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Clive Davis

 
Artist: Clive Davis
Clive Davis

Worked With:

Christopher Stern, Deborah Cox, Narada Michael Walden, Mick Guzauski, Humberto Gatica, Felipe Elgueta, Jeanie Tracy, Michael Thompson, David Foster, Whitney Houston, Aretha Franklin, Taylor Dayne, Dionne Warwick
  • Born: April 04, 1934
  • Genres: Rock
  • Instrument: Executive Producer

Biography

A Harvard Law School graduate, Clive Davis, disheartened by his lack of status as a young lawyer, joined Columbia Records in 1960 as a contract lawyer. One of his first assignments was to renegotiate Bob Dylan's contract, which had apparently become void after the singer had turned 21. Davis outsmarted Dylan and, by forcing him to renew, the young lawyer caught the eye of Columbia's head Goddard Leiberson. Through hard work and internal squabbling, Davis worked his way through the ranks, becoming vice-president of CBS Records.

In 1967, Davis took over as president and transformed the lagging label into an industry powerhouse by updating its roster to coincide with the emergence of rock music. Attending the Monterey Pop Festival in 1967, Davis realized the potential of rock music and signed Big Brother & the Holding Company, as well as Santana and the Electric Flag; other acts such as Chicago, Billy Joel and Bruce Springsteen followed. And, even though Davis played a substantial part in the development of those early careers, by the time he published his memoirs in 1975 he had forgotten everyone else who was involved, giving sole credit to himself. Behavior like this was typical, and by 1973 many at CBS had grown tired of Davis and were looking for a way to get him out. The opportunity came when one of Davis' go-fers, David Wynshaw, was investigated for reputed mob ties. Searching Wynshaw's office at CBS, authorities found that he had faked invoices and expense accounts on his boss's behalf. Evidence emerged that Davis had used company funds to bankroll his son's bar mitzvah. In a move that shocked the industry, Davis was fired not long afterwards. After pleading guilty to tax evasion, Davis was hired at the record division of Columbia Pictures. He renamed the company Arista and immediately built a strong reputation by signing Barry Manilow.

The label gained respect when they released Patti Smith's influential Horses in 1975 and two years later the Grateful Dead would be added to the roster. Davis' "golden ears" were in full effect throughout the '80s and '90s with new acts like Kenny G, Sarah McLachlan, and Whitney Houston (who Davis first showcased on the Merv Griffin show) all coming aboard. Arista's Nashville division was launched in 1988 with Alan Jackson, Brooks & Dunn, Diamond Rio, and others earning the label over 150 major industry awards over the years. Although Davis admitted that he'd ''never get rap music,'' he made a financial agreement with urban producers L.A. Reid and Babyface to form LaFace Records in October 1989. TLC, Toni Braxton, Monica, Outkast, and Pink were some of the successful artists that LaFace brought to Arista, so it was no surprise when Davis announced a 50/50 deal with Sean "Puffy" Combs. Their joint venture, Bad Boy Records, added more urban power to Arista with a thriving roster. With Puffy, Notorious B.I.G., Faith Evans, Mase, and 112, Bad Boy sold more than 12 million albums in its first three years. 1996 marked Arista's 25th anniversary, and a year with $425 million in sales and 69 gold or platinum discs. A year later Davis received his star on Hollywood's walk of fame. In 1999 he signed Santana whose Supernatural earned the label an amazing 9 Grammys and 26 million sold worldwide.

By 2000, Arista was responsible for 33% of their parent label BMG's sales but rumors had been spreading that BMG leadership was trying to force Davis out of his role at the label and replace him with L.A. Reid. According to the Wall Street Journal, Davis received an offer to stay on with Arista as an advisor or join a new-media venture backed by BMG. Davis issued a press release stating he no plans to retire and Aretha Franklin and Bruce Springsteen offered pro-Davis, anti-BMG quotes to the press. Citing his age and lack of vision, Davis was deposed from the presidency of Arista and Reid took over. BMG was soon back in business with Davis, outbidding other labels to the tune of $150 million to finance his new venture, J Records (shorthand for Davis' middle name, Jay). To round out the year Davis listened with tears in his eyes as Patti Smith inducted him into the Rock N' Roll Hall of Fame and NBC television aired the two hour special 25 Years Of #1 Hits: Arista Records Anniversary Celebration.

Within it's first year, J Records had albums by Alicia Keys, O-Town, Luther Vandross and Busta Rhymes in the top ten and a year later Rod Stewart joined the label. BMG executives called Davis in for a meeting in early 2003, but this time he was named Chairman/CEO of the RCA Music Group. The position put him in charge of the classic RCA label and back in charge of Arista. ~Steve Kurutz

, All Music Guide
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Wikipedia: Clive Davis
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Clive Davis

Clive Davis, November 13, 2007, New York City
Born April 4, 1932(1932-04-04) (age 77)
Brooklyn, New York
Occupation Record producer

Clive Davis (born April 4, 1932) is an American record producer, executive and a leading music industry executive. He has won multiple Grammy awards and is a member of the Rock and Roll Hall of Fame. From 1967-72 he was the President of Columbia Records, was the founder and president of Arista Records in the late 1970s through 2000 until founding J Records. From 2003 until April 2008, Davis was the Chairman and CEO of the RCA Music Group (which included RCA Records, J Records and Arista Records), Chairman and CEO of J Records, and Chairman and CEO of BMG North America. Currently Davis is the Chief Creative Officer of Sony Music Entertainment Worldwide.[1] He is a member of the Rock and Roll Hall of Fame as a non-performer.[2] He currently plays a part in the careers of Alicia Keys, Kelly Clarkson, Harry Connick, Jr., Leona Lewis and Whitney Houston.

