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| Clive Barker | |
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Clive Barker in 2007 at the EMP/Science Fiction Museum in Seattle. |
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| Born | 5 October 1952 Liverpool, England, UK |
| Occupation | Author, film director, screenwriter, producer, actor, playwright, painter, illustrator & visual artist |
| Nationality | British |
| Genres | Horror, Fantasy |
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Influenced
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www.clivebarker.info |
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Clive Barker (born 5 October 1952) is an English author, film director and visual artist best known for his work in both fantasy and horror fiction. Barker came to prominence in the mid-1980s with a series of short stories which established him as a leading young horror writer. He has since written many novels and other works, and his fiction has been adapted into motion pictures, notably the Hellraiser and Candyman series.
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Clive Barker was born in Liverpool, England, the son of Joan Rubie (née Revill), a painter and school welfare officer, and Leonard Barker, a personnel director for an industrial relations firm.[1][2] Educated at Dovedale Primary School and Quarry Bank High School,[citation needed] he studied English and Philosophy at Liverpool University. The Damnation Game and Volume 2 of The Books of Blood are dedicated to John Gregson[who?].
In 2003, Barker received The Davidson/Valentini Award at the 15th GLAAD Media Awards, presented "to an openly lesbian, gay, bisexual or transgender individual who has made a significant difference in promoting equal rights for any of those communities".[3] Barker is critical of organized religion, and whilst having a somewhat spiritual view of the world has stated that he does not believe in God:
"Now, I don't believe that God exists. I think that God is creation of men, by men, and for men. What has happened over the many centuries now, the better part of two thousand years in fact, is that God has been slowly and steadily accruing power. His church has been accruing power, and the men who run that church, and they are all men, are not about to give it up. If they give it up, they give up luxury, they give up comfort. I'm not saying that it's true of all of them, some of them are working leper colonies and doing extraordinary works in the name of that God. That's a paradox which we probably shouldn't be discussing now, but I'm aware of that. But I'm also aware that there are a lot of very powerful, corrupt men enjoying the power that this tradition, patriarchal tradition, has conferred upon them."[4] He was baptised in The Church of England.[citation needed]
Barker said in a December 2008 online interview (published March 2009) that he had polyps in his throat which were so severe that a doctor told him he was taking in ten percent of the air he was supposed to have been getting. He has had two surgeries to remove them and believes his resultant voice is an improvement over how it was prior to the surgeries. He said he did not have cancer and has given up cigars.[5] On August 27, 2010, Barker underwent surgery yet again to remove new polyp growths from his throat. According to his website,[citation needed] the surgery went well and was without complications.
Barker has been openly gay since the early 1990s, first mentioning his dating life to US audiences in The Advocate magazine.[citation needed]
Barker is one of the leading authors[citation needed] of contemporary horror/fantasy, writing in the horror genre early in his career, mostly in the form of short stories (collected in Books of Blood 1 – 6), and the Faustian novel The Damnation Game (1985). Later he moved towards modern-day fantasy and urban fantasy with horror elements in Weaveworld (1987), The Great and Secret Show (1989), the world-spanning Imajica (1991) and Sacrament (1996), bringing in the deeper, richer concepts of reality, the nature of the mind and dreams, and the power of words and memories.
Barker's distinctive style is characterized by the notion of hidden fantastical worlds coexisting with our own, the role of sexuality in the supernatural and the construction of coherent, complex and detailed universes. Barker has referred to this style as "dark fantasy" or the "fantastique". His stories are notable for a deliberate blurring of the distinction between binary opposites such as hell and heaven, or pleasure and pain (the latter particularly so in The Hellbound Heart).
When the Books of Blood were first published in the United States in paperback, Stephen King was quoted on the book covers: "I have seen the future of horror, his name is Clive Barker."[6] Critical studies of Barker's work include Clive Barker's Short Stories (1994) by Gary Hoppenstand[7] and an essay in S. T. Joshi's The Modern Weird Tale (2001). As influences on his writing, Barker lists Herman Melville, Edgar Allan Poe, Ray Bradbury, William S. Burroughs, William Blake, and Jean Cocteau, among others.[8]
He is also the writer of the best-selling Abarat series, and plans on producing two more novels in the series.
Barker's basic philosophy and approach are revealed in his foreword to H.R. Giger's illustrated work, "Necronomicon."
Barker has a keen interest in movie production, although his films have received mixed receptions. He wrote the screenplays for Underworld (aka Transmutations – 1985) and Rawhead Rex (1986), both directed by George Pavlou.[9] Displeased by how his material was handled, he moved to directing with Hellraiser (1987), based on his novella The Hellbound Heart. His early movies, the shorts The Forbidden and Salome, are experimental art movies with surrealist elements, which have been re-released together to moderate critical acclaim. After his film Nightbreed (Cabal), which was widely considered to be a flop, Barker returned to write and direct Lord of Illusions. Barker was an executive producer of the film Gods and Monsters, which received major critical acclaim. He had been working on a series of movie adaptations of his The Abarat Quintet books under Disney's management, but has admitted that because of creative differences, this project will not go ahead. He is developing a film based on his Tortured Souls line of toys from McFarlane Toys.
