Share on Facebook Share on Twitter Email
Answers.com

Clive Davis

 
Artist: Clive Davis
 
Clive Davis

Worked With:

Christopher Stern, Deborah Cox, Narada Michael Walden, Mick Guzauski, Humberto Gatica, Felipe Elgueta, Jeanie Tracy, Michael Thompson, David Foster, Whitney Houston, Aretha Franklin, Taylor Dayne, Dionne Warwick
  • Born: April 04, 1934
  • Genres: Rock
  • Instrument: Executive Producer

Biography

A Harvard Law School graduate, Clive Davis, disheartened by his lack of status as a young lawyer, joined Columbia Records in 1960 as a contract lawyer. One of his first assignments was to renegotiate Bob Dylan's contract, which had apparently become void after the singer had turned 21. Davis outsmarted Dylan and, by forcing him to renew, the young lawyer caught the eye of Columbia's head Goddard Leiberson. Through hard work and internal squabbling, Davis worked his way through the ranks, becoming vice-president of CBS Records.

In 1967, Davis took over as president and transformed the lagging label into an industry powerhouse by updating its roster to coincide with the emergence of rock music. Attending the Monterey Pop Festival in 1967, Davis realized the potential of rock music and signed Big Brother & the Holding Company, as well as Santana and the Electric Flag; other acts such as Chicago, Billy Joel and Bruce Springsteen followed. And, even though Davis played a substantial part in the development of those early careers, by the time he published his memoirs in 1975 he had forgotten everyone else who was involved, giving sole credit to himself. Behavior like this was typical, and by 1973 many at CBS had grown tired of Davis and were looking for a way to get him out. The opportunity came when one of Davis' go-fers, David Wynshaw, was investigated for reputed mob ties. Searching Wynshaw's office at CBS, authorities found that he had faked invoices and expense accounts on his boss's behalf. Evidence emerged that Davis had used company funds to bankroll his son's bar mitzvah. In a move that shocked the industry, Davis was fired not long afterwards. After pleading guilty to tax evasion, Davis was hired at the record division of Columbia Pictures. He renamed the company Arista and immediately built a strong reputation by signing Barry Manilow.

The label gained respect when they released Patti Smith's influential Horses in 1975 and two years later the Grateful Dead would be added to the roster. Davis' "golden ears" were in full effect throughout the '80s and '90s with new acts like Kenny G, Sarah McLachlan, and Whitney Houston (who Davis first showcased on the Merv Griffin show) all coming aboard. Arista's Nashville division was launched in 1988 with Alan Jackson, Brooks & Dunn, Diamond Rio, and others earning the label over 150 major industry awards over the years. Although Davis admitted that he'd ''never get rap music,'' he made a financial agreement with urban producers L.A. Reid and Babyface to form LaFace Records in October 1989. TLC, Toni Braxton, Monica, Outkast, and Pink were some of the successful artists that LaFace brought to Arista, so it was no surprise when Davis announced a 50/50 deal with Sean "Puffy" Combs. Their joint venture, Bad Boy Records, added more urban power to Arista with a thriving roster. With Puffy, Notorious B.I.G., Faith Evans, Mase, and 112, Bad Boy sold more than 12 million albums in its first three years. 1996 marked Arista's 25th anniversary, and a year with $425 million in sales and 69 gold or platinum discs. A year later Davis received his star on Hollywood's walk of fame. In 1999 he signed Santana whose Supernatural earned the label an amazing 9 Grammys and 26 million sold worldwide.

By 2000, Arista was responsible for 33% of their parent label BMG's sales but rumors had been spreading that BMG leadership was trying to force Davis out of his role at the label and replace him with L.A. Reid. According to the Wall Street Journal, Davis received an offer to stay on with Arista as an advisor or join a new-media venture backed by BMG. Davis issued a press release stating he no plans to retire and Aretha Franklin and Bruce Springsteen offered pro-Davis, anti-BMG quotes to the press. Citing his age and lack of vision, Davis was deposed from the presidency of Arista and Reid took over. BMG was soon back in business with Davis, outbidding other labels to the tune of $150 million to finance his new venture, J Records (shorthand for Davis' middle name, Jay). To round out the year Davis listened with tears in his eyes as Patti Smith inducted him into the Rock N' Roll Hall of Fame and NBC television aired the two hour special 25 Years Of #1 Hits: Arista Records Anniversary Celebration.