Contents

Early life and career: The CBS years

Davis was born in Brooklyn, New York to a Jewish family, the son of Herman and Florence Davis. After spending his first four years in England, Davis was raised in the middle-class neighborhood of Crown Heights, Brooklyn. He received a full scholarship to New York University College of Arts and Science, where he graduated Magna Cum Laude, Phi Beta Kappa in 1953. He then received a full scholarship to Harvard Law School, where he graduated in 1956. He practiced law in a small firm in New York, then moved on to the firm of Rosenman, Colin, Kaye, Petschek, and Freund two years later, where partner Ralph Colin had CBS as client. Hired by a former colleague at the firm, Harvey Schein, Davis became assistant counsel of CBS subsidiary Columbia Records at the age of twenty-eight.[3]

Davis became a protegé of CBS Records President Goddard Lieberson, and discovered a passion for music which led him up the ranks of Columbia/CBS. In 1967, he became president of Columbia Records and, more or less by accident, he became a convert to the newest generation of folk rock and rock and roll. One of his earliest pop signings was the British folk-rock musician Donovan, who enjoyed a string of successful hit singles and albums released in the USA on the Epic label.

In June 1967, at the urging of his friend and business associate Lou Adler, Davis attended the Monterey Pop Festival, a musical event that changed the course of his career, and was inspired by what he saw as the future of music.

He immediately signed Janis Joplin with Big Brother & the Holding Company, and Columbia went on to sign Laura Nyro, Jimmie Spheeris, Electric Flag, Santana, The Chambers Brothers, Bruce Springsteen, Andy Pratt, Chicago, Billy Joel, Blood, Sweat & Tears, and Pink Floyd. The company, which had previously avoided rock music, doubled its market share in three years. One of the biggest recordings released during Davis' tenure at Columbia was Lynn Anderson's "Rose Garden", in late 1970. It was Davis who insisted "Rose Garden" be the country singer's next single release. The song reached number one in 16 countries around the world and remained the biggest selling album by a female country artist from 1971–1997.

In 1972, Davis also signed Iggy Pop and Earth, Wind & Fire to Columbia Records. One of his most recognized accomplishments was signing the Boston group Aerosmith to Columbia Records in the early 70s at New York City's Max's Kansas City, which was immortalized in the 1979 Aerosmith classic "No Surprise", where Steven Tyler sings "Old Clive Davis said he's surely gonna make you a star, just the way you are".[4] Starting in December 30, 1978, Bob Weir of The Grateful Dead occasionally changed the lyrics of the Dead standard Jack Straw in concert from "we used to play for silver, now we play for life", to "we used to play for silver now we play for Clive Davis".

The Arista years

After Davis was fired from CBS Records for using company funds to bankroll his son's bar mitzvah,[5] Columbia Pictures hired him to be a consultant for the company record and music operations. After taking time out to write his memoirs, he was offered the presidency of the division in late 1974.[6] Davis subsequently merged the various labels -- Colpix Records, Colgems Records and Bell Records -- into a new entity named Arista Records, ultimately buying a percentage of the company from Columbia Pictures. The label was named Arista after New York City's secondary school honor society (of which Davis was a member). Two of his greatest accomplishments during his time at Arista Records were the signing of music legends Lou Reed and Whitney Houston.

Davis was featured in the February 21, 2008 (1046) issue of Rolling Stone. The article titled "The Last Record Man" discusses how Davis has helped guide the careers of hit artists and how even four decades later he still looks for the next hit.

Chief creative officer at Sony Music

In a reshuffling of the executive ranks at Sony BMG, it was announced on April 18, 2008 that Davis was appointed chief creative officer at Sony BMG. Zomba Music Group head Barry Weiss replaced Davis as chairman and CEO of the BMG label group. [7][not in citation given] Sony BMG became Sony Music Entertainment in 2008 and in his role as chief creative officer, Davis is reasserting himself in his role as starmaker at Sony Music.[8]

References

  1. ^ [1]
  2. ^ Clive Davis
  3. ^ Dannen, Frederic (1990). Hit Men. Times Books. pp. 66-67. ISBN 0-8129-1658-1
  4. ^ "Aerosmith Biography: From Clive Davis to Guitar Hero: Aerosmith". Max's Kansas City. 2008-09-26. http://www.maxskansascity.com/aerosmith/. Retrieved 2008-09-26. 
  5. ^ http://www.answers.com/topic/clive-davis
  6. ^ Dannen, Frederic (1990). p. 107.
  7. ^ http://money.cnn.com/2008/04/18/news/companies/sony_bmg_chief.ap/index.htm?eref=ew
  8. ^ http://www.nypost.com/seven/10102008/business/sony_music_turns_to_davis_for_hit_133017.htm

Further reading

  • Davis, Clive (1975). Clive: Inside the Record Business. William Morrow & Company, Inc.

 
 
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