For more information on Colin Henry Wilson, visit Britannica.com.
| Britannica Concise Encyclopedia: Colin Henry Wilson |
For more information on Colin Henry Wilson, visit Britannica.com.
| Architecture and Landscaping: Sir Colin St John Wilson |
English architect. With J. L. Martin he was very influential at the School of Architecture, University of Cambridge (where he and Martin designed the Corbusier-inspired brick and raw-concrete blocky Extension C 1958–9), and, with Martin, designed several university buildings, including the inward-looking, remorselessly hard terraced brick-built Harvey Court, Gonville and Caius College, Cambridge (1958–62—influenced by Aalto and Kahn), and the Law, Economics, and Statistics Libraries, Manor Road, Oxford (1961–4), which explored the themes of the fragmented courtyard and the stepped terrace. Their eight-storey brick William Stone Residential Building, Peterhouse, Cambridge (1962–4), shows influences again from Aalto. Other designs (by Wilson alone) include two houses, 2 and 2a Grantchester Road (1961–4—described by Pevsner as ‘memorable’), and Spring House, Conduit Head Road (1967—about which Pevsner was less enthusiastic), both in Cambridge. In 1962 Wilson and Martin were commissioned to design the British Library opposite the British Museum in Bloomsbury, but Conservationists opposed the destruction of so much earlier fabric in the area. In 1977–9, Wilson designed the West Wing Extension to the Museum, an uncompromisingly Modernist solution grafted on to Smirke's great building, and in due course was commissioned to design the new British Library on a different site on the Euston Road, London, beside Scott's huge frontage to St Pancras Railway Station. Begun in 1982 and completed in 1998, the Library is his largest work, displaying affinities with some of his earlier designs. The hard red-brick exterior is a dour neighbour of Scott's great pile, demonstrating the Modern Movement's chronic problems with context, but some of the interiors rise to the occasion. He has published many articles, and in 1994 his book, Architectural Reflections, appeared.
Bibliography
The full bibliography for this book is available to download as a pdf file.
Download the bibliography for A Dictionary of Architecture and Landscape Architecture (PDF: 1.2MB)
| Columbia Encyclopedia: Colin Wilson |
Bibliography
See his Autobiographical Reflections (1988); studies by S. R. Campion (1962), J. A. Wiegel (1975), C. P. Bendau (1979), N. Tredell (1982), K. G. Bergström (1983), J. Moorhouse (1989), H. F. Dossor (1990), and G. Lachman (1994); annotated bibliography by C. Stanley (1989).
| Occultism & Parapsychology Encyclopedia: Colin Henry Wilson |
Popular British novelist and writer on occultism who attracted worldwide attention with his first book, The Outsider. He was born on June 26, 1931, in Leicester, England. He was educated at the Gateway School, Leicester, and worked at a great variety of jobs before becoming a writer. In 1947 he was employed by a wool company, and he subsequently worked as a laboratory assistant at a secondary technical school (1947-48) and as a tax collector (1947-49). He spent time in Germany and France, and while in Paris he worked on Merlin and Paris Review. Wilson was writer-in-residence at Hollins College, Virginia (1966-67) and now resides in Cornwall, England.
While preparing his first book The Outsider (1956), Wilson researched at public libraries, slept outdoors, and wrote in coffee houses. The book was an instant success, and the term "outsider" passed into common use as a romantic way to denote a type of brilliant misfit capable of surveying life in an original way. Assuming that role himself, Wilson has shown originality in his other writings, and in recent years he has achieved the status of an authority on popular occultism for his many writings and reviews in that subject area. His major study The Occult (1971) is a substantive survey of the emerging occult community at the beginning of the 1970s. He has produced several books annually through the 1980s to the present. He has continued to reflect upon the world of psychic experience, the occult, and alternative spirituality. His novel, The Space Vampires (1975), was turned into a movie.
Sources:
Wilson, Colin. Beyond the Outsider. Boston: Houghton, Mifflin, 1965.
——. Enigmas and Mysteries. Garden City, N.Y.: Doubleday, 1976.
——. The Essential Colin Wilson. London: Harrap, 1985.
——. The Geller Phenomena. London: Aldus Books, 1976.
——. Mysterious Powers. Reprinted in the United States as They Had Strange Powers. Garden City, N.Y.: Doubleday, 1975.
——. The Occult. London: Hodder & Stoughton; New York: Random House, 1971.
——. The Unexplained. Lake Oswego, Ore.: Lost Pleiade Press, 1975.
Wilson, Colin, and John Grant, eds. Directory of Possibilities. Exeter, England: Webb & Bower, 1981.
| Quotes By: Colin Wilson |
Quotes:
"The mind has exactly the same power as the hands: not merely to grasp the world, but to change it."
"A symphony is a stage play with the parts written for instruments instead of for actors."
"The complex develops out of the simple."
| Wikipedia: Colin Wilson |
| Colin Wilson | |
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Pictured in Cornwall, 1984 |
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| Born | June 26, 1931 Leicester, England, UK |
| Occupation | Author |
| Nationality | English |
| Writing period | 1956 to Present |
| Genres | Non-fiction and fiction |
| Literary movement | Angry Young Men |
| Notable work(s) | The Outsider The Occult |
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Influenced
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| Official website | |
Colin Henry Wilson (born June 26, 1931, Leicester), a prolific British writer, first came to prominence as a philosopher and novelist. Wilson has since written widely on true crime, mysticism, and other topics.
