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codpiece

 
Dictionary: cod·piece   (kŏd'pēs') pronunciation
n.
A pouch at the crotch of the tight-fitting breeches worn by men in the 15th and 16th centuries.

[Middle English codpece : cod, bag, scrotum (from Old English codd, bag) + pece, piece; see piece.]


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World of the Body: codpiece
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When the early seventeenth-century English playwright John Marston wrote in his Satires,

Nay then, I'll never rail at those
That wear a codpiece, thereby to disclose
What sex they are


he pointed to the primary purpose of a codpiece: to emphasize the gender of its wearer. Codpieces appeared in Europe in the early sixteenth century, during a period of economic and territorial expansion, in which the conspicuous display of virility, in public life, sport, warfare, and dress played a major part in a competitive culture of self-presentation, self-aggrandisement, and advertisement. They were designed, along with doublets with massive chests and coats with wide shoulders, to enhance and exaggerate the masculine attributes of the wearer, to ‘disclose’ rather than conceal or contain, the ‘sex they are’.

Codpieces were a distinctive feature of late Renaissance male dress in Italy, Spain, France, and England, reaching their peak of popularity in the mid sixteenth century, before gradually disappearing by the end of the century. They evolved from the pouch-shaped flap which was used to close the front of the close-fitting hose worn by men in the fourteenth and early fifteenth centuries. By the early sixteenth century, the front flap on men's breeches and hose was no longer a flat pouch, but had become a protuberance, often padded and stiffened, to support and accentuate the male genitals. It was essentially a bag made of fabric, usually silk, and was often elaborately embroidered and decorated, either made of the same material as the trunk hose or breeches, or to match the doublet or other upper garments, to which it was fastened by points or lacings. In addition to the padding and ornamentation on the codpiece itself, further attention was drawn to the groin area by the positioning of dagger and sword belts just above it, the dagger often worn with the hilt pointing to or framing the codpiece, creating a visual dialogue between codpiece and dagger, thus amplifying and doubling the phallus.

From its introduction early in the sixteenth century, until its disappearance from fashion in the 1590s, the codpiece served as an emblem for manhood, the part standing for the whole. As Marston's 1598 quote above makes evident, even after its demise, it retained its metaphorical associations with masculine essence. The codpiece, with its sexual connotations, represented the uncontrollable carnal impulses that warred against the rational soul of man. The idea of the sexual organs having a ‘will’ of their own, independent of their owner's intentions, was a well-established one, dating from St Augustine's laments regarding the ‘uprisings’ of the flesh. Yet these sexual urges afflict all mankind, and everyone is a victim of his libidinous desires. Hence a character in Shakespeare's Measure for Measure condemns judging a man too harshly for a universal weakness: ‘For the rebellion of a codpiece, to take away the life of a man?’

During a brief period in the 1570s and 80s in England, around the time that the codpiece was falling into disrepute in male fashion, it became the name for a roughly analogous ornament or appendage, worn by women on the breast. Like the fashion, late in the sixteenth century, of women wearing doublets like those worn by men, the practice of women sporting ‘codpieces’ on their chests may have exacerbated the anxieties of moralists concerned about the adoption by women of masculine attributes and habits, including those of dress. Pamphlets like Hic Mulier (1620) dwelt at length on the insidious dangers presented by a new race of ‘mankind women’ or female transvestites who usurped male dress and customs such as smoking, swearing, and brawling in public.

— Natsu Hattori

Bibliography

  • Ribeiro, A. and Cumming, V. (1989). The visual history of costume. Batsford, London.
  • Wilcox, R. T. (1958). The mode in costume: a history of men's and women's clothes and accessories from Egypt 3000 bc to the present. Charles Scriber & Sons, New York
WordNet: codpiece
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Note: click on a word meaning below to see its connections and related words.

