Lai 4, South Vietnam (16 March; the pictures are not published until November 1969) | |
| 1969 | Ralph Gibson founds Lustrum Press in New York |
| The Lee Witkin photographic gallery opens in New York | |
| Harlem on my Mind exhibition, Metropolitan Museum of Art, New York | |
| MoMA, New York, acquires the Eugène Atget archive | |
| Neil Armstrong, Buzz Aldrin on the Moon (20 July), taken with a Hasselblad 500SL camera | |
| 1970 | E. J. Bellocq's rediscovered Storyville Portraits of New Orleans prostitutes, taken c.1912 and newly printed by Lee Friedlaender, are exhibited at MoMA, New York |
| The French Law of 17 July 1970 severely restricts the photographic invasion of privacy | |
| Inauguration of the Arles Festival | |
| Ralph Gibson, The Somnambulist | |
| Bernd and Hilla Becher, Anonymous Sculptures | |
| Jacques-Henri Lartigue, Diary of a Century | |
| Kishin Shinoyama, Nude | |
| 1971 | The Photographers' Gallery opens in London |
| Sotheby's, London, holds its first photographic auction, organized by Philippe Garner | |
| Appearance of the Spanish journal Nueva lente | |
| Philip Jones Griffiths, Vietnam Inc. | |
| Nobuyoshi Araki, Sentimental Journey | |
| Larry Clark, Tulsa | |
| 1972 | Launch of Olympus's OM SLR system with the mechanical OM-1 |
| Bell Systems USA announces the use of charge-coupled devices (CCDs) for a solid-state camera | |
| Polaroid SX-70 Deluxe instant-picture camera, with ultrasonic autofocus system | |
| The Musée Niépce opens at Châlon-sur-Saône | |
| Diane Arbus becomes (posthumously) the first photographer to be represented at the Venice Biennale | |
| Publication of Life magazine suspended (December) | |
| The publishing house La Azotea is founded in Argentina; in general, book publishing becomes an increasingly important activity for photographers | |
| The first of W. Eugene Smith's photographs of pollution in Minamata, Japan, appear in Life (2 June); they are exhibited in Japan and elsewhere from 1973 and are published as a book in 1975 | |
| Daido Moriyama, Bye Bye Photography | |
| Nick Ut, Napalm Attack, Trang Bang, South Vietnam (8 June) | |
| 1973 | Sygma agency founded in Paris |
| Harold E. Edgerton, Bullet Passing through a Candle Flame | |
| 1974 | The Camera and Dr Barnardo exhibition at the National Portrait Gallery, London includes images of Victorian child prostitutes by ‘Francis Hetling’ shown later (1978) to be fakes: a symptom of the rising value of the market in historic photographs |
| International Center of Photography founded in New York | |
| New Japanese Photography exhibition at MoMA, New York, curated by John Szarkowski and Shoji Yamagishi | |
| Tony Ray-Jones (d. 1971), A Day Off: An English Journal | |
| Bernd and Hilla Becher, Water-Towers, 1 | |
| 1975 | The Fox Talbot Museum opens at Lacock Abbey, Wiltshire |
| New Topographics: Photographs of a Man-Altered Landscape, organized by William Jenkins, at the International Museum of Photography, George Eastman House | |
| The Camera Obscura gallery opens in Stockholm | |
| Mervyn Bishop, Prime Minister Gough Whitlam Pours Soil into the Hand of Traditional Gurindji Landowner Vincent Lingiari, Northern Territory, [Australia] | |
| Josef Koudelka, Gypsies | |
| 1976 | Introduction of ASA 400-rated colour negative film (Fujicolor FII 400), 11 million times more sensitive than the bitumen-coated plates used by Niépce in the 1820s |
| Founding of Contact Press Images | |
| William Eggleston's Guide exhibition of colour photographs at MoMA, New York | |
| Susan Meiselas, Carnival Strippers | |
| 1977 | Konica C35A autofocusing compact camera, using infrared sensing |
| The Hackney Flashers, a socialist and feminist collective, is founded in east London | |
| Stills Gallery opens in Edinburgh | |
| Cindy Sherman begins the series Untitled Film Stills (1977-80) | |