Contents |
Born and raised in Leicester in England (U.K.),[1] Wilson left school at 16, worked in factories and at various occupations, and read in his spare time.[2] When Wilson was 24, Gollancz published The Outsider (1956) which examines the role of the social 'outsider' in seminal works of various key literary and cultural figures. These include Albert Camus, Jean-Paul Sartre, Ernest Hemingway, Hermann Hesse, Fyodor Dostoyevsky, William James, T. E. Lawrence, Vaslav Nijinsky and Vincent Van Gogh and Wilson discusses his perception of Social alienation in their work. The book was a best seller and helped popularize existentialism in Britain.[3] Critical praise though, proved short-lived, and Wilson was soon widely criticized. [4]
Literary critics[who?] labelled Wilson an Angry Young Man. He contributed to Declaration, an anthology of manifestos by writers associated with the movement, and a popular paperback sampler, Protest: The Beat Generation and the Angry Young Men.[5][6] excerpted a chapter of The Outsider. Wilson and his friends Bill Hopkins and Stuart Holroyd, were viewed as a sub-group of the "Angries" that was more concerned with "religious values", than liberal or socialist politics. Critics on the left swiftly labeled them as fascistic; commentator Kenneth Allsop called them "the law givers".[7][8]
After the initial success of Wilson's first work, critics universally panned Religion and the Rebel (1957). Time magazine published a review, headlined "Scrambled Egghead", that pilloried the book.[9]
Wilson's works after The Outsider focused on positive aspects of human psychology, such as peak experiences and the narrowness of consciousness. He admired the humanistic psychologist Abraham Maslow and corresponded with him. Wilson wrote The War Against Sleep: The Philosophy of Gurdjieff on the life, work and philosophy of G. I. Gurdjieff — an accessible introduction to the Greek-Armenian mystic in 1980. He argues throughout his work that the existentialist focus on defeat or nausea provides only a partial representation of reality and that there is no particular reason for accepting it.[citation needed] Wilson views normal, everyday consciousness buffeted by the moment, as "blinkered" and argues that it should not be accepted as showing us the truth about reality.[citation needed] This blinkering has some evolutionary advantages in that it stops us from being completely immersed in wonder, or in the huge stream of events, and hence unable to act. However, to live properly we need to access more than this everyday consciousness.[citation needed] Wilson believes that our peak experiences of joy and meaningfulness are as real as our experiences of angst and, since we are more fully alive at these moments, they are more real. These experiences can be cultivated through concentration, paying attention, relaxation and certain types of work. Wilson argues that compulsive criminality is a manifestation of a pathological attempt to gain peak experiences through violence. This leads the criminal to greater extremes of violence or to a desire to be caught.[citation needed]
Wilson has written non-fiction books on metaphysical and occult themes. In 1971, he published The Occult: A History featuring exegesis on Aleister Crowley, G. I. Gurdjieff, Helena Petrovna Blavatsky, Kabbalah, primitive magic, Franz Anton Mesmer, Gregor Rasputin, Daniel Dunglas Home, and Paracelsus (among others). He also wrote a markedly unsympathetic biography of Crowley, Aleister Crowley: The Nature of the Beast, and has written biographies on other spiritual and psychological visionaries, including Gurdjieff, C.G. Jung, Wilhelm Reich, Rudolf Steiner, and P.D. Ouspensky.
Originally, Wilson focused on the cultivation of what he called "Faculty X", which leads to an increased sense of meaning, and on abilities such as telepathy or the awareness of other energies. In his later work he suggests the possibility of life after death and the existence of spirits.
He has also written non-fiction books on crime, ranging from encyclopedias to studies of serial killing. He has an ongoing interest in the life and times of Jack the Ripper and in sex-crime in general.
Wilson explored his ideas on human potential and consciousness in fiction, mostly detective fiction or science fiction, including several Cthulhu Mythos pieces.
Much of Wilson's fictional output, like his non-fiction work, from Ritual in the Dark (1960) onwards, has concerned itself with the psychology of murder — especially that of serial killing. However, he has also written science fiction of a philosophical bent, including the acclaimed[by whom?] Spider-World series.
In The Strength to Dream (1961) Wilson attacked H.P. Lovecraft as "sick" and as "a bad writer" who had "rejected reality" — but he grudgingly praised Lovecraft's story "The Shadow Out of Time" as capable science-fiction. August Derleth, incensed by Wilson's treatment of Lovecraft in The Strength to Dream, then dared Wilson to write what became The Mind Parasites — to expound his philosophical ideas in the guise of fiction.[citation needed]. Wilson also discusses Lovecraft in Order of Assassins (1972) and in the prefatory Note to The Philosopher's Stone (1969). His short novel The Return of the Lloigor (1969/1974) is also rooted in the Cthulhu Mythos - its central character works on the real book the Voynich Manuscript but discovers it to be a mediaevel Arabic version of the Necronomicon - as is his more recent novel The Tomb of the Old Ones (2002).
Tobe Hooper directed the film Lifeforce, based on Wilson's novel, The Space Vampires.[10] Wilson disavowed the film as untrue to the spirit of his novel.[citation needed]
Note: this bibliography, while extensive, does not list all of Wilson's work. For a complete bibliography see Colin Stanley's Colin Wilson, the first fifty years: an existential bibliography, 1956-2005. Nottingham, UK: Paupers' Press, 2006 (ISBN 0-946650-89-6)
Unpublished works:
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| Angry Young Men (literary term) | |
| Faculty X (parapsychology) | |
| The Stranger (Sources) (novel) |
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