The noun has one meaning:

Meaning #1: (15th-16th century) a flap for the crotch of men's tight-fitting breeches


Wikipedia: Codpiece
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Henry VIII wearing a codpiece

A codpiece (from Middle English cod, "scrotum") is a covering flap or pouch that attaches to the front of the crotch of men's trousers and usually accentuates the genital area. It was held closed by string ties, buttons, or other methods. It was an important item of European clothing in the 15th and 16th centuries, and is still worn in the modern era in performance costumes for rock music and metal musicians and in the gay leather subculture.

Contents

History

Metal cod-pieces, 16c

In the ancient world there are extant depictions of the codpiece; for example, archaeological recovery at Minoan Knossos on Crete has yielded figurines, some of which are clad in a codpiece.[1] Most of what is objectively known about the cut, fit, and materials of Renaissance clothing is learned from realistic portraits, from clothing inventories, from descriptive receipts for payments of artifacts, or from tailor's cutting guides.[2] In the 14th century, men's hose were two separate legs worn over linen drawers, leaving a man's genitals covered only by a layer of linen. As the century wore on and men's hemlines rose, the hose became longer and joined at the centre back but remained open at the centre front. The shortening of the cote or doublet resulted in under-disguised genitals, so the codpiece began life as a triangular piece of fabric covering the gap.

Portrait of Antonio Navagero (1565) Oil on canvas, Pinacoteca di Brera, Milan, by Giovanni Battista Moroni

As time passed, codpieces became shaped and padded as to emphasize rather than to conceal, reaching their peak of size and decoration in the 1540s before falling out of use by the 1590s. Armor of the 16th century followed civilian fashion, and for a time armored codpieces were a prominent addition to the best full harnesses. A few of these are on display in museums today: the Metropolitan Museum of Art in New York City has one, as does the Higgins Armory[3] in Worcester, Massachusetts; the armour[4] of Henry VIII in the Tower of London has a codpiece. In later periods, the codpiece became an object of the derision showered on outlandish fashions. Renaissance humorist Francois Rabelais jokingly refers to a book titled On the Dignity of Codpieces in the Foreword to his book The Histories of Gargantua and Pantagruel.[5]

Through the same linguistic route, cods became a modern slang term for the male genitalia.[6]

In contemporary culture

Leather codpiece.

Subcultural attire

Codpieces are worn in gay leather subcultural attire to cover and confine the genitals of a man, sometimes while wearing leather chaps.

Heavy metal fashion

The codpiece crossed over from the leather subculture to become an established part of heavy metal fashion performance costume when Rob Halford, of the band Judas Priest, began wearing clothing adopted from the gay biker and leather subculture while promoting the Hell Bent for Leather Album in 1978.[7] Ian Anderson, front man for Jethro Tull, wore a codpiece during his performances in the mid-1970s. Gene Simmons of the American Rock Band Kiss often wore black and silver costumes with codpieces.The lead singer of 1980s music group Cameo, Larry Blackmon, wore a large, bright-red codpiece in all of his performances.Shock rock performer Blackie Lawless, leader of the group WASP, wore a codpiece that features a saw blade. Heavy metal singer King Diamond has been known to wear a codpiece as part of his performance outfits.Electric Six lead singer Dick Valentine can be seen wearing a brightly flashing codpiece in the music video for the band's 2003 hit single Danger! High Voltage. Metal singer Till Lindemann of Rammstein occasionally wears codpieces on stage.

Oderus Urungus of metal band GWAR wearing a codpiece in a 2004 concert.

Black metal musician and Satanist Infernus wore a codpiece as part of his attire during the Ad Majorem Sathanas Gloriam era of Gorgoroth. William Murderface also wears a codpiece on several occasions. Alice Cooper regularly wears bright red codpieces in concert. GWAR front man Oderus Urungus wears a codpiece which is entitled: The Cuttlefish of Cthulu.

Pop music

Tom Jones wore codpieces during concerts and Larry Blackmon used to wear a red codpiece over his pants, which was his trademark. Cameo's frontman sports a codpiece in his video "Word Up."