| Kosti Ruohamaa, Night Train at Wiscasset Station | |
| Humphrey Spender, Britain in the '30s | |
| Thomas Nelson, A Practical Introduction to the Art of Daguerrotypy in the 20th Century | |
| 1978 | Ian Berry, The English |
| Mirrors and Windows exhibition at MoMA, New York | |
| 1979 | Founding of the Consejo Argentina de Fotografía |
| Jo Spence, Beyond the Family Album | |
| 1980 | First Week of Spanish Photography in Barcelona (May) |
| The Imaginary Photo Museum exhibition at Photokina, Cologne | |
| David Bailey's Trouble and Strife | |
| Martine Franck, Le Temps de vieillir | |
| Roland Barthes, La Chambre claire (Camera Lucida: Reflections on Photography) | |
| Annie Leibovitz, John Lennon and Yoko Ono | |
| 1981 | Cindy Sherman's Untitled Film Stills exhibited at Metro Pictures, New York |
| Tee A. Corinne's series Yantras of Womanlove | |
| Susan Meiselas, Nicaragua | |
| Helmut Newton, Self-Portrait with Wife and Model | |
| 1982 | Demonstration of Sony's ‘still-video’ Mavica camera, recording up to 50 analogue images on a magnetic disc |
| Launch of Kodak disc camera. Production continues until 1988 | |
| A survey estimates that c.20 million working cameras exist in France, and that 62 per cent of households own at least one | |
| Susan Sontag, On Photography | |
| Bert Stern, The Last Sitting | |
| Stephen Shore, Uncommon Places | |
| 1983 | The National Museum of Photography, Film, and Television opens in Bradford, an outstation of the Science Museum in London |
| Scottish Society for the History of Photography founded | |
| The Ken Domon Museum, Japan's first museum dedicated exclusively to photography, opens in Sakata | |
| Sirkka-Liisa Konttinen, Byker | |
| Robert Mapplethorpe, Lady: Lisa Lyon | |
| Roman Vishniac, A Vanished World | |
| Michael Hiley, Seeing through Photographs | |
| 1984 | Launch of the fully automated Minolta Dynax 7000 (Maxxum 7000) 35 mm SLR |
| The National Galleries of Scotland create the Scottish National Photography Collection | |
| The J. Paul Getty Museum in Malibu, California, founds a department of photography, of which Weston Naef becomes director | |
| Oliviero Toscani begins his association with the Benetton clothing firm (until 2000) | |
| The Picture Photo Space gallery opens in Osaka, Japan | |
| David Williams, Pictures from No Man's Land | |
| 1985 | Richard Avedon, In the American West |
| Takeshi Ozawa et al. (eds.), The Complete History of Japanese Photography (12 vols., completed in 1988) | |
| Black Sun: The Eyes of Four exhibition (Eikoh Hosoe, Masahisa Fukase, Daido Moriyama, Shomei Tomatsu) at the Museum of Modern Art, Oxford, then in London and Philadelphia | |
| 1986 | Nan Goldin, The Ballad of Sexual Dependency |
| André de Dienes, Marilyn mon amour | |
| South Africa: The Cordoned Heart, book and exhibition sponsored by the anti-apartheid agency Afrapix | |
| 1987 | Controversial Corps à corps exhibition held by the French group Noir Limite |
| Andres Serrano, Piss Christ | |
| 1988 | Foundation of the Daguerrian Society in the USA |
| 1989 | Canon and Fuji launch consumer electronic cameras, recording analogue images on, respectively, floppy disks and memory cards |
| The 150th ‘official’ anniversary of photography is celebrated with exhibitions including The Art of Photography, 1939-1989 at the Royal Academy, London, and On the Art of Fixing a Shadow at the National Gallery of Art, Washington, DC, and the Art Institute of Chicago | |
| The exhibition Robert Mapplethorpe: The Perfect Moment arouses major controversy | |
| The Ansel Adams Center for Photography opens in San Francisco | |
| David Goldblatt founds the Market Photography Workshop in Johannesburg | |
| Japan Photographers' Association founded, for both professionals and amateurs | |