Within it's first year, J Records had albums by Alicia Keys, O-Town, Luther Vandross and Busta Rhymes in the top ten and a year later Rod Stewart joined the label. BMG executives called Davis in for a meeting in early 2003, but this time he was named Chairman/CEO of the RCA Music Group. The position put him in charge of the classic RCA label and back in charge of Arista. ~Steve Kurutz

, All Music Guide
Search unanswered questions...
Enter a word or phrase...
All Community Q&A Reference topics
 
Wikipedia: Clive Davis
Top
Clive Jay Davis

Clive Davis, November 13, 2007, New York City
Born April 4, 1932(1932-04-04)
Brooklyn, New York
Occupation record producer

Clive Jay Davis (b. April 4, 1932 in Brooklyn, New York) is an American record producer, executive and a leading music industry executive. He has won multiple Grammy awards and is a member of the Rock and Roll Hall of Fame. He has transformed the landscape of the modern music industry with a career spanning over forty years. From 1967-72 he was the President of Columbia Records, was the founder and president of Arista Records in the late 1970s through 2000 until founding J Records. From 2003 until April 2008, Davis was the Chairman and CEO of the RCA Music Group (which includes RCA Records, J Records and Arista Records), Chairman and CEO of J Records, and Chairman and CEO of BMG North America. Currently Davis is the Chief Creative Officer of Sony Music Entertainment Worldwide.[1] Davis is a member of the Rock and Roll Hall of Fame as a non-performer.[2] He currently plays a part in the careers of Alicia Keys, Leona Lewis, Kelly Clarkson and is working on a new album with Whitney Houston for her comeback in mid 2009.

Contents

Early life and career: The CBS years

Davis said, "When you grew up in Brooklyn and you were good in school and you don't like science, to rise above your family you have to become a lawyer, so everybody said you'll be a lawyer, so I became a lawyer. I didn't know one wealthy person. I was at a law firm working on other people's clients. And then I got a lucky break. A client of a law firm that I was in came to me and then said you could become chief lawyer for Columbia Records if you come right now. I was out of law school for three years and I got that offer, never even thinking music, never even thinking change. I knew if I stayed in law, I would be servicing other people's clients. I didn't travel in those circles. I made the decision I would take that job, go to Columbia Records, and I did within six months, become their chief lawyer, and this odyssey began."

Davis is from a working class Jewish American family and grew up in Brooklyn, New York. He was named Clive by his mother, who was a fan of a British actor with that name. Davis graduated Magna Cum Laude, Phi Beta Kappa, from New York University College of Arts and Science in 1953, and received a scholarship to Harvard Law School. Davis graduated and practiced law in a small firm which folded, then moved on to the firm of Rosenman, Colin, Kaye, Petschek and Freund, which had CBS Records as a client. Davis was then hired by the legal department of CBS subsidiary Columbia Records.

Davis said, pointing to a picture on his "wall of fame", "This is the night I signed Janis Joplin. She was the first Artist I ever signed."

"When I became head of Columbia Records, I was totally green, so I started listening to music intently, every radio station, every record that came out. You've gotta be the best prepared. You've gotta be the most informed. So, I have a high work ethic. And I used it. I don't mean to imply, when I discuss, that just hard work is enough to succeed in the record business. History has shown that it helps a lot if you have if you call what we in our industry call ears, and ears is that ability to hear special talent or to hear a hit." Davis became a protegé of CBS Records President Goddard Lieberson, and discovered a passion for music which led him up the ranks of Columbia/CBS. In 1967, he became president of Columbia Records and, more or less by accident, he became a convert to the newest generation of folk rock and rock and roll. One of his earliest pop signings was the British folk-rock musician Donovan, who enjoyed a string of successful hit singles and albums released in the USA on the Epic label.

