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See study by C. Coüasnon (1974).
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See study by C. Coüasnon (1974).
Christian church in Jerusalem said to contain the tomb of Jesus.
The Church of the Holy Sepulchre is in the Old City of Jerusalem. Originally a group of separate churches in a single enclosure, in the fourth century (starting in 325 C.E.), Emperor Constantine sought to turn it into an architectural monument. The Crusaders gave it its present form in 1149, combining its structures into one Romanesque church with a two-story facade. The interior has two principal sections: the rotunda - modeled on the Pantheon - which contains a shrine covering the tomb of Christ, and an Orthodox cathedral. Several Christian sects have appointed chapels and zealously guard their rights within the structure according to the Ottoman-era "Status Quo" agreement of 1852. The keys to the church have been kept by the Muslim Nusayba family for generations, so that no one Christian sect might control it.
Bibliography
Irani, George E. "Holy Places." In Encyclopedia of the Palestinians, edited by Philip Mattar. New York: Facts On File, 2000.
— JENAB TUTUNJI
UPDATED BY MICHAEL R. FISCHBACH
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The Church of the Holy Sepulchre (Latin Sanctum Sepulchrum), also called the
Church of the Resurrection ( (Arabic,كنيسة القيامة Kinīsa al-Qiyāma, Greek: Ναός
της Αναστάσεως, Naos tis Anastaseos; Armenian: Սուրբ Հարություն Surp
Harutyun) by Eastern Christians, is a Christian church within the walled Old City of Jerusalem. The ground on which the church stands is venerated by most Christians as
Eusebius describes in his Life of Constantine [1] how the site of the Holy Sepulchre, originally a site of veneration for the Christian community in Jerusalem, had been covered with earth, upon which a temple of Venus had been built. Although Eusebius does not say as much, this was probably done as part of Hadrian's reconstruction of Jerusalem as Aelia Capitolina in 135, following the destruction of the Jewish Revolt of 70 and Bar Kokhba's revolt of 132–135. Emperor Constantine I ordered in about 325/326 that the site be uncovered, and instructed Saint Macarius, Bishop of Jerusalem, to build a church on the site. Pilgrim of Bordeaux reports in 333: "There, at present, by the command of the Emperor Constantine, has been built a basilica, that is to say, a church of wondrous beauty" (page 594). Socrates Scholasticus (born c. 380), in his Ecclesiastical History, gives a full description of the discovery [2] (that was repeated later by Sozomen and by Theodoret) that emphasizes the role played in the excavations and construction by Constantine's mother Saint Helena, to whom is also credited the rediscovery of the True Cross. Helena had been directed by her son to build churches upon sites which commemorated the life of Jesus Christ, so the Church of the Holy Sepulchre commemorated the end of the life of Jesus, just as the Church of the Nativity in Bethlehem (also founded by Constantine and Helena) commemorated its beginning.
Constantine's church was built beside the excavated hill of the Crucifixion, and was actually three connected churches built over the three different holy sites, including a great basilica (the Martyrium visited by the nun Egeria in the 380s), an enclosed colonnaded atrium (the Triportico) built around the traditional Rock of Calvary, and a rotunda, called the Anastasis ("Resurrection"), which contained the remains of the cave that Helena and Macarius had identified as the burial site of Jesus. The surrounding rock was cut away, and the Tomb was encased in a structure called the Kουβούκλιον (Kouvouklion; Greek: small compartment) or Edicule (Latin: aediculum, small building) in the center of the rotunda. The dome of the rotunda was completed by the end of the 4th century.
This building was damaged by fire in 614 when the Persians under Khosrau II invaded Jerusalem and captured the Cross. In 630, Emperor Heraclius marched triumphantly into Jerusalem and restored the True Cross to the rebuilt Church of the Holy Sepulchre. Under the Muslims it remained a Christian church. The early Muslim rulers protected the city's Christian sites, prohibiting their destruction and their use as living quarters, but after a riot in 966, when the doors and roof were burnt, the original building was completely destroyed on October 18, 1009 by the so-called "mad" Fatimid caliph Al-Hakim bi-Amr Allah, who hacked out the Church's foundations down to bedrock. The Edicule and the east and west walls and the roof of the cut-rock tomb it encased were destroyed or damaged (contemporary accounts vary), but the north and south walls were likely protected by rubble from further damage.
European reaction was far-reaching, and often irrational. For example, Clunaic monk Raoul Glaber blamed the Jews, with the result that Jews were expelled from Limoges and other French towns. Ultimately, this destruction provided an impetus to the later Crusades.
A series of small chapels was erected on the site by
The Franciscan friars renovated it further in 1555, as it had been neglected despite increased numbers of pilgrims. A fire severely damaged the structure again in 1808, causing the dome of the Rotonda to collapse and smashing the Edicule's exterior decoration. The Rotunda and the Edicule's exterior were rebuilt in 1809–1810 by architect Komminos of Mytilene in the then current Ottoman Baroque style. The fire did not reach the interior of the Edicule, and the marble decoration of the Tomb dates mainly to the 1555 restoration. The current dome dates from 1870. Extensive modern renovations began in 1959, including a restoration of the dome from 1994–1997. The cladding of red marble applied to the Edicule by Komminos has deteriorated badly and is detaching from the underlying structure; since 1947 it has been held in place with an exterior scaffolding of iron girders installed by the British Mandate. No plans have been agreed upon for its renovation.