| 1990 | The Hubble Space Telescope, using a CCD array to capture astronomical images, is launched into orbit by the US space shuttle Discovery |
| The first edition of Adobe Photoshop image manipulation software is launched | |
| Photography Until Now exhibition at MoMA, New York, followed by the retirement of John Szarkowski as director of the photography department | |
| Ken Burns makes extensive use of historic photographs in his television documentary series The American Civil War | |
| Fay Godwin, Our Forbidden Land | |
| Pierre Mac Orlan and Marcel Bovis, Fêtes foraines | |
| 1991 | Kodak and Philips launch the Photo CD system |
| The beginning of a spate of censorship scandals in Japan, involving the work of photographers such as Nobuyoshi Araki and Kishin Shinoyama | |
| Foundation of the research-orientated Japan Society for the Arts and History of Photography | |
| Alexandras Macijauskas, My Lithuania | |
| Donna Ferrato, Living with the Enemy | |
| 1992 | Launch of the Canon EOS-5, the first camera with eye-controlled autofocus |
| Launch of Kodak DCS digital SLR cameras | |
| In their film Photowallahs, David and Judith MacDougall explore the culture of street photography in the north Indian town of Mussoorie | |
| Toshio Shibata, Quintessence of Japan | |
| Jeff Wall, Dead Troops Talk | |
| 1993 | Sebastião Salgado, Workers |
| 1994 | The US Clementine spacecraft maps the entire surface of the moon and takes c.1.8 million photographs |
| Sally Mann, Still Time | |
| Nouvelle Histoire de la photographie, edited by Michel Frizot | |
| 1995 | Light from the Dark Room exhibition, National Galleries of Scotland |
| Freelens professional photographers' association founded in Hamburg | |
| Tokyo Metropolitan Museum of Photography opens fully, and hosts the first Tokyo International Photo-Biennale (June-July) | |
| Launch of Print Club (Puri-Kura) photo-booths in Japan | |
| 1 June becomes an annual Day of Photography in Japan | |
| 1996 | Launch of the Advanced Photographic System (APS) by a consortium of manufacturers |
| First Tokyo Month of Photography (May) | |
| 1997 | The Helene Anderson collection of avant-garde photographs of the 1920s and 1930s is auctioned at Sotheby's, London (May), fetching high prices |
| Founding of Getty Images Inc. | |
| Opening of Tokyo Photographic Cultural Centre | |
| 1998 | Native Nations: Journeys in American Photography exhibition at the Barbican Gallery, London |
| David Goldblatt, South Africa: The Structure of Things Then Raghubir Singh, River of Colour | |
| 1999 | The Royal Library of Copenhagen's collection of 10 million pictures becomes the Nationale Fotomuseum |
| A large part of the Jammes collection of 19th-century and modernist photography is auctioned at Sotheby's, London, achieving record prices and a total of over £6 million; Gustave Le Gray's La Grande Vague, Sète fetches £507, 000 (c.$800, 000) | |
| The New York collector John Pritzker pays over $1 million for a print of Man Ray's Glass Tears | |
| Online sales of photography are boosted by the creation of www.eyestorm.com | |
| Daido Moriyama et al., Stray Dog | |
| Patricia Macdonald (with John Berger), Once in Europa | |
| Annie Leibovitz, Women | |
| 2000 | Photojournalists and other professionals adopt digital photography in ever larger numbers; Canon launches its last film-based professional SLR, the EOS-1V |
| Paris en 3D exhibition at the Musée Carnavalet, Paris | |
| How You Look at It exhibition, an overview of 20th-century photography, at the Sprengel Museum, Hanover | |
| Inauguration of an annual Documentary Photo Festival at Miyazaki, Japan. However, economic depression leads to the closure of many photographic galleries and periodicals | |
| Naoya Hatekeyama, Underground | |
| Sooni Taraporevala, The Parsis of India: A Photographic Journey | |
| 2001 | Digital cameras outsell film cameras in Japan (and in the USA in 2003) |
