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Circe

 

(European mythology)

In Homer's Odyssey a goddess living on the fabulous island of Aeaea, later identified with Italy. Her magical powers turned Odysseus' men into swine. With the help of Hermes, the hero overcame her spells, restored his crew, and gained Circe's advice on how to navigate the waters of the Sirens and the dangerous passage between Scylla and Charybdis.

Homer does not describe the appearance of the Sirens, whose songs lured sailors to their deaths; artists show them as half women, half birds. A six-headed sea-monster, with a triple row of teeth and twelve feet, Scylla lived in a cave opposite Charybdis, a violent whirlpool. The dreaded narrows between Scylla and Charybdis were thought to be the Straits of Messina.

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Dictionary: Cir·ce   (sûr') pronunciation
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n. Greek Mythology
A goddess who turned Odysseus's men temporarily into swine but later gave him directions for their journey home.

Circean Cir'ce·an (sûr'sē-ən, sər-sē'ən) adj.

Wordsmith Words: Circe
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(SUR-see)

noun
An irresistibly charming woman.

Etymology
After Circe, an enchantress in Greek mythology. She was known to lure sailors to her island and turn them into swine.

Usage
"In Giuseppe Tornatore's new film, Malena, the Italian actress Monica Bellucci plays a heroine who is every man's dream and every woman's nightmare. The young and gorgeous Malena Scordia, who is marooned in her husband's village in Sicily when he goes off to the second world war, is an unwitting Circe, driving men to lust and their wives to plot revenge." — Laura Winters, Arts: Part Siren, Part Muse, All Trouble, The Guardian (London), Mar 5, 2001.



In Greek legend, a sorceress, the daughter of the sun god Helios and the ocean nymph Perse. By means of drugs and incantations she turned humans into lions, wolves, or swine. Odysseus visited her on his return from the Trojan War, and she changed his companions into swine. Odysseus himself was protected by an herb given him by Hermes, and he compelled the sorceress to restore his companions. He and Circe became lovers, but after a yearlong stay he resumed his journey homeward.

For more information on Circe, visit Britannica.com.

Architecture: CIRC
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On drawings, abbr. for “circumference.”


Modern dance in one act with choreography and libretto by Graham, music by Hovhaness, set by Noguchi, and lighting by Rosenthal. Premiered 6 Sept. 1963 by the Martha Graham company at the Prince of Wales Theatre in London, with Hinkson, Ross, and Clive Thompson. Graham's adaptation of the myth of Circe, it was created as a homage to Robin Howard, founder of London Contemporary Dance School and London Contemporary Dance Theatre.

Circē, in Homer's Odyssey (book 10), a goddess living on the fabulous island of Aeaea (later identified by the Romans with the promontory of Circeii in Latium), powerful in magic, who turned Odysseus' men into swine. Odysseus resisted her magic by means of the mythical herb moly. Circe was the daughter of Helios and Persē, and the sister of Aeētēs; by Odysseus she was the mother of two or three sons, one of whom was Telegonos. Milton in Comus makes the magician Comus the son of Circe and Bacchus.

 
Circe (sûr'), in Greek mythology, enchantress; daughter of Helios. She lived on an island, where she decoyed sailors and treacherously changed them into beasts. According to the Odyssey, she changed the companions of Odysseus into swine, but with the aid of Hermes, Odysseus forced her to break the spell. In post-Homeric legend she bore Odysseus a son, Telegonus, who unwillingly killed his father.


Wikipedia: Circe
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Circe Offering the Cup to Odysseus, by John William Waterhouse.

In Greek mythology, Circe (pronounced /ˈsɜrsiː/; Greek Κίρκη Kírkē "falcon") is a minor goddess of magic (or sometimes a nymph, witch, enchantress or sorceress) living on the island of Aeaea.

Circe's father was Helios (or Helius), the god of the sun and the owner of the land where Odysseus' men ate cattle, and her mother was Perse, an Oceanid. She was sister of two kings of Colchis, Æëtes and Perses, and of Pasiphaë, mother of the Minotaur. Circe transformed her enemies, or those who offended her, into animals through the use of magical potions. She was renowned for her knowledge of drugs and herbs.

That Circe also purified the Argonauts for the death of Apsyrtus, as related in Argonautica[1] may reflect early tradition.[2]

Contents

In ancient literature

In Homer's Odyssey

Circe, by Charles Gumery

In Homer's Odyssey, Circe is described as living in a mansion that stands in the middle of a clearing in a dense wood. Around the house prowled strangely docile lions and wolves, the drugged victims of her magic;[3] they were not dangerous, and fawned on all newcomers. Circe worked at a huge loom.[4] She invited Odysseus' crew to a feast of familiar food, a pottage of cheese and meal, sweetened with honey and laced with wine, but also laced with one of her magical potions, and she turned them all into pigs with a wand after they gorged themselves on it. Only Eurylochus, suspecting treachery from the outset, escaped to warn Odysseus and the others who had stayed behind at the ships. Odysseus set out to rescue his men, but was intercepted by Hermes, who told him to use the holy herb moly to protect himself from Circe's potion and, having resisted it, to draw his sword and act as if he were to attack Circe. From there, Circe would ask him to bed, but Hermes advised caution, for even there the goddess would be treacherous. She would take his manhood unless he had her swear by the names of the gods that she would not.

