Career Highlights: La Traversée de Paris, The Devil in the Flesh, Tu Ne Tueras Point
First Major Screen Credit: L'Homme Du Large (1920)
Biography
French director Claude Autant-Lara was uprooted from his homeland by his actress-mother Louise Lara during World War I, when her strong pacifist stance forced her to flee to England. Returning to his native country in 1919, Autant-Lara studied art, then worked as a set and costumer designer for the major French filmakers of the 1920s. He broke into directing himself with the surrealistic short Fait Divers (1923), worked in collaboration with Rene Clair afterwards, and returned to solo filmaking in 1926. Most of his early shorts experiment with such nuances as distorted angles and wide screens, but Autant-Lara was capable of such comformist work as the French-language version of Buster Keaton's Free and Easy (1930). In 1933, he directed his first feature, Ciboulette; in his now typical take-your-time fashion, his next feature, the British My Partner Mr. Davis, didn't come out until 1936. Autant-Lara didn't truly flourish until the years of the Occupation (1940-44), during which time he specialized in romantic, nostalgic productions. His first international success was 1946 Le Diable au Corps (aka The Devil in the Flesh), an elegant, mildly erotic and ultimately fatalistic World War I love story, based on a novel by the tragic "child prodigy" Raymond Radiguet. In the mid-1950s Autant-Lara's work became less prominent and he was one of the directors attacked by the New Wave critics for being a paragon of the "French quality" tradition. Autant-Lara remained a filmmaker until 1977, when he directed his last film, Gloria. Thereafter, Claude Autant-Lara was briefly a member of the European Parliament, from which he was forced to resign in 1989 due to a speech wherein he suggested that the Holocaust had never happened, and that France was controlled by Jewish "internationalists." ~ Hal Erickson, All Movie Guide
He was educated in France and at London's Mill Hill School during his mother's exile as a pacifist. Early in his career, he worked as an art director and costume designer, his best known work in this vein was possibly for Nana (1926), a silent film directed by Jean Renoir. Autant-Lara also acted in the film.
As a director, he frequently created provocative movies, saying "if a film does not have venom, it is worthless". In the 1960s, he turned his back on the New Wave movement, and from then on he had no popular successes.
On 18 June1989, he came to public notice again, controversially, when he was elected to the European Parliament as a member of the National Front and the oldest member of the assembly. In his maiden speech, in July, he caused a scandal by expressing his "concerns about the American cultural threat", provoking a walkout by the majority of the deputies.
In an interview granted to the monthly magazine Globe in September 1989, he engaged in what Minister of Justice Pierre Arpaillange referred to as "racial insults, racial slandering and incitements to racial hatred". He also described Nazi gas chambers as a "string of lies". The resulting scandal led to his resignation as European deputy. Moreover, the members of the Academy of the Fine Arts, of which he was a vice-president for life, voted to prohibit him from taking his seat thenceforth.
His memoir, The Rage in the Heart, appeared in 1984.