Since the renovation of 1555, control of the church oscillated between the Franciscans and the Orthodox, depending on which community could obtain a favorable firman from the Sublime Porte at a particular time, often through outright bribery, and violent clashes were not uncommon. In 1767, weary of the squabbling, the Porte issued a firman that divided the church among the claimants. This was confirmed in 1852 with another firman that made the arrangement permanent, establishing a status quo of territorial division among the communities.
The primary custodians are the Greek Orthodox, the Armenian Apostolic and Roman Catholic churches. In the 19th century, the Coptic Orthodox, the Ethiopian Orthodox and the Syriac Orthodox acquired lesser responsibilities, which include shrines and other structures within and around the building. Times and places of worship for each community are strictly regulated in common areas.
Establishment of the status quo did not halt the violence, which continues to break out every so often even in modern times. On a hot summer day in 2002, the Coptic monk who is stationed on the roof to express Coptic claims to the Ethiopian territory there moved his chair from its agreed spot into the shade. This was interpreted as a hostile move by the Ethiopians, and eleven were hospitalized after the resulting fracas.[3]
In another incident in 2004 during Orthodox celebrations of the Exaltation of the Holy Cross, a door to the Franciscan chapel was left open. This was taken as a sign of disrespect by the Orthodox and a fistfight broke out. Some people were arrested, but no one was seriously injured.[4]
Under the status quo, no part of what is designated as common territory may be so much as rearranged without consent from all communities. This often leads to the neglect of badly needed repairs when the communities cannot come to an agreement among themselves about the final shape of a project. Just such a disagreement has delayed the renovation of the edicule, where the need is now dire but where also any change in the structure might result in a change to the status quo disagreeable to one or more of the communities.
A less grave sign of this state of affairs is located on a window ledge over the church's entrance. A wooden ladder was placed there sometime before 1852, when the status quo defined both the doors and the window ledges as common ground. The ladder remains there to this day, in almost exactly the same position it can be seen to occupy in century-old photographs and engravings.
None of the communities control the main entrance. In 1192, Saladin assigned responsibility for it to two neighboring Muslim families. The Joudeh were entrusted with the key, and the Nusseibeh, who had been the custodians of the church since the days of Caliph Omar in 637, retained the position of keeping the door. This arrangement has persisted into modern times. Twice each day, a Joudeh family member brings the key to the door, which is locked and unlocked by a Nusseibeh.
Constantine set up The Brotherhood of the Holy Sepulchre to guard and maintain the Church [5]
The entrance to the church is through a single door in the south transept. This narrow way of access to such a large structure has proven to be hazardous at times. For example, when a fire broke out in 1840, dozens of pilgrims were trampled to death. In 1999 the communities agreed to install a new exit door in the church, but there was never any report of this door being completed.
Just inside the entrance is the Stone of Anointing, believed to be the spot where Jesus' body was prepared for burial. To the left, or west, is the Rotunda of the Anastasis beneath the larger of the church's two domes, in the center of which is the Edicule of the Holy Sepulchre itself. Under the status quo the Eastern Orthodox, Roman Catholic, and Armenian Apostolic Churches all have rights to the interior of the tomb, and all three communities celebrate the Divine Liturgy or Mass there daily. It is also used for other ceremonies on special occasions, such as the Holy Saturday ceremony of the Holy Fire celebrated by the Greek Orthodox Patriarch of Jerusalem. To its rear, within a chapel constructed of iron latticework upon a stone base semicircular in plan, lies the altar used by the Coptic Orthodox. Beyond that to the rear of the Rotunda is a very rough hewn chapel believed to be the tomb of Joseph of Arimathea in which the Syriac Orthodox celebrate their Liturgy on Sundays. To the right of the sepulchre on the southeastern side of the Rotunda is the Chapel of the Apparition which is reserved for Roman Catholic use.
On the east side opposite the Rotunda is the Crusader structure housing the main altar of the Church, today the Greek Orthodox
As noted above, both Eusebius and Socrates Scholasticus record that the tomb of Jesus was originally a site of veneration for the Christian community in Jerusalem and its location remembered by that community even when the site was covered by Hadrian's temple. Eusebius in particular notes that the uncovering of the tomb "afforded to all who came to witness the sight, a clear and visible proof of the wonders of which that spot had once been the scene" (Life of Constantine, Chapter XXVIII [6]).
Archaeologist Martin Biddle of Oxford University has theorized that this "clear and visible proof" might have been a graffito to the effect of "This is the Tomb of Christ", scratched in the rock by Christian pilgrims before the construction of the Roman temple. Similar ancient graffiti are still visible in the Catacombs of Rome, indicating the tombs of especially venerated saints.
In the nineteenth century, a number of scholars disputed the identification of the
Church with the actual site of Jesus's crucifixion and burial,[citation needed] on the basis that the Church was inside the city walls, while early
accounts (e.g., Hebrews 13:12) described these events as outside the
walls. On the morning after his arrival in Jerusalem,
However, it has since been determined that the site was indeed outside the city walls at the time of the crucifixion. The Jerusalem city walls were expanded by Herod Agrippa in 41–44, and only then enclosed the site of the Holy Sepulchre, at which time the surrounding garden mentioned in the Bible would have been built up as well. To quote the Israeli scholar Dan Bahat, former City Archaeologist of Jerusalem:
Since the 9th century, the construction of churches inspired in the Anastasis was extended across Europe[3]. One example is Santo Stefano in Bologna, Italy, an agglomeration of seven churches recreating shrines of Jerusalem.
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