Odysseus followed Hermes's advice, freeing his men. Odysseus and his men remained on the island for one year feasting and drinking wine.

According to Homer, Circe suggested to Odysseus two alternative routes to return to Ithaca: toward the "Wandering Rocks" where King Aeolus reigned or passing between the dangerous Scylla and the whirlpool Charybdis, conventionally identified with the Strait of Messina.

In Hesiod's Theogony

Towards the end of Hesiod's Theogony (1011f) we find that Circe bore of Odysseus three sons: Agrius (otherwise unknown), Latinus, and Telegonus who ruled over the Tyrsenoi, that is the Etruscans.

Other literature

Later poets generally only speak of Telegonus as Odysseus' son by Circe. When grown to manhood, later poets reported, she sent him to find Odysseus, who had long since returned to his home on Ithaca, but on arrival Telegonus accidentally killed his father. He brought the body back to Aeaea and took Odysseus' widow Penelope and son Telemachus with him. Circe made them immortal and married Telemachus, while Telegonus made Penelope his wife.

Dionysius of Halicarnassus (1.72.5) cites Xenagoras the historian as claiming that Odysseus and Circe had three sons: Romus, Anteias, and Ardeias who respectively founded three cities called by their names: Rome, Antium, and Ardea.

In later tales Circe turned Picus into a woodpecker for refusing her love, and Scylla into a monstrous creature with six dogs' heads when Glaucus (another object of Circe's affection) declared his undying love for her. She had one daughter: Aega, who was born from the ocean in a shield of ice.

In ancient art

Although some scenes from the Odyssey remained favorites of the vase-painters, notably the visually dramatic episode of Polyphemus, the Circe episode was rarely depicted. In describing an unusual miniature fifth-century Greek bronze in the Walters Art Gallery, Baltimore,[5] that takes the form of a man on all fours with the foreparts of a pig, Dorothy Kent Hill expressed the artist's dilemma: how could an artist depict a man bewitched into a pig other than as a man with a pig's head? "An author can discuss the mind and the voice, but an artist cannot show them."[6] In an Etruscan bronze mirror relief, a common barnyard pig is depicted at the feet of Circe: Odysseus and Elpenor approach her, swords drawn. The subject would be obscure, save that the names of the characters are inscribed in the bronze.[7] Some Boeotian vase-paintings show a caricature version of the episode, acted out by dwarf pygmies with negroid attributes, and an aged and lame Odysseus leaning on a staff; they are the mute survivors of some rustic comedy tradition that is impenetrable to us.

Modern interpretations

Snowdrop, perhaps the herb moly

Medical historians have speculated that the transformation to pigs was not intended literally but refers to anticholinergic intoxication.[8] Symptoms include amnesia, hallucinations, and delusions. The description of "moly" fits the snowdrop, a flower of the region that contains galantamine, which is an anticholinesterase and can therefore counteract anticholinergics.

Eponyms

The phrase "Circean poison" has been used to refer to intoxicating things, such as applause.[9]

The "Circe effect", coined by the enzymologist William P. Jencks, refers to a scenario where an enzyme lures its substrate towards it through electrostatic forces exhibited by the enzyme molecule before transforming it into product. Where this takes place, the catalytic velocity (rate of reaction) of the enzyme may be significantly faster than that of others.[10]

See also

Footnotes

  1. ^ "They's escape neither the vast sea's hardships nor vexatious tempests till Kirké should wash them clean of the pitiless murder of Apsyrtos" (Apollonius of Rhodes, Argonautica, iv.586-88, in Peter Green's translation).
  2. ^ See the ancient concept of miasma, a Peter Green's commentary on iv. 705-17, The Argonautika Apollonios Rhodios, (1997, 2007) p 322.
  3. ^ Odyssey x.212ff.
  4. ^ Refer Weaving (mythology).
  5. ^ Walters Art Museum, acc. no. 54.1483.
  6. ^ Hill, "Odysseus' Companions on Circe's Isle" The Journal of the Walters Art Gallery 4 (1941:119-122) p. 120.
  7. ^ Noted by Hill 1941:120
  8. ^ Homer's moly identified as Galanthus nivalis L.: p...[Clin Neuropharmacol. 1983] - PubMed Result
  9. ^ 1907 edition of The Nuttall Encyclopaedia.
  10. ^ Jeremy M. Berg, John L. Tymoczko, Lubert Stryer. (2006). Biochemistry. New York, NY: Freeman. ISBN 9780716767664. 

Ancient source references

  • Servius, In Aeneida vii.190
  • Ovid, Metamorphoses xiv.248-308
  • Lactantius Placidus, Commentarii in Statii Thebaida

This article incorporates text from the public domain 1907 edition of The Nuttall Encyclopædia.


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World Mythology Dictionary. A Dictionary of World Mythology. Copyright © Arthur Cotterell 1979, 1986, 2003. All rights reserved.  Read more
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Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more
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