In October 2006, Barker announced through his official website that he will be writing the script to a forthcoming remake of the original Hellraiser movie.[10][11]
A short story titled "The Forbidden", from Barker's Books of Blood, provided the basis for the film Candyman and its two sequels.
Japanese director Ryuhei Kitamura directed the 2008 film Midnight Meat Train from Jeff Buhler's screenplay based on Barker's short story of the same name for Lakeshore Entertainment and Lionsgate.
In 2008, a movie was made from one of his "Book of Blood" short stories.[12] Clive Barker's Book of Blood was moderately well received, but was not very profitable.
In 2009 Barker's short story Dread (also from the Books of Blood) was made into a film and received good reviews. Dread (2009) on IMDb
Barker is a prolific visual artist working in a variety of media, often illustrating his own books. His paintings have been seen first on the covers of his official fan club magazine, Dread, published by Fantaco in the early '90s; on the covers of the collections of his plays, Incarnations (1995) and Forms of Heaven (1996); and on the second printing of the original UK publications of his Books of Blood series. Barker also provided the artwork for his young adult novel The Thief of Always and for the Abarat series. His artwork is exhibited at Bert Green Fine Art in Chicago, IL, and in the past has been shown at the Bess Cutler Gallery in New York and La Luz De Jesus in Los Angeles. Many of his sketches and paintings can be found in the collection Clive Barker, Illustrator, published in 1990 by Arcane/Eclipse Books, and in Visions of Heaven and Hell, published in 2005 by Rizzoli Books. The most complete selection of Clive Barker's paintings and drawings are available to view in a gallery setting on the website.
He worked on the creative side of a horror video game, Clive Barker's Undying, providing the voice for the character Ambrose. Undying was developed by DreamWorks Interactive and released in 2001. He also worked on Clive Barker's Jericho for Codemasters, which was released in late 2007.
Barker created Halloween costume designs for Diguise Costumes[13][14]
A longtime comics fan, Barker achieved his dream of publishing his own superhero books when Marvel Comics launched the Razorline imprint in 1993. Based on detailed premises, titles and lead characters he created specifically for this, the four interrelated titles — set outside the Marvel universe — were Ectokid (written first by James Robinson, then by future Matrix co-creator Larry Wachowski, with art by Steve Skroce), Hokum & Hex (written by Frank Lovece, art by Anthony Williams), Hyperkind (written by Fred Burke, art by Paris Cullins and Bob Petrecca) and Saint Sinner (written by Elaine Lee, art by Max Douglas). A 2002 Barker telefilm titled Saint Sinner bore no relation to the comic.
Barker horror adaptations and spinoffs in comics include the Marvel/Epic Comics series Hellraiser, Nightbreed, Pinhead, The Harrowers, Book of the Damned, and Jihad; Eclipse Books' series and graphic novels Tapping The Vein, Dread, Son of Celluloid, Revelations The Life of Death, Rawhead Rex and The Yattering and Jack, and Dark Horse Comics' Primal, among others. Barker served as a consultant and wrote issues of the Hellraiser anthology comic book.
In 2005, IDW published a three-issue adaptation of Barker's children's fantasy novel The Thief of Always, written and painted by Kris Oprisko and Gabriel Hernandez. IDW is publishing a 12 issue adaptation of Barker's novel The Great and Secret Show.
In December 2007, Chris Ryall and Clive Barker announced an upcoming collaboration of an original comic book series, Torakator, to be published by IDW.[15]
In October 2009, IDW published Seduth (Written by Clive Barker and Chris Monfette; art by Gabriel Rodriguez; colors by Jay Fotos; letters by Neil Uyetake; edits by Chris Ryall; and 3-D conversion by Ray Zone), the first time Barker has created a world specifically for the comic book medium in two decades. The work was released with three variant covers; cover a featuring art by Gabriel Rodriguez and cover b with art by Clive Barker and the third is a "retailer incentive signed edition cover" with art by Clive Barker.[16]
| Year | Title | Director | Producer | Writer |
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| 1973 | Salome |
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| 1978 | The Forbidden |
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| 1985 | Transmutations |
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| 1986 | Rawhead Rex |
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| 1987 | Hellraiser |
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| 1988 | Hellbound: Hellraiser II |
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| 1990 | Nightbreed |
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| 1992 | Hellraiser III: Hell on Earth |
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| Candyman |
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| 1995 | Lord of Illusions |
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| 1996 | Hellraiser: Bloodline |
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| 1998 | Gods and Monsters |
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| 2006 | The Plague |
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| 2008 | Book of Blood |
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| The Midnight Meat Train |
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| 2009 | Dread |
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| 2011 | Tortured Souls: Animae Damnatae |
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| 2013 | Hellraiser |
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| TBA | Born |
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| Wikiquote has a collection of quotations related to: Clive Barker |
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