| Founding of VII photographic agency by James Nachtwey and others | |
| Andreas Gursky retrospective at MoMA, New York, curated by Peter Galassi; a print of his Montparnasse (1994) sets a record for contemporary photography by fetching c.$600, 000 | |
| Wolfgang Tillmans wins the Turner Prize at Tate Britain, London | |
| Closure of the Friends of Photography (October) | |
| Hiroshi Sugimoto, Architecture of Time | |
| Jean Gaumy, Men at Sea | |
| 2002 | Production of Olympus OM film cameras ceases |
| The first consumer-level camera phones are launched | |
| The exhibition Ansel Adams at 100 tours the USA and Europe | |
| 2003 | Launch of the Canon EOS 300D 6.3 megapixel digital SLR for under £1, 000 |
| Launch of the Olympus E-1 digital SLR, incorporating the Four Thirds sensor system and using lenses designed exclusively for digital imaging | |
| The Japanese manufacturing giants Konica and Minolta merge to become Konica-Minolta (October) | |
| Guy Bourdin exhibition at the Victoria & Albert Museum, London | |
| Transfer of the RPS photographic collection to the National Museum of Photography, Film, and Television, Bradford | |
| Cruel and Tender exhibition at Tate Modern, London, its first exclusively photographic show | |
| Lartigue: l'album d'une vie exhibition at the Pompidou Centre, Paris (and the Hayward Gallery, London, in 2004); another major Paris show, Le Daguerréotype français: un objet photographique celebrates pioneering French photography | |
| Susan Sontag, Regarding the Pain of Others | |
| Li Zhensheng, Red-Color News Soldier | |
| 2004 | Kodak ends production of APS cameras and embarks on a restructuring of its business worldwide |
| Launch of the Nikon F6, predicted in some quarters to be the company's last professional film-based SLR | |
| Launch of the Canon EOS 1Ds Mk II digital SLR, with 16.7 million pixels | |
| Samsung launches a 5-megapixel camera phone. A Fonetography exhibition is held at the AOP Gallery, London | |
| Ilford Ltd., specialists in black-and-white film materials, go into administration | |
| Two NASA exploration vehicles soft-land on Mars and begin transmitting stereoscopic digital images of the terrain | |
| Opening of the Smithsonian National Museum of the American Indian, Washington, DC, incorporating a major photographic archive (21 October) | |
| The Cable Factory Photography Gallery opens in Helsinki | |
| At its annual award ceremony in November, the RPS honours the lifetime achievements of the portraitist Arnold Newman and documentary photographer Humphrey Spender. Other awards illustrate the many-sidedness of the medium in the early 21st century. Those honoured include the photojournalists Terry O'Neill and Simon Norfolk; the picture editor Aidan Sullivan; the nature photographer Andy Callow; the cinematographer Seamus McGarvey; Eric Fossum and Peter Burns for research on digital image processing, and Efthimia Bilissi for work on image reproduction via the Internet; the collector and auctioneer Philippe Garner; the hologram collector Jonathan Ross; the photographic publisher Dewi Lewis; and Anne McCauley, Colin Harding, Val Williams, and Mark Holborn for curatorship and historical scholarship | |
| 2005 | The Japanese firm Kyocera, maker of Contax and Yashica cameras, announces its withdrawal from camera production and concentration on camera phones |
An ordered sequence of related events, episodes, or defined blocks of time. A relative chronology exists where items in the sequence are related to one another but not to absolute dates, such as may be established through stratigraphy, typology, artefact correlations, or cross-dating. An absolute chronology exists where the items in the sequence are each independently dated in calendar years using techniques such as radiocarbon dating or dendrochronology.