In June 1967, at the urging of his friend and business associate Lou Adler, Davis attended the Monterey Pop Festival, a musical event that changed the course of his career, and was inspired by what he saw as the future of music. "Monterey was almost a religious experience without sounding melodramatic. I was seeing something that was changing the face of music. I had to trust my instincts, and go on the line. I never pictured myself to be an A&R man or talent discoverer that was not within the realm of what I had done before. I found through a combination of luck and the finding of a natural, talent that I never knew I had, a career and tremendous satisfaction. I started trusting my judgment after Big Brother and the Electric Flag and Blood Sweat and Tears and Santana and Chicago, and when they all started all making it I sensed a change was there and a revolution was definitely occurring I was lucky to find myself right in the middle of it."

He immediately signed Janis Joplin with Big Brother & the Holding Company, and Columbia went on to sign Laura Nyro, Jimmie Spheeris, Electric Flag, Santana, The Chambers Brothers, Bruce Springsteen, Andy Pratt, Chicago, Billy Joel, Blood, Sweat & Tears, and Pink Floyd. The company, which had previously avoided rock music, doubled its market share in three years. One of the biggest recordings released during Davis' tenure at Columbia was Lynn Anderson's "Rose Garden", in late 1970. It was Clive Davis who insisted "Rose Garden" be the country singer's next single release. The song reached number one in sixteen countries around the world, won a slew of awards and made Lynn Anderson a household name. In 1972, Davis also signed the group Earth, Wind & Fire to Columbia Records. One of Davis' most recognized accomplishments was signing the Boston group Aerosmith to Columbia Records in the early 70s at New York City's Max's Kansas City, which was immortalized in the 1979 Aerosmith classic "No Surprise", where Steven Tyler sings "Old Clive Davis said he's surely gonna make you a star, just the way you are".[3] In 1979, Bob Weir of The Grateful Dead changed the lyrics of the Dead standard Jack Straw in concert from "we used to play for silver, now we play for life", to "we used to play for silver now we play for Clive".

The Arista years

After being fired from CBS Records for using company funds to bankroll his son's bar mitzvah [4], Columbia Pictures hired Davis to be a consultant for the company record and music operations. After taking time out to write his memoirs, he was offered the presidency of the division in late 1974.[citation needed] Davis subsequently merged the various labels -- Colpix Records, Colgems Records and Bell Records -- into a new entity named Arista Records, ultimately buying a percentage of the company from Columbia Pictures. The label was named Arista after New York City's secondary school honor society (of which Davis was a member). Among his greatest accomplishments during his time at Arista Records was the signing of music legend Whitney Houston in 1983.

Clive Davis was featured in the February 21, 2008 (1046) issue of Rolling Stone. The article titled "The Last Record Man" discusses how Davis has helped guide the careers of hit artists and how even four decades later he still looks for the next hit.


Chief creative officer at Sony Music

In a reshuffling of the executive ranks at Sony BMG, it was announced on April 18, 2008 that Davis was appointed chief creative officer at Sony BMG. Zomba Music Group head Barry Weiss replaced Davis as chairman and CEO of the BMG label group. [5][not in citation given] Sony BMG became Sony Music Entertainment in 2008 and in Davis' role as chief creative officer, he is reasserting himself in his role as starmaker at Sony Music.[6] For the past several years, Davis has worked closely with his business partner and protege David Johnson, who is based in Chicago and Miami.

References

  1. ^ [http://www.nypost.com/seven/10102008/business/sony_music_turns_to_davis_for_hit_133017.htm
  2. ^ Clive Davis
  3. ^ "Aerosmith Biography: From Clive Davis to Guitar Hero: Aerosmith". Max's Kansas City. 2008-09-26. http://www.maxskansascity.com/aerosmith/. Retrieved on 2008-09-26. 
  4. ^ http://www.answers.com/topic/clive-davis
  5. ^ http://money.cnn.com/2008/04/18/news/companies/sony_bmg_chief.ap/index.htm?eref=ew
  6. ^ http://www.nypost.com/seven/10102008/business/sony_music_turns_to_davis_for_hit_133017.htm

 
 

 

Copyrights:

Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Clive Davis" Read more

 

Mentioned in