In film, electronic media and modern literature

In Anthony Burgess's novel A Clockwork Orange (and later Stanley Kubrick's movie adaptation), Alex and his gang wear codpieces. In William Tenn's novella The Masculinist Revolt (1965), the codpiece becomes the symbol for an antifeminist movement. In the 1968 novel Do Androids Dream of Electric Sheep?, the Earth is covered in radioactive dust from nuclear fallout, so male characters must wear lead codpieces to avoid becoming sterile. The films Batman Forever and Batman & Robin received much publicity over the size of the molded rubber codpieces of the Batman and Robin costumes. In Jim Henson's movie Labyrinth, the Goblin King (played by David Bowie) sports a codpiece beneath his riding breeches. In The Pirate Movie (1982), a rock music version of the Pirates of Penzance, the Pirate King wore an enormous jeweled codpiece for comedic effect.

In Babylon 5, G'Kar, played by Andreas Katsulas, sports a codpiece as part of his Ambassadorial garb. In one episode of Metalocalypse, Murdering Outside the Box bassist William Murderface purchases a diamond-encrusted codpiece. In the 1995 film Se7en, a lust-related murder involves a man being forced at gunpoint to don a codpiece with a long blade. In the video game Guitar Hero and Guitar Hero II, Izzy Sparks' main costume features a skull-shaped codpiece. Codpiece was a supervillain who appeared in Doom Patrol #70. He was armed with a mechanical codpiece but was defeated by Coagula, who melted it.[8] In the British sitcom Blackadder episode "The Archbishop" the eponymous anti-hero Edmund wears a vast, erect "Black Russian" codpiece.

In the movie From Dusk till Dawn the character "Sex Machine" played by Tom Savini wears a black leather codpiece. In the sitcom The Big Bang Theory, an episode is called "Codpiece Topology" because the story includes a renaissaance fair. In the video game Final Fantasy IX, the main antagonist Kuja is often confused for wearing a thong, instead of his metallic Codpiece. The video game No More Heroes (video game) features a boss named Destroyman whose codpiece shoots lasers. In the British comedy/sitcom Red Dwarf (science fiction series), Lister can often be seen wearing a codpiece masturbation device while playing virtual reality video games.

See also

References

Notes

  1. ^ C. Michael Hogan. 2007. Knossos fieldnotes, Modern Antiquarian.
  2. ^ Grace Q. Vicary, Cultural Anthropology, Vol. 4, No. 1 (Feb., 1989), Visual Art as Social Data: The Renaissance Codpiece, pp. 3-25.
  3. ^ John Grabenstein, http://www.higgins.org .
  4. ^ David Edge, Arms and Armor of Medieval Knights: An Illustrated History of Weaponry in the Middle Ages.
  5. ^ http://www.albertrabil.com/projects2000/mcardle/PROLOGUE.html
  6. ^ http://www.spiritus-temporis.com/body-parts-slang/male-genitalia.html
  7. ^ http://findarticles.com/p/articles/mi_m1589/is_n759/ai_20830600/pg_1
  8. ^ A Fan's Analysis of Doom Patrol supervillain Codpiece.

Bibliography

  • Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0810963175.
  • Ashelford, Jane. The Visual History of Costume: The Sixteenth Century. 1983 edition (ISBN 0-89676-076-6), 1994 reprint (ISBN 0-7134-6828-9).
  • Edge, David: Arms and Armor of Medieval Knights: An Illustrated History of Weaponry in the Middle Ages.
  • Hearn, Karen, ed. Dynasties: Painting in Tudor and Jacobean England 1530-1630. New York: Rizzoli, 1995. ISBN 0-8478-1940-X.

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Dictionary. The American Heritage® Dictionary of the English Language, Fourth Edition Copyright © 2007, 2000 by Houghton Mifflin Company. Updated in 2009. Published by Houghton Mifflin Company. All rights reserved.  Read more
World of the Body. The Oxford Companion to the Body. Copyright © 2001, 2003 by Oxford University Press. All rights reserved.  Read more
WordNet. WordNet 1.7.1 Copyright © 2001 by Princeton University. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Codpiece" Read more