| c.1500-1000 bce | Vedic period in India |
| c.1000-800 bce | Composition of Brāhmaṇas |
| c.800-500 bce | Composition of major Upaniṣads |
| c.500 bce | Life of Lao-tsu |
| 552-479 bce | Life of Confucius |
| c.485-405 bce | Life of the Buddha (Śākyamuni) |
| c.465-413 bce | Reign of Bimbisāra |
| c.405 bce | Council of Rājagṛha |
| 327-325 bce | Alexander the Great in India |
| 322-298 bce | Reign of Candragupta Maurya |
| 303 bce | Megasthenese at court of Candragupta |
| c.300 bce | Council of Vaiśālī |
| c.284 bce | Council of Pāṭaliputra I |
| c.272-231 bce | Reign of Aśoka |
| c.250 bce | Council of Pāṭaliputra II |
| 247 bce | Mahinda introduces Buddhism to Sri Lanka |
| 200 bce | Beginnings of Mahāyāna Buddhism. Composition of Prajñā-pāramitā texts begins. |
| c.200-000 bce | Stūpa construction at Sāñcī |
| 148 bce | An Shih-kao arrives in China and establishes first translation bureau |
| 200 bce-200 ce | Invasion of India by Śuṇgas and Yavanas (187-30 bce), Śakas and Pahlavas (100-75 bce), and Kuṣāṇas (1st-2nd century ce) |
| 101-77 bce | Reign of Duṭṭhagāmaṇi Abhaya in Sri Lanka; Buddhism becomes state religion |
| c.100-000 bce | Abhayagiri monastery founded in Sri Lanka |
| 29-17 bce | Pāli Canon written down in Sri Lanka during reign of Vaṭṭagāmaṇi Abhaya |
| c.100-000 ce | Buddhism enters central Asia and China. Composition of Lotus Sūtra and other early Mahāyāna texts |
| c.100-200 ce | Founding of Nālandā |
| c.200-300 ce | Buddhism arrives in Vietnam |
| c.100-200 ce | Council of Kaniṣka |
| 150-250 ce | Life of Nāgārjuna |
| c.200 ce | Buddhism transmitted to Burma, Cambodia, Laos, Indonesia |
| c.300 ce | Life of Asaṇga and Vasubandhu |
| 334-416 ce | Life of Hui-yüan |
| 343-413 ce | Life of Kumārajīva |
| 350-650 ce | Gupta dynasty in India, Buddhist philosophy and art flourish |
| 372 ce | Buddhism transmitted to Korea |
| 399-414 ce | Fa-hsien travels to India |
| c.400-500 ce | Life of Buddhaghoṣa |
| c.500-600 ce | Composition of tantric texts in India |
| 499-569 ce | Life of Paramārtha |
| c.500 ce | Development of Hua-yen, T'ien-t'ai, Ch'an, and Pure Land schools in China |
| 520 ce | Bodhidharma arrives in China |
| 538-97 ce | Life of Chih-i; development of T'ien-t'ai school |
| 552 ce | Buddhism enters Japan from Korea |
| 572-621 ce | Prince Shotoku sponsors Buddhism in Japan |
| 581-618 ce | Chinese Sui dynasty |
| c.600 ce | first diffusion of Buddhism in Tibet |
| c.600 ce | Life of Dharmakīrti; flourishing of logic and epistemology |
| 617-86 ce | Life of Woˇnhyo; foundation of ‘unitive Buddhism’ in Korea |
| 618-50 ce | Life of Songtsen Gampo; establishment of Buddhism in Tibet. |
| 618-907 ce | Chinese T'ang dynasty; golden age of Buddhism in China |
| 625-702 ce | Life of Uˇisang; introduction of Hwaoˇm (Hua-yen) into Korea |
| 629-45 ce | Hsüan-tsang travels to India |
| 638-713 ce | Life of Hui-neng; Northern-Southern schools controversy |
| 643-712 ce | Life of Fa-tsang; consolidation of Hua-yen school |
| 650-950 ce | Pala dynasty in India |
| 668-918 ce | Unified Silla Period in Korea; Buddhism flourishes |
| 671-95 ce | I-ching travels to India |
| c.700 ce | Life of Padmasambhava |
| c.700 ce | Northern-Southern Schools controversy in Japan |
| c.700 ce | Esoteric school (Chen-yen tsung) develops in China |
