An ancient instrument resembling the lyre.
[Latin, from Greek kitharā.]
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An ancient instrument resembling the lyre.
[Latin, from Greek kitharā.]
The most important string instrument of Greco-Roman antiquity, larger and heavier than the Lyre, which it resembles. It had two wooden arms rising vertically from the soundchest (also of wood), crossed by a yoke. Strings were stretched between yoke and the soundchest: three to five in early examples, seven or more from the 7th century bc. The soundbox could be rectangular or smaller and rounded (the ‘cradle kithara’). The left hand plucked, strummed or damped the strings from behind while the right plucked them with a plectrum.
The kithara probably originated in Asia Minor; in Greece it was indispensable in singing the praises of Hellenic heroes and in choral performances, while in Rome it appeared in virtually every area of musical life including the theatre, the convivium and cult music.
Harry Partch used the name ‘kithara’ for instruments he built resembling the Greek ones.
For more information on kithara, visit Britannica.com.
The kithara was an ancient Greek musical instrument in the zither family. In Latin it is spelled cithara, and in modern Greek the word kithara has come to mean guitar.
The kithara was a professional version of the seven-stringed lyra (lyre). As opposed to the simpler lyra, which was a folk-instrument, the kithara was primarily used by professional musicians (see kitharode, citharoedus). (The barbitos was a bass version of the kithara popular in the eastern Aegean and ancient Asia Minor.)
The kithara had a deep, wooden sounding box composed of two resonating tables, either flat or slightly arched, connected by ribs or sides of equal width. At the top, its strings were knotted around the transverse tuning bar (zugon) or to rings threaded over the bar, or wound around pegs. The other end of the strings was secured to a tail-piece after passing over a flat bridge, or the tail-piece and bridge were combined. It was played with a rigid plectrum held in the right hand, with elbow outstretched and palm bent inwards, while the strings with undesired notes were damped with the straightened fingers of the left hand.
The kithara was played primarily to accompany dances and epic recitations, rhapsodies, odes, and lyric songs. It was also played solo at the receptions, banquets, national games, and trials of skill.
This article incorporates text from the Encyclopædia Britannica Eleventh Edition, a publication now in the public domain.
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