| c.700-800 ce | Construction of Borobudur |
| c.700-1100 ce | Pala dynasty; Mahāyāna and tantric Buddhism flourish; consolidation of school of logic and epistemology (pramāṇa) |
| 710-94 ce | Nara period in Japan; Six Schools of Nara Buddhism |
| 742 ce | Council of Lhasa |
| 767 ce | Construction of Samyé monastery in Tibet |
| 767-822 ce | Life of Saichō; founding of Tendai school |
| 774-835 ce | Life of Kūkai; founding of Shingon school |
| 794-1185 ce | Heian period in Japan |
| c.800 ce | Founding of Vikramaśīla monastery |
| 836-42 ce | Reign of Lang Darma and suppression of Buddhism in Tibet |
| 845 ce | Persecution of Buddhism in China |
| 960-1279 ce | Sung dynasty in China |
| 978-1392 ce | Koryoˇ period in Korea |
| 983 ce | First printing of Chinese Buddhist canon (Szechuan edition) |
| 1012-97 ce | Life of Marpa and origins of Kagyü order |
| 1016-1100 ce | Life of Nāropa |
| 1040-77 ce | King Anawrahtā unifies Burma and gives allegiance to Theravāda Buddhism |
| 1040-1123 ce | Life of Milarepa |
| 1042 ce | Atīśa arrives in Tibet; beginning of second diffusion of Buddhism |
| 1055-1101 ce | Life of Uˇich'oˇn |
| 1073 ce | Sakya order of Tibetan Buddhism founded |
| 1079-1153 ce | Life of Gampopa |
| c.1100 ce | Construction of Angkor Wat |
| 1133-1212 ce | Life of Hōnen, founding of Jōdo-shu school |
| 1141-1215 ce | Life of Eisai; transmission of Rinzai Zen to Japan |
| 1158-1210 ce | Life of Chinul; Chogye order founded; development of Sŏn in Korea |
| 1173-1262 ce | Life of Shinran; founding of Jōdo-shinshū in Japan |
| 1185-1392 ce | Kamakura Period in Japan |
| 1197 ce | Nālandā University sacked by Mahmud Ghorī |
| c.1200 ce | Buddhism disappears from north India. Traces linger in south. |
| c.1200 ce | Printing of Tripiṭaka Koreana |
| 1200-53 ce | Life of Dōgen; Sōtō Zen established in Japan |
| 1222-82 ce | Life of Nichiren |
| 1239-89 ce | Life of Ippen; foundation of Jishū school |
| 1244 ce | Sakya Paṇḍita converts Mongols to Buddhism |
| c.1260 ce | Theravāda declared state religion of kingdom of Sukhothai (Thailand) |
| 1290-1364 ce | Life of Butön; compilation of Tibetan canon. |
| 1357-1419 ce | Life of Tsongkhapa; Gelukpa order founded in Tibet |
| 1360 ce | Theravāda becomes state religion of Thailand |
| 1368-1644 ce | Ming dynasty in China |
| 1392-1909 ce | Ch'osŏn period in Korea, Buddhism suppressed |
| 1411 ce | Tibetan Kanjur printed in China |
| 1578 ce | Office of Dalai Lama instituted by Mongols |
| 1617-82 ce | Life of Dalai Lama V and beginning of rule of Tibet by Dalai Lamas |
| 1644-94 ce | Life of Bashō; Buddhism influence on haiku and the arts in Japan |
| c.1700 ce | Beginning of colonial period and Western domination of south and south-east Asia |
| 1749 ce | Mongolian Buddhist canon translated from Tibetan |
| c.1800 ce | Beginning of the academic study of Buddhism by Western scholars |
| 1823 ce | Royal Asiatic Society founded |
| 1851-1868 ce | Reign of Rama IV in Thailand; reform of Thai Saṃgha |
| 1853 ce | First Buddhist temple founded in USA, in San Francisco. |
| 1868-1912 ce | Meiji period in Japan; Buddhism suppressed in favour of Shintō |
| 1870-1945 ce | Life of Nishida Kitarō, founder of Kyoto school |
| 1875 ce | Theosophical Society founded |
| 1879 ce | Publication of the The Light of Asia by Sir Edwin Arnold |
| 1881 ce | Pali Text Society founded in England by T. W. Rhys Davids |
| 1891 ce | Mahabodhi Society founded by Anagārika Dharmapāla |
| 1891-1956 ce | Life of B. Ambedkar; conversion of former Untouchables in India |
| 1899 ce | Buddhist Churches of America founded |
| 1924 ce | The Buddhist Society founded in London |
| 1924 ce | Woˇn Buddhism founded |
| 1924-9 ce | Compilation of Chinese canon (Taishō Shinshū Daizōkyō) in Japan |
| 1937 ce | Nichiren Shōshū Sōkagakkai formally established |
| 1938 ce | Risshō Koseikai founded |
| 1950 ce | People's Liberation Army enters Tibet |
| 1950 ce | World Fellowship of Buddhists founded |
| 1954-6 ce | Council of Rangoon |
| 1959 ce | Dalai Lama XIV flees to India; persecution of Buddhism in Tibet by Chinese |
| 1967 ce | Friends of the Western Buddhist Order founded |
| 1970 ce | Development of Engaged Buddhism |
| 1973 ce | Vajradhatu Foundation founded |
| 1976 ce | International Association of Buddhist Studies founded |
| 1989 ce | International Network of Engaged Buddhists founded |
| 1995 ce | UK Association of Buddhist Studies (UKABS) founded |
| 2001 ce | Destruction of standing Buddha statues at Bāmiyān by Taliban regime |
(General) Chronology is the science of locating events in time. An arrangement of events, from either earliest to latest or the reverse, is
also called a chronology or, particularly when involving graphical elements, a
Unlike chronometry (i.e. timekeeping), which is part of physics, (general) chronology, as the science of locating historical events in time, is part of the discipline of history.
A chronology may be either relative—that is, locating related events relative to each other—or absolute—locating these events to specific dates in a Chronological Era. In that these dates are themselves events, the difference between the two blurs a little: an absolute chronology just includes a strange sort of event called a date which is common to all absolute chronologies covering the same period of time. Even this distinction may be blurred by use of different calendars. In Judeo-Christian cultures, historical dates in an absolute chronology are understood to be referred to the Christian era, in combination with the (proleptic) Julian calendar (originally) and the Gregorian calendar respectively.
The familiar terms ‘calendar’ and ‘era’ (within the meaning of a coherent system of numbered calendar years) concern two complementary fundamental concepts of chronology. For example during eight centuries the calendar belonging to the Christian era, which era was taken in use in the eighth century by Bede, was the Julian calendar, but after the year 1582 it was the Gregorian calendar. Dionysius Exiguus (about the year 500) was the founder of that era, which is nowadays the most widespread dating system on earth.
Though in Roman antiquity one frequently reckoned back to any supposed year of foundation of the city of Rome, the Anno Urbis Conditae era, which like the Anno Domini era did not in reality exist yet in antiquity, was used systematically for the first time only about the year 400, namely by the Iberian historian Orosius; pope Boniface IV (about the year 600) seems to have been the first who recognized the connection between these two eras (i.e. AD 1 = AUC 754).
AUC commonly does not stand for Anno Urbis Conditae/ the year of the foundation of the city, but ab urbe condita/ since the foundation of the city (rome).
Dionysius Exiguus’ Anno Domini era (which contains only calendar years AD) was extended by Bede to the complete Christian era (which contains in addition all calendar years BC but no year zero). Ten centuries after Bede the French astronomers Philippe de la Hire (in the year 1702) en Jacques Cassini (in the year 1740), purely in order to simplify certain calculations, put the Julian Dating System (proposed in the year 1583 by Joseph Scaliger) and with it an astronomical era into use which contains a leap year zero, which the year 1 (AD) precedes but does not exactly coincide with the year 1 BC. Astronomers never proposed seriously to replace our era with their astronomical era (which for that matter coincides exactly with the Christian era where it concerns the calendar years after the year 4).
Other familiar chronological subjects are for example: timeline, linear timescale, French revolutionary era, leap year, Hebrew calendar. Subjects of the Christian chronology are for example: Dionysius Exiguus' Easter table, Paschal full moon, lunar cycle, solar cycle, easter cycle, lunar phase number, millennium question.
In the absence of written history, with its chronicles and king lists, late 19th century archaeologists found that they could develop relative chronologies based on pottery techniques and styles. In the field of Egyptology, William Flinders Petrie pioneered sequence dating to penetrate pre-dynastic Neolithic times, using groups of contemporary artefacts deposited together at a single time in graves and working backwards methodically from the earliest historical phases of Egypt. Compare the American technique of Seriation.
Known wares discovered at strata in sometimes quite distant sites, the product of trade, helped extend the network of chronologies. Some cultures have retained the name applied to them in reference to characteristic forms, for lack of an idea of what they called themselves: "The Beaker People" in northern Europe during the 3rd millennium BCE, for example. The study of the means of placing pottery and other cultural artifacts into some kind of order proceeds in two phases, classification and typology: Classification creates categories for the purposes of description, and typology seeks to identify and analyse changes that allow artifacts to be placed into sequences [1].
Laboratory techniques developed particularly after mid-20th century helped constantly revise and refine the chronologies developed for specific cultural areas. Unrelated dating methods help reinforce a chronology, an axiom of corroborative evidence. Ideally, archaeological materials used for dating a site should complement each other and provide a means of cross-checking. Conclusions drawn from just one unsupported technique are usually regarded as unreliable.
Bayesian analysis has recently started to be routinely applied in the analysis of chronological information, including radiocarbon-derived dates,
Several legendary sources tend to assign unrealistically long lifespans to pre-historical heroes and monarchs (e.g Egypt, Hebrews, Japanese), if the number of years there reported are understood as years of more than 340 days. One potent explanation for this has been that there have been more than one harvest during the actual year, and memories evolving to legends tend to count each growth period as separate year.
Though chronologies formulated before the 1960s are subject to serious skepticism today, more recent results are more robust than readily appears to journalists and enthusiastic amateurs.
absolute chronoloy- dates of phenomena expressed in years, or in the subdivions, consist of absolute or chronometric dates.cu:Хронологї
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|
c. 6000 BC |
Farming begins in Tigris-Euphrates and Nile River Valleys |
|
c. 4000 BC |
Farming begins in Yellow River Valley |
|
c. 3500 BC |
Sumerian city-states emerge |
|
3300 BC |
Rulers divide Nile Valley into Upper and Lower Egypt by this time |
|
c. 3100 BC |
Egypt unified into single kingdom |
|
c. 2800 |
Indus River Valley civilization begins |
|
2180 BC |
Egypt’s Middle Kingdom established |
|
c. 2000 BC |
Stonehenge built in England |
|
c. 1760 BC |
Hammurabi rules in Babylon |
|
c. 1700 BC |
Hebrew